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In this Wednesday Night Dharma Talk, offered during Upaya’s Spring Practice Period, Sensei Ryotan explores a central theme of the ten ox-herding pictures: why is simply being present so difficult? Drawing on John Daido Loori’s Riding the Ox Home and the child psychologist D.W. Winnicott’s concept of “going on being,” Ryotan traces how conditioning — laid down in childhood and reinforced throughout… Source

In this Wednesday Night Dharma Talk, offered during Upaya’s Spring Practice Period, Sensei Monshin and Hoshi Senko guide us through the heart of the oxherding pictures — the ancient Zen metaphor of spiritual maturation. Monshin frames the third and fourth paintings, seeing and catching the ox, as our commitment to the path. Why face the bull? What truly moves us toward such a challenging practice? Source

In this Wednesday Night Dharma Talk, Genryu Clayton Dalton — emergency physician, journalist, and newly ordained novice priest — reflects on what it means to bear witness across the vast distances of suffering that connect us all. Having lost his voice the weekend prior, Genryu’s rough whisper seemed hauntingly appropriate as he described the inexpressible suffering from his recent medical mission… Source

In this session of The Measure of Our Humanity, Roshi Joan Halifax opens by reflecting on six years of monthly gatherings exploring socially engaged Buddhism — and on the urgency of the question animating this year’s series: how do we lay down a sane and compassionate path forward in these times? The session turns to Valerie Brown who grounds her teaching in a vision of collective awakening… Source

In this Wednesday Night Dharma Talk, Roshi Joan Halifax opens by naming her deep concern for the ongoing wars, displacement, and political upheaval seen throughout the world. Rather than offering direct reassurance, she turns to two stories held in deliberate tension: Kyōgen’s koan “Man Up a Tree,” in which a man hanging by his teeth from a branch is asked a question he cannot answer without… Source

In this Wednesday Night Dharma Talk, Butsumon Tuck Stibich — a resident priest at Upaya — opens with a teaching from Thich Nhat Hanh. No stranger to war, Thich Nhat Hanh explains that our anxiety about the world’s suffering is an obstacle to service: that fear and worry do not help us cultivate peace, or become a refuge for others. Reflecting on this and the vows made in Jukai… Source

In this Wednesday Night Dharma Talk, Sensei Fushin addresses what so many of us are carrying right now — the weight of a world in upheaval, the accumulation of personal grief, and the stories we tell ourselves at three in the morning when everything feels urgent and nothing feels within reach. Drawing on the Lotus Sutra’s parable of the burning house, Fushin reframes the question entirely… Source

In the final session of The Poetry of Cold Mountain, participants share their overnight translations of Hanshan’s poems — working from character-to-word guides across five poems. The range and depth of what emerges moves Peter Levitt and Kaz Tanahashi to reflect openly on the nature of creative work. Peter observes that the participants had nothing but seeds — elements borrowed from a poet writing… Source

In Part 6 of The Poetry of Cold Mountain, the evening session gathers around two offerings. Kaz Tanahashi gives a live calligraphy demonstration, rendering Hanshan’s poem “You Ask the Way to Cold Mountain” first in formal script, then in semi-cursive — pausing to explain how each style reveals something different about the characters, the poem, and the calligrapher’s mind. Sensei Dainin reads each… Source

In Part 5 of The Poetry of Cold Mountain, the session opens with a participant unexpectedly sharing two pieces of calligraphy prepared before the retreat — Hanshan poems rendered by hand as an act of study and care. Kaz Tanahashi and Peter Levitt then open the floor to another round of participant poetry. Kaz offers his own poem, inspired by Hanshan’s eccentricity: As in the previous session… Source

In Part 4 of The Poetry of Cold Mountain, the session opens into a shared creative space. Kaz Tanahashi and Peter Levitt shape the afternoon around two fundamental poetry practices — writing from the present moment and listening. Peter offers a generative prompt: use lines from Hanshan as scaffolding, borrowing one to begin a poem, one to anchor the middle, one to close. What follows is an open… Source

In Part 3 of The Poetry of Cold Mountain, Peter Levitt offers a deep dive into the craft and consciousness of Hanshan’s poetry. Drawing on three defining qualities of Hanshan’s work — plain speech, imagery that moves between the literal and the symbolic, and last lines of sudden, inevitable surprise — Peter shows how each poem both instructs and enacts the journey it describes. Source

Roshi Joan Halifax opens this first full session (Part 2) of The Poetry of Cold Mountain by acknowledging the violence unfolding in Iran, holding the gravity of the world alongside the refuge of practice and community. She then turns the session to Kaz Tanahashi. Kaz introduces the structure of classical Chinese characters and verse — one character, one syllable, one word — before exploring the… Source

The Poetry of Cold Mountain weekend program opens with an evening of orientation and anticipation, as world-renowned calligrapher Kazuaki Tanahashi and poet and Zen teacher Peter Levitt — co-translators of The Complete Cold Mountain: Poems of the Legendary Hermit Hanshan — introduce the hermit poet whose words have endured for over a thousand years. Kaz situates Hanshan in his time: the sacred… Source

In this Wednesday Night Dharma Talk, Sensei Monshin opens by acknowledging the 33 practitioners preparing to receive jukai — and the vow to carry non-harming actions into the world. She reads from Thich Nhất Hạnh’s Go As a River, encouraging us to understand community as refuge from despair. Roshi Joan Halifax speaks into our heavy hearts — the outbreak of new war, the deep karmic wounds that will… Source