Advertise on podcast: The Soundtrack Show

Perhaps the most significant piece of Star Wars music of the prequel trilogy, "Duel of the Fates" for chorale and orchestra boldly captures the struggle between light and darkness. We discuss the personal influences that composer John Williams brings to his compositions, and do a full musical analysis of the concert arrangement of this dynamic and exciting piece. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1999, Star Wars and its music were about to change forever. In this introductory episode to the Phantom Menace and prequel trilogy, we discuss how George Lucas and composer John Williams had changed the entertainment industry with their genius, and how their work between trilogies is represented by what we see and hear on screen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Part 2 of our interview with The Lord of the Rings sound designer David Farmer. We discuss the sounds of the Balrog, the Ents, and other various creatures across all three films. David also describes his technical workflow, and speaks with great fondness about the many months he spent in New Zeland with the crew. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Lord of the Rings sound designer David Farmer joins us for an interview about his work on the films of Middle-Earth. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Part IV of The Two Towers focuses on the love story of Aragorn and Arwen, as well as the poems of Tolkien that can be found in the orchestral score. We also break down an exciting action cue, and look at how Howard Shore's music tells the centuries-long story of Gandalf. Learn more about your ad choices. Visit megaphone.fm/adchoices

Part III of our look at The Two Towers focuses on Gollum, Treebeard and more. We also discuss how the music blends themes and story points together. Learn more about your ad choices. Visit megaphone.fm/adchoices

Part II of our examination of The Two Towers focuses on the kingdom of Rohan. We examine its modal melodies and how they are first introduced to us, we listen to how they're orchestrated, and we take a deep dive into Rohan's Anglo-Saxon roots. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our journey through Middle-earth continues as we begin discussing the music of The Two Towers. We discuss the structural challenges of bringing the middle portion of LOTR's giant story to the silver screen, and examine just how composer Howard Shore's thematic score assists in holding the plot together. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our final look at the music of Star Trek puts us in the position of the show's music editors and composers. With so many classic episodes to get through, how did they stretch their music budget to cover an entire season? The music of Sol Kaplan, Joseph Mullendore, Gerald Fried and Fred Steiner is examined, and we also look at a series of clever music edits for tracked scores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Music production on a full season of Star Trek begins! Our first two composers get to work, as Alexander Courage and Fred Steiner start writing and recording music at a frantic pace. We'll hear the rest of Courage's work on season one, and listen to Steiner's amazing contributions to Star Trek's musical vocabulary. We also examine the critical role played by the music editors, as they work to establish and shape the music of season one. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before making it to air, Star Trek had not one, but two pilots scored by Alexander Courage. Once the first season finally went into production, it took five composers to pull it off. This episode explores the musical, financial and creative realities of 1960s television music production, as we discuss the scores for these two pilots, and the creation of some of the show's musical sound effects. We are also introduced to season one's other four composers. Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of television and the origins of Star Trek are explored through the life and career of composer/orchestrator Alexander Courage, television star Lucille Ball, and Desilu music director Wilbur Hatch. The main title melodies for Star Trek are analyzed and discussed, along with their place in the history of 20th Century television music. Learn more about your ad choices. Visit megaphone.fm/adchoices

In our final episode on the music of E.T. we listen to the second half of the movie's incredible music, cue by cue. We also discuss the work of film editor Carol Littleton, and vocal sound designer Ben Burtt. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part II we take it from the top, and listen to how the film score for E.T. is constructed in the first half of the movie. We examine multiple themes, and discuss the movie's emotional honesty. Learn more about your ad choices. Visit megaphone.fm/adchoices