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Tonight on Triple Feature we're reviewing a trio of shark movies, The Bay, Deep Water and Chum. Director Phil Volken's *The Bay* stars Francesca Eastwood, Dani Oliveros and Alexander Wraith in a survival thriller set in Thailand but filmed largely in Hawaii. The production used practical shark effects and real underwater footage, but reviews criticized its pacing and screenplay. Renny Harlin directs *Deep Water*, starring Aaron Eckhart and Ben Kingsley, about airplane crash survivors stranded in shark-infested waters. Critics praised the disaster sequences while questioning the familiar plot and character development. Jonathan Zuck's *Chum*, starring Alice Eve, follows a fisherman using kidnapped tourists as bait to hunt a shark. Critics and audiences have been particularly negative about its effects, editing and performances. We'll compare the three productions, their casts, filmmaking choices and critical and audience reception. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Damn You Hollywood, we're reviewing Godzilla Minus Zero. Takashi Yamazaki returns to postwar Japan with the sequel to his Academy Award-winning Godzilla Minus One. Set in 1949, the film reunites us with Koichi Shikishima and Noriko as a recovering nation faces another monstrous catastrophe. The original film transformed Godzilla from a spectacle of destruction into a terrifying examination of survivor's guilt, national trauma, and the courage required to keep living. But can lightning strike twice? Does a bigger threat deepen the emotional and historical significance of the story, or does franchise escalation undermine what made the first film extraordinary? Tonight, we'll examine the performances, visual effects, monster action, and historical context while asking whether Yamazaki has successfully expanded his vision of Godzilla or simply revisited familiar territory. We'll also discuss where Minus Zero belongs in the larger Godzilla legacy. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Sessions, we're taking our reviews of Band of Brothers, The Pacific and Masters of the Air and making a Sabaton-like song about the sacrifices of our military. Three acclaimed World War II series, three very different battlefields, and one question: how do you honor people whose experiences you can never fully understand? We dig back into our conversations about leadership under fire, the psychological cost of surviving combat, the courage of bomber crews, and the moral complications that don't disappear when the shooting stops. Then we turn those observations—not episode recaps—into thunderous military power metal. Expect galloping guitars, a chorus built to shout along with, and just enough of our trademark irreverence to explain why the song is called “Tanks for the Memories.” Because the joke is in the title, not the tribute. I wasn't there, but I care. Join us as we turn remembrance, gratitude, and three TV reviews into one heavy-metal anthem. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Audiences always say they want originality, passion, and a film that shows just how much the filmmakers love creating... so why didn't more people see this work of art?!? Join Alexis Hejna from Honeysuckle Rose Creations, along with Robert Winfree and Zachary Strobel, to discuss the latest outing from Laika Studios. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Triple Feature it's a grab bag of streaming releases from the month of October: Matchbox - The Movie, Animals and Sacrifice. First, Mattel continues its cinematic expansion with *Matchbox*, an Apple TV action adventure produced by Skydance and directed by *Extraction* filmmaker Sam Hargrave. John Cena headlines this toy-inspired espionage thriller, which earned largely negative reviews despite praise for its stunt work. Next, Ben Affleck returns to the director's chair with Netflix's *Animals*, produced through Artists Equity. Co-starring Kerry Washington, the kidnapping thriller reunites Affleck with his crime-drama roots but received harsh criticism for its screenplay and uneven execution. Finally, *Athena* director Romain Gavras delivers *Sacrifice*, an independently financed, mythology-infused satire starring Chris Evans and Anya Taylor-Joy. Filmed on challenging European locations, this provocative production divided critics with its collision of environmental extremism, celebrity culture and absurdist violence. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Triple Feature, we're focusing on legendary horror director Wes Craven, specifically looking at Shocker, Vampire in Brooklyn and My Soul To Take. From an executed serial killer who returns through electricity to a seductive vampire stalking New York City and a supernatural mystery involving a murdered family and seven teenagers, these three films represent some of Craven's stranger and more divisive work. Across three decades, Craven repeatedly explored possession, fractured families, inherited evil, and the struggle between individuals and authority. But do these recurring themes reveal a filmmaker wrestling with his own psychological demons, or a director recycling the same ideas with diminishing returns? We'll examine the performances, outrageous storytelling, supernatural mythology, and occasional absurdity of these three films while asking whether Craven's reputation as a master of horror extends beyond his most celebrated franchises. Join us for a journey through the weird, wild, and frequently ridiculous side of Wes Craven. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

It's time to take a look at the backstory of one of the most prolific movie monsters of all time... or at least, his mother's story. Alexis Hejna from Honeysuckle Rose Creations sits down with Robert Winfree and Jayson Teasley to discuss the new horror series from Peacock, 'Crystal Lake'. Remember to be careful when you go swimming! Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Just in time for Halloween, we're looking at three spooky films from 2026 with one thing in common: all were directed by YouTubers. With more and more filmmakers getting their start on smaller video platforms and social media, could this be the future of cinema? Join Alexis Hejna from Honeysuckle Rose Creations and Robert Winfree as they take a look at three of the newest voices in horror. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Damn You Hollywood we're reviewing Clayface. Directed by James Watkins from a screenplay by Mike Flanagan and Hossein Amini, the DC Studios body-horror film stars Tom Rhys Harries as Matt Hagen, alongside Naomi Ackie, Max Minghella and Eddie Marsan. Developed under James Gunn and Peter Safran, the project emerged from Flanagan's pitch to reinvent a classic Batman villain as the centerpiece of a standalone horror tragedy. Produced by DC Studios and distributed by Warner Bros. Pictures, Clayface occupies an unusual position in the new DC Universe: a Batman-related story without Batman at its center. Its development also coincided with a historic corporate transition, as Paramount Skydance moved to acquire Warner Bros. Discovery, raising questions about the future of DC's theatrical strategy. We examine the film's development, production, casting, comic-book origins and place in a changing Hollywood. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on TV Party Tonight, we're reviewing, Monster: The Lizzie Borden Story. Ryan Murphy and Ian Brennan return to Netflix with the fourth installment of their controversial true-crime anthology, following Jeffrey Dahmer, the Menendez brothers, and Ed Gein. Developed around the themes of Victorian repression and female rage, the eight-episode season stars Ella Beatty as Lizzie Borden, alongside Vicky Krieps, Charlie Hunnam, Rebecca Hall, Billie Lourd, and Sarah Paulson. Director Max Winkler embraces a blend of gothic horror, dark comedy, and psychological melodrama, with production taking place in Los Angeles and Rome. But the series has attracted criticism for its extravagant violence, uneven storytelling, and questionable historical accuracy. Although Borden was acquitted of murdering her father and stepmother in 1893, the show portrays her guilt as fact, inventing relationships, motives, and additional crimes. Tonight, we're examining the performances, production choices, and whether Monster's dramatic ambitions justify its liberties with history. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Triple Feature we will be looking at Solo Mio, The Invite and For Worse. Kevin James co-wrote and stars in Solo Mio, directed by brothers Charles and Daniel Kinnane, about a jilted groom who decides to take his Italian honeymoon alone. Olivia Wilde directs and stars alongside Seth Rogen, Edward Norton and Penélope Cruz in The Invite, an adaptation of Cesc Gay's Spanish film The People Upstairs, in which a troubled marriage is tested by an unusual dinner invitation. Finally, Amy Landecker writes, directs and stars in For Worse, a semi-autobiographical comedy inspired by her experiences navigating divorce, dating and a younger generation's wedding culture. Shot in just eleven days, the film examines the indignities and possibilities of starting over in middle age. Three romantic comedies, three very different approaches to commitment, and one peculiar recurring detail: therapists becoming romantically involved with their patients. What could possibly go wrong? Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Got everything you need for the prom? Dress? Corsage? Bucket of pig's blood? Alexis Hejna from Honeysuckle Rose Creations joins Robert Winfree and Benjamin Colon as they discuss horror master Mike Flanagan's take on the iconic Stephen King novel. Join them as they look at the evolution of bullying through social media, the development of King's macroverse, and just how faithful this new adaptation gets to his debut novel. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Damn You Hollywood. we're reviewing the latest Street Fighter movie! Director Kitao Sakurai brings Capcom's legendary fighting game back to the big screen with a World Warrior tournament, an international roster of fighters, and an outrageous ensemble cast. Andrew Koji stars as Ryu, Noah Centineo plays Ken, and Callina Liang takes on Chun-Li as they confront David Dastmalchian's M. Bison and the forces threatening the tournament. Jason Momoa plays Blanka, 50 Cent is Balrog, Cody Rhodes is Guile, and Roman Reigns is Akuma. Set in 1993, the film promises martial arts spectacle, arcade nostalgia, and plenty of familiar special moves. But can it succeed where previous adaptations stumbled? Does recreating the characters and combat of Street Fighter actually make for a good movie? Join us as we discuss the performances, fight choreography, story, and whether Hollywood has finally figured out how to bring Street Fighter to life—or delivered another expensive button-mashing disaster! Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on the Metal Hammer of Doom we're reviewing the latest EP from Avenged Sevenfold, Statica! Avenged Sevenfold have never been particularly interested in staying in one musical lane, but this release raises a question that goes beyond whether the songs are heavy, experimental, or even recognizably Avenged Sevenfold: what does a band name mean anymore? Tonight we're digging into the music, the choices behind the STATICA identity, and whether a new name gives a band room to explore or simply changes the expectations listeners bring with them. We'll talk about what works, what doesn't, and how this project fits into Avenged Sevenfold's larger creative evolution. Is STATICA a bold new chapter, an elaborate detour, or a distinction without a difference? Join us as we put the EP under the microscope, separate experimentation from execution, and ask the question every longtime fan eventually faces: how far can a band change before it becomes something else entirely? Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on TV Party Tonight we're reviewing Star Trek Strange New Worlds season 4. Captain Christopher Pike and the crew of the USS Enterprise return for another season of strange encounters, personal struggles, and increasingly unconventional adventures. But has the series drifted too far from what made Star Trek special? Between puppets, fantasy role-playing, romantic melodrama, and endless emotional introspection, we're asking whether Strange New Worlds still delivers the scientific curiosity, philosophical debates, and moral dilemmas that defined the franchise. Does its willingness to experiment demonstrate creative ambition, or has Star Trek become more interested in exploring its characters' feelings than exploring strange new worlds? Join us as we break down the performances, writing, standout episodes, and questionable creative decisions of Season 4. We're boldly going where the franchise may no longer want to go: back to what makes Star Trek, Star Trek. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59