Advertise on podcast: Missing Frames: Catching up with Cinema

Become legend, young podcasters. After years of false starts, Shawn has finally finished Neon Genesis Evangelion. TC Padgett returns to Missing Frames to introduce Shawn to Hideaki Anno's legendary and deeply disturbing conclusion to one of anime's most celebrated series.  From giant robots, biblical imagery, and apocalyptic body horror to the Hedgehog's Dilemma, Human Instrumentality, and the existential terror of simply being alive, Shawn and TC explore how The End of Evangelion transforms the series' ideas into something overwhelming, emotionally devastating, and uniquely cinematic. They also consider the relationship between Hideaki Anno and his creation, whether the film replaces or complements the television ending, and why sometimes understanding a movie isn't nearly as important as feeling it. Congratulations! HOSTS Shawn Eastridge TC Padgett

For nearly his entire life, Guillermo del Toro dreamed of bringing Mary Shelley's Frankenstein to the screen. In 2025, that dream finally became a reality.   In this special episode of Missing Frames, Shawn Eastridge is joined once again by acclaimed comic book writer Phillip Kennedy Johnson (Infernal Hulk, Batman and Robin, Superman: The Warworld Saga) for an in-depth exploration of Guillermo del Toro's latest effort. Together, they discuss how del Toro’s Frankenstein reflects the themes that have defined his entire career and why Mary Shelley's 200-year-old novel continues to inspire artists across generations.   Along the way, they dive into the responsibilities of adapting beloved stories, the relationship between creators and their creations, and what separates great storytellers from great craftsmen. Phillip also offers fascinating insights into his own creative process, discussing writer's block and artistic inspiration. He even teases ideas and themes from his highly anticipated Midnight Spider-Man series.

It's time to celebrate another milestone! For the 160th episode of Missing Frames, Shawn welcomes back longtime friend Brad Gullickson for another installment of their ongoing "anniversary series," a tradition that began nearly a decade ago with Episode 30: Dirty Harry. This time, Brad introduces Shawn to one of the most influential crime films of the 1960s: John Boorman's Point Blank, starring the incomparable Lee Marvin. On paper, Point Blank is a simple revenge story. A criminal is betrayed, left for dead, and sets out to collect the money he's owed and murder the ones who wronged him. But under Boorman's direction, what begins as a hard-boiled thriller evolves into something dreamlike, hypnotic, and unlike almost anything Hollywood was producing in 1967. Along the way, Shawn and Brad discuss the film's unforgettable supporting cast, which includes the likes of Angie Dickinson and John Vernon, and ponder how the film ultimately becomes a meditation on identity, obsession, and emotional emptiness. HOSTS Shawn Eastridge Brad Gullickson

Following her announcement at Superman Celebration that she will reprise her role as Martha "Ma" Kent in James Gunn's Man of Tomorrow, Neva Howell joins Shawn Eastridge for her first interview discussing the highly anticipated sequel and the future of the DC Universe.   Neva reflects on returning to the role of Ma Kent, reuniting with Pruitt Taylor Vince (Pa Kent), and stepping back into the warm, family-like environment fostered by writer-director James Gunn. While she can't reveal specific plot details, she does offer a tantalizing tease for fans eager to see where Superman's story goes next:   "Whatever you were thinking, it's probably not that."   Shawn and Neva also discuss the growing DCU, their excitement for Supergirl and Lanterns, the importance of balancing heart and humor in superhero storytelling, and why she believes fans who loved Superman (2025) are going to "flip over" Man of Tomorrow.

Go APES with The Franchyze Boiz! Shawn, Brad, and Aaron take a deep dive into one of the strangest, smartest, and most influential franchises in science fiction history: Planet of the Apes. In Part One of their epic discussion, they revisit all five films from the original series, from the groundbreaking 1968 classic starring Charlton Heston to the increasingly bizarre sequels that somehow become darker, stranger, and more politically charged with each installment. Along the way, they explore the franchise's unforgettable characters, groundbreaking makeup effects, civil rights allusions, nuclear anxieties, and the surprising emotional depth hiding beneath all that ape makeup. This franchise has it all: mutant cultists, ape revolutions, time travel, political allegory, and the literal end of the world. What's not to love? It's a madhouse! A MADHOUSE!! HOSTS Shawn Eastridge Brad Gullickson Aaron Prescott

In this episode of Missing Frames, Shawn and returning guest John Mills tackle one of the most gloriously baffling cult films of the 1980s: Masters of the Universe. Technically speaking? It’s not a good movie. Emotionally speaking? They kind of love it anyway. Together, Shawn and John dive deep into the strange, earnest, deeply endearing world of Cannon Films’ live-action adaptation of He-Man and the Masters of the Universe, starring Dolph Lundgren as He-Man and a gloriously committed Frank Langella as Skeletor. Along the way, they unpack the film’s bizarre production history, its unmistakable “Cannon Films energy,” and why the movie’s sincerity and lack of cynicism make it weirdly lovable. They also discuss that odd moment when a "bad" movie ends up being far more endearing and memorable than a competent one. By the Power of Grayskull, this one has the power. 🎧 HOSTS Shawn Eastridge John Mills

It’s been nearly a year since the release of Superman, so what better time to catch up with Ma Kent herself, Neva Howell? In this special Between Takes episode of Missing Frames, Neva returns to the show to reflect on the whirlwind year following Superman’s release, including the heartfelt reactions from fans who embraced her warm, grounded portrayal of Martha Kent. She shares stories about meeting Superman fans from across the country, discusses some of the comics and Superman stories she’s been exploring lately, and opens up about what it’s been like becoming part of one of pop culture’s most beloved mythologies. Shawn and Neva also revisit some of the film’s most emotional moments, including her and Pruitt Taylor Vince's (Pa Kent) reactions to the film's powerful final scene and why the Kent family dynamic resonated so deeply with audiences. They also discuss Neva’s recent appearances on 9-1-1: Nashville, her upcoming film projects, and her excitement about attending this year’s Superman Celebration in Metropolis, Illinois.  Naturally, Shawn and Neva also look ahead to the future of the DCU, including their excitement for projects like Supergirl and Lanterns. (As for Clayface… Neva may be sitting that one out.) And yes, Shawn does his best “Lois Lane investigative journalist” impression while trying to uncover whether Ma and Pa Kent might return for James Gunn’s upcoming Superman sequel, Superman: Man of Tomorrow. Neva’s official response? “Fingers crossed.”

In this Missing Frames episode, Shawn and Sarah conclude their journey to Oz with Wicked: For Good. They were huge fans of Part One, but this time around? They're not quite Defying Gravity. While the performances are still strong, what should have been a powerful payoff feels more like a drawn-out third act, one that struggles to justify the filmmakers' decision to split the story into two films.  During their discussion, Shawn and Sarah break down: The challenges of adapting a stage musical into two standalone filmsWhy the emotional core of the story doesn’t quite landHow separating Elphaba and Glinda for most of the runtime undermines the film’s emotional coreIn the end, Wicked: For Good serves as a reminder that not every story benefits from being split into two. HOSTS Shawn Eastridge Sarah Eastridge

“You can’t handle the truth!” But can you handle finally watching A Few Good Men?  In this episode of Missing Frames, Shawn introduces returning guest Richie Pepio to Rob Reiner's iconic courtroom drama A Few Good Men. Together, they unpack what makes the movie work, from Aaron Sorkin’s signature dialogue (and early “Sorkinisms”) to Reiner’s direction and the film’s stacked cast, including Tom Cruise, Jack Nicholson, and Demi Moore. Along the way, Shawn and Richie reflect on Sorkin’s evolution as a writer, the film’s origins as a stage play, and why A Few Good Men remains such a defining showcase for powerhouse acting and a reminder that Rob Reiner was truly one of the all-time great filmmakers. HOSTS Shawn Eastridge Richie Pepio

In this episode of Missing Frames, Shawn and Sarah FINALLY dive into one of the biggest cultural phenomena in recent memory: Wicked (Part One). Coming in with surprisingly little knowledge of the musical, they explore whether the hype is justified. They unpack the emotional core of Elphaba and Glinda’s relationship, highlight unforgettable song and dance numbers (Jonathan Bailey FTW), and debate whether the decision to split the story into two films ultimately helps or hurts the experience. They also look ahead to Wicked: For Good, trying to make sense of the surprisingly mixed reactions from longtime fans and wondering what could possibly cause such a dramatic shift in reception. HOSTS Shawn Eastridge Sarah Eastridge

In this episode of Missing Frames, John Mills returns to tackle one of Akira Kurosawa’s most acclaimed films: HIGH AND LOW. Along the way, Shawn and John discuss the film’s remarkable cinematography, its influence on filmmakers from David Fincher to Michael Mann, and why Kurosawa’s storytelling still feels strikingly modern more than sixty years later. They also reflect on Kurosawa’s legacy in global cinema, how his work shaped everything from the American Western to Star Wars, and why High and Low deserves to be considered one of the greatest crime films ever made.  HOSTS Shawn Eastridge John Mills

In this episode of Missing Frames, Shawn and Sarah celebrate the legacy of legendary actress Catherine O’Hara by revisiting Christopher Guest’s mockumentary comedy A Mighty Wind (2003). The conversation dives into the film’s folk music setting, the emotional core of Mitch and Mickey’s relationship, and the unique collaborative process behind Guest’s improvisation-driven filmmaking. Along the way, Shawn and Sarah reflect on Catherine O’Hara’s career, her chemistry with Eugene Levy, and how the film balances comedy, nostalgia, and genuine emotional resonance.  HOSTS Shawn Eastridge Sarah Eastridge

While heading to the theater for James Cameron’s latest blockbuster, Avatar: Fire and Ash, Shawn and Sarah Eastridge take a look back, reflecting on the original film and The Way of Water. Following their screening, they break down their spoiler-free and spoiler-heavy thoughts on the newest entry and ask the big question: do they want more Avatar? And more importantly: do they want more Avatar WITHOUT James Cameron at the helm? HOSTS Shawn Eastridge Sarah Eastridge

Missing Frames is closing out 2025 with a beloved holiday classic: Stanley Kubrick’s EYES WIDE SHUT. Wait…what? That’s right, we’re declaring once and for all that Eyes Wide Shut IS a Christmas movie. Join Shawn Eastridge and returning guest Richie Pepio as they dive into Stanley Kubrick’s enigmatic final film and discuss how it offers an intriguing and disturbing glimpse into the realm of marriage and long-term relationships. They also examine how Kubrick used Tom Cruise and Nicole Kidman’s star status to manipulate both their performance and the audience and why the film’s initial lackluster response from both audiences and critics was so baffling. HOSTS Shawn Eastridge Richie Pepio

2025 has been the Year of Superman, and Missing Frames has been celebrating James Gunn’s new film by sitting down with some of the writers, artists, and actors who help make the Man of Steel so special. Past conversations have included comic legends Dan Jurgens, Mark Waid, Tom King, and Phillip Kennedy Johnson, reflections on Richard Donner’s iconic film with Lauren Shuler Donner, and even a chat with Ma Kent herself, Neva Howell. Today’s guest is another incredible talent: Jonah Lees, who appears in Superman as Dean Farr, one of Lex Luthor’s LuthorCorp cronies, alongside his real-life twin brother, Christian. But Jonah’s career extends far beyond Metropolis. A highlight of the conversation is his work with Richard Linklater and Ethan Hawke on Blue Moon, as well as his recent portrayal of John Lennon in the Brian Epstein biopic Midas Man. An actor, songwriter, musician, and director, Jonah is a multifaceted creative whose range is as impressive as it is exciting. What begins as a Superman celebration quickly becomes a love letter to many shared passions: Superman, Richard Linklater, and The Beatles.