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Ernest Fleischmann, the former General Manager of the Los Angeles Philharmonic, can be credited with turning this once provincial institution into a world famous orchestra.

The Octagon Tower on Roosevelt Island in Manhattan was the city's first municipal insane asylum. Today it's a proud ruin, having survived partial demolition, fire and abandonment. And in a novel approach, the tower has been preserved in its dilapidated state. A reminder of its haunted history.

This time of year, when the relieved earth shrugs off stale dirt and dead leaves, it pauses, recalling. Then, as it lets out a long, low breath, it slowly releases moisture, a glut of color. Everything is growing. But only for a spell, for soon enough the earth will turn, and then the relentless heat will shrivel these green thirsty things, and the ground will grow hard, and withdraw again. Click here: to listen (2:40 minutes).

https://youtu.be/WVlh-Ooi_u4?rel=0 A small house on Staten Island tells the tale of the friendship between Guiseppe Garibaldi, the famed Italian revolutionary, and Antonio Meucci, a candle maker who just might have invented the telephone. Take a tour of the Garibaldi Meucci Museum with WNYC’s Jenny Attiyeh, on ThoughtCast! Click here to listen!

The Blacksmith House Poetry Series at the Cambridge Center for Adult Education has been bringing established and emerging poets to Harvard Square since its founding by Gail Mazur in 1973. The series is named after the Blacksmith House at 56 Brattle Street, site of the village smithy and the spreading chestnut tree of Longfellow’s 1839 poem “The Village Blacksmith.” On the evening of December 8, 2025, series director Andrea Cohen introduced Henri Cole, whose new book of poetry is called The Other Love, as well as William Logan, whose most recent collection is Rift of Light. This is the last poetry reading of the fall 2025 season. Click here: to listen.

https://www.youtube.com/watch?v=fpYg2AE4zcs This archival WNYC TV “Cultural Minute” takes a tour of the Steinway Store in Midtown Manhattan — which, unlike so many traditional city landmarks, is still in business. Watch to see how these famous pianos are actually built!

In some ways, the Scottish historian Niall Ferguson is the Russell Crowe of the academic world: charismatic, unconventional, and definitely controversial. He’s also a big fan of the British Empire — and wants the United States to follow in its footsteps. That means it’s our job to form colonies in hot climates, for years on end. But are we up for this? While Niall would like that to be the case, he doesn’t really think so, because, he says, we’re an empire “in denial” …

Note: This interview has been picked up by the public radio stations WGBH, in Boston, its affiliates WCAI and WNAN, and WCVE in Richmond, VA. It was originally broadcast in 2008. In some ways, the Scottish historian Niall Ferguson is the Russell Crowe of the academic world: charismatic, unconventional, and definitely controversial. He’s also a big fan of the British Empire — and wants the United States to follow in its footsteps. That means it’s our job to form colonies in hot climates, for years on end. But are we up for this? While Niall would like that to be the case, he doesn’t really think so, because, he says, we’re an empire “in denial” … Click here: to listen to a 4 minute excerpt. Click here: to listen to the entire interview (15:30 minutes). And to listen to this interview with Niall Ferguson on the WGBH Forum Network, click here!

The Blacksmith House Poetry Series at the Cambridge Center for Adult Education has been bringing established and emerging poets to Harvard Square since its founding by Gail Mazur in 1973. The series is named after the Blacksmith House at 56 Brattle Street, site of the village smithy and the spreading chestnut tree of Longfellow’s 1839 poem "The Village Blacksmith." On the evening of May 5, 2025, series director Andrea Cohen introduced Fanny Howe, author of Night Philosophy and a reader from the first Blacksmith House reading in 1973, and also Haleh Liza Gafori, whose most recent translation of Rumi is Water.

The Blacksmith House Poetry Series at the Cambridge Center for Adult Education has been bringing established and emerging poets to Harvard Square since its founding by Gail Mazur in 1973. The series is named after the Blacksmith House at 56 Brattle Street, site of the village smithy and the spreading chestnut tree of Longfellow’s 1839 poem “The Village Blacksmith.” On the evening of May 5, 2025, series director Andrea Cohen introduced Fanny Howe, author of Night Philosophy and a reader from the first Blacksmith House reading in 1973, and also Haleh Liza Gafori, whose most recent translation of Rumi is Water. This is the last poetry reading of the spring 2025 season. Click here: to listen.

https://www.youtube.com/watch?v=21byLfOrwpk?rel=0 At the Modern Art Foundry in Astoria Queens, workers restore the Neptune Fountain, which was missing its hands, an arm and a foot. The statue, which spouted water in Snug Harbor on Staten Island, has been returned to its former home. Watch how these expert craftsmen brought it back to life! Note: This program was broadcast in the mid 1990s on the PBS station, WNYC. Click here to listen!

Note: This interview was broadcast on the WGBH sister stations WCAI/WNAN, and also on KUT, in Austin, Texas! Tom Perrotta, author of the novels Mrs. Fletcher, Little Children, Election, The Abstinence Teacher and The Leftovers, speaks with ThoughtCast about a writer who fascinates, irritates and inspires him: Flannery O’Connor. His relationship with her borders on kinship, and he admires and admonishes her as he would a family member, with whom he shares a bond both genetic and cultural. When asked to choose a specific piece of writing that’s had a significant impact on him, Tom chose O’Connor’s short story Good Country People, but then he threw in two others — Everything that Rises Must Converge and Revelation. As Tom explains, these three stories chart O’Connor’s careful trajectory, her unique vision, and her genius. Click here (30 minutes) to listen! This interview is the second in a new ThoughtCast series which examines a specific piece of writing — be it a poem, play, novel, short story, work of non-fiction or scrap of papyrus — that’s had a significant influence on the interviewee, that’s shaped and moved them. Up next: Harvard Classicist Gregory Nagy on Homer’s Iliad, and the final, fatal battle between Hector and Achilles.

The Blacksmith House Poetry Series at the Cambridge Center for Adult Education has been bringing established and emerging poets to Harvard Square since its founding by Gail Mazur in 1973. The series is named after the Blacksmith House at 56 Brattle Street, site of the village smithy and the spreading chestnut tree of Longfellow’s 1839 poem “The Village Blacksmith.” Earlier this week, series director Andrea Cohen introduced the poets — Carl Phillips and Penelope Pelizzon — who read from their new collections. Carl read from Scattered Snows, to the North, and Penelope read from A Gaze Hound That Hunteth By the Eye. Next week, on December 9, 2024, two more writers will be featured. David Semanki will read from his debut collection of poems, Ghost Camera, and Jason Schneiderman will read from his latest collection: Self Portrait of Icarus as a Country on Fire. Click here: to listen.

Note: Philosopher Kwame Anthony Appiah, who writes the New York Times column, “The Ethicist”, has just won (in the summer of 2024) the Library of Congress’ Kluge Prize. A high honor. This program was broadcast on WCAI, an affiliate of WGBH, Boston. In this interview from 2004, New York University Philosopher Kwame Anthony Appiah discusses cosmopolitanism on ThoughtCast! Born in England and raised in Ghana, Appiah is half English and half African. And perhaps because of this, he’s fascinated with the concept of identity, and the power it wields over people. But rather than wage identity politics, Appiah encourages us instead to be good global citizens, interested in and accepting of each other. In short, cosmopolitan. But also, at least a little bit “contaminated”… Appiah’s written a book on the subject: it’s called Cosmopolitanism: Ethics in a World of Strangers. Click here: to listen. (42 minutes)

Sadly, Helen Vendler has just died on April 23, 2024, at ninety years of age. I’m so glad I got a chance to meet her. Note: This interview was broadcast on the WGBH sister stations WCAI/WNAN, Prairie Public Radio, WABE in Atlanta and on KUT in Austin, Texas. When Helen Vendler was only 13, the future poetry critic and Harvard professor memorized several of Emily Dickinson’s more famous poems. They’ve stayed with her over the years, and today, she talks with ThoughtCast’s Jenny Attiyeh about one poem in particular that’s haunted her all this time. It’s called I cannot live with You- According to Vendler, who has written the authoritative Dickinson: Selected Poems and Commentaries, it’s a heartbreaking poem of an unresolvable dilemma and ensuing despair. Click here (18 minutes) to listen! This interview is the first in a new ThoughtCast series which examines a specific piece of writing — be it a poem, play, novel, short story, work of non-fiction or scrap of papyrus — that’s had a significant influence on the interviewee, that’s shaped and moved them. Up next – esteemed novelist and short story writer Tom Perrotta discusses Good Country People,  a short story by Flannery O’Connor that’s particularly meaningful to him.