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Inspired by the release of Coyote vs. Acme, Kohji and Andrew explore the world of live-action animation hybrids. First, the hidden gem Hundreds of Beavers (2022) — a $150K black-and-white silent film that plays like a feature-length Looney Tunes episode meets a survival video game. Then, the "Love It" pick: Space Jam: A New Legacy (2021), where Warner Bros. casts itself as the villain while stuffing the movie with its own IP. Plus: box office game, critic or commenter, love-it-or-leave-it debates on athletes-as-actors, nostalgic cameos, and AI villains, and a tease of the next episode. Films discussed: Coyote vs. Acme, Hundreds of Beavers, Space Jam: A New Legacy Where to watch: Hundreds of Beavers — Amazon Prime, Tubi Space Jam: A New Legacy — Crave (Canada), Apple TV, Amazon Video Mentioned: Backrooms 2 (Kane Parsons directing), Onslaught, Jason Statham's Mutiny, The Furious (next episode) Connect: Kohji's mobile game Colony Survival available on the App Store and Google Play.

This week on You Gotta Love It, Kohji and Andrew go prehistoric. Themed around the upcoming film The End of Oak Street — where a suburban family crisis turns into prehistoric survival — the guys dig into two movies that blend family, creatures, and the fight to stay alive. First up is the hidden gem Love and Monsters (2020), a Netflix release that quietly earned an Academy Award nomination for its creature effects on a $30 million budget. Starring Dylan O'Brien as a hapless survivor who leaves his bunker to reconnect with his pre-apocalypse girlfriend, the film charmed both hosts with its humor, heart, and surprisingly thoughtful take on what it means to truly live — not just survive. Along the way, they trace O'Brien's career from Teen Wolf and Maze Runner stardom through his life-changing on-set injury and back to this winning comeback role. Then comes the "love it" pick: 65 (2023), starring Adam Driver as a space pilot who crash-lands on Earth 65 million years ago — right before the asteroid. Despite a killer premise (laser guns + dinosaurs!), Sam Raimi producing, and Driver's committed performance, the film's self-serious tone holds it back from the B-movie greatness it could have been. The guys debate whether a Gerard Butler or Jason Statham type would have served the material better. Plus: a 10 Cloverfield Lane steelbook for Shelf Respect, Andrew's recommendation of Charlie Kaufman's sprawling debut novel, a budget game, Critic or Commenter, Love It or Leave It, and a preview of the next episode. Show Notes: Films Discussed: Love and Monsters (2020) — Dir. Michael Matthews | Hidden Gem | Streaming on Netflix 65 (2023) — Dir. Scott Beck & Bryan Woods | Love It | Streaming on Netflix; rent/buy on Apple TV, Amazon, YouTube Key Topics: The disappearing middle-budget movie and why Love and Monsters nails that sweet spot Dylan O'Brien's career arc: Teen Wolf, Maze Runner, his 2016 stunt accident, and return to form Whether Love and Monsters is secretly a COVID movie (it was shot in 2019, pre-pandemic) Adam Driver: the best and worst thing about 65 The return of quicksand to pop culture Ariana Greenblatt in both films — playing opposite characters who couldn't be more different Why 65 needed more wonder and fewer jump scares (the Jurassic Park brachiosaur effect) The "this is actually Earth" twist and why it doesn't land Shelf Respect: 10 Cloverfield Lane (steelbook) — bunker life gone wrong, the perfect companion piece Jurassic Park 7-film 4K collection (backup pick) Andrew's Recommendation: Antkind by Charlie Kaufman — a 700-page meta-novel about a pompous film critic, a three-month-long stop-motion film, and the meaning of existence. Darkly funny, deeply weird, and not for everyone. Segments: Budget Game: 65 cost ~$45M (possibly $90M before tax rebates); grossed $56M worldwide Critic or Commenter: Quotes from RogerEbert.com, Letterboxd, and more — Andrew goes 0-for-10 Love It or Leave It: AI assistant exposition, language barrier bonding, dinosaurs as the big bad, "this is actually Earth" secret reveals, and asteroid disasters as a film device Lovability Scores for 65: Entertainment 6/6, Defendable 5/7, Actual Quality 5/7, Insanity Bonus 2.5/2.5 (out of 5) Next Episode: Hidden Gem: Hundreds of Beavers (2022) — a black-and-white silent film that's apparently a hit with five-year-olds Love It: Space Jam: A New Legacy (2021) — LeBron James and cartoon characters Where to Watch: Love and Monsters — Netflix (US & Canada) 65 — Netflix; also available to rent/buy on Apple TV, Amazon Video, and YouTube

Brand New Day: The Heroic Trio vs. Madame Web Koji and Andrew host the podcast You Gotta Love It with a “brand new day” theme, pairing spider/superhero films: hidden gem The Heroic Trio (1993, dir. Johnny To) and “Lovett” Madame Web (2024, dir. S.J. Clarkson). They summarize The Heroic Trio’s plot—babies stolen for an underworld master, three heroines (Michelle Yeoh, Anita Mui, Maggie Cheung) ultimately team up—and praise its Hong Kong wire-work action, genre-blending tone, cult history, and wild finale, while noting jarring child deaths and tonal whiplash. They compare origin-story exposition versus being dropped into a world, then discuss Madame Web’s muddled “pre-origin” premise, weak characterization, product placement, and unrealized potential around fate vs. choice and precognition, citing poor reviews but noting some visual moments, Adam Scott’s performance, and Koji’s daughter liking the future-vision and costumes. They end with “love it or leave it” prompts and tease future episodes (Coyote vs. Acme, Space Jam: A New Legacy, Hundreds of Beavers, 65). 00:00 Welcome to the Pod 01:11 Theme and Picks 01:50 Heroic Trio Setup 04:23 First Impressions 06:36 Cast and Context 09:56 Dynamite and Tone 14:59 Origins vs Drop In 18:46 Action Craft Talk 22:23 Cult Status and Finale 25:29 Shelf Respect Segment 28:04 Weekly Recs 30:37 Madame Web Roast 33:12 Plot Breakdown Begins 35:22 Dunking Then Praise 37:26 Fate Versus Choice 39:04 Fixing The Action 40:49 Origin Story Gaps 42:38 Responsibility Gives Power 43:42 Pepsi And Branding 46:28 Spider Verse Nods 48:54 Kid Review Notes 49:32 Style And Soundtrack 52:29 Budget Box Office 54:37 Critic Or Commenter 56:07 Scores And Wrap Up 59:20 Love It Or Leave It 01:01:28 Final Thoughts And Next

In this episode, Kohji and Andrew dive into the cinematic reinterpretation of Homer’s epic, The Odyssey, directed by Christopher Nolan. They explore the artistic choices, casting decisions, and thematic updates Nolan infused to make the story resonate with today’s audience, and debate the authenticity of such adaptations. Key topics discussed: The shift from traditional storytelling to a modernized adaptation with contemporary vernacular and accents Casting choices including star-studded cast and their implications for audience immersion Nolan’s simplification and reinterpretation of Odysseus’s character—from a tricky antihero to a more straightforward hero archetype The use of familiar actors to evoke real-world parallels and elevate the mythological storytelling The debate over historical and mythological accuracy versus artistic license in adaptations The influence of modern society’s diversity on casting and character portrayal The impact of perceived “dumbing down” of complex characters for broader appeal Conspiracy theories and controversies regarding box office manipulation and online review tactics The enduring power of storytelling, myth, and adaptation in contemporary film Timestamps: (00:00) - Introduction and the significance of Nolan's The Odyssey adaptation (01:34) - The importance of modern storytelling techniques in the film (03:24) - Historical debates surrounding Homer and the origins of The Odyssey (05:10) - Audience reactions and overall experience of the film (06:09) - Casting choices and their effect on viewer immersion (08:34) - Nolan's characterization of Odysseus as an antihero (11:03) - Modern vernacular to connect audiences to ancient themes (15:02) - The symbolism of Zeus’s Law and its contemporary relevance (18:07) - The use of accents and diversity in casting (21:08) - The controversy of “woke” casting and representation (27:17) - Analysis of star casting and actor choices (38:27) - Simplification of Odysseus’s character for narrative clarity (44:23) - Nuance and symbolism in mythological storytelling (48:32) - Artistic liberties and deviations from the original poem (52:35) - Adaptation vs. fidelity in myth and storytelling (57:05) - Movie ratings, conspiracy theories, and box office realities (65:16) - Hypothetical remakes and future reimaginings (69:51) - Final recommendations and closing thoughts

You Gotta Love It: The Fall (Hidden Gem) and Clash of the Titans (2010) Koji and Andrew Patterson introduce You Gotta Love It while discussing poor Toronto air quality from forest fire runoff, then preview an episode themed around Christopher Nolan’s upcoming The Odyssey, which they have tickets to see in 70mm IMAX. Their hidden gem is Tarsem Singh’s The Fall (festival 2006; wider US 2008), set in the 1920s and starring Lee Pace and Catinca Untaru, about an injured stuntman who tells a six-year-old a fantasy epic to manipulate her into helping him obtain means to end his life, only for her imagination to reshape the story and ultimately push him toward living; they praise its visuals, child performance authenticity, and real-world locations shot across 20+ countries, with Tarsem largely self-financing. Their “you gotta love it” is the 2010 Clash of the Titans remake (Louis Leterrier), criticized for plotting, action, and post-production 3D; they note strong cast/design elements, shaky-cam issues, and score it around 6–7/10, debate remakes and man-vs-gods themes, play “critic or commenter,” and tease a next episode on Madame Web and The Heroic Trio (1993). 00:00 Botched Cold Open 00:28 Toronto Smoke Talk 01:48 Episode Theme Setup 02:44 The Fall Premise 05:17 Storytelling Layers 08:27 Why It Hooks You 10:29 Child Actor Magic 15:03 Meaning of the Falls 17:29 How It Was Made 22:01 Ending and Spoilers 23:36 Why It Was Overlooked 26:19 Shelf Respect Segment 27:54 Book Recommendation 29:40 Clash Intro and Stats 33:08 Plot Breakdown 35:42 What Works Design 38:03 Pacing and Ruthlessness 39:47 Stacked Cast Talk 40:13 Sam Worthington That Guy 43:04 Campy Greek Drama 46:23 Remakes Love Or Leave 50:40 Clash Scores Breakdown 52:56 Final Verdict And Box Office 55:31 Themes Fate And Hubris 57:54 3D Shaky Cam And Wigs 01:01:48 Critic Or Commenter Game 01:03:36 Recommendations And Next Episode

This week's episode is all about dystopian babes with questionable superpowers. Kohji and Andrew dig into two gloriously unhinged '90s/2000s guilty pleasures: the grimy, Heavy Metal-inspired cult classic Barb Wire, starring Pamela Anderson as a mercenary nightclub owner who really doesn't want to be called "babe," and the notoriously maligned Catwoman (2004), starring Halle Berry as a resurrected, catnip-obsessed corporate whistleblower turned superhero. Plus: Tank Girl gets a shelf-respect shoutout, a new "Critic or Commenter" segment puts Roger Ebert head-to-head with internet reviewers, and the guys debate whether sexualized action heroines can ever really have agency. Show Notes Intro & Supergirl chatter — is it this year's Mordecai? Barb Wire (1996): a Casablanca remake nobody asked for, its Heavy Metal comic energy, practical '90s effects, and Udo Kier's unhinged Curly Shelf Respect segment: Tank Girl and its comic-book roots Catwoman (2004): origin story breakdown, the infamous "walk," basketball scene, toxic beauty industry themes, and the movie's tonal whiplash Critic or Commenter: guessing game featuring a real Roger Ebert quote Love It or Leave It: makeovers, Catwoman movies, dystopian B-movies, screwball tonal shifts, and sexualized leads in action films Recommendations: The Death of Robin Hood and Adolescence Next episode preview: The Fall and Clash of the Titans (2010)

Disclosure Day Theme: The Vast of Night (Hidden Gem) and Knowing (You Gotta Respect It) Koji and Andrew Patterson return to You Gotta Love It and announce a new themed-episode format tied to Spielberg’s “Disclosure Day,” pairing the hidden gem The Vast of Night with the “you gotta love it” pick Knowing. They catch up on life (Andrew finishing an MFA and moving back from New York; Koji watching movies with his nearly six-year-old and collecting 4K discs), then discuss The Vast of Night as a slow-burn, Twilight Zone–styled 1950s UFO mystery with real-time dialogue, long takes, and themes of ignored voices (teens, Black characters, the elderly). A new “Shelf Respect” segment spotlights Jordan Peele’s Nope on 4K; Andrew recommends Canadian sci-fi horror Cube. They break down Knowing (2009), its disaster set pieces, fate vs. choice, religious symbolism, and divisive ending, rate it “you gotta respect it,” note its box-office success, play “love it or leave it,” invite listener suggestions, tease future episode ideas, and close with thoughts on whether aliens exist or could be imperceptible.

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We back baby. In this episode we run down our top 5 favorite media we've consumed since the world changed. We missed you guys