Advertise on podcast: IndieWire's Filmmaker Toolkit

In a live edition of Filmmaker Toolkit, writer-director Walter Hill joins IndieWire’s Jim Hemphill at the American Cinematheque for a post-screening discussion of his action-comedy classic “48HRS.” Hill discusses casting Eddie Murphy, designing one of the great long takes of the 1980s, and what he thinks his imitators got wrong in the buddy films that came later. Read Walter Hill reflect on the making of another of his classics, "The Warriors" - https://www.indiewire.com/features/interviews/walter-hill-interview-warriors-1235142531/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Through films like "Fury," "End of Watch" and "The Beekeeper" David Ayer has proven himself an auteur of visceral action and male emotion. His newest has him re-teaming with Brad Pitt to show off a side of the star (and himself) that we have not seen on screen before. Hear Ayer share how his time on a nuclear submarine helped him as a director, his philosophy of violence on screen, and how having a dog on set can make even the longest shoot days possible. Subscribe to Top Of The Line - IndieWire's new newsletter about the craft of film and TV - https://cloud.email.indiewire.com/signup/ Learn more about your ad choices. Visit megaphone.fm/adchoices

For his feature documentary debut, director John Wilson takes us into (and far, far beyond) the history of a substance that forms the foundation of the modern world. He sat down with IndieWire's Sarah Shachat to discuss the difference in audience interaction from TV to film, file management, the drone photography epidemic, starting a micro-cinema, filming Kylie Jenner at a party, and much more. Watch the trailer for "The History of Concrete" - https://www.indiewire.com/news/trailers/john-wilson-the-history-of-concrete-trailer-1235213146/ And read our full review - https://www.indiewire.com/criticism/movies/the-history-of-concrete-movie-review-john-wilson-1235174386/ Learn more about your ad choices. Visit megaphone.fm/adchoices

After creating one of the biggest waves of any film to ever hit the Cannes Film Festival, Director Na Hong-jin is bringing his genre defying spectacle "Hope" to theaters. IndieWire's Chris O'Falt could not wait to dive into the incredible world building, audacious motion capture CGI, and some of the most spectacular action filmmaking we've seen in in a while. Skip to 27:16 to hear Director Na Hong-jin's full answers in Korean. Watch the trailer for "Hope'" - https://www.indiewire.com/news/trailers/hope-trailer-na-hong-jin-1235204304/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Michael Dinner returns to the podcast to talk with IndieWire’s Jim Hemphill about his work on Apple TV’s “Silo.” Dinner discusses the influence of 1970s conspiracy thriller’s on the show’s visual language, collaborating with showrunner Graham Yost and star Rebecca Ferguson, and much more. Read more about the production design of "Silo" - https://www.indiewire.com/features/craft/silo-props-apple-tv-plus-1234879799/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In a wide-ranging conversation, veteran director Ridley Scott returns to the podcast to talk with IndieWire features writer Jim Hemphill about his latest film, “The Dog Stars.” Scott also has stories about “Blade Runner” and “Black Hawk Down,” reveals his very English approach to love stories, and explains how he’s able to make epics on a budget. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Matt Johnson is already a hot name this year following the cult success of “Nirvanna the Band the Show the Movie,” and now his next film “Tony” is attracting early awards buzz. Johnson explained how he took many liberties adapting the early chapters of Anthony Bourdain’s memoir while avoiding the typical pitfalls of a biopic. He also reveals why he changed his style for “Tony,” avoiding the documentary aesthetics that define his previous Toronto-made comedies. Learn more about your ad choices. Visit megaphone.fm/adchoices

After his hit shows ‘Breaking Bad’ and ‘Better Call Saul,’ creator and showrunner Vince Gilligan is back with the sci-fi thriller ‘Pluribus.’ We sat down with Gilligan at a reflective moment as he and his team were hard at work breaking Season 2. Hear him break down what worked and didn’t in the first season, why directing crowd scenes was the hardest part of the premise to film, and what it was like finally shooting outside his beloved New Mexico (while not abandoning Albuquerque). Learn more about your ad choices. Visit megaphone.fm/adchoices

For their third feature, Jane Shoenbrun brings us to the brink of ecstasy with their deeply felt and impeccably crafted exploration of the slasher genre. The director of "I Saw the TV Glow" and "We're All Going to the World's Fair" explains why their new film had to start with a geyser of fake blood, walks us through making horror scenes a metaphor for sex, and wonders where our fascinations with slasher tropes really come from. Learn more about your ad choices. Visit megaphone.fm/adchoices

HBO's epic dragon war just wrapped its third season, and series co-creator and showrunner Ryan Condal sat down with IndieWire's Sarah Shachat to break down how they pull off multiple features' worth of world-building and action into a season of TV. Hear how they balanced character psychology with famous battles adapted from the source material, and why they added some of their own dragon action to the story. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Gregg Araki joins IndieWire features writer Jim Hemphill to talk about his latest film, “I Want Your Sex.” Araki discusses casting Olivia Wilde and Cooper Hoffman, making sex fun again on screen, and making the most of the shortest schedule he ever had. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer and producer Nick Antosca joins IndieWire features writer Jim Hemphill to discuss his Apple TV series "Cape Fear," an adaptation of Martin Scorsese's 1991 thriller and the 1962 Robert Mitchum classic that inspired it. Antosca talks about building on the previous versions to create a hallucinatory nightmare that retains the spirit of its sources but takes their themes in completely new directions. Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. - https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298 Learn more about your ad choices. Visit megaphone.fm/adchoices

For the third season of the gothic horror series, "Interview with the Vampire" got a new name and a new focus on undead rock & roll. The creator and showrunner of all three seasons joins IndieWire craft editor Sarah Shachat to sink their teeth into how they made "The Vampire Lestat" so operatic and engaging. Read our full review of the season - https://www.indiewire.com/criticism/shows/the-vampire-lestat-review-iwtv-season-3-sam-reid-remix-1235198082/?v3=true Learn more about your ad choices. Visit megaphone.fm/adchoices

The co-creators of this sci-fi alternate history series join IndieWire's Sarah Shachat to dig into 'Star City's connections to 'For All Mankind,' adding spies to the mix, and the many unfortunate ways their story reflects the present day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director David Wain and Star Ken Marino bring their decades of iconic comedy experience ("Wet Hot American Summer," "Role Models") to co-writing their newest hilarious summer romp "Gail Daughtry and the Celebrity Sex Pass." The pair sat down with IndieWire's Chris O'Falt for a chat about their 7 day writing process, loving their troupe of regular performers, and plenty of funny digressions as you'd expect from an interview with two improv comedians. Read our full review of "Gail Daughtry'"- https://www.indiewire.com/criticism/movies/gail-daughtry-and-the-celebrity-sex-pass-movie-review-1235175438/ Learn more about your ad choices. Visit megaphone.fm/adchoices