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After nearly becoming a Hollywood tax write-off, Coyote vs. Acme finally escaped the Warner Bros. vault—and Rob "Rubber Duck" Grabowski joins Matt and Bob to decide whether the movie was actually worth saving. The guys break down the bizarre journey that nearly kept the film from ever being released, why a courtroom drama starring Wile E. Coyote works better than it has any right to, and how the movie manages to find genuine heart inside decades of ACME explosions, falling anvils, and failed Road Runner schemes. They debate whether the movie should have leaned even harder into Will Forte’s brand of absurd comedy, how it stacks up against Who Framed Roger Rabbit and Space Jam, which Looney Tunes cameos actually work, and the surprisingly emotional relationship between Wile E. Coyote and the Road Runner. Plus: Is it “Meep Meep” or “Beep Beep”? Does Rob actually hate Dune? Why didn't Bob Odenkirk show up in an Albuquerque courtroom? And which cartoon character is everyone most attracted to? Somehow, a movie about a cartoon coyote suing ACME turns into a conversation about corporate Hollywood, failure, friendship, persistence, and why sometimes you should just release the damn movie.

Have a Negroni, have two, and get the cream sauce. Matt and Bob are back to review Tony, the new Anthony Bourdain biopic starring Dominic Sessa. Rather than attempting the usual cradle-to-grave biopic, the film zeroes in on one formative summer in a young Bourdain’s life—before Kitchen Confidential, No Reservations, and Parts Unknown turned him into a cultural icon. The guys discuss why the movie works surprisingly well as a Bourdain origin story, Dominic Sessa’s tricky task of capturing the essence of Bourdain without doing an impression, Antonio Banderas’ scene-stealing mentor performance, and the film’s blend of The Bear with the laid-back coming-of-age energy of Richard Linklater. They also dig into the movie’s ideas about food, community, selfishness, and the experiences that eventually shaped Bourdain’s worldview. Plus: callbacks to Kitchen Confidential, why Dominic Sessa desperately needs to escape the 1970s, Matt’s encounter with Leonardo DiCaprio, and the triumphant return of an Analysis Awards category: Biopic That Was Worth a Shit.

Barry Irving returns to The Analysis to break down Spider-Man: Brand New Day and ask the big question: did Marvel actually deliver the definitive Tom Holland Spider-Man movie—or did the MCU get in its own way? Bob and Barry dig into Peter Parker’s new life of loneliness and isolation, why the quieter street-level Spider-Man moments work better than the massive action sequences, and whether Brand New Day wastes its clean slate by turning into an X-Men setup halfway through. They debate Jean Grey’s role as the film’s antagonist, Jon Bernthal’s Punisher, the return of Ned and MJ, Hulk’s strange regression, Peter’s darker turn, and why Spider-Man’s actual rogues gallery continues to sit on the sidelines. Plus, Barry breaks down that mysterious post-credit scene and what it could mean for Doomsday, Secret Wars, Battleworld, and the possible return of all three live-action Spider-Men. Is Marvel finally building momentum again? Is superhero fatigue actually just mediocre-movie fatigue? And after a summer of Spider-Man, The Odyssey, Project Hail Mary and more, have we finally reached the most important conclusion of all? Movies are back, baby.

Grab your Trojan helmet and hop aboard—the guys are diving headfirst into Christopher Nolan's The Odyssey! From jaw-dropping practical effects and epic battle sequences to Matt Damon's powerhouse performance, Zeus's Law, and whether this is Nolan's greatest achievement yet, there's a lot to unpack. We break down our favorite scenes, biggest surprises, a few nitpicks, and why this 3,000-year-old story might just become the defining blockbuster of a generation.

Bob is joined by E.M. Davis and Brittney Brown to discuss one of the year's most compelling relationship dramas. Together, they explore the film's performances, themes of marriage, communication, and artistic ambition, along with its emotionally layered ending. It's a thoughtful, spoiler-filled conversation about love, vulnerability, and the choices that shape our lives.

This week, Bob and Matt are completely divided. Matt finds plenty to love, praising the film's humor, Conan O'Brien's scene-stealing performance as Smarty Pants, and its attempt to explore kids' relationship with technology. Bob, meanwhile, argues that *Toy Story 5* is an unnecessary cash grab that buries its best ideas beneath an overcomplicated plot, manipulative emotional beats, and diminishing returns from a franchise that already delivered one of the greatest endings of all time with *Toy Story 3*. The guys debate whether Buzz and Woody are the secret ingredient to every great *Toy Story* film, whether the movie says anything meaningful about screen time and childhood, and if Hollywood's obsession with legacy sequels is finally catching up with Pixar. Plus, they break down the funniest moments, the strangest plot twists, Tim Allen's enduring Buzz Lightyear performance, and ask the biggest question of all: **Can Toy Story still justify existing after Toy Story 3?**

Matt and Bob break down Steven Spielberg’s latest sci-fi blockbuster Disclosure Day and find themselves on opposite ends of the spectrum—Matt embraces its hopeful, old-school Spielberg charm while Bob calls it his most disappointing movie of the year. The conversation dives into whether Spielberg’s optimism still resonates in a modern audience, the film’s handling of alien disclosure, and why Emily Blunt continues to prove she's one of the most compelling actresses working today. Along the way, they debate Spielberg’s legacy, the future of blockbuster filmmaking, and whether Hollywood’s legendary directors are beginning to hand the reins to a new generation.

Bob welcomes back our old friend Spenser Davis to discuss Obsession, the breakout indie horror sensation that turned a $750,000 budget into one of the year's biggest success stories, while exploring what its rise says about the future of independent filmmaking. Together they unpack the film's themes of codependency, obsession, and the dangerous pursuit of getting exactly what you think you want, breaking down Bear's descent from sympathetic romantic lead into something far more sinister. Plus, they discuss horror as modern allegory, the power of creative limitations, and why original genre films continue to connect with audiences in ways that many blockbuster franchises cannot.

Episode 314: Beef Season 2 This week, Matt and Bob dive deep into Season 2 of Beef — unpacking its brutal class commentary, surreal comedy, and emotionally devastating character arcs. From country club elitism and generational resentment to relationships poisoned by ambition, the hosts explore why this season feels like a spiritual cousin to The White Lotus while carving out its own chaotic identity. They discuss standout performances from Charles Melton, Oscar Isaac, Carey Mulligan, and Kaylee Spaney, the season’s themes of selfishness vs. selflessness, capitalism as emotional corrosion, and why the show’s most haunting moments come from characters realizing they’ve become the very people they hate. Plus: menstruation orange juice, dead dachshunds, ChatGPT physical therapy, Tom Cruise fantasy scenarios, and a detour into HBO’s bizarre murder mystery DTF St. Louis.

Episode 313: The Devil Wears Prada 2 In this episode, we return to the world of high fashion, ambition, and impossible standards as we break down The Devil Wears Prada 2. We explore how the sequel builds on the original’s themes of identity, power, and personal sacrifice—while asking whether success still comes at the same cost in a changed cultural landscape. From evolving workplace dynamics to the legacy of Miranda Priestly’s influence, we dig into what this continuation gets right, where it reinvents itself, and whether it earns its place alongside the original. Is this a natural evolution… or a bold redefinition?

In Episode 312, Bob and Brittney dive deep into “The Drama,” the latest Zendaya-led A24 film, unpacking its unsettling exploration of intrusive thoughts, morality, and how well we can ever truly know the people we love. From uncomfortable questions around guilt vs. action to the social fallout of radical honesty, this episode breaks down why this film leaves audiences arguing long after the credits roll. They also touch on Zendaya’s streak of emotionally complex roles, the weight of modern cultural anxieties in storytelling, and why this isn’t your typical “romance”—it’s a relationship stress test that challenges forgiveness, identity, and truth itself.

Episode 311 dives into Is This Thing On, with a surprisingly heartfelt breakdown of Will Arnett stepping into a raw, midlife-crisis-meets-standup role under the direction of Bradley Cooper. The hosts explore how comedy becomes therapy, why this under-the-radar film works better than expected, and where it stacks up against films like Funny People and Marriage Story. Plus, a quick detour into Nuremberg featuring Russell Crowe, courtroom drama comparisons, and a broader conversation about overlooked movies that are perfect “give it a stream” candidates.

This week, Matt and Bob dive into one of the strangest, most off-the-beaten-path viewing experiences they’ve had in a while: Nirvana the Band the Show the Movie. Going in completely blind, the guys try to make sense of a 20-year comedy bit turned feature film—blending guerrilla filmmaking, Borat-style street chaos, and absurdist Canadian humor. Is it genius or just plain ridiculous? From CN Tower stunts and time-travel hijinks to cult comedy references and low-budget brilliance, they break down what works, what confuses, and why this might be the ultimate “give it a stream” recommendation. Plus, they touch on the challenge of jumping into cult fandoms late, the evolution of comedy formats, and whether this kind of experimental filmmaking still has a place in today’s content landscape. If you’ve ever watched something and thought, “What the hell am I watching… and why do I kind of love it?”—this episode is for you.

Project Hail Mary just saved the movies? On this episode of Analysis, we break down the first true blockbuster hit of 2026 — and why this Ryan Gosling-led sci-fi might be the most important original movie in years. From emotional gut-punch moments (“I’ll watch you sleep, pal” 😭) to stunning visuals and a surprisingly powerful friendship at the center, we dive into what makes Project Hail Mary hit so hard — and why audiences are showing up. We also debate: Is Rocky the best movie alien of all time? Does the film improve on The Martian? Why this feels like a throwback to peak Hollywood storytelling And what this success means for the future of non-franchise films If you love movies that remind you why theaters matter, this one’s for you. 🎬 Tap in, join the debate, and let us know — is this your movie of the year?

The Analysis crew returns for their annual Oscars extravaganza, and this year the stakes are high. Matt shows up in full Elphaba costume after losing alast years bet. What's on the line this year? The loset has to go full chili dog hot dog experiment like Liam Neeson in Naked Gun, all while painted as "Hot Frankenstein Jacob Elordi. Bob is cautiously optimistic about the Academy for the first time in years, and Hollywood correspondent Spencer Davis joins live from the chaos of Oscar weekend to break down one of the most unpredictable races in recent memory. Across a packed slate of categories, the trio debates the biggest battles of the night—from the Sinners vs. One Battle After Another showdown for Best Picture, to a wild Best Actor race featuring Timothée Chalamet, Michael B. Jordan, Leonardo DiCaprio, and Wagner Moura. They dive deep into the craft categories, argue about the chaotic shorts races that make or break ballots, and break down why this year’s nominations represent a rare mix of blockbuster spectacle and intimate filmmaking. Along the way, they discuss the potential career-crowning Oscar for Paul Thomas Anderson, the cultural impact of K-Pop Demon Hunters, the emotional devastation of this year’s documentary lineup, and why some races might come down to pure momentum in the final days of voting. It’s predictions, debates, hot takes, and Oscar chaos—plus a few existential questions like: Should PTA have won years ago? Is Timothée Chalamet his own worst enemy? And what role would Philip Seymour Hoffman have played in One Battle After Another? Grab your ballots and settle in—because by the end of the episode, the guys lock in their picks for every major category before the biggest night in Hollywood.