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With his newest film "Fatherland" staring Sandra Hüller, director Pawel Pawlikowski completes his unofficial trilogy of films looking at the historic past. Listen to hear how the style and themes from "Ida" and "Cold War" evolved in this third film, crafting a contemplative roadtrip, and what Pavel thinks of his own homeland. Watch this episode on YouTube - https://youtu.be/AWVJvyfRvKc Read our review of "Fatherland" - https://www.indiewire.com/criticism/movies/fatherland-review-sandra-huller-pawel-pawlikowski-1235193023/ Learn more about your ad choices. Visit megaphone.fm/adchoices

During the making of her boundary breaking period drama "Marie Antoinette," Sofia Coppola's mother Eleanor shot hundreds of hours of behind the scenes footage. Sofia and her long time editor Aaron Mathews assembled it into a feature length documentary, with the aid of Diane Lane reading the late Eleanor's journals from the set. She opened up with IndieWire's Chris O'Falt about the intimate access a filmmaker grants their own mother, working under the shadow of her father's reputation for grandeur, and her pride in her mother's art. Watch this episode on YouTube - https://youtu.be/hoolI1MqOO4 Read our full review of "Making Marie Antoinette" - https://www.indiewire.com/criticism/movies/making-marie-antoinette-documentary-movie-review-1235214956/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Lance Oppenheim is a favorite guest on the Filmmaker Toolkit; a director who loves dissecting his process. Lance has two films in theaters that demand this kind of breakdown more than any this year. First, we dig into the Elizabeth Holmes documentary he co-directed with Nathan Fielder, 'You Can See Everything.' Lance explains the web of confusion and falsehoods they were drawn into by Holmes, often disagreeing about the nature of what they had just captured on camera. Then we cover Lance's first scripted feature 'Primetime,' including how he got Robert Pattinson on board and how his brand of narrative documentary adapted to fiction filmmaking. (33:18) Watch this episode on YouTube - https://youtu.be/-9_2sAeltZw Read the breakdown of how 'Primetime' shot on 12 formats - https://www.indiewire.com/features/craft/primetime-cinematography-explained-colonoscopy-camera-robert-pattinson-1235219102/ More on A24's unique marketing plan for 'You Can See Everything' - https://www.indiewire.com/features/general/you-can-see-everything-a24-hopes-preserve-secrets-elizabeth-holmes-1235222048/ Read our full review of 'You Can See Everything' - https://www.indiewire.com/criticism/movies/you-can-see-everything-review-nathan-fielder-1235215268/ and 'Primetime' - https://www.indiewire.com/criticism/movies/a24-primetime-movie-review-robert-pattinson-chris-hansen-1235215068/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Cristian Mungiu ("4 Months, 3 Weeks & 2 Days") uses his films to challenge audience's morals and sense of justice. In his newest film, the Palme d'Or winning "Fjord," Mungiu follows an immigrant Romanian family targeted by Norwegian child protective services for their conservative beliefs. Our challenging conversation digs into the messy morality of a progressive nation enforcing its beliefs with authoritarian practices, and how Mungiu writes his films to place the viewer in the role of jurist. Watch this episode on YouTube - https://youtu.be/tBK4KDuGRE4 Read our full review of "Fjord" - https://www.indiewire.com/criticism/movies/fjord-movie-review-sebastian-stan-renate-reinsve-1235194645/ Read our interview with 'Fjord' star Sebastian Stan - https://www.indiewire.com/features/interviews/sebastian-stan-fjord-politics-batman-part-ii-bald-1235221322/ Learn more about your ad choices. Visit megaphone.fm/adchoices

The legendary screenwriter returns to the subject that won him an Oscar for "The Social Network," this time in the director's chair. Hear Sorkin explain how he tried to get David Fincher to direct, replacing Jesse Eisenberg with Jeremy Strong's intense transformation into the Facebook founder, and why America's growing political extremism made him change his mind about "not wanting to jump up and down" on Zuckerberg. We also explore the making of the 2010 original film, and even touch a bit on 'The West Wing.' Watch this conversation on IndieWire's YouTube page - https://youtu.be/oALqrCNI2pk Read our profile of Sorkin's collaboration with casting director Francine Maisler - https://www.indiewire.com/influencers/aaron-sorkin-francine-maisler/ Mikey Maddison on why she was drawn to this more 'restrained' role - https://www.indiewire.com/features/interviews/mikey-madison-the-social-reckoning-after-anora-1235220304/ Production Designer Jon Hutman breaks down building Meta HQ - https://www.indiewire.com/features/craft/the-social-reckoning-facebook-shooting-locations-vancouver-1235221151/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In his fourth film as writer and director, Chris Rock is coming out as a cinephile. In this conversation with IndieWire's Chris O'Falt, Rock shares his love for independent filmmakers like Alexander Payne and Noah Baumbach, and how he is trying to be taken seriously as a director of personal, dramatic films. We also discuss casting and collaborating with the film's star Rosalind Eleazar, and stumble into some fun anecdotes from Rock's comedy past. Watch this conversation on IndieWire's YouTube page - https://youtu.be/jiBbivUZA3E Watch the trailer for "Misty Green" - https://www.indiewire.com/news/trailers/chris-rock-misty-green-trailer-hollywood-drama-a24-1235206552/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In a live edition of Filmmaker Toolkit, writer-director Walter Hill joins IndieWire’s Jim Hemphill at the American Cinematheque for a post-screening discussion of his action-comedy classic “48HRS.” Hill discusses casting Eddie Murphy, designing one of the great long takes of the 1980s, and what he thinks his imitators got wrong in the buddy films that came later. Read Walter Hill reflect on the making of another of his classics, "The Warriors" - https://www.indiewire.com/features/interviews/walter-hill-interview-warriors-1235142531/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Through films like "Fury," "End of Watch" and "The Beekeeper" David Ayer has proven himself an auteur of visceral action and male emotion. His newest has him re-teaming with Brad Pitt to show off a side of the star (and himself) that we have not seen on screen before. Hear Ayer share how his time on a nuclear submarine helped him as a director, his philosophy of violence on screen, and how having a dog on set can make even the longest shoot days possible. Subscribe to Top Of The Line - IndieWire's new newsletter about the craft of film and TV - https://cloud.email.indiewire.com/signup/ Learn more about your ad choices. Visit megaphone.fm/adchoices

For his feature documentary debut, director John Wilson takes us into (and far, far beyond) the history of a substance that forms the foundation of the modern world. He sat down with IndieWire's Sarah Shachat to discuss the difference in audience interaction from TV to film, file management, the drone photography epidemic, starting a micro-cinema, filming Kylie Jenner at a party, and much more. Watch the trailer for "The History of Concrete" - https://www.indiewire.com/news/trailers/john-wilson-the-history-of-concrete-trailer-1235213146/ And read our full review - https://www.indiewire.com/criticism/movies/the-history-of-concrete-movie-review-john-wilson-1235174386/ Learn more about your ad choices. Visit megaphone.fm/adchoices

After creating one of the biggest waves of any film to ever hit the Cannes Film Festival, Director Na Hong-jin is bringing his genre defying spectacle "Hope" to theaters. IndieWire's Chris O'Falt could not wait to dive into the incredible world building, audacious motion capture CGI, and some of the most spectacular action filmmaking we've seen in in a while. Skip to 27:16 to hear Director Na Hong-jin's full answers in Korean. Watch the trailer for "Hope'" - https://www.indiewire.com/news/trailers/hope-trailer-na-hong-jin-1235204304/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Michael Dinner returns to the podcast to talk with IndieWire’s Jim Hemphill about his work on Apple TV’s “Silo.” Dinner discusses the influence of 1970s conspiracy thriller’s on the show’s visual language, collaborating with showrunner Graham Yost and star Rebecca Ferguson, and much more. Read more about the production design of "Silo" - https://www.indiewire.com/features/craft/silo-props-apple-tv-plus-1234879799/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In a wide-ranging conversation, veteran director Ridley Scott returns to the podcast to talk with IndieWire features writer Jim Hemphill about his latest film, “The Dog Stars.” Scott also has stories about “Blade Runner” and “Black Hawk Down,” reveals his very English approach to love stories, and explains how he’s able to make epics on a budget. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Matt Johnson is already a hot name this year following the cult success of “Nirvanna the Band the Show the Movie,” and now his next film “Tony” is attracting early awards buzz. Johnson explained how he took many liberties adapting the early chapters of Anthony Bourdain’s memoir while avoiding the typical pitfalls of a biopic. He also reveals why he changed his style for “Tony,” avoiding the documentary aesthetics that define his previous Toronto-made comedies. Learn more about your ad choices. Visit megaphone.fm/adchoices

After his hit shows ‘Breaking Bad’ and ‘Better Call Saul,’ creator and showrunner Vince Gilligan is back with the sci-fi thriller ‘Pluribus.’ We sat down with Gilligan at a reflective moment as he and his team were hard at work breaking Season 2. Hear him break down what worked and didn’t in the first season, why directing crowd scenes was the hardest part of the premise to film, and what it was like finally shooting outside his beloved New Mexico (while not abandoning Albuquerque). Learn more about your ad choices. Visit megaphone.fm/adchoices

For their third feature, Jane Shoenbrun brings us to the brink of ecstasy with their deeply felt and impeccably crafted exploration of the slasher genre. The director of "I Saw the TV Glow" and "We're All Going to the World's Fair" explains why their new film had to start with a geyser of fake blood, walks us through making horror scenes a metaphor for sex, and wonders where our fascinations with slasher tropes really come from. Learn more about your ad choices. Visit megaphone.fm/adchoices