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Tonight on Triple Feature we will be looking at Solo Mio, The Invite and For Worse. Kevin James co-wrote and stars in Solo Mio, directed by brothers Charles and Daniel Kinnane, about a jilted groom who decides to take his Italian honeymoon alone. Olivia Wilde directs and stars alongside Seth Rogen, Edward Norton and Penélope Cruz in The Invite, an adaptation of Cesc Gay's Spanish film The People Upstairs, in which a troubled marriage is tested by an unusual dinner invitation. Finally, Amy Landecker writes, directs and stars in For Worse, a semi-autobiographical comedy inspired by her experiences navigating divorce, dating and a younger generation's wedding culture. Shot in just eleven days, the film examines the indignities and possibilities of starting over in middle age. Three romantic comedies, three very different approaches to commitment, and one peculiar recurring detail: therapists becoming romantically involved with their patients. What could possibly go wrong? Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Got everything you need for the prom? Dress? Corsage? Bucket of pig's blood? Alexis Hejna from Honeysuckle Rose Creations joins Robert Winfree and Benjamin Colon as they discuss horror master Mike Flanagan's take on the iconic Stephen King novel. Join them as they look at the evolution of bullying through social media, the development of King's macroverse, and just how faithful this new adaptation gets to his debut novel. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Damn You Hollywood. we're reviewing the latest Street Fighter movie! Director Kitao Sakurai brings Capcom's legendary fighting game back to the big screen with a World Warrior tournament, an international roster of fighters, and an outrageous ensemble cast. Andrew Koji stars as Ryu, Noah Centineo plays Ken, and Callina Liang takes on Chun-Li as they confront David Dastmalchian's M. Bison and the forces threatening the tournament. Jason Momoa plays Blanka, 50 Cent is Balrog, Cody Rhodes is Guile, and Roman Reigns is Akuma. Set in 1993, the film promises martial arts spectacle, arcade nostalgia, and plenty of familiar special moves. But can it succeed where previous adaptations stumbled? Does recreating the characters and combat of Street Fighter actually make for a good movie? Join us as we discuss the performances, fight choreography, story, and whether Hollywood has finally figured out how to bring Street Fighter to life—or delivered another expensive button-mashing disaster! Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on the Metal Hammer of Doom we're reviewing the latest EP from Avenged Sevenfold, Statica! Avenged Sevenfold have never been particularly interested in staying in one musical lane, but this release raises a question that goes beyond whether the songs are heavy, experimental, or even recognizably Avenged Sevenfold: what does a band name mean anymore? Tonight we're digging into the music, the choices behind the STATICA identity, and whether a new name gives a band room to explore or simply changes the expectations listeners bring with them. We'll talk about what works, what doesn't, and how this project fits into Avenged Sevenfold's larger creative evolution. Is STATICA a bold new chapter, an elaborate detour, or a distinction without a difference? Join us as we put the EP under the microscope, separate experimentation from execution, and ask the question every longtime fan eventually faces: how far can a band change before it becomes something else entirely? Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on TV Party Tonight we're reviewing Star Trek Strange New Worlds season 4. Captain Christopher Pike and the crew of the USS Enterprise return for another season of strange encounters, personal struggles, and increasingly unconventional adventures. But has the series drifted too far from what made Star Trek special? Between puppets, fantasy role-playing, romantic melodrama, and endless emotional introspection, we're asking whether Strange New Worlds still delivers the scientific curiosity, philosophical debates, and moral dilemmas that defined the franchise. Does its willingness to experiment demonstrate creative ambition, or has Star Trek become more interested in exploring its characters' feelings than exploring strange new worlds? Join us as we break down the performances, writing, standout episodes, and questionable creative decisions of Season 4. We're boldly going where the franchise may no longer want to go: back to what makes Star Trek, Star Trek. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Damn You Hollywood, we are reviewing the sequel to The Social Network, The Social Reckoning. Written and directed by Aaron Sorkin, the film follows Facebook whistleblower Frances Haugen (Mikey Madison) as she works with Wall Street Journal reporter Jeff Horwitz (Jeremy Allen White) to expose what the company knew about its platform's effects on the public. Jeremy Strong takes over the role of Mark Zuckerberg as the story moves from the invention of a social network to the consequences of its success. We'll discuss the performances, Sorkin's writing and direction, the film's treatment of the Facebook Files, and how it compares with David Fincher's 2010 original. We'll also examine the questions behind the drama: What happens when technology changes society faster than society can adapt? Have we handed ordinary people the power to publish, surveil and punish without teaching them restraint? And can a platform built to connect us avoid making humiliation and outrage profitable? Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Sessions we're taking our season 1 review of YOU and turning it into a hard rock song about oversharing and trauma dumping called, "YOU Are Not Your Trauma." What started as a favor to a friend went sideways: a conversation about Joe Goldberg and Paco turned into three grown men unpacking their childhoods on a public podcast. One confession led to another, and suddenly the host was running an impromptu group therapy session instead of reviewing television. Daniel Goleman's Social Intelligence helps explain why. Emotions spread, vulnerability invites vulnerability, and other people shape what we dare to say. But there's a difference between connection and cornering someone who only asked how your day was going. We take that tension—dark humor, damaged attachments, learned survival habits, and the possibility of change—and put it to guitars. You can carry what happened to you without letting it become everything you are. This is a safe space. Public on the internet. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59  This episode includes AI-generated content.

Tonight we're putting The Social Network, directed by David Fincher and written by Aaron Sorkin, On Trial. Released in 2010, this biographical drama stars Jesse Eisenberg as Mark Zuckerberg, Andrew Garfield as Eduardo Saverin, Justin Timberlake as Sean Parker, and Armie Hammer as the Winklevoss twins. In 2003, 19-year-old Harvard student Mark Zuckerberg turns a campus social experiment into Facebook, eventually building a multibillion-dollar empire while alienating friends, attracting lawsuits, and redefining human interaction. But beneath the story of technological innovation lies something more troubling: male insecurity, social status, the objectification of women, and the commodification of human relationships. Sixteen years after its release, does Fincher's examination of ambition, betrayal, and digital validation remain a masterpiece of modern filmmaking, or does its dramatization of real events undermine its credibility? Join us as we put The Social Network On Trial. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Are you afraid? Alexis Hejna from Honeysuckle Rose Creations sits down with Jesse Starcher, Benjamin Colon, and Sean Comer to take a look at DC's new show 'Lanterns'. Make sure your ring is charged and let's go! Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Damn You Hollywood we are reviewing Digger starring Tom Cruise. Directed by Alejandro G. Iñárritu, Digger casts Cruise as Digger Rockwell, a fabulously wealthy oil magnate whose business empire has helped create an environmental catastrophe. Convinced that he is uniquely capable of fixing the crisis, Rockwell sets out to save the world while protecting his fortune, his reputation and the story he tells about himself. Cruise trades the controlled action-hero persona of his recent blockbusters for prosthetics, dark comedy and a character built around ego, ambition and the belief that enormous power makes him indispensable. The supporting cast includes Riz Ahmed, Sandra Hüller, John Goodman, Michael Stuhlbarg, Jesse Plemons and Emma D’Arcy. Tonight we’ll discuss Cruise’s transformation, Iñárritu’s direction, the film’s satire of wealth and corporate power, and whether Digger successfully turns one of the world’s biggest movie stars into the punchline of his own apocalyptic comedy. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Triple Feature we're looking at music biopic parodies, Walk Hard - The Dewey Cox Story, Weird The Al Yankovic Story and CB4. Walk Hard takes decades of musician mythology and stuffs it all into Dewey Cox, a man who experiences seemingly every triumph, tragedy, addiction and reinvention available to a recording artist. Weird takes the opposite approach, turning the famously mild life of “Weird Al” Yankovic into the kind of sex-and-drugs melodrama Hollywood thinks a music legend requires. And CB4 follows three aspiring rappers who discover that talent isn’t enough when audiences are buying authenticity, so they manufacture a gangster mythology to sell along with the music. Together, the films raise a question that goes beyond parody: do music biopics keep telling the same story because Hollywood lacks imagination, or because fame, money, excess and insulation keep producing different versions of the same life? Tonight we’re following the music, the mythology and the machine that creates both. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Damn You Hollywood we are reviewing Primetime starring Robert Pattinson. Directed by Lance Oppenheim, the film turns Chris Hansen and To Catch a Predator into a story about journalism, entertainment, and ambition. Hansen’s televised stings made him famous, but the pursuit of a Texas prosecutor who never came to the sting house ended in tragedy and raised questions about how closely a news crew should work with police. Pattinson plays a man who believes he is doing good even as ratings, recognition, and the need for a bigger catch shape his decisions. How much of that portrait is documented, and how much is the movie’s invention? We discuss the performances, the film’s uneasy visual style, its treatment of the real Bill Conradt case, and the line between exposing wrongdoing and turning punishment into a spectacle. Join us as we ask whether Primetime has something useful to say about media ethics, or whether its own appetite for drama gets in the way. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Sessions we're taking our discussion on **The Banshees of Inisherin **as well as the meaning of friendship and turning it into an Irish speed folk song in the style of Fiddler's Green. At the center of the conversation is a simple but uncomfortable question: what happens when the people who matter to us slowly drift out of our everyday lives? Sometimes friendship doesn’t end with betrayal, anger or a dramatic break. Sometimes jobs change, families grow, people move, routines disappear and suddenly the room is quieter than it used to be. From there, we look at the way songs, traditions and shared rituals keep people connected across time and distance. Then we take those ideas and turn them into “While We’re Still Living,” a manic pub anthem about calling your friends, making the plans, raising the glass and refusing to let the people you love become memories while they’re still here. Because friendship, like a good folk song, survives when people keep showing up to perform it together. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on Damn You Hollywood, we are reviewing the 2026 iteration of Resident Evil by director Zach Cregger. Austin Abrams stars as Bryan, a medical courier whose routine delivery becomes a fight for survival when Raccoon City collapses under an Umbrella Corporation outbreak. Rather than retelling the story of Leon Kennedy, Jill Valentine, or another familiar game protagonist, Cregger builds an original story running alongside the events of Resident Evil 2 while attempting to preserve the pacing, tension, and survival-horror experience of the games. We’ll break down the story, performances, creature work, action, horror, and the choice to put a new character inside a familiar world. We’ll also examine how this version compares with previous Resident Evil adaptations, whether changing the story while preserving the feel of the games is the right approach, and what the film’s reception could mean for the future of video-game adaptations. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Tonight on the Metal Hammer of Doom we're reviewing the latest Anthrax album, Cursum Perficio. Released September 18, 2026, the record is Anthrax’s twelfth studio album and their first since 2016’s For All Kings, marking the longest gap between albums in the band’s career. It is also their first album since 2004’s The Greater of Two Evils to arrive without a lineup change from the previous record. Work began in fits and starts as far back as 2018, but touring commitments, the pandemic, discarded material and continued rewrites delayed the finished album until 2026. The band entered the studio in 2023, with Joey Belladonna recording vocals later that year and production continuing into 2025. The title, Cursum Perficio, roughly translates to “I complete my journey,” though the band has stressed that this is not intended as a farewell album. Singles included “It’s for the Kids,” “The Edge of Perfection” and “Everybody’s Got a Plan,” with Scott Ian calling “The Edge of Perfection” the greatest Anthrax song in the band’s history. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59