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Only one new film this week, “Mercy,” which just came out. We’ll then do a little bit of the Nature-gone-wild subgenre with “Squirm”(1976), “Frogs” (1972), and “Kingdom of the Spiders” from 1977. Lastly, we’ll watch the remake of “The Hills Have Eyes” from 2006. All this, as well as the latest issue of “Horror Monthly,” issue #55, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2026 Mercy * Directed by: Timur Bekmambetov * Written by: Marco van Belle * Stars: Chris Pratt, Rebecca Ferguson, Kali Reis, Annabelle Wallis, Chris Sullivan, Kylie Rogers * Run Time: 100 minutes * Trailer: Spoiler-Free Judgment Zone In the near future, a detective stands trial accused of murdering his wife. He has 90 minutes to prove his innocence to the advanced A.I. Judge he once championed, before it determines his fate. Chris Pratt and Rebecca Ferguson star in the high-tech action-thriller Mercy. Own it now on 4K, Blu-ray™ and DVD. The technology is believable, but it is a stretch to think it will be that advanced only three years from now, in 2029. There’s some suspense, with an arbitrary running clock, and a mystery being solved. It’s a science fiction thriller, certainly not horror, but the Horror Guys did their duty. We both thought it was interesting, pretty entertaining, very well made, but not quite a solid film when you give it a lot of thought. Spoilery Synopsis Chris Raven wakes up strapped to a chair. We then cut to an ad talking about Los Angeles’s crime epidemic and the Mercy program, which judges criminals with AI as judge, jury, and executioner. Crime has fallen 69 percent. Chris is the next prisoner who is to be judged, case #19. Judge Maddox is the AI in charge of the case. Chris is not sure why he’s there, and she explains that he’s being tried for the murder of his own wife. He watches a video where his dying wife says he was the one who stabbed her. He pleads “Not Guilty.” He has ninety minutes to prove his innocence or he’s going to be executed. She recites the facts, and he says she’s lying. But she has a video to back up everything she says. He claims he doesn’t remember any of it. She replays scenes of their wedding, birth of their child, and lots of fighting and arguing. He uses his phone calls to talk to his daughter Britt and partner Jaq. With Jaq’s assistance, they all go over the crime scene and evidence. Jaq traces a phone in downtown Hollywood, which is a riotous wasteland now. She chases a sketchy chef across the rooftop and questions him. He’d been having an affair with Nicole, and they used burner phones for privacy. He also has a video alibi for the time of the murder. We get more video that shows us Chris’s partner’s death, which was partially Chris’s fault. He calls the affair partner again, and he has some information about Nicole’s job, maybe doing some shady stuff. There was a BBQ at Chris’s house last weekend, and it’s possible that one of the guests stayed over and hid in the basement. Could it be Nicole’s co-worker Holt, who may have been stealing UG chemicals, an ingredient in meth, from work. Chris calls Holt, who says Rob, Chris’s AA sponsor, may have put him up to all of it. Rob was off yesterday, so he has no alibi for the murder. At this point, it seems that Chris is really on to something, so you’d expect that the judge would pause the countdown timer, but no. Instead, the judge starts stuttering and showing issues. A search of Rob’s house shows a lab and lots of evidence that he might be making explosives, not meth. He’s got a whole container truck full of explosives, so he’s heading toward something big. Turns out, Rob’s secret brother was David Webb, the first man Chris brought to Mercy for execution. Rob’s also got Britt in the cab with him as a hostage. This is all a crazy revenge plot against Chris and Mercy, he wants to take them both out. The judge admits her logic has failed her and Chris is innocent. He tries to talk her into helping him stop Rob. Chris and the judge work together with the police to stop Rob’s truck, which is quickly approaching the Mercy building. The judge releases Chris, who runs downstairs to confront Rob personally. The judge offers Rob a chance to prove his dead brother’s innocence. Chris gets the drop on Rob, but at the last minute, Jaq comes in and kills him. Turns out, Jaq was behind David Webb’s false verdict and shot at Rob to cover it all up so that Mercy would be seen as a success. Jaq is arrested, and the trial ends. Brian’s Commentary There’s a lot going on here with “the surveillance state” and tracking of people and devices that aren’t too far from reality, although I doubt we’ll be that far along in 2029 (the date on the videos). I think the whole idea of phoning people to testify in court is unlikely; I hang up on 80% of the phone calls I get. There’s no follow-up to explain how it all worked out. The trial is over, and Mercy’s first verdict was discredited, but did that really change anything? None of the characters, especially Chris, are likeable or particularly interesting. I thought the first hour was really pretty dull, although once Chris starts tracking down the real killer, it picks up quite a bit. I suspect this is one that the more I think about it, the more it’s going to fall apart. Kevin’s Commentary Yeah, I don’t see us being that advanced or apocalyptic in 2029, three years from now. I spent most of the movie wondering if Jessica Ferguson as Judge Maddox was benign and neutral. I was finding it pretty tedious for the first half hour, but I warmed to it as the story progressed. It does get moving and more interesting. The counting timer was really just a plot device to create suspense, arbitrary and no reason it couldn’t have been longer or extended as needed. They lost me a bit at the end when Rob drove his truck into the building but didn’t immediately detonate it so Chris and the Judge had a chance to stop him. But that allowed for another twist at the end and wrap up. Overall, I’d say I was entertained, but I wouldn’t call it great. 1976 Squirm * Directed by: Jeff Lieberman * Written by: Jeff Lieberman * Stars: Don Scardino, Patricia Pearcy, R.A. Dow * Run Time: 1 Hour, 32 Minutes * Trailer: Spoiler-Free Judgment Zone Powerlines serving a small town are knocked down in a storm. They zap the ground and drive the local worm population into a carnivorous rage. It’s kind of slow-moving but it’s pretty good, building as it goes along. Spoilery Synopsis We’re told that in 1975, an electrical storm knocked down a bunch of power lines that sent hundreds of thousands of volts into the muddy ground. This resulted in some weirdness, and this is that story… We watch as the wires spark into the ground and lightning happens as credits roll. The next day, the rain stops, and we watch Geri take a shower as Roger works in the garden. Naomi, Alma, and Geri talk about the bridge being washed out, and they hear about the downed power lines on the radio. Geri’s boyfriend, Mick, gets off the bus, since the road is blocked, and walks the rest of the way to Naomi’s truck. They stop at the store, and Mick gets a weird drink as he listens to the locals talk about the storm. Mick finds a worm in his drink. The waitress and the sheriff think he put the worm in the glass. He’s not from around here, and they all know it. Willie and Roger, who run the worm farm, talk about all their escaped worms. Willie is not pleased, and Mick sorta gets blamed for that as well. Geri explains that the worms around here bite, and Mick admits he’s got worm-o-phobia. Geri and Mick find a dead body, or at least a skeleton, picked clean. They bring in the sheriff, who really doesn’t like Mick, to see, but the skeleton is gone when they get back. Back at the house, Mick and Alma smoke some pot and talk about the area; he’s got poison ivy. Later, they find another skeleton in the back of Roger’s truck– or maybe it’s the same one, they all look alike. Roger takes Geri and Mick out on his boat fishing, and Mick doesn’t want to put the worm on his hook. Roger says he hates worms too. The worm bites Mick. Roger tells a story about how worms like electricity and how they bit off his thumb when they were little. Mick gets off the boat to investigate the skeleton some more, leaving Geri alone with Roger. Mick steals the skull while Roger tries to show Geri his worm. Roger, in turn, gets a face full of carnivorous worms. Mick and Alma break into the dentist’s office to try to identify the skull. Afterwards, they go back to the worm farm and find Willie’s body, now dead as well. As before, the sheriff ignores them. Then everyone stops and has an awkward dinner. Naomi wonders why Roger didn’t come to dinner, and she’s weird about it. Suddenly, a random tree falls through the house. Turns out, a billion worms were under the tree and ate the roots. Roger attacks Mick in the woods, and he’s a mess now. Alma wants to take a shower and accidentally fills the tub with worms. No, the whole ROOM is full of worms that spill out when she opens the door. The sheriff and his girlfriend realize that worms exist. The worms also attack Quigley’s bar and everyone inside. Mick returns to the house and finds a sea of worms, as well as Naomi’s body. Roger attacks again, but gets thrown into the worms and is quickly devoured. Mick and Geri climb down a tree to get out of the house. In the morning, the power guy shows up to report that the power lines are back up, but no one in town’s answering the telephone. We see that Alma hid in a chest until the worms had gone, so she’s OK. It’s all over now… or is it? Brian’s Commentary What’s an egg cream? This one is full of weird characters, and the actors mostly lean into the silliness. The number

We’ve got three new films, one newish film, and an oldie this week. We’ll begin with the much-hyped “Scream 7” and see how that holds up. We’ll then take part in a meta film about a horror writer with “I Know Exactly How You Die” and then go on a “Night Patrol,” all new films. “The Wailing” is from 2024, and the original “Ice Cream Man” from 1995 finishes us off. All this, as well as the latest issue of “Horror Monthly,” issue #55, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2026 Scream 7 * Directed by: Kevin Williamson * Written by: Kevin Williamson, Guy Busick * Stars: Neve Campbell, Isabel May, Jasmin Savoy Brown, Mason Gooding, Anna Camp, David Arquette, Matthew Lillard, Courteney Cox * Run Time: 1h 54m * Trailer: Spoiler-Free Judgment Zone Years have passed, Sydney has a new town, new home, new job, a cop husband, and a teenage daughter in her 20s. Things are idyllic in the affluent area until, of course, the killings start again. And the who-is-doing-it begins again. It’s very well put together with a strong cast, but we didn’t feel like it was much different than the rest of the series. If you’re a Scream fan, you’ll probably like this one too. If you’re tired of the Scream movies, there’s not much reason to see this one. Spoilery Synopsis A couple of influencers arrive at the “Stab” house. It’s a murder house based on the movie series, which was also based on the real-life murders. Numerous murders happened here, but now it’s a themed-BNB museum, with body outlines on the floor and everything. They soon come across an animatronic Ghostface and a shrine to Stu, who legend says is still alive. Scott and Madison get “the” phone call about scary movies, which is a put on for part of the tourist experience. The whole trip goes very badly after that. Credits roll. Ben crawls through his girlfriend Tatum’s bedroom window and points out that it’s just like in the first “Stab” movie. Turns out, it’s Sydney’s house, and she’s wise to his tricks. Her husband, Mark, knows all about Sydney’s past. We spend a while meeting all of Tatum’s friends. Lucas wants to start a podcast about Sydney’s story. They’re all involved in an unrealistically elaborate school play for the theater club. Sydney still gets calls from the Woodsboro killer, but she doesn’t believe it’s really him. The killer Facetimes her, and she immediately recognizes that it’s Stu. He threatens to do something to Tatum at the theater, so Sydney gets the whole police force involved. Ghostface kills a girl on stage, but then Sydney shows up and starts blasting. Tatum turns out to be fine, but two of her friends are killed. Mark, a policeman, swears that Stu is really dead. Ben is a computer whiz, and he could have AI-deepfaked that video of Stu, so he’s Sydney’s main suspect. As Sydney and Tatum argue about leaving town, the killer pops out of the attic, inside the house. They hide in a safe room, but they both decide to sneak out to see how Mark is doing. There’s a lot of cat-and-mouse, but eventually, the killer is run over by Gale, who shows up out of the blue. They pull off the killer’s mask, and no one knows who that guy is. After a bit, we hear that he’s a former mental patient with no connection to anyone. “There’s always more than one,” Sydney points out. Sydney and Gale immediately turn their suspicions on Lucas. Stu calls, and this time, he gets Gale. Gale and Sydney go to the mental hospital to research the now-dead killer, Karl. They show the orderly Stu’s photo, and the man recognizes him as a John Doe patient who spent a lot of years there. He was released two weeks ago. Stu and Karl were close friends. Mindy and Chad, Gale’s intern camera people, talk to Tatum and discuss their suspicions. They talk about how horror-cliched it is that no one recognized Stu after all these years. They say it’s all about nostalgia and old movie franchises. Meanwhile, Ghostface kills Mark. Gale interviews Sydney on TV to draw out the killer. He does call, and he’s right outside where all the kids are. Sydney calls Mark, who doesn’t answer because he’s already dead. Meanwhile, Tatum finds an AI-deepfake that Ben made and smashes his face thinking he’s involved, but there’s still another Ghostface out there. Inside, Mindy points out that they are locked inside and all their suspects have conveniently disappeared. Lucas, Chloe, Mindy, and Chad all die in rapid succession. Tatum, on the other hand, is being chased through town by Ghostface. And since there’s been a curfew established, no one is in the entire downtown to help. Ben shows up and proves that he’s not the killer– by dying. Sydney and Tatum text each other but don’t call 911. Sydney talks to Tatum about how to use a gun and to shoot through the wall where the killer is standing. As usual with a horror movie, that doesn’t kill him. On the other hand, a second Ghostface shows up and they both get her. Sydney runs home and confronts Sydney; “Stu” unmasks himself on screen, and turns into various dead characters we’ve seen before. Eventually, we see that it’s actually the hospital worker from the asylum. Mark is there, only mostly dead, with the other Ghostface, who is Jessica, the next door neighbor and Lucas’s mother. They talk about Sydney being a scream queen and final girl. Mark secretly cuts Tatum loose, and they turn the tables on the baddie, but only briefly. Sydney’s had enough and stabs the Hell out of Jessica, and then Tatum shoots Jessica, but not in the head. Then she does, repeatedly. Gale shows up, along with not-dead Chad and Mindy to report on the story. Brian’s Commentary I like that everyone suspected that the Stu calls were AI-faked; I’ve never seen anyone in a movie go down that route before. We’re just spinning our wheels with this whole franchise at this point. There’s really not much new going on here. It’s well-made, highly budgeted, looks good, but there’s absolutely nothing new here. Kevin’s Commentary That was a very affluent high school. There were some updates using current technology, but it just mostly seemed like more of the same. I can’t fault the quality. The cast, effects, sets, everything were top notch. But the Scream movies all kind of run together for me, and a little weariness is creeping in. Oh look, there’s more than one killer, and they have crazy reasons for taking over the Screamface persona. This didn’t do much to excite me. 2026 I Know Exactly How You Die * Director: Alexandra Spieth * Writers: Mike Corey (Screenplay) * Stars: Rushabh Patel, Stephanie Hogan, Bobby Liga, Summer Hernandez, Zachary Leipert * Runtime: 90 minutes * Trailer: Spoiler-Free Judgment Zone When a horror writer working on a slasher story checks into a motel to get some work done on his book, the lines between reality and fiction start blurring. The problem he finds is that a writer can’t control every single thing in the world, and things get crazier as the story progresses. Who is really in charge? It’s got an ideal location where most of it takes place, the acting is good, the effects are effective, and it’s a clever script. We both thought it was quite good and entertaining. Spoilery Synopsis A man does laundry as another man comes in behind him and kills him excessively with a brick. Credits roll. Rian, a writer, checks into a motel to self-isolate to get some work done. He tends to overshare and is a little bit of a creep. He gets to work writing his horror novel about Katie getting killed. We watch as the real Katie parks her car at the very same motel and goes into a really sketchy restroom. A man comes in and has some kind of seizure, and she rescues him. She and Naja, the motel manager, watch a news report about Katie’s neighbor, who turned out to be a serial killer. Actually, she’s come to the motel to be away from the killer, who is still at large. As soon as she goes into her room, we see her stalker approaching the door with a brick… Rian takes a break from his writing and goes outside to the indoor pool. As he swims, he thinks about Katie’s story some more. Someone steals his clothes, and then he’s attacked and kidnapped. No– he’s just dreaming, passed out on the pool room floor. Katie comes and helps him as well. Maybe that was all a dream. Rian’s neighbors have sex 24/7, so he wants to change rooms. The new one is smaller and not as nice. He gets back to work. In another room, a woman is sick and doesn’t notice the killer breaking into her room. As the woman runs out of her room, Rian thinks he can actually hear her screams and looks out his window. He watches the woman be murdered out there, but then, when he goes outside, there’s no one else there. Could the story he’s been writing have come true? Rian goes to Naja about the maybe-murder, and they look around the parking lot. Turns out, the woman is staying in the motel’s “haunted room,” where murders have happened before. The man who stayed there wrote down “his intrusive thoughts” and then killed his family. Rian thinks the motel makes written stories come true. Rian tells his agent that he can “take control of my story.” Katie finds evidence that her stalker is in the area and tells Naja about it. She runs into Rian, who asks her if anything weird is going on. They find a room with the killer’s stuff in it and then hide as the stalker pounds on the door. They both find their cars sabotaged, so they can’t leave. It’s not long before they wind up in bed together. Rian decides to “write them out of this” and gets back to work. He writes the scene we already saw with the laundry guy getting killed. He also kills the other woman we’ve seen in a nearby room. Katie finds another note, along with a bloody brick. Rian an

We have a more or less random mix of old and new this week. We’ll start off with the new releases, “Death Name” and “Cold Storage,” both from 2026. We’ll watch a not-so-recent sci-fi movie, “Stranded” from 2013. For an oldie, we’ve got 1986’s Alice Cooper in the not-so-spectacular “Monster Dog.” We will then finish our series on Godzilla with “Godzilla: The Planet Eater” from 2017 (We’ve now seen ALL the Godzilla films!) All this as well as the latest issue of “Horror Monthly,” issue #55, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2026 Death Name * Director: Réi Talas * Writers: Réi Talas and Regina Kim * Stars: Amy Keum, Kevin Woo, and Vana Kim * Runtime: 81 minutes * YouTube Trailer Link: Spoiler-Free Judgment Zone A young woman of Korean descent tries exploring her family history and accidentally awakens a family curse that followed her grandma to America. It is slow-moving and talky with some suspense and story that builds to a climax. But it’s low on scares, and neither of us were very impressed with it. It’s just middling in pretty much every way. Spoilery Synopsis We open on an old news report of General Eisenhower and the Korean War. A pregnant woman hides in the closet as a strange man in a hat walks in to find a woman hanging from the ceiling. The man in the hat finds the woman in the closet, and she screams. Credits roll as we see Korean immigrants coming to America. It’s Sophie’s first day of university, and all the good classes have been taken. She asks her mother why they never bothered teaching her Korean, and she doesn’t even have a Korean name. It’s something her grandma wanted. Grandma overhears part of the phone conversation and freaks out. Her father texts her that she was, in fact, given a Korean name, but there was a fight over it. She wants to know her name, and he sends it to her, in Korean text, which makes her phone blink with static. Brian, Kwan, and Ari meet Sophie in class, and they’re all friendly. Professor Lee runs the Korean History class. Some of the students want to be called by their Korean names. She asks them for help translating her Korean Name, since she can’t read Korean. When Kwan tries, the power goes out. Sophie goes home on a break and eats with the family. Grandma is especially interesting, asking the same question repeatedly– she must have some dementia. She mentions thinking about going by her Korean name now, and Grandma insists that she doesn’t have a Korean name– excitedly. Sophie’s parents explain about some of Grandma’s history– her great-grandmother killed herself, which was a big scandal in Korea. Grandma says there’s more to it than that; she’s been trying to protect the whole family from the family curse. “Don’t speak that name!” Sophie goes to a nearby bar and meets Jun, a single guy from Korea. He tells her that it’s never too late to learn Korean. They talk a lot, and he walks her home for a kiss. Later, Ari says Sophie isn’t a real Korean; it’s just trendy for her– she’s been whitewashed. Sophie and Jun have another date, and he admits that he’s got baggage too. Something keeps dripping through the ceiling in Sophie’s dorm room. On the next break, Sophie takes Jun home to meet her parents. Her parents are normal, but Grandma’s taken a turn for the worse. Jun has brought a gift from Seoul for Grandma, and when she sees it, she screams. It’s pearls– no, it’s berries. She calls him an evil spirit. As they talk later, Sophie tells him her Korean name, Park Joo-Hyun. This leads to kissing and sex for some reason. Later, she hears voices calling that name. All her photos of Jun are blurry, but only on his face. Is he real? Sophie gets a flashback to her great-grandmother and the man in the big hat, who has a melted face. When his face is intact, he looks like Jun. Sophie gets a call from her parents; she needs to drive home and check on Grandma. Turns out, Grandma is right there on campus to warn Sophie about the curse. Sophie drives Grandma home, which is a mess. Grandma tells the story about her mother, the man in the hat, and Sophie’s new boyfriend, who knows her Korean name. One of her ancestors caused Jun to kill himself and become a ghost. We see that opening scene again, with more detail this time. She moved to the USA and took a new name; he couldn’t find them under a different name. Now, with Sophie speaking her true name out loud, the ghost has found them. Sophie has to go out to pick up more of Grandma’s medication, and leaves her home alone. When she gets home, Grandma is unconscious on the floor. At the hospital, she sees Jun in the room, and he’s angry. He wants Sophie to be his bride in the afterlife, and she volunteers. She wants 48 hours to tie up loose ends before going with him, and he agrees to the terms. Sophie talks to Professor Lee about some old family tree documents she needs to translate. Back in 1902, Jun committed suicide, and the family had his name cut out of the records. Sophie then runs to the Korean records library, which is closed for construction, and breaks right in. Ari follows her to see what’s going on and helps translate what they find. Ari says Sophie’s name, and the ghost finds them immediately. Jun lets Sophie choose the manner of her death, and she chooses poison. Ari helped her find the ghosts’ true name, and she says it aloud. Suddenly, Grandma jumps out of bed, and Sophie accidentally cuts her throat. Jun the ghost vanishes. Later, Sophie rubs her belly. She’s got Jun’s baby inside there… Brian’s Commentary If you don’t like this movie, you’re not a real Korean. OK, maybe you are, I dunno. A lot of the film seems to revolve around what a “real” Korean is versus a second- or third-generation immigrant. I suspect the doctors are going to suspect foul play when they find Grandma’s throat cut in her hospital room. Maybe it’s just me, but I didn’t find it particularly compelling at all. The backstory of the curse, the deaths, none of it was particularly interesting. Meh. Kevin’s Commentary There’s a lot of talk and not a lot of scare here. The Korean culture things were kind of interesting. The whole movie was kind of interesting, but I wouldn’t go much further than that. I’d call it just okay over all. 2026 Cold Storage * Director: Jonny Campbell * Writers: David Koepp * Stars: Georgina Campbell, Joe Keery, and Liam Neeson * Runtime: 99 minutes * YouTube Trailer Link: Spoiler-Free Judgment Zone A semi-retired bioterrorism agent gets called back into action with his sidekick when a deadly fungus gets on the loose. Throw a couple of civilians into the mix, and hilarity ensues. This one has lots of humor and body horror. It’s juicy and gross. Everything was well done, and it’s entertaining, but it’s not super original. There’s a lot here we’d seen before. Spoilery Synopsis We’re told about Skylab and the debris that mostly burned up in orbit. Some of it hit the Earth. In Western Australia, 18 years ago, Enos rushes to make a phone call. Dr. Martins in Rome gets the call. “Something came out of your tank! We’re all dying!” The tank is NASA’s, and she doesn’t know much about it. 27 hours later, she arrives there to investigate. Robert Quinn arrives on the scene with Romano; they’re military of some sort. There was an O2 tank from Skylab that fell down here, but it had a parasitic fungus on it. We sent it up there in the first place, but what came down wasn’t the same thing. The three check out the small town where the “outbreak” has taken place. There are no people. They soon find the tank and check it out. Dr. Martins quickly figured out what happened. Someone was trying to clean the tank and accidentally fed the thing inside. The creature finds its way into her through a hole in her boot. Then they find all the townspeople on the roofs of the buildings, dead. Quinn calls in the military to burn the town to the ground. Martins has one sample in her bag and another in her foot. It acts really fast and takes over her mind. She shoots herself. As credits roll, the town is destroyed and the sample is taken to a secret research facility where it’s put into Cold Storage. Years pass, and the facility shuts down and is eventually sold. Teacake drives to the new self-storage facility, which is the re-tasked cold storage place from before. He works security there, and his boss, Griffin, wants to do something illegal. He talks to Naomi, a new employee about how awful this job is. An old woman comes in and wants to access her unit. She goes into the unit and finds her gun; this is her anniversary, and she’s thinking of shooting herself. She takes a nap first. In North Carolina, Robert Quinn gets a phone call about the sample. There’s an alarm about a temperature change at the storage facility. He’s soon on the way to the facility. Teacake and Naomi hear a beeping inside the wall and want to investigate. They break open the wall and see the same alarm that Quinn was notified about. There’s a whole wall of control-panel stuff back there. Naomi wants to explore the place’s sub-sub-basement, where the lab is. It takes a while, but they get there. Naomi’s crazy boyfriend Mike drives up outside, and he’s more or less a stalker now. He calls her, but she doesn’t get the message due to being so far underground. Also, he’s got someone dead in the trunk of his car. It’s not a body, it’s a cat who appears to be infected. It climbs to the roof and explodes a load of spores that infect Mike, a deer, and gets the ball rolling. Naomi and Teacup open the vault and go inside. They find an infected “rat king” on the ground. They nope right out and head back upstairs. Quinn talks to Abigail and Jerabek, who explains that the man in charge of the cold stor

Lots of fun things this week. We’ll start off with “Bone Keeper,” a cool monster flick that just released. We’ll then get really weird with a “Dead Lover” that you’ll either love or hate. “The Kinderhook Creature: In the Shadow of Sasquatch” is the newest in a long line of cryptic documentaries. We’ll wrap up the series with “The Strangers: Chapter 3” and then continue the anime Godzilla trilogy with “Godzilla: City on the Edge of Battle” from 2017. All this as well as the latest issue of “Horror Monthly,” issue #54, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2026 Bone Keeper * Director: Howard J. Ford * Writers: Howard J. Ford * Stars: Sarah Alexandra Marks, Louis James, Tiffany Hannam-Daniels, and John Rhys-Davies * Runtime: 96 minutes * Trailer Link: Spoiler-Free Judgment Zone A group of seven young folks explore a cave infested with creatures that arrived thousands of years ago by meteor. As you might guess, it goes badly for them. The basics are laid out right away. The effects look very good and it was entertaining. We both enjoyed it. Spoilery Synopsis We watch a meteorite crashing down as credits roll. Whatever it is, it’s got tentacles and slithers into a cave. It’s 400,000 years ago, and the cavepeople of the time fear it since it eats them. In 1976, a woman narrates about her grandfather, a journalist, who went exploring in a cave. He sees cave paintings and skeletal remains. Then the monster gets him. In the present day. Professor Harrison looks depressed. “I’ve killed him. I killed her, too,” he yells. Olivia and Annabelle want to go search for her mother, who has gone missing while investigating the grandfather’s disappearance; the police aren’t doing enough. They, and their friends, a group of monster hunters, head to the remote location and pick up Ashley, a travel blogger. They’re off to find the “Bone Keeper.” With the addition of Ashley, the trip just got a lot less scientific. Ethan, Nick, and Ravi plan to find the monster, and maybe get lucky with the girls in the process. The group goes to the local pub, and everyone watches them as they come in. They look at all the “Missing Persons” posters on the wall. They’re here to meet Professor Harrison, and the locals are strangely hostile. Harrison knew Olivia’s father, and he warns them not to go into the caves. Everyone who has ever gone in there has… stayed in there. He really doesn’t want to tell them which cave has the monster; too many people have died. He even has Olivia’s grandfather’s film footage of what happened in the cave. He even thinks the monster is an ancient alien. The next morning, the seven characters go to the cave that Harrison told them about. They climb, crawl, and do all the usual cave-explorer-y things. They find some slime, and Ravi looks at it in the microscope he’s apparently carried into the cave with him. Ashley stays behind to film some vlogging stuff and the monster grabs her. For some reason, the others can’t hear her screaming as it rips her apart. The others find some hair with a bit of skull attached, so they know someone has died in this cave. Nick goes looking for Ashley, but he finds what killed her instead. Ravi and Nadia actually see one of the tentacles and get all excited. When it grabs and kills Nadia, they get even more excited. Ravi catches up with the others and reports what he saw. There’s a whole nest of the alien creatures down here. They find a huge mound of slowly digesting merging melted bodies, including Olivia’s mother. They decide it might be a good time to head for the exit, but now they’re lost. They find the exit, and Ethan even gets a few photos of what’s left of Nick still crawling around. Outside now, Olivia, Annabelle, and Ethan tend to Ravi’s severe wounds. “It gets inside you. It becomes you,” Ravi rants. Ethan calls Harrison and sends him all the footage he’s taken. The tentacle-monster attacks the girls in the campsite, outside, and Ethan runs to help. It drags Ethan and Ravi back down into the cave. When Olivia and Annabelle see just how big the thing is, they run for the road, but Annabelle is grabbed next. Olivia hears her mother singing and prepares to go back inside. She goes through all the caves, back to the big digesting mess, and retrieves her mother’s necklace. Outside, Harrison and the military show up and plant explosives at the cave entrance. They shoot at the many monsters inside and find Olivia, still alive. Then they blow up the cave entrance. Six months later, Olivia wakes up in the hospital, and the doctor says she’s pregnant. They do an ultrasound, and it’s a little baby tentacle monster. Nope-just a nightmare. She’s with the soldiers and Harrison, who says blowing up the caves may not be the end of the creatures. Naturally, for the final shot, we see that it’s definitely not over. Brian’s Commentary None of these people are spelunkers or regular cave explorers, and yet none of them are claustrophobic or terrified by the caves alone. Despite being specifically warned to stick together, the group continually splits up so that one person can die at a time. One after another, they die, and no one else ever seems to hear the screams. That’s nowhere near as stupid as Olivia going back inside the cave after seeing what the creature really is. The creatures are pure CGI, but they are really well done. We see more of them than I expected we would, and they all look good. John Rhys-Davies is too old to be climbing around in caves, but he still has a significant amount of screen time here. Other than the stupid choices the characters made, the film is really very good! Kevin’s Commentary One point that deeply troubled me was the way there would be attacks and rock collapses causing much commotion, and the others who were not that far away in the cave heard absolutely nothing or very little. That aside, the story is basic but pretty effective I thought. The creature and gore effects look really good, slimy and creepy. The cast does a nice job with it. There’s some issues here and there, but all in all I’d call it a win. I was very entertained. 2026 Dead Lover * Director: Grace Glowicki * Writers: Grace Glowicki, Ben Petrie * Stars: Grace Glowicki, Ben Petrie, Leah Doz, Lowen Morrow * Runtime: 83 minutes (1 hr 23 mins) * YouTube Trailer Link: Spoiler-Free Judgment Zone A lonely and smelly gravedigger laments she can’t find love, then finds a man who adores her just as she is. And when she loses him, she goes to extremes to bring him back from the dead. This was a fun story with lots of chuckles and some real horror at the core. It’s unique, with the look of a stage play, and we both really enjoyed it. Spoilery Synopsis We’re told that this is done with “Stink-O-Vision,” where a number appears on the screen at various points, and we’re supposed to scratch-n-sniff at various times. A strange-looking woman plants seeds as credits roll. She’s a grave digger and doesn’t smell very good. She’s trying to make a perfume to hide the smell of death on her. She tries to seduce the priest at a funeral; her perfume doesn’t work. When no one shows up for the funeral, the gravedigger tells us all about the too-generic dead woman. Three old women with big hair talk about the gravedigger and the dead opera singer. We cut to the funeral and the woman’s weird funeral guests. The opera singer’s brother runs off in anguish and is attacked by a wild wolf, but the gravedigger saves him. He smells her and doesn’t hate it; could it be the smell of the wolf’s blood that makes her attractive to him? The two go for a wash in the ocean, and he “wants to lick your stink. I want to shower in your rot, the feast on your fetid funk. I want to pick up a piece of your poo and eat it like a banana.” (Which Kevin notes might be his favorite monologue and following sex scene ever.) He might be a little weird, but then she has sex with him while holding her shovel. The two get very close and talk about their needs and dreams. He leaves her because he can’t have children; he goes overseas for an operation to possibly fix that. His postcards are quite descriptive. In the meantime, she works on growing a rosebush to make her smell better; he loves her because of the stink. On the way home, he’s lost at sea, all but his finger. Some foreign fishermen find the finger and bring it to the gravedigger. We-have-Johnny-Depp-at-home lights his opium pipe, and dreams of the dead opera singer, his wife. The gravedigger gets the finger returned to her, but she’s not really willing to let her dead lover go. She thinks about the flowers and fertilizer; can she re-grow him? She starts catching lizards and stealing their regeneration-juice. She injects the finger with lizard-elixir and creates a whole Frankenstein’s Lab setup to bring him back. It works– sorta. The finger comes to life and grows… into a very long finger. What can a lonely woman do when her lover is only one long finger? Well, yeah, that. The finger wants a body, and the gravedigger is well-equipped to get one. How about the dead man’s sister, the opera singer? She grafts on the special finger to the dead woman’s corpse and zaps it with lightning power. The opera star with the very long finger doesn’t look too happy to be alive at this point. She likes the lizards more than the gravedigger. The three tall-haired women go to the Dollar-Store-Depp and tell him that the gravedigger has dug up his dead wife; they also tell the priest. He goes to the gravedigger’s house and sees his undead wife there. They fight, sword vs shovel, and shovel wins. The opera star’s husband takes the gravedigger hostage as the opera star hooks up with a blind fisherman. The gravedigger gets out of her restraints and runs off int

We’ll start off the week with “Whistle,” released this year, along with “The Strangers Chapter 2” from last year and “The Car” from way back in the seventies. Finally, we’ll continue our series coverage with “Return to Silent Hill” and “Godzilla: Planet of Monsters.” All this, as well as the latest issue of “Horror Monthly,” issue #54, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2025 Whistle * Director: Corin Hardy * Writer: Owen Egerton * Stars: Dafne Keen, Sophie Nélisse, Nick Frost * Runtime: 97 minutes (Note: some sources report up to 108 minutes) * Trailer Link: Spoiler-Free Judgment Zone A group of young people come into possession of a cursed whistle that summons the future death of anyone who blows it or hears it. So they learn about the magical situation as they are getting picked off one at a time. It’s a little formulaic, but it’s well made and above average in quality. We were both entertained. Spoilery Synopsis We open on a basketball game with the Stalkers versus the Wolves. One of the players, Horse, sees something weird up in the audience. As he makes the winning shot, he sees someone who appears to be on fire that scares him off back to the locker room. The player runs into the locker room and smashes an old-looking urn as the smoky-ashy-man approaches. It sets him on fire in the shower. Credits roll. Six months later, Chrys argues with her cousin Rel about unpacking her stuff. It’s her first day of high school after moving here. She’s assigned Horse’s locker and some of the kids take offense to that. We get to meet some of the other “kids” of the school, as well as a teacher, Mr. Craven. Also, Chrys may have a bit of history. Grace tries to be nice to the new girl, but doesn’t get any support. Inside Horses’s locker, Chrys finds all Horses’s stuff, still there, including that ancient urn with an ugly skull-whistle inside. She’s about to blow it when the bell rings. Mr. Craven looks at the whistle, and it’s got ancient writing on the side which he just happens to be able to read. Someone Googles the script and says it means “Summon the Dead.” He blows in it to see if it works and it makes the mirror shatter. Chrys meets Noah, a youth pastor who invites her to church. He’s very sketchy– no, he’s also a knife-wielding drug dealer. Meanwhile, Rel steals the whistle off Craven’s desk. Not long after, a bloody bald man crushes Craven’s lungs and makes him lose all his hair. At Grace’s houseparty, Grace blows the whistle, and they all cringe at the sound. Ellie is nice to Chrys and invites her to the harvest festival tomorrow night. Chrys soon develops a crush on Ellie. Later that night, Grace works on her homework next to the pool. She hears someone scrabbling around on the deck and checks it out. She gets a jump scare, but that’s all. The next morning, Rel and Chrys arrive at school and hear about Craven’s death from lung cancer last night. Chrys and Ellie go to Horse’s house to return the whistle to his parents. His mother, Ivy, is broke and has to sell all her possessions. She’s very self-obsessed. “You didn’t find it, it found you,” she says about the whistle. It doesn’t say “Summon the dead,” it says “Summon YOUR death.” It shows you how you’re going to die. It brings Death to you earlier; you die in the way you were meant to, but much sooner than intended. Could Mr. Craven have used it like Horse did? Ellie works at the hospital, so she checks on Horse’s death records. Horse’s dental records show that he was in his forties, but he was really just seventeen. He would have died in a gas leak at age forty. Mr Craven would have died of lung cancer eventually, but it happened last night because of the whistle. It’s time for the harvest festival, and it’s quite a party. Rel and Grace are there. She buys some weed from Noah, who then tries unsuccessfully to sell some to Chrys. Meanwhile, Grace goes into the scare maze and runs into a terrifying old woman who chases her. It catches her and she ages seventy years in a matter of seconds. Ellie and Chrys explain the whistle to Dean and Rel; they all heard the whistle, so it’ll be coming after them as well. Dean doesn’t believe any of it until he gets home and sees himself after a drinking and driving death. Chrys tells Ellie about how she OD’d last year and her father died on the way taking her to the hospital. This leads to a makeout session. Meanwhile, Rel has visions of his death at the steel mill. The next morning, they all go back to see Horses’ mother about Choka, the whistle of Death. She says there’s no way to stop it, but they can change its course. “Give your death someone else’s life. Offer Choka a new sacrifice. Mark another with your blood and you will be spared.” Alone in his bedroom, Dean dies from a massive traffic accident in the grisliest way possible. Meanwhile, at the church, Rel has decided to trade Noah’s life for his own to break the curse. Noah takes his gun away, but Rel knows he’s not going to die that way. Rel knocks him out and takes him to the steelmill. Chrys and Ellie show up and talk Rel out of marking Noah with his blood. The invisible steel-chewing machine then kills Rel as the girls watch. Chrys says they summoned Death and have to die– but they don’t have to stay dead. Ellie’s a diabetic, and she’s got enough insulin to kill both of them and then revive. Ellie injects Chrys, she dies, and then Ellie resuscitates her. Noah, meanwhile, breaks out of where they had him tied up, and he works on getting into where the girls are. Noah gets in with his gun as Ellie lays on the floor dying. She’s bleeding out, but Noah dips his fingers in the puddle like it’s a religious experience. Yep, he’s marked with Ellie’s blood now. His own Death comes after him, and he doesn’t escape it. Three months later, Chrys is back in high school and she’s with Ellie. We cut to another girl opening a locker and finding the whistle inside… Brian’s Commentary I went into this one blind except for knowing a cursed whistle was involved. I liked it quite a bit. The casting, soundtrack, and deaths were all good, and the plot was fairly unique. The film leaves it wide open for a sequel, and it was good enough that I’d watch it if there was one. Kevin’s Commentary The basic formula seems familiar. A group of friends in their 20s still in high school get their hands on a magic object that kills them off one by one in unique ways. I thought they milk things out a bit, but overall it’s well made and entertaining. The effects are excellent, the cast is good as are all the technical aspects. I’d call it above average for this type of movie. 2025 The Strangers Chapter 2 * Director: Renny Harlin * Writers: Alan R. Cohen, Alan Freedland (Based on characters by Bryan Bertino) * Stars: Madelaine Petsch, Gabriel Basso, Froy Gutierrez, Ema Horvath, Ella Bruccoleri * Runtime: 98 minutes * YouTube Trailer: Spoiler-Free Judgment Zone Immediately after Chapter 1, survivor Maya wakes up in the hospital and has a peaceful recovery. Okay, not really, the Strangers are still after her. There’s lots of chasing and incidental body count. The Strangers are persistent, and we get hints about their origin. And then it stops and says, “To be continued.” Yep, that happened. Spoilery Synopsis As credits roll, we get flashbacks to the three “Strangers” killing a man in the woods. We cut to Maya, from the previous film, who wakes up in the hospital. She describes them and tells the story to Sheriff Rotter, who is still creepy. She wonders who “Tamara” is that they kept asking about. The people in the local diner speculate about the killers, and they’re all suspicious-looking themselves. We cut to an angry little girl who has a doll that looks like Dollface. That night, at the hospital, the place is nearly empty. Maya gets a phone call, “Is Tamara here?” Then there’s screaming out in the hallway. Suddenly, the lights go out, and her cell phone stops getting reception. Soon, she sees Scarecrow wandering around with his axe. Fortunately, it appears that Maya is the only patient in the huge hospital. Soon, they’re all playing hide-and-seek in the hospital’s basement workings. She hides in the morgue, in the same drawer as her dead fiancé, Ryan. This works pretty well, so she gets away from the hospital and runs outside into the rain. She runs into a woman who tells her that the sheriff isn’t going to help her “Because he’s–” and then she dies. Maya runs into a horse farm or stable to hide. Running back outside, she’s picked up by two women whom Maya obviously doesn’t trust, but at least they have a car. They pick up two guys on the road, and she finds it all very suspicious. It’s all very tense. She panics and jumps out of the moving car and back to the woods. As the sun comes up, Maya uses a stolen first aid kit to sew up the wound in her side, screaming all the while. Somehow, the three baddies have tracked her to this location as well, even though there are miles of forest between where Maya jumped out of the car and where the bad guys were left behind. Instead, Maya gets attacked by a wild boar, which is pretty random. She’s having a really bad day. But not as bad as the pig. Pinup comes across the scene and has a flashback about playing with baby pigs herself. Maya makes her way back to the murder cabin from the previous film and grabs a knife, some clothes, and food. She meets a man who says he’s with the State Police, and they get into his car. He doesn’t last long before the masked women kill him. She hurries to another house, with a strange man inside, and passes out. When she wakes up, Turns out this is the house of the two men from the car she was in earlier. Gregory is creepy

We’ll start off the week with a new folksy-horror film, “The Dreadful.” We’ll then take a look at some rough family life with “The Other” from late last year. “The Hills Run Red” is this week’s lame-o slasher film. Finally, we’ll continue our series coverage with “Silent Hill: Revelation” and “Godzilla: Final Wars.” All this as well as the latest issue of “Horror Monthly,” issue #54, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2026 The Dreadful * Directed by: Natasha Kermani * Written by: Natasha Kermani * Stars: Sophie Turner, Kit Harington, Marcia Gay Harden, Laurence O’Fuarain, Jonathan Howard * Run Time: 94 minutes * Trailer: Spoiler-Free Judgment Zone Two women in 1400s England live a quiet life on their own on the edges of society. And it’s a quiet and slow build of a movie. But the dread does build and things get darker as things go along. It’s pretty low key in every way, with beautiful scenery and strong performances. We both liked it quite a bit. Spoilery Synopsis Anne goes to church and has Communion. Her mother-in-law, Morwen, is a pickpocket, stealing from young mothers. They’re poor, and all the men from the village have gone off to war. Anne dreams of her husband, Seamus, returning from war, but there’s something very wrong with him. Morwen says, “This war will make us rich.” The next day, she runs into Jago, home from the war. He tells the story of how Seamus was rather brutally killed in the war. She still remembers when they were all little and growing up together. Anne and Morwen take the news badly. Not long after, there’s a shipwreck nearby, and one survivor makes it to the beach. Morwen stabs him in the back, which Anne doesn’t see, and then she and Anne loot the bodies. “God is smiling on us to send such good luck,” Morwen adds. They eat well that night. Jago likes Anne, but she’s not really interested in him. Morwen doesn’t like him either; he was always jealous of Seamus. A wandering priest comes by and shows them his relic. He wants to sell it to them for three silver pieces. As he prays with Anne, Morwen cuts his throat. Anne is horrified, but Morwen justifies it all. Some time later, Anne watches as a knight in armor kills a man in the field. She’s seen the knight before. She runs to Jago for protection, and he likes that. Later, she has a dream where Morwen is eating raw flesh. She sneaks out of the house late at night and goes to Jago; they have sex. He wants her to move in with him, but she thinks Morwen needs her. Anne starts helping Morwen kill and rob travelers of their valuables. When Jago comes around for Anne, Morwen runs him off with her knife. She sneaks off to do her thing with Jago when Morwen’s asleep. Meanwhile, Morwen watches as a knight in armor comes to their house. She follows him and kills him from behind. She takes off his helmet and loots him. Anne tells Morwen that she’s leaving to be Jago’s wife. Morwen does not take it well, and she goes to live with Jago. That night, Anne dreams that the demon knight came and killed them both. Anne notices discrepancies in Jago’s story about her husband’s death. Could he have killed Seamus? He tells the story about how Seamus would kill soldiers and rob their bodies– just like his mother’s been doing. Seamus killed the knight in the helmet and put on the helmet. The helmet burned Seamus and wouldn’t come off; Jago left him there on the battlefield. Anne turns against him and leaves. We get a flashback to Morwen killing the knight, who turned out to be Seamus in that same helmet. Anne goes to the village and finds the priest has been murdered by the knight. She runs to Morwen’s house, but the old woman isn’t home. The knight shows up, and it’s Morwen inside the helmet. She screams that she can’t get it off. Anne rips the mask off, and Morwen is all disfigured under there now. “Now you really are a demon,” Anne says. An actual demon comes out of the helmet, and the two women run for the house. When Anne looks outside, all she finds is the helmet. Anne and Jago talk about demons. He still wants her, but now she’s loyal to Morwen, who has gone blind from what the helmet did to her. Anne goes outside and picks up the helmet… Brian’s Commentary This is based on the same Buddhist parable as “Onibaba” (1964). Like that film, this one is slow-moving and atmospheric. There aren’t any jump scares or anything like that; just a slow buildup of dread that you know isn’t going to end well. And it doesn’t. Kevin’s Commentary The scenery and quiet of the movie are very soothing. The dreadfulness is there, but it’s pretty low-key. I thought it was a good watch. Excellent cast. 2025 The Other * Directed by: Paul Etheredge * Written by: Paul Etheredge * Stars: Olivia Macklin, Dylan McTee, Avangeline Friedlander * Run Time: 1 Hour, 38 Minutes * Trailer: Spoiler-Free Judgment Zone When a couple brings home a little orphan girl, it’s not a simple happily ever after. There’s a reason she’s holding that drill in the poster, and we get to find out why. It builds slowly to a big finish, then a very abrupt ending. It’s on the unique side, and we liked it more than disliked it. Spoilery Synopsis The lady at the adoption agency explains that Kathelia doesn’t speak , but they don’t know why. She’s been returned to the orphanage before. Robin and Daniel go ahead and adopt her anyway. Credits roll. Robin’s mother has done some research and learned that Kathelia’s mother killed and cut up her whole family, which might be why Kathelia doesn’t speak. We see that all the food in the house has very suddenly gone off. That night, everyone goes to bed, and Kathelia grabs a big knife from the kitchen as something out in the pool goes, “Bloop!” In the morning, Daniel finds some pink sludge growing in the pool. Robin finds that all her kitchen knives are missing. Kathelia looks hard at the pink stuff. Kathelia meets Fiona, a neighbor with Down Syndrome. They spend the morning throwing dolls in the sewer. She’s… weird. Her mother, Lizzie, comes over, and Fiona says, “That lady is a door” to Robin. Robin starts being afraid to be home alone. The family throws a party for all the people they know with children, and Kathelia doesn’t look happy to be there. All the kids know about Kathelia’s murderous mom, which soon turns into a fight. Afterward, Robin gets into the jellyfish-infested pool. Meanwhile, Kathelia packs a bag and runs out the front door until she gets a nosebleed. They soon find her. In the morning, Fiona knows that Kathelia “tried to get away” and couldn’t. “You’re stuck here now.” She follows this up with, “Monsters are coming. They’ll be here soon.” The parents take Kathelia to a child psychologist, but that goes badly. Robin thinks adopting was a mistake, but Daniel wants to stick with her. Robin’s pregnant again, and her priorities have changed. Kathelia gags Robin and ties her to the bed somehow, which is over the line for Robin, who wants to send her back. Also, it looks like she lost the baby. Kathelia writes down an address for Daniel, which he checks out. He goes inside to talk to the old woman inside, but all the food on the table is rotten. The old woman is weird and has a worm crawling out of her leg. Turns out, the woman is insane and tied to a leash. The husband blames all their troubles on Kathelia and warns Daniel that he’ll find out. His wife got pregnant with something nasty after Kathelia came to live with them. “Get rid of that child any way you can!” Robin goes to the doctor and shows her the thing that came out of her. The multiple things that came out of her, and they don’t look quite right. The doctor wants her to go to the hospital, but Robin says she’s fine and leaves. By the time Robin gets home, she’s fat and really pregnant-looking. She kicks down Kathelia’s door and threatens her. Kathelia can’t scream. Kathelia runs to Fiona’s house; she talks to ghosts and plays with bugs. Then she whacks Kathelia with a hammer, which involves a hospital visit. By the time Daniel gets home, Robin looks ready to deliver and has become completely unhinged. The doctor calls; Kathelia has “vanishing twin syndrome,” where Kathelia “ate” her own twin in utero. Thanks to Fiona’s attack, they discovered this. The twin got stuck in her frontal lobe, which is why she can’t speak. At home, Robin looks terrible and immediately gives birth to something nasty. Daniel and Kathelia go to see Fiona, who seems to know things. Lizzie tells Daniel Fiona’s origin story. She knew hitting Kathelia on the head would result in finding the monster in her head. Things get weird from here. The whole group goes up to the attic so Fiona can put on a weird raincoat and do a ritual to communicate with the monster. The twin inside Kathelia is trying to use any woman as a door to be born into the world. The gynecologist comes to the house to talk to Robin about “the baby.” Daniel comes home, and Robin stabs him with scissors a few times. The doctor gets it even more severely. Kathelia hides and finds all of Robin’s previous dead babies. Robin drags Kathelia out to the pool, which appears to have become a gateway to Hell. Lizzie and Fiona show up out of nowhere and rescue Kathelia, who goes over and beats on Robin’s belly. “It’s not there. She’s just a door,” Fiona explains. Robin then slices Lizzie’s neck and kills her on the spot. When Robin comes after the rest of them with a sledgehammer, they all barricade themselves in the workroom lab. Fiona tells Kathelia that she needs to dig out the body from her brain or they’re all gonna die. Kathelia looks at the power tools on the wall and chooses a drill. Daniel puts the drill to Kathelia’s scar and lets it rip. A

We’ve got an interesting batch of films this week! We’ll start with “NFT: Cursed Images,” which explains that some NFTs are even worse than others! “Haunters of the Silence” shows us that grief is the monster we met along the way, and “Forty Five” brings us to the edge of Armageddon. “Obex”, on the other hand, is a fun, techno-fantasy that takes a few dark turns along the way. Lastly, we’ll start watching the “Silent Hill” series, with more of those to come in the coming weeks. All this, as well as the latest issue of “Horror Monthly,” issue #54, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2026 NFT: Cursed Images * Directed by: Jonas Odenheimer * Written by: Jonas Odenheimer * Stars: Najarra Townsend, David Wayman, Mariah Nonnemacher * Run Time: 1 hour 13 minutes * Trailer: Spoiler-Free Judgment Zone It’s 2021 and NFTs are hot. A group of young friends in London start having some big troubles when they receive some that have curses attached. The rules and the ending seemed a little unclear, but we both liked it more than disliked it, with Kevin being a bit more favorable toward it. Spoilery Synopsis A couple walks home late at night. Sue thinks she sees something and gets spooked. She talks about how an NFT scared her. Her friend is making a lot of money with them, and her friend passed one on to her. There are supposed to be dozens of these cursed images that are shared online. Sue can’t get through to her friend now. Suddenly, Mark vanishes. When Sue tries to call the police, all she sees on her phone is that NFT. Credits roll. It’s 2021, and NFTs are still a thing. Kit is a successful NFT trader. Dan complains about being a Millennial and the current job market. There are Boomer and Doomer jokes. The whole group got rich with crypto, except for poor Dan, who’s a whiner. James doesn’t know what an NFT is, and the others can’t explain it to make sense. Julie and Cass arrive, and Kit’s not happy about that. The women have exactly the same thoughts about the men. They all seem to be infatuated with NFTs– it’s even better than crypto! The group talks James and Dan into buying some NFTs right now. They explain the nonsense that is an NFT. Kit suddenly has seven NFTs transferred to his account out of the blue. It’s from a collection called “Crypto Horrors.” Sarah’s heard of those, they’re real cursed images. There are only 666 of them, and they get Airdropped to you at random. He sends each person one of them. The party breaks up, and everyone leaves. Later, Kit wakes up to a weird stretchy-faced ghost woman in his room. Cass remembers that she left her phone at Kit’s place, and Julia suggests asking James to go back and get it. Sarah walks home and gets texts from Kit’s phone, but the person texting isn’t Kit. She soon finds out who’s stalking her. James and Cass go back to Kit’s for her phone. They find the place a mess, and then Cass wants to go check on Sarah, who also isn’t answering her phone. We cut to Dan, who is also walking home in an isolated tunnel. Something is chasing him. Julia: The same. Nes is watching YouTube videos about NFTs and gets a panicked call from Dan, who says he saw his NFT chasing him. Dan believes in the curse now and every one is unique just like NFTs are, but Nes just laughs it off. All the NFTs are based on old legends, and possibly real curses. Julia also comes to Nes, and she’s been experiencing the same thing as Dan. James also calls and tells him that Kit and Sarah have gone missing. Julia leaves, and her monster gets her right after. Nes takes a show and gets his. James arrives at Nes’s house, talking to Dan on the phone all the while. He sees Nas’s NFT there and scares it away by showing it a reflection of itself, like Dan tipped him off should work. Dan says if that worked, then maybe they do have a chance against the curse. Dan looks up Cass’s curse and says it can be stopped by striking it with a sword. Meanwhile, James’s own NFT comes after him, as does Dan’s. Dan is attacked, but his monster goes away suddenly. He gets a notification that his NFT has sold for .5 ETH. He’s free of the curse. Dan calls James and tells him to sell or transfer his NFT right now. James transfers his right then; Dan gets the notification that it was transferred to him. Dan dies right away. Dan calls Cass and tells her to dump that NFT right away. She says she already gave it away to some random guy on Twitter. Cass goes to Sarah’s place and talks to her corpse. It possesses her somehow, which gives James a final scare. Brian’s Commentary The background music is occasionally too loud; it’s often hard to follow all the British people talking due to the noise. The visuals are all pretty good, as is the acting. The creatures themselves are not particularly impressive, but we mostly only get glimpses of them. I’ve done crypto, but I never understood NFTs at all. Of course, I was eventually proved right on those. Even today, I still don’t understand where the value was supposed to come from. Still, the only thing they normally kill in real life is your net worth. I like the idea of cursed NFTS, and that they appear from nowhere. The ending made no real sense. Are the victims killed or possessed? Cass should have been spared, but the monsters weren’t following their own rules. It’s a neat concept, but the actual story was a little underwhelming. Kevin’s Commentary We could have used subtitles. Perhaps it was just in the quality of our screener. I thought the party was a bit draggy at first, but things move quickly once that breaks up with the NFTs doing their thing that very night. The digitized creature effects are brief, but pretty cool. All the effects do the job well. Like Brian points out, the monsters don’t seem to follow the rules, and the ending was a little unclear. But overall, I was entertained, which is what really counts. It’s a pretty good one. 2025 Haunters of the Silence * Director: Tatu Heikkinen, Veleda Thorsson-Heikkinen * Writers: Tatu Heikkinen, Veleda Thorsson-Heikkinen * Stars: Tatu Heikkinen (as K.), John Haughm (as Hat Man), Veleda Thorsson-Heikkinen (as Wife) * Runtime: 1 hour 11 minutes * YouTube Trailer Link: Spoiler-Free Judgment Zone The IMDB description says “In the stillness of night, a man is trapped between worlds. As darkness closes in and reality blurs, he must confront the Haunters of the Silence.” and it’s hard to pin down more of a story than that. The visuals are very cool, sound and music is effective, and Tatu Heikkinen is completely natural going about through his days and haunted nights. Spoilery Synopsis A man walks along the beach and eventually stops to dump someone’s ashes into the water. As he drives home, credits roll. The man, K, sits in his house, and we see photos and things of his wife, who is apparently the one who died. He goes to sleep, and we see all around his house. An alert from his porch camera wakes him up, and he goes out to investigate. Finding nothing, he goes back inside and checks inside the house. More weird stuff happens after he goes back to bed, so he searches some more. He falls to the floor and starts hallucinating. K runs through the misty forest and comes to an abandoned building. It all gets pretty surreal and weird. After a while, he starts being pursued by a man in a hat. K wakes up when he gets a phone call from his father. He then dreams about skulls and bones followed by many other weird visuals. K wakes up and sees his wife at the bottom of the bed. “It’s OK,” she says. We then hear a recording of a poem, “The Haunters of the Silence.” The alarm goes off, and K gets out of bed. He makes some tea and goes outside. Suddenly, it’s the middle of the night again. He’s still in the dream, and he can’t get out. The man in the hat comes into his bedroom and– the film ends. Brian’s Commentary It’s super slow-moving and atmospheric. Everything is hazy and dreamlike, which reflects the main character’s state of mind after losing his wife. It was inspired by the director/writer/star’s experience with sleep paralysis. It’s all very visual, but there’s no real plot to speak of; it’s just K and what he sees, or imagines he sees. There’s also no real dialogue, as K is alone through the whole film. It’s basically a nightmare on film. It’s surprisingly relaxing, and I almost caught myself going to sleep a couple of times, and I don’t mean that in a bad way. It’s unique and weird! Kevin’s Commentary I’d say the visuals are the number one thing going for this. Very cool. There is a nightmare quality to many of the scenes, and the whole thing is surreal. Without much of a story. A guy in mourning attends therapy, takes medication, tries to get through his days, and looks like he’s having nightmares with sleep paralysis. I agree with Brian, I found it more relaxing than disturbing. I’d say that I liked it. 2025 Forty Five * Directed by: Bazz Hancher * Written by: Bazz Hancher, Michael Walcott * Stars: Benedict Bareford, Sean Botha, Ryan Brunt * Run Time: 40 Minutes * Trailer: Spoiler-Free Judgment Zone After Fallon loses his daughter, his search for answers leads him on a surreal and creepy quest wrapped up in religious prophecy. It builds well as it goes along until a chilling finish. We were both impressed. Spoilery Synopsis We get a Biblical math lesson; it is the end of days– 45 days to go. It’s June 6th, 2022. Police and detectives examine a crime scene out in a field. A young girl was murdered and bitten, some kind of ritual killing. Three years later, Carson and Fallon talk about “45” whoever that is. 45 is dangerous, and whoever gets close to him dies. Despite the warning, Fallon, the dead girl’s father, still wants to know more. Fallon goes to see Father Vaughn,

We’ll finish up the Lake Placid movies this week with “Legacy” from 2018. We’ll also continue our Godzilla sequence with “Tokyo S.O.S.” from 2004. Then we’ll watch three hot new films: “Primate,” “Predator Badlands,” and “28 Years Later: The Bone Temple,” all from 2026. New Book! The Horror Guys Guide to the Tremors Films and TV Series All this as well as the latest issue of “Horror Monthly,” issue #53, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2018 Lake Placid: Legacy * Director: Darrell Roodt * Writers: Johnathon Lloyd Walker, Matt Venables, and Jeremy Smith * Stars: Katherine Barrell, Tim Rozon, Sai Bennett, and Joe Pantoliano * Runtime: 93 minutes (or 1 hour 33 minutes) * YouTube Trailer Link: Spoiler-Free Judgment Zone This is a sequel to “Lake Placid vs Anaconda” as well as a sequel to the Lake Placid standalone movies. A group of eco-warrior urban explorers FAFO when they break into a fenced off decommissioned research compound. It wasn’t anything we haven’t seen before, but it’s well put together. It moves well and entertains. Spoilery Synopsis We open in Seattle, WA, where four people sit in a tiny car and conspire about exposing corporate greed. And urban exploration. And hacking. As they break into Wenoco Corp, we cut back and forth with a man running through the woods, terrified. Wenco Corp looks like a Star Trek set on the inside. The eco-terrorists drop a “Wenoco = Death” banner off the roof. Meanwhile, something unseen eats the man in the woods. Credits roll. Alice doesn’t approve of the urban explorer/eco-terrorist stuff that her sister Jade leads. Sam, Billy, and Spencer are just in it for the rush. Sam gets a challenge from Dane for “one last quest” that has a $100,000 prize for the first one in. The place they need to go is off-limits, even deleted from Google Earth. It’s supposed to be a place where a toxic spill happened twenty-something years ago. Pennie and Travis don’t want to go anywhere near a place with radiation, if that story is even true. The group arrives at the electric fence, and there’s definitely no radiation. The electric fence doesn’t work or is turned off for some reason. When they get inside, they do soil samples; there’s no contamination here, either. Why the fence? Pennie and Travis drop the others off at a dock and promise to wait 30 minutes before they leave them. The others walk through a construction site. They soon find Dane’s camp, but Dane isn’t there. The place is wrecked, but they find a camera. It shows Dane being chased by some kind of monster. Then they find body parts, but Spencer thinks it’s all a prank– until they find half of Gomez, Dane’s assistant. They all run back to the boat, which suffers an accident, along with Travis. Everyone talks, whines, screams, and argues all at the same time. The group finds a dark tunnel with a grate that’s been broken through and decides it’s a good idea to go inside. The group gets split up. Billy, Spencer, and Pennie head back to the dock while Sam, Alice, Jade, go deeper into the facility. The inside group finds a lab with power while the outside group tries to boost their cellphone signal to call for help on the dock. Inside, the group learns that the facility was breeding giant crocodiles for some reason. Outside, Spencer and Pennie get eaten. Sam and his group find Dane, still alive, down in the tunnels. They also run into Henderson, whom Dane has tied up for getting them all into this situation. He used to work for the corporation and explains about the genetically modified formerly extinct species that was supposed to cure cancer. He sounds believable with his motivations. Billy calls 911 with his boosted phone, but he’s doubtful they could trace to source. Billy then loses his head, so he’s not gonna try again. In the confusion, Henderson sneaks away. Everyone else has to swim through a flooded tunnel for no obvious reason. The monster catches Dane and tears him up. Henderson, in the meantime, wanders right into the big crocodile’s main nest and is torn in half. Sam comes up with a cockamamie plan to blow up the whole place by sacrificing himself with canisters of propane as the two girls run back the way they came. Sam’s plan fails non-spectacularly. Alice faces the monster eye-to-eye, but then Jade gets in one of the construction machines and starts it right up after being outside, abandoned for twenty-five years. She pins the crocodile and then covers it in fuel. The croc goes boom! The two girls then swim off the island, but then we see they’re being followed… Brian’s Commentary It plays fast and loose with the lore from the previous films, as the whole corporate angle only marginally applied to the “Vs” film. On the other hand, the lab and facility were nice sets and they probably hoped there would be more sequels. There’s supposed to be just one crocodile, but it’s both simultaneously inside the tunnel and out eating Billy at the same time. Its size also fluctuates depending on where it is. It’s all fairly predictable in every way, but it wasn’t boring. If you’re looking for more CGI-croc action, this movie… exists. Kevin’s Commentary The poster is especially cool for this one. I had a fundamental dislike of the eco-arrogant characters, which made it difficult to root for them. The croc tended to move from place to place and size to size as plot required (though we do find out at the very end it wasn’t really just one). And it wasn’t anything we haven’t seen before. But those issues aside, I thought the whole thing was pretty well made and entertaining. The pacing is good without much down time, and the settings are great. 2003 Godzilla: Tokyo S.O.S. * Director: Masaaki Tezuka * Writers: Masaaki Tezuka, Masahiro Yokotani * Stars: Noboru Kaneko, Miho Yoshioka, Mitsuki Koga, Masami Nagasawa, Chihiro Otsuka, Koh Takasugi, Hiroshi Koizumi, Akira Nakao * Runtime: 91 minutes (1 hour, 31 minutes) * YouTube Trailer Link: Spoiler-Free Judgment Zone Mothra and the fairies are back to warn Japan they need to return the bones of Godzilla used to make Mechagodzilla to the ocean to rebalance nature. But they repair Mechagodzilla just in time for Godzilla’s return, so there’s a big creature battle. We both thought this one looked good, but it was only middling. A bit on the bland side. Spoilery Synopsis We open on Mechagodzilla, back in the base as the people do checks on the system. We then cut to the deep sea, where Godzilla wakes up. In the Caroline Islands, there is wind. In Hawaii, the Americans detect something on the radar– it’s Mothra! Credits roll. The news reporter reminds us about the battle with Godzilla in the previous film– Mechgodzilla is still under repair from that one. Godzilla hasn’t been spotted in months, but he’s still out there somewhere. Yoshi talks to his little nephew, Shun, about being a fighter pilot. He’d love to pilot the Mech-G. The grandfather is Professor Chujo. Suddenly, the two mini-fairies show up in the living room and want to talk to him. The old man knows them from way back in the first Mothra adventure, 43 years ago. They want him to send Godzilla’s bones back to the sea and not use them to build weapons like Mech-G. Yoshi argues that we need Mechagodizilla for protection, but the girls say Mothra will protect them– or else Mothra will destroy humanity. There’s some debate on whether or not the presence of Godzilla’s bones is what attracted the new Godzilla in the previous film. Maybe they should get rid of those bones. Grandpa Chujo tells Shun about his original adventure with Mothra, and he’s got photos to back it up. At the base, Yoshi and Azusa, from the previous film, know each other and talk about piloting. Yoshi goes in and looks at Mechgodzilla while remembering the fairies’ threat. Chujo talks to the Prime Minister about cancelling the Mechagodzilla project. The leader has no other defenses against Godzilla and the monsters; they need MechaGodzilla, even if its absolute zero freeze-ray hasn’t been repaired yet. Some giant creature washed up on shore, dead. It’s a giant sea turtle, but it was killed by something even bigger– like Godzilla. Meanwhile, Godzilla runs into, and rips apart, an American submarine. Yoshi gets called to testify about the meeting with the Mothra fairies and what they promised. Meanwhile, Godzilla is heading toward Tokyo again. Shun steals Chujo’s Mothra-calling stone and tries to signal Mothra for help. It works very quickly. Godzilla is heading straight for the Mecha base; his bones are attracting him. Inside, the men scramble to get Mechagodzilla working. Mothra attacks Godzilla as the fairies sing to an egg back on their island. The big Mothra gets injured, and the humans decide they have to launch Mechagodzilla to assist. Soon, the two Zillas are fighting, and many buildings in Tokyo pay the price. Mothra gets shot down just as his replacement egg hatches into two Mothras! The two soon set out across the ocean. Yoshi drives around the deserted city looking for Chujo and Shun. The worms arrive and start spraying Godzilla with their silky strings. Meanwhile, old-Mothra is still alive and giving them advice– at least until she gets nuclear-blasted by Godzilla. Mechagodzilla is dead. It can’t get up. Yoshi calls the commander and says he can fix it. What choice do they have? The fairies want Mecha-G dead, but they help Yoshi on the way to the repair anyway. He gets the problem fixed, but he also finds out that he’s trapped inside the thing. The fight continues, and Mechagodzilla’s got some surprises to use against the bog lizard. The hyper-maser really annoys Godzilla. Mechagodzikka and Yoshi decide to stand by and let the Mothra worms disable Godzilla. The fairies insist that the Godzilla bones

Back in episode 372, we did all the rest of the Anaconda films. This time, we swap over and do all the “Lake Placid” films, including the crossover with Anaconda. We’ll cover the newer “Lake Placid: Legacy” next week. All this, as well as the latest issue of “Horror Monthly,” issue #53, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 1999 Lake Placid * Director: Steve Miner * Writers: David E. Kelley * Stars: Bill Pullman, Bridget Fonda, Oliver Platt, Brendan Gleeson, and Betty White * Runtime: 82 minutes * YouTube Trailer Link: Spoiler-Free Judgment Zone It’s a giant creature feature, set in a beautiful location. There’s a lot of violence and gore, but also a lot of dark humor - it’s not quite in the comedy genre, but there are a lot of chuckles to be had. The casting is excellent and added a lot to making the movie more watchable and entertaining. It was a fun watch. Spoilery Synopsis As credits roll, we see scenes of a very placid lake. The sheriff and a diver are out tagging beavers. The diver goes down and finds an underwater tunnel and checks it out. Turns out, it’s not a beaver nest. The sheriff, aboard the boat, pulls up about half of the diver. In New York City, Kelly explains to Myra that her boyfriend has dumped her; Myra already knows because she stole Kevin from her. Kevin comes in and talks about a probable-bear attack and wants to send Kelly to Maine to investigate a tooth they found in the diver. She’s not really gung-ho about field work, but has no choice but to investigate. Near Lake Placid, Sheriff Hank welcomes Jack Wells, with Fish & Game, to investigate the animal attack. Kelly, Jack, and Hank go out to the lake and talk to an old woman who is the only person who lives directly on the lake. Mrs. Bickerman says her husband died two years ago from an assisted suicide. Kelly, in the meantime, does not enjoy the natural beauty of the place. “I have good hygiene; I’m not welcome here.” Hector Cyr, a rich mythology nut, shows up in a helicopter. He’s obsessed with crocodiles, so that’s weird. There shouldn’t be any crocodiles in this lake, but he’s pretty confident that’s what they have. They go out in canoes, and something knocks over one of the boats. They also find the diver’s toe. Hector’s a party animal, and sets up quite a campsite. Hank doesn’t like him at all. The next day, they use all their equipment as Hector and Jack go diving for the creature. Meanwhile, the monster attacks the boat with Kelly and Hank. They’re fine, but the deputy, on the other hand, loses his head. Hector gives a ridiculous speech about dreaming he’d lost his head. Suddenly, a huge bear attacks! That goes nowhere because even more suddenly, a giant crocodile leaps out of the water and eats the bear– whole. Finally, Kelly decides she’s having a good time. In the morning, they all go croc-hunting. They find another severed head just on the edge of Mrs. Bickerman’s place. They watch as the old woman leads a cow to the beach and feeds it to the enormous crocodile. Mrs. Bickerman admits she’s been feeding the thing for six years; it’s a sort of pet. It was what killed her husband. Meanwhile, Hector goes swimming again and comes face to face with the big croc. The crocodile lets him get onto the helicopter, but then tries to eat that. Hector wants to sedate and capture the crocodile. He doesn’t want it killed, which Fish & Game will do. He’s persuasive. They use one of Mrs. Bickerman’s cows, dangling from a helicopter, as bait. Eventually, the croc takes the bait and crashes the helicopter. It comes up on land and menaces everyone. The crocodile manages to get stuck inside the helicopter and can’t get out. They tranquilize it, so it’s all good. Suddenly, a second crocodile shows up, and Hank gets to shoot that one explosively. As things wind down, Hank and Hector drive off to the hospital. Kelly and Jack get together. Some time passes and we see Mrs. Bickerman, out at the dock, feeding a new batch of baby crocodiles… Brian’s Commentary The interplay between Hank and Hector is comedy gold. Actually, this movie is only good because of the stellar cast. The croc is a combination of CGI and practical effects, but it’s all very effective. It’s a great mix of giant-animal horror and comedy. It was successful and then led to a whole batch of sequels. Kevin’s Commentary I agree with Brian, it was casting done right that added a lot to the movie. It could have been a lot lamer than it was. Okay, it wasn’t that lame, it was pretty entertaining. And the humor helped a lot. The croc is a practical effect - a giant puppet - in many of its scenes, which was much better than having it be purely CGI. Though the CGI is quite good too. Trivia says the croc actually has less than four minutes of screen time. Somehow, I had missed seeing this before now. I was pleasantly surprised by how much I enjoyed it. 2007 Lake Placid 2 * Director: David Flores * Writers: Todd Hurvitz and Howie Miller * Stars: John Schneider, Sarah Lafleur, Sam McMurray, Chad Michael Collins, Alicia Ziegler, and Cloris Leachman * Runtime: 88 minutes * YouTube Trailer Link: Spoiler-Free Judgment Zone The first movie was enough of a success that they made a sequel. They embraced the CGI this time, lowered the quality of casting, and generally cheapened everything as a direct to TV SyFy production. The gore was a step up, while the humor and pacing were a step down. It was barely okay, but not the win the first one was. Spoilery Synopsis After the credits, we open two men in a boat talking about how many people have disappeared on this lake. Soon, it’s one man in the boat. Sheriff Riley listens to his son Scott complaining about being there after a custody battle. The EPA man comes to the office and tells them about his partner being eaten. They think it’s all a joke until he shows them the man’s chewed arm. Emily, from Fish & Wildlife, arrives, and she has history with Sheriff Riley. The group goes out on a boat to see where the attack took place, and they talk about the crazy old woman who used to feed crocodiles on the lake. They find a head and then go to talk to old Sadie. Sadie is the sister of the other Mrs. Bickerman. Sadie feeds the local newsman to her crocodile. Riley, Emily, and Frank soon see the crocodile when it smashes their boat. A CGI plane lands, and Struthers, a rich loon, arrives. He wants to hunt the crocodile. Meanwhile, Scott and Kerri meet in the woods, along with Thad and Larry. They head to the lake with her friends. He goes out for a walk alone and finds a nest with eggs. Thad breaks some eggs and soon pays for it. Riley and company tranquilize the croc and put it right to sleep. It’s not as asleep as it appears, as Deputy Dale and Frank soon learn. They set up some bait and lure in the croc, but they harpoon Struthers’s airplane instead. Working together, they kill the crocodile. After some celebrating, they all camp for the night. Scott, Larry, and Kelli are lost in the woods. A second croc attacks the camp and eats Ahmad, Struthers’s assistant. They go to see Mrs. Bickman, who tells them that there are three of the big crocodiles out there. Emily, Riley, and Struthers find the nest and take the eggs. They come across Scott and Kerri just after Larry gets eaten. Riley blows up a second croc, but the big one is still out there. Kerri and Scott feed Mrs. Bickman to the final croc– no, turns out there were really four of them. Emily hides in a tree trunk as Riley shoots the next croc. Struthers loses his head but blows up the final croc. Scott, Kerri, Riley, and Emily drive away. They drop Kerri and Scott off at home, and they kiss. Brian’s Commentary This was made for the SyFy Channel and never hit the theaters directly. All the “Teenagers” are way old and the acting is equally bad. It’s very cheaply made, with no corner left uncut. John Schneider is just “We have David Hasselhoff at home.” They lost nearly all the humor and went for a straight-up horror movie this time. The film overall is just pretty dull, even for a made-for-TV story. Kevin’s Commentary Everything about this sequel was a step down from the original. The crocodile, and some other elements, were very obvious CGI without the practical effects of the giant crocodile puppet. The cast, script, and pacing weren’t as good. All in all, the entertainment value was less. I didn’t hate it, but I didn’t enjoy it nearly as much as the first movie. 2010 Lake Placid 3 * Director: Griff Furst * Writers: David Reed * Stars: Colin Ferguson, Yancy Butler, Kirsty Mitchell, Kacey Clarke, Jordan Grehs, and Michael Ironside * Runtime: 96 minutes * YouTube Trailer Link: Spoiler-Free Judgment Zone It’s more of the same as the last two films. With no one seeming to really be aware that the events of the two films happened or were anything to be concerned about. The CGI is bad and obvious, but it was a bit better than the second movie. It still wasn’t as good as the first. If you saw the first two, this one was a bit of an uptick. Spoilery Synopsis It’s the Black Lake Wildlife Area, and two hikers arrive at the lake. They go for a swim and hear growling. A bunch of little crocodiles eat them both. Nathan stands on the dock and has some kind of flashback to the previous film. Nathan, an EPA scientist, is old Mrs. Bickerman’s nephew, and he’s just inherited her cabin. The sheriff comes to visit Nathan, Susan, and their son, Connor. The sheriff tries to convince them that the crocodile incident will never happen again; he wants them to live here rather than sell the house. As they talk, Connor sees crocodiles outside and feeds them all… Two years later, Connor is still feeding the much-larger crocs. Susan leaves him with Vica, the babysitter. He sneaks out to the store to steal a big ba

We’ve got another mostly random mix this time around. We’ll start off with the weird BDSM-gone-wrong film, “Bight” from 2026. We’ll then watch Seven Samurai— no, “Seven Cemeteries” from 2024. We’ll force ourselves to watch the infamous “Troll 2,” finish up the franchise with “Pumpkinhead 4: Blood Feud,” and then continue our big lizard coverage with “Godzilla Against Mechagodzilla.” All this as well as the latest issue of “Horror Monthly,” issue #53, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2026 Bight * Directed by: Maiara Walsh * Written by: Cameron Cowperthwaite, Maiara Walsh * Stars: Cameron Cowperthwaite, Mark Hapka, Maya Stojan * Run Time: 1 Hour, 32 Minutes * Trailer: Spoiler-Free Judgment Zone Two artsy couples get together for an evening of bondage, photography, sex, and emotional exploration. It takes a while, but it does eventually get to some horror-adjacent elements. It’s more of a drama thriller though, and it’s quite good. It wasn’t quite what either of us expected. Spoilery Synopsis Two people hug in the shower as they wash blood off each other’s bodies. Credits roll. Charlie gets a call from her boss, Ariana, and she’s not happy. Her artist boyfriend, Atticus, works in the living room. The couple is not getting along very well. They’re going to Sebastian’s party, but neither of them want to go to this one. Turns out, this party is just for them. Sebastian and Naomi have invited only Charlie and Atticus. Charlie keeps getting texts as the men talk about photography. Charlie and Atticus argue some more, and then we see that Sebastian and Naomi aren’t getting along so well either. Sebastian gets all pretentious during dinner and we get a flashback to the last time the four got together; it was an orgy. This time, he wants to use his two guests as nude models. Charlie is all in, but Atticus doesn’t want to participate; they’ve done this before, and he doesn’t want to repeat last time. They decide to go for it. Sebastian puts something in everyone’s tea. He explains the rules of his work with ropes and then everyone splits up to get ready. Naomi ties Atticus’s hands behind his back as the drugs start to kick in. Soon, they’re both bound up, naked, with ropes, and Sebastian starts to take pictures. Naomi, in the meantime, covers them with red paint. Neither Charlie nor Atticus are really into this, and both are really uncomfortable, but it’s hard to argue with Sebastian. As they all take a break, Sebastian gets with Charlie, while Naomi goes for Atticus. We then cut to a bedroom scene with Atticus tied up on the floor and Naomi suspended by ropes from the ceiling above them. Sebastian has sex with Charlie as the other two watch in restraints. Naomi wants to be released, and Sebastian says no way; he’s punishing her for having sex with Atticus. This is all some kind of elaborate revenge plot by Sebastian against the cheaters. When Atticus realizes Naomi drugged him, he urges Sebastian to spin her ropes some more. Charlie has seen enough and wants to leave, so Sebastian just knocks her out. He puts her in a gas mask and ties her up. He then cuts Naomi’s throat and lets her bleed all over Atticus, who is still tied up beneath her. As Sebastian menaces Charlie, Atticus breaks out of his ropes and intervenes. In the struggle, Sebastian gets stabbed numerous times with a box cutter and then strangled with a rope. Atticus apologizes to Charlie and unties her. The two of them then clean up the mess. Then when they get to their car in the morning they have wild sex; their romance has rekindled. Some time later, at one of Atticus’s art shows, he reveals his new works; at least in his mind, Sebastian is still with him. Brian’s Commentary Bight: a loop of rope, as distinct from the rope’s ends. This film looks great. It’s colorful and is very interestingly shot. The dialogue is clunky and pretentious, but the characters are all “artists,” so that’s probably just realism. It took a very long time to get to anything that might be considered horror, but it did get there eventually. It’s weird, a little dull and draggy in the first half, but overall, I liked it. Kevin’s Commentary The bight/bite play on words is clever. It flowed along with a lot of talk, and then it got realer than I expected when Sebastian stepped things up a bit. All in all, it wasn’t what I expected, and I liked it quite a bit. What a way to rekindle your relationship. 2024 Seven Cemeteries * Directed by: John Gulager * Written by: John Gulager, Joel Soisson * Stars: Danny Trejo, Sal Lopez, Samantha Ashley * Run Time: 1 Hour, 24 Minutes * Trailer: Spoiler-Free Judgment Zone The plot is simple. A recent parolee gets a Mexican witch to resurrect his old posse so that they can help him save a woman’s ranch from a ruthless drug lord. So it’s an action crime drama with magic and lots of dark humor. We both thought it was really good. Spoilery Synopsis In Diablo County, Texas, men come to an isolated ranch, and Matteo, the man who lives there, grabs his gun. The old man in the car wants to buy the farm, and he’s not going to take no for an answer. That goes really bad for Matteo. We cut to Santana Bravo, being released from prison, where he’s been since 1973, as credits roll. We’re told he was falsely accused of murder and spent 41 years in prison. He goes to Diablo County and goes to that same ranch for a job from Matteo. Matteo’s wife, Carmela, wants to hire him for protection from the old Abuelo. Sheriff Jake shows up, and oddly, all their body cameras aren’t working. He marches Bravo out into the field, and shoots him in the back three times. Bravo wakes up some time later in the home of a bruja, an enchantress, and her husband, Miguelito is a zombie. She also wants him to stand up to Abuelo. Back in the day, Abuelo killed Bravo’s wife. He became a legend in the region for standing up to Abuelo back in ‘73. He’s old now, and not up to the fight anymore. She says he “needs a crew” and can make one by standing over a grave and bleeding. Bravo goes off to do the job, and he takes Miguelito with him. Miguel explains what it’s like to be dead, and he doesn’t mind it too much. They head to cemetery number one and Bravo cuts himself and bleeds into the grave. His blood explodes dramatically, and when the fire clears, dead Eugene is back, out of the grave, awake, and not too happy to be there. At the next cemetery, they wake up another corpse, Tommy LaSorda. Tommy and Eugene don’t get along, and they wreck their truck. They quickly manage to steal another one. They all drive to another cemetery and dig up Quasimodo, the dead professional wrestler and his girlfriend Delores, both buried in their luchadore costumes. At the fifth cemetery, they wake up Stickface, a homicidal hockey player. Meanwhile, back at the farm, Camela and her mother get ready for a fight when Abuelo returns in the morning. Sheriff Jake and his men arrive in force, and they want trouble. Jake is the first to die in the ensuing fire fight. Then the dead arrive and mess up the killers. They are not gentle, and there’s some great carnage. Carmela is a little surprised to find Bravo with an army of zombies who all introduce themselves. “One problem at a time,” she tells her elderly mother. As everyone gets set working to reinforce the house, Quasimodo sings to Delores. They learn that there are tunnels under the farm that leads across the border. Hector reports to El Abuelo about their defeat at the ranch earlier in the morning, and the old man is not happy. El Abuelo then grabs Miguel and plays the accordion for him. Miguel doesn’t torture well. He warns Abuelo that the others are “Way less chill.” Then they put him through a wood chipper. At cemetery number six, Bravo and Carmela visit Matteo’s grave. They talk about Guadalupe, Bravo’s long-dead wife. The bad guys grab the bruja and drop her off at the ranch. She’s wearing a big bomb, the same way Abuelo killed Guadalupe many years ago. She goes boom, and the zombies are not pleased. Bravo’s got nothing to offer them now; he had promised that the bruja would restore them to real life, but that’s not gonna happen now. That’s OK, as they all want revenge now. The baddies return with missiles, and they blow up Stickface. The gang heads down to the cellar and the tunnels to head for Mexico. All the zombies want to blow up the tunnels and bury themselves to save Bravo, Carmela, and the old lady. Bravo is killed anyway, but Carmela’s mother revives him. When they get to the other side of the tunnel, Abuelo is waiting for them. The old man gets the drop on them, but then, out of nowhere, Miguel’s severed hand crawls up the old man’s pants and does bad things to him. Bravo and Carmela finish him off. At cemetery number seven, Bravo reburies all his zombie friends. Bravo and Mihuel’s hand walk off to have further adventures. Brian’s Commentary This is great, it pokes fun at westerns, Mexican wrestlers, revenge films, zombie tropes, and everything else it can throw in. Mostly, though, it follows the basic plot of “Seven Samurai.” It’s more comedy than horror, but it’s about zombies, so there’s that. Danny Trejo’s getting a little old to be doing physical stunts and violence, but as the leader of the group, he does well here. The array of dead characters is fun, especially Lew Temple as Tommy Lasorda. Kevin’s Commentary I thought the humor in this was excellent. The script is very good, taking an old idea and adding the element of the undead to liven it up. I’d say it was my favorite Danny Trejo movie that I’ve seen. 2007 Pumpkinhead 4: Blood Feud * Directed by: Michal Hurst * Written by: Michael Hurst * Stars: Lance Henriksen, Rob Freeman, Amy Manson * Run Time: 1 Hour, 35 Minut

We watched the original “Anaconda” (1997) film a couple of years ago, but this week, we’re completing the series. We’ll start off this time with the second film, “Anacondas: The Hunt for the Blood Orchid” (2004), then the two real sequels, “Anaconda 3: Offspring” (2008) and “Anaconda: Trail of Blood” (2009). Then we’ll watch last year’s Chinese remake, “Anaconda” (2024). Lastly, we’ll watch the recently-released mostly-comedy, “Anaconda” (2025). All this, as well as the latest issue of “Horror Monthly,” issue #53, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2004 Anacondas: The Hunt for the Blood Orchid * Director: Dwight H. Little * Writers: Hans Bauer, Jim Cash * Stars: Morris Chestnut, KaDee Strickland, Eugene Byrd * Runtime: 97 minutes * YouTube Trailer Link: Spoiler-Free Judgment Zone When a pharmaceutical company gets information on an orchid that only blooms for a limited time, only grows in Borneo, and could have incredible medical uses, a group goes off on an expedition to collect some. As the title hints, there are big snakes in the mix. And human mistakes and greed. It’s not a great film, but it’s well put together and managed to entertain us both. Spoilery Synopsis As credits roll, we open on some jungle people hunting a tiger, or maybe it’s hunting them. The tiger might be the least of these guys’ problems, as a giant anaconda eats them instead. In the big city, Gordon is about to lose his pharmaceutical company for lack of performance. Jack explains about the blood orchid, a plant in Borneo that’s extremely rare and might be able to extend human life indefinitely. The orchid is only in bloom for another two weeks, so they need to hurry to Borneo and find some more. In Borneo, there’s trouble with the charter boat; no one will go upriver until the rainy season ends… in three weeks. There’s one guy who will do it; Gordon, Gail, and Jack go into a seedy bar and find Bill Johnson, who wants fifty thousand for the journey. Ben, Cole, Tran, and some other characters introduce themselves at the docks the next day. There’s some banter and hijinks as we get to know the characters a little. Bill’s little monkey pet takes a side quest and runs into trouble. They can hear the screams on the boat. In the morning, they all wonder where the monkey went. Gail falls overboard and runs into a crocodile. Bill shows us that he’s a badass and fights it. We see, but the characters don’t, as the anaconda eats the whole dead crocodile. Also, the not-so-dead monkey comes back for an unexpected jump scare. Because of the rainy season, the river is flooded, and debris jams the propellers; now they’re headed towards a waterfall in the broken boat. There’s literally no possible way the boat could survive going over the waterfall, and we were pleasantly surprised that it didn’t. With everyone in the water, we see the snake again, but it doesn’t get anyone. Bill has a plan to hike to a place where they can be rescued. It only involves a short walk through the jungle. Bill calls his friend John to come and pick them up at a rendezvous point. The group then has to walk through a flooded region, and we see the snake is right alongside them. When the snake reveals itself and eats Ben, everyone sees it. Bill says that was the largest he’s ever seen, a real freak of nature. Fortunately, they’re very territorial, so there won’t be another one for miles. Gail calls off the expedition, but Jack and Gordon refuse to stop. They all argue about how much is riding on this expedition. Cole is the “We’re all gonna die” guy, and he gets annoying fast. He shuts up when he finds leeches all over his body. Meanwhile, at the boat, John is attacked by the anaconda and crashes the boat. The group finds the wreckage and manages to salvage a few things. Tran mentions that maybe they can find help with a nearby tribe of headhunters. When they find John’s body, Bill explains how anacondas spit up their food, also how they all congregate during mating season, so there may be more than just one. They come to the tribe’s camp and it smells bad. There’s a dead anaconda there with half a man hanging out of it. The villagers are all gone now. Jack figures out that these anacondas are so big because they’ve been eating the orchids and have become immortal: they may never stop growing. Jack unleashes a poison spider on Gordon, who tries to use the sat phone to call for help. Jack doesn’t want to quit just yet. The snake shows up and eats Gordon, who is too paralyzed to fight back. Jack then steals the raft while everyone’s distracted. The others try to follow Jack on foot, and naturally, they get separated. Tran gets eaten, but Sam beheads the snake. Whoops- another sneak jumps out and grabs Cole, who miraculously survives. Jack, Meanwhile, heads downriver and finds his orchids. The others soon catch up, and they all know what Jack did. The flowers are surrounded by baby anacondas, and Sam is forced to retrieve them. There’s a struggle over the bag of flowers and Jack is bitten by one of those spiders and falls into the nest. The snakes are all so distracted by eating him that Sam escapes. Bill shoots a flare gun, and the whole rain-soaked hillside explodes, burying the nest, the flowers, and everything else. Bill, Sam, Cole, and Gail all laugh at their luck as they row the raft further downstream. Brian’s Commentary It’s got a very “TV Movie” vibe to it, but it was, in fact, a theatrical release. It’s also the last film in the franchise to focus mostly on practical effects, but there’s still plenty of CGI going on. The story is very predictable, and you know how it’s all going to play out. Still, it’s nicely paced, the characters are distinctive, and it more or less all makes sense. It’s not great, but it’s entertaining if you like big CGI snakes. Kevin’s Commentary I was bracing myself for awfulness and was pleasantly surprised that it wasn’t too bad. Quite entertaining in fact. The use of CGI is heavy and obvious, but the story moves well and the cast does a decent job. Watching it was a pleasurable experience. 2008 Anaconda 3: Offspring * Director: Don E. FauntLeRoy * Writers: Nicholas Davidoff, David C. Olson * Stars: David Hasselhoff, Crystal Allen, Ryan McCluskey, Patrick Regis, John Rhys-Davies, Anthony Green. * Runtime: 1 Hour, 31 Minutes * YouTube Trailer Link: Spoiler-Free Judgment Zone The blood orchid from the previous movie only works on snakes, and works very well, in the lab - which they bust out of. The company wants to keep it quiet, so a team of expendables are sent to retrieve them. It’s watchable, but pretty low effort and mediocre. The sequels are not heading the right direction in quality. Spoilery Synopsis We open on four men walking through the woods (it doesn’t look like the jungle), and there’s a big snake crawling through the trees above them. Suddenly, they’re attacked by the snake, and there’s a lot of shooting. Credits roll. Mr. Murdoch listens to a report on the testing of a new drug that had horrible results. He tells Pinkus that PETA has been complaining about the company and the leak that told them about it. They have a queen anaconda in their lab. They’ve been working on blood orchid extract, and it seems to be working, but only in snakes right now; it’s lethal in humans. They’re experiments with the serum have made aggressive giant snakes. Amanda Hayes is the herpetologist of the facility, and she wants bigger, stronger cages. She picks up right away that Murdoch is dying and wants the serum to live longer. The big snake breaks through the glass and kills a technician. The base goes on lockdown as the snake disappears. It bites the head off a security guard on the way to the queen. Amanda goes to the main lab, but the queen is now gone. The snakes were smart enough to break out. Murdoch orders Pinkus and Grozny to take control of the situation. We cut to Hammett, the guy we saw in the opening scene, selling rhino horns on the black market. We see that he’s a badass even without the wild animals. Pinkus calls him to hunt the snake. The ragtag collection of diverse caricatures heads off to hunt the snake. Elsewhere, a farmer has some misadventures and finds himself inside a snake. The team shows up, searches, and Grozny is impaled. Everyone blasts the snake with machine guns, but nothing stops the snake. Amanda and Pinkus come face to face with the huge snake. Hammett finally shows up and immediately explains a plan and starts giving orders. There’s an extended chase scene through the woods. Victor and Sofia don’t last long against the snake. Amanda escapes but then has a flashback to all the people she’s watched die. Everyone comes to the conclusion that Amanda knows more than she’s telling. She admits that they messed with the snake’s DNA and it got a little… mutated. Also, the queen is pregnant and will be giving birth very soon. The offspring will be useful in developing the health serum. But they all know that would be bad news for the country if they are allowed to live free. The snakes arrive, and Pinkus dies. Hammett calls the local army guy and asks for backup, but he’s clearly not into that and might have faked the call. The snakes, meanwhile, slither into the local lake that’s really near the town. Amanda and Nick follow the snake into an old factory, and there’s a lot of hide-and-seek. It finds Nick first, but he feeds it a grenade. That’s one dead snake, but the queen is still out there. We cut back to Murdoch, who’s on the phone with someone we don’t know, making some kind of plan. Hammett shoots Andre in the back and holds Amanda at gunpoint; he wants those baby snakes - he’s been promised 10 million bucks for one. He and Amanda fight, but he doesn’t s

Two new films and a handful of weird oldies. We’ll open with “Grizzly Night,” a new dramatization of a true event. Also, we’ll take a look at the sci-fi “Merge” which hopefully isn’t based on true events. We’ll continue looking at the Pumpkinhead series with “Ashes to Ashes” and then the really old “It Came From Beneath the Sea” from way back in 1955. Lastly, Godzilla Returns with “Godzilla, Mothra, and King Ghidorah: Giant Monsters All-Out Attack” from 2001. All this as well as the latest issue of “Horror Monthly,” issue #52, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2026 Grizzly Night * Directed by: Burke Doeren * Written by: Bo Bean, Katrina Mathewson, Tanner Bean * Stars: Charles Esten, Oded Fehr, Brec Bassinger * Run Time: 1 Hour, 27 Minutes * Trailer: Spoiler-Free Judgment Zone In August 1967 in Glacier National Park, Montana, there were two fatal attacks by two different grizzly bears. Here they have milked this story into an hour and a half movie. It’s well made and the acting is decent, they captured 1967 pretty well. Brian liked it a lot, and Kevin says it feels like there’s a lot of filler that bored him some. Spoilery Synopsis A couple in a tent are harassed by a nosy grizzly bear as they hide in terror. This goes badly as credits roll. It’s 1967, and this is based on a true story. Eighteen hours before the attack, a woman files yet another report about the bear that’s been terrorizing the campers. The rangers are all busy with a firewatch and fire fighting after the lightning storm last night. Joan, the new girl, gets assigned to lead an overnight hiking group since all the “real” rangers are busy. Julie calls her mother from the camp store; she’s going camping with Michelle, Paul, Denise, Raymond, Ronald, and Roy this weekend, since there’s nothing else to do. Everyone sets off on their respective hikes. At the chalet, Joan stops with her group. Julie and Roy stop in, but there are no rooms available. Her and a few others have to sleep outside since the place is all booked up. Paul and Michelle’s group go to the lake and do some fishing. Michelle’s group runs into a bear, and it takes their dinner. It’s too late to head to the ranger station, so they just hope it doesn’t come back. Roy staggers into camp and says a bear got Julie. The screaming wakes up Joan and the people at the chalet. We get a flashback, and see that they were the couple screaming before the credits. Joan calls the main ranger, Gary, and reports the bear attack. He promises that help is on the way, but he’s a long way off. Gary then takes a helicopter to get there faster, but it’s awfully dark outside. Joan gets the people on the ground to light fires to give the copter a place to land, which finally works. The doctor patches up Roy and they load him onto the helicopter to the hospital. Meanwhile, nine miles away, Denise wakes up, and the bear they saw earlier is back. The bear drags off Michelle, sleeping bag and all. Gary, Joan, and the others search for Julie, and soon find signs of the attack in her campsite. They soon find her, still alive but wounded. Gary and Joan talk about leadership. Julie’s too far gone, so the priest moves in to do his thing as she dies. Gary explains that in 57 years, there hasn’t been a single grizzly attack until now. In the morning, Michelle’s group is still out there, but they haven’t found her yet. They decide to walk to the ranger station and report what happened. Two attacks should be impossible, and the ranger there is skeptical at first. They search the woods and find… parts. Many rangers show up, all armed; it’s time to kill the bears. Joan and Leonard talk about the likelihood of two bear attacks and whose fault this was. Brian’s Commentary This isn’t so much a horror movie as it is a drama about a terrifying situation. It starts out with all the horror movie tropes and characters, but then just focuses on what happens without playing up the bear or the drama excessively. It’s based on a true incident, and it doesn’t stray too far from the actual case. It was quite good! Kevin’s Commentary This is indeed based on a true event. On the night of August 13, 1967, two young women were attacked and killed by two different bears miles apart in Glacier National Park, Montana - a heck of a coincidence. There’s an online article about the real thing that’s interesting - https://en.wikipedia.org/wiki/Night_of_the_Grizzlies. Here they expand the story out into a movie almost an hour and a half long. The sauce is spread mighty thin. It’s well made, but there isn’t a lot of substance. After the attacks, I found myself getting fairly bored. 2025 Merge * Directed by: Bela Baptiste, Dalano Barnes, Richard Fenwick * Written by: Bela Baptiste, Dalano Barnes, Richard Fenwick * Stars: Achmed Abdel-Salam, Tatjana Alexander, Bela Baptiste * Run Time: 1 Hour, 17 Minutes * Trailer: Spoiler-Free Judgment Zone It’s an anthology of science fiction short stories, each heavily depending on technology far ahead of where we currently are. It shows various ways humans could interact with such technology, and how it can interact with us when it has a mind of its own. The stories are pretty gentle, sweet, and romantic, with a zero body count. But there is uncertainty, a lack of control, and the potential for disaster making an undercurrent of horror if you look for it. The stories are all well written, well acted, and well directed. The CGI is a little heavy handed and obvious, but it’s entertaining. It reminded us of “Black Mirror.” Spoilery Synopsis A man has breakfast in a futuristic city and suddenly starts screaming. Angst A narrator explains that everything is perfect and everyone is happy now. Fear no longer exists, and that’s how he makes his business. He gives people phobias for excitement. We see a man become terrified of his own pet spider and a woman becomes claustrophobic. We return to that screaming man and see what he thinks he sees. “Embracing your fear allows you to be reborn,” he explains. The man offers the drug for free. Credits roll. Soulmate A couple talks in bed. He’s so glad he found her, he bought her a book. Turns out, this is a virtual world, and only the girl is real. She’s not allowed to be in there, and there’s an investigation into the illegal avatar. She goes back inside to break up with the man, who doesn’t understand. When she arrives back at work, the boss is sitting at her workstation; she’s going to be caught– but she isn’t. As the boss goes for a break, she deletes the AI logs. The investigation eventually ends, and Anna goes back to work. She restores the deleted information and goes back inside for Neil, who no longer recognizes her. She gets a message: “Scenes no longer compatible with current software version.’ She deletes this newest meeting and then goes back in time to their first meeting. Anna meets Neil for the first time– again. When Unfettered Two men sit by their father, who dies. The father’s robot assistant, Ash, walks them through the process. The girls decide what to do with the house and also what happens with Ash, whom they don’t really want anymore. Ash goes outside for a walk, and she’s a lot more human than people expect. She meets a handicapped boy in the park and plays with him. Everyone thinks she’s great until the mom finds out she’s an AI, and then she gets rude. Then she meets and helps an old couple who are very nice. Ash decides to never go home. The First Time I Never Met You John listens to recorded messages from his dead wife. He’s so broken up that he’s lost his job. Overdue notices litter his desk. He’s got some kind of plant that sends him back in time to the first time he met her. Their “first” date goes well; he’s a physicist, and she’s an evolutionary biologist. He talks about “rewinding” time. He’s so in awe at seeing her again that he acts strangely, knowing too much about her that she’s never told him. She’s so creeped out that she breaks it off and goes home. Suddenly, he doesn’t remember why he’s there. He forgets his children and whole life, since now, none of that happened. He leaves the bar and goes back to his new, old life. Subscribed We open on a commercial for Vitalus, a new AI product. “Your life, upgraded!” We soon see that all the AI just lets people stay inside all the time. Carol gets a phone call, and it appears that maybe Vitalus is censoring the news and information she gets to keep her inside and addicted to the AI. It watches all her body functions everywhere, even on the toilet, and in bed. Luke keeps trying to get through to her, both on the phone and in-person, but the AI keeps dropping the call and running him off. The AI does not want her talking to him any more. She wises up to all this, but “Vicky” still won’t let her out the front door. She shorts out the power and runs outside, where Vitalus Tases her and sends her back inside. She wakes up, and Vicky says it was all just a nightmare. The Man Behind the Machine Martin lives in a warehouse; a man from the Turing company comes to repossess his android. He’s an older model and is returned to Turing, where he meets a newer model. His signal is different; he’s malfunctioning and escapes back to Martin. He wants to choose what he wants, which is unique. Brian’s Commentary It’s way more sci-fi than horror, but these alternate, high-tech futures have a lot of overlap with horror. The first segment of this anthology has dodgy CGI and voice dubbing, but the others mostly look good and are well-acted. I have to admit, I didn’t really understand the final segment. The middle segments are the best of the bunch, If you like “Black Mirror,” then you’ll probably enjoy this. Kevin’s Commentary

Trash and treasure this time. We’ll open with “Killer Whale,” our first film released in 2026. We’ll then watch a fun zombie film, “Queens of the Dead” from last year, as well as “Dust Bunny” just recently released. For our oldies, we’ll contend with “Godzilla vs Megaguirus” from 2000 and “Pumpkinhead II: Blood Wings” from back in 1993. All this, as well as the latest issue of “Horror Monthly,” issue #52, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2026 Killer Whale * Directed by: Jo-Anne Brechin * Written by: Jo-Anne Brechin, Katharine McPhee * Stars: Virginia Gardner, Mel Jarnson, Mitchell Hope * Run Time: 1 Hour, 29 Minutes * Trailer: Spoiler-Free Judgment Zone Two young women end up trapped on a tropical atoll by a killer whale with a thing against humans. The acting is a moderately bright spot in a slog of bad pacing, a lame simple script, and way too much CGI and greenscreen. We didn’t care much for this one. Spoilery Synopsis We open with some discussion of Orcas, killer whales, and the whale at the Sea World-ish amusement park. Chelsea and her friend Dana, who work there, talk about how their whale, Ceto, just isn’t the same since they took away her baby. The whale eats Chelsea, and the credits roll. Maddie and Chad talk about Trish, who’s busy with school. He gives her a cello necklace and leans in for a kiss, just as a gunman comes into the place to rob them. There’s a struggle, and the gun goes off, damaging Maddie’s hearing. Everyone survives the attack, but, from out of nowhere, Chad is killed by the robber’s truck. One year later, Trish comes to visit Maddie and offers to take her on a trip. Maddie doesn’t want to go, but Trish is persuasive. They fly to an island resort in Thailand. On the beach, Trish brings up the topic of Ceto, which disturbs Maddie. Josh, a local guy, talks about the local whale, Ceto, who has been in captivity for twenty years and lost her baby two years ago. That night, the three of them sneak into the run-down amusement park to see Ceto. Maddie gets to see Ceto up close in the aquarium. She hates that the whale is trapped here, but then she watches as the whale kills a maintenance worker. Maddie, Trish, and Josh are then chased out of the park by a security guard. In the morning, the trio takes a Jet-Ski out to an isolated island. The locals say this place is cursed, and something happened a few years ago, and now no one comes here. In almost no time flat, they lose Maddie’s phone, the Jet-Ski, and Josh to an Orca attack. The two girls are now stuck on a pizza-shaped floatie and can see the giant orca swimming around beneath them. It’s Ceto, the same whale that was in the park last night, somehow. They can tell by the distinct dorsal fin. Trisha jumps off the pizza and swims to a big rock, Maddie chickens out. There’s some quick drama, and Maddie soon ends up on the rock as well. The two eventually calm down and talk about how Ceto could possibly be here. “Orcas have never ever killed anyone in the wild.” The girls take a nap, and when they wake up, they see a boat, but it’s too far away to see them. We’re reminded that Maddie is deaf, which is probably going to mean something later. One of Josh’s arms floats by, and Maddie snags it with her bag. It’s not for lunch, she wants his wristband flashlight. When night falls, they use it as a signal, but no one comes. The girls talk about Maddie playing the cello again and going back to school. They use Chad’s cremation stone to break open a shelled thing to have something to eat. Afterwards, she decides it’s finally time to throw the stone away. Trish admits that she put the robber up to the robbery that night; it’s her fault Chad was killed. We get a whole dramatic guilt-spiel from Trish. Again, we’re reminded about Maddie’s hearing aids. In the morning, Trish explains her plan to swim to the atoll surrounding their rock, but Maddie has her hearing aids off and doesn’t even know what’s going on. She makes it, but Maddie only makes it to another rock. When Trish is distracted by a plane flying over, the orca jumps up into the shallows and drags Trish back into the water– and bites her leg off. She crawls back up on the beach but soon bleeds to death. Night falls, and Maddie decides to swim to the atoll. She makes it without too much issue and then makes her way around to where Trish’s body is and buries her in the sand. Maddie remembers that Trish said her phone was waterproof, but it went down with the Jet-Ski. Can she retrieve it? She does. Rather than get out of the water, she activates the phone right there, in the water. It’s unclear if she sent an SOS or the phone didn’t work. This is followed by a string of ridiculous underwater hide-and-seek, resulting in Maddie stabbing the Orca in the eye with her broken Cello bow stick. When the sun comes up a helicopter arrives; the phone’s SOS did work after all. Brian’s Commentary Brian’s Rating:** Although the whole thing probably wasn’t filmed in front of a green screen, it seems like most of the outdoor scenes were. There are a lot of outdoor scenes, so… ouch! The whale is either as large or as small as the plot requires; sometimes it’s huge, and other times it squeezes right up to the rock. I’ve seen this compared to “Fall” (2022), and it is a very similar theme: two girls stuck in a bad place. The other film did it better. It’s contrived, the characters make one stupid decision after another, and the whole thing with the whale’s location makes no sense. The acting and dialogue are atrocious as well. It’s pretty terrible. Kevin’s Commentary Kevin’s Rating: * So much green screen and CGI. It is so, so obvious and overused. I agree with the comparisons to “Fall” and that movie did it better. The three leads have some skill, but they can’t overcome the effects, direction, and script. It gets worse as it goes along until it culminates with a weak ending. I didn’t like it. 2025 Queens of the Dead * Directed by: Tina Romero * Written by: Erin Judge, Tina Romero * Stars: Jaquel Spivy, Kay O’Brian, Quincy Dunn-Baker * Run Time: 1 Hour, 41 Minutes * Trailer: Spoiler-Free Judgment Zone It’s drag queens, with their friends and family, versus a zombie outbreak. Holed up in a club against the backdrop of a larger apocalypse, there’s a lot of humor with a body count that racks up. The pacing is a little draggy in places, and the zombie action is pretty low for most of the movie, but it’s a fun watch. Spoilery Synopsis We open on an over-the-top drag queen walking down the street on the way to church. When she goes into the church, her Grindr alert goes off. She finds the man’s phone, but it’s covered in blood. Then she finds him, but he doesn’t look quite alive anymore. She’s bitten by the zombie priest. Credits roll. We cut to a musical number interspersed with scenes of a dancing nurse, Sam, at the hospital. Sam talks to Jane, a patient with issues, who wants to leave. On the stage, Kelsey and Ginsey argue with dancers in the show. Yasmine phones Dre that she’s too sick to do the show tonight, but she’s obviously faking it. Jax and Nico are dancers, and they’re elevens on the gay scale. Jane watches their livestream and tells Sam about it. Sam knows Yasmine and Dre, but that was another time. Jane wants to meet all of them and tell them they’ve got bad drugs. Nurse Lizzy tells Dre that Barry is coming over to unplug her toilet. There’s a lot going on. Everyone’s ready for the big show, and Dre breaks the news that Yasmine’s not coming tonight, so Ginsey will have to headline the act. Nico’s more than willing to step up. They’ve presold a ton of tickets, but hardly anyone has shown up. Barry gets all the pronouns mixed up. When Sam shows up, just as a guest, everyone knows him. Sam used to be “Samonsay,” a major drag star. Barry finds a dead rat in the toilet and takes it out to the garbage. As he’s out there, we see that pre-credit drag queen stumble in. Sam tells Ginsey why he’s been out of action for a while. It was stage fright, and he just couldn’t do it anymore. He starts to change into his costume but then chickens out again. Barry gets a bit of news on his phone about disturbing events in Manhattan. Out on the dance floor, the zombie queen starts looking for people to eat. Barry grabs an axe, but it’s Kelsey who gets hacked. Things go South from there. Sam goes into nurse mode and works on Kelsey’s chopped up leg. Dre tries to call an ambulance and gets a busy signal for 911. Then a shelter in place alert sounds over all their phones. Everyone argues about what’s going on, but it’s all over the news and social media, so they don’t argue long. Jimmy, the bar owner, has some weapons hidden. The Mayor, Tom Savini, comes on and tells everyone to stay home, “This is not a George Romero movie!” At the hospital Jane and Lizzy see that it’s happening there as well. A man in a bloody bunny suit attacks them. At the club, Jax the dancer is clearly a zombie now, and the others all see what he’s become. They all argue some more about what to do about him. They lock him in a dancer’s cage. Next, they catch Yasmine sneaking in through the window. Jimmy is pulled out the window and bitten. The front door is cut open, and new people come in, led by Pops, Kelsey’s girlfriend and fiancee. She mentions a boat waiting for them. Dre wants to wait for Lizzy to arrive, but most of the rest want to go to the boat. A zombie stumbles in, and she drills him through the head. Sam and Dre put Jimmy in the freezer and talk about how he’s changed. After consulting a paper map, several of the group decide to go for a truck, but first, they all change their outfits. Nico, Sam, and Ginsey all dress up to go out on electric scoote

Back to our usual five films this week, and we have an interesting mix of horror and terrifying reality. We’ll start with “The Demoness,” which just came out, along with “Super Happy Fun Clown,” also new. We finally got around to “Megan is Missing” from 2011. For a couple of older films, we went with “Wisconsin Death Trip” (1999) and “Come and See” (1985). All this, as well as the latest issue of “Horror Monthly,” issue #52, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Mainstream Films: 2025 The Demoness * Directed by: Andrew de Burgh * Written by: Andrew de Burgh * Stars: Akihiro Kitamura, Riley Nottingham, Bella Glanville * Run Time: 1 Hour, 33 Minutes * Trailer: Spoiler-Free Judgment Zone A demoness visits Earth to cause trouble for one couple in particular. A couple with relationship issues. We had issues understanding several of the characters. After the couple, she moves on to mayhem to a series of victims. We both agree that it suffers from too much dialogue that’s difficult to understand, poor pacing, and bad CGI. It didn’t work for either of us, with Kevin being more forgiving of it. Spoilery Synopsis We open in an apartment as a jerky-moving demoness wanders through the house and stops next to the occupied bed. Credits roll. In the morning, the couple wakes up and complains about the economy and their jobs. They argue about Sarah’s inability to get a job. That night, the demoness comes back into their room, and this time, we see what it does. It wakes up Jack and has sex with him, but Sarah can’t hear them and doesn’t wake up. In the morning, Sarah finds some evidence of sex in the bed and assumes Jack’s been cheating on her. The demoness comes to her and they argue about the sex last night. “Kill him if you want to live.” That evening, she poisons Jack and dismembers him on the autopsy table they have in the garage for some reason. She mumbles in British throughout the process. The demoness returns and bites Sarah on the neck, vampire-style. The demoness then conjures up assistance, and Satan himself shows up, also speaking too modulated to understand more than half of it. She admits that she’s had a great time with Jack and Sarah, but now she wants more. She wants to be able to take human form to make her job easier. He gives her a month to see if she can torture ten people. Now in human form, the demoness heads to Hollywood for victims. We cut to a disco that looks like it was filmed on a green screen without the processing. Two guys hit on an attractive-looking human who’s not at all a demon; she says she’s Charlotte. She’s rude, and they love it. One guy leaves, leaving Steve, a Tech Bro, with Charlotte. The two seem to compare to see who’s the most shallow. She invites him over to her place after dancing. She’s surprisingly philosophical, which puts him off a little. She makes him a drink, and shockingly, it’s drugged. She dresses him up like a clown, puts him back on the autopsy table, and makes a whole unintelligible speech in her demoness form; when she pulls out a machete, we understand that part. In the morning, Charlotte talks to the neighbors, Yagami and Tamara, about moving to Jack and Sarah’s house. They invite her over for dinner. Their daughter has cancer. Charlotte arrives for dinner in a sexy, low-cut dress that Tamara obviously doesn’t approve of. It’s all very awkward. Yagami, on the other hand, says she “looks gorgeous.” It’s an awkward scene that drags on for entirely too long. It soon becomes obvious that they have drugged her. “This will be fun,” Tamara laughs. Daughter Saori says they shouldn’t be doing this just to keep her alive. Charlotte wakes up tied to the wall. The family plans to steal Charlotte’s organs to sell to pay for Sairi’s treatments. Charlotte starts to laugh in a “Do you know who I am” kind of way. She then beats them both to death with a hammer. Steve’s partner, Brad, goes to see a detective about Steve’s mysterious disappearance. They’re hostile with each other for no apparent reason, but Brad seems unhinged. The demoness calls Satan again, and she wants to move on to bigger things; he says no. Brad grabs a gun and breaks into Charlotte’s house. She quickly takes charge of the situation and puts him in a clown costume. Soon after, she eats his eyeball and cuts out his tongue. Then she bites off his toes. The demoness summons Satan yet again, and they discuss the need to deal with Detective Gerrard, the last one alive who knows who Charlotte is. She pays him a visit at his office, and of course that goes very badly for him. And then it was suddenly over, fortunately for all of us. Brian’s Commentary Was the sound designer for this a deaf person? Both Sarah and the Demoness are nearly completely unintelligible. Once the demoness became human, the voices got a lot clearer. When she was back in the makeup, she was unintelligible again. The demoness creature looks really good, but her voice is awful. That’s the fakest disco I’ve ever seen, almost as fake as the CGI gore effects, which are really poorly done. I like the idea and the basic plot, but it’s a really poorly made film. It starts out hard to understand, and once we get moving, it’s only downhill from there. This is pretty awful. Kevin’s Commentary We really could have used subtitles. That conversation between the demoness and Lucifer might have been interesting, but I felt like I missed a quarter of it. But once we got past that and Sarah out of the picture, people’s voices were nice and clear. Until Charlotte went back to her demon form again, sigh. She was good in the role though, and her makeup was cool. This falls in the trope of a killer that is so powerful that the victims have zero chance as they are toyed with, and we know how each confrontation is going to end - it’s just a matter of how. Between the pacing, poor audio, and overacting, I was pretty weary of it as the end approached. And then an abrupt ending happened. I’m going to say I liked it more than disliked it. 2025 Super Happy Fun Clown * Directed by: Patrick Rea * Written by: Eric Winkler * Stars: Jennifer Seward, Nicole Hall, Matt Leisy * Run Time: 1 Hour 27 Minutes * Trailer: Spoiler-Free Judgment Zone Jennifer’s had a rough life, but she finds a way to happiness and fame by channeling her clown self. After a slow start, we watch her trip to crazy town progress and leave a trail of bodies in her wake. The pacing is uneven, but it’s a pretty good one. Spoilery Synopsis The police have the clown and her hostage in their sights. That goes badly, and then credits roll. Back in 2004, we see a clown in the park. Young Jennifer is somewhat obsessed with clowns and homeless people. She’s smart, but her mother is unenthusiastic. Twenty years later, She’s Jenno-The-Clown, doing mime-y things in the park, and the kids love her. Her husband is unenthusiastic. She’s got serial killer posters on her wall, and she likes that as well. Detectives Barnes and Marshall talk about what crimes they expect this upcoming Halloween. Jennifer and her mother talk about her pedo, ex-lawyer husband and badly paying job. Her mother is still unenthusiastic and downright mean. She and her coworker Ryan fantasize about being serial killers. She loves being a clown, but not much else about her life. After a while, Jennifer stops being enthusiastic about being a clown, so she kills her husband. She just lets him decompose in the spaghetti over the weeks leading up to Halloween. After a while, she starts to eat him. Then she buys a tiny little gun. It’s Halloween, and Jen runs over a guy with her car. She goes over to her mother’s house in full costume and shoots right through her mother’s head. The police get a call to do a wellness check on Jen’s rotting husband. Barnes mentions that he’s afraid of clowns; Marshall hates horses. Neither of them appreciate the half-eaten rotten corpse in the kitchen; they also soon track down her dead mother too. Jen, meanwhile, is at Ryan’s Halloween party and has sex with him. Halfway through, she stabs him with an icepick. Jen then goes to a haunted house attraction and jumps the line. She starts killing the “monsters” inside. The zombie and the Phantom of the Opera are the first to die, but several more follow. Eventually, she comes to a woman dressed as a killer clown, and she likes that a lot but only for a minute. The detectives arrive at the theater, and one of them soon becomes a convenient hostage. We’re back at the opening scene, and Jennifer is shot. Some time later, she wakes up in the hospital without makeup. The networks are already asking for interviews. Detective Marshall is not amused that the evil clown has survived. Brian’s Commentary The childhood segment was only ten minutes long, but seemed like half an hour. I love the husband’s meal choices. After the slow start, the film picks up the pace and goes pretty well until the haunted cinema, where things seem to slow down once again. For a low-budget indie film, it’s not bad. With the exception of the pacing issues, I was entertained. Kevin’s Commentary We have Harley Quinn at home. This spends way too long at the beginning of the movie showing not a whole lot happening in Jennie’s childhood, or it seemed way too long anyway. Once she reaches adulthood things build momentum. The pacing is still uneven throughout, but I thought it was decent overall. I enjoyed it more than disliked it. 2011 Megan is Missing * Directed by: Michael Goi * Written by: Michael Goi * Stars: Amber Perkins, Rachel Quinn, Dean Waite * Run Time: 1 Hour, 25 Minutes * Trailer: Spoiler-Free Judgment Zone It’s a movie entirely on webcam, video, phone camera, and so forth, presented in found footage format. Two “teenage” girls are the main characters, who fall fo

We’re breaking our usual format this week to cover our top picks of the films released in 2025. We’ll each discuss our top ten picks from the 2025 films as well as our favorite things we watched of the older films we watched last year as well. We’ll discuss a handful of short films too! This as well as the latest issue of “Horror Monthly,” issue #52, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com Short Films: 2022 Short Film CIMIM * Directed by: Cody Mobley * Written by: Cody Mobley * Stars: Darian Michael Garey, Mike Duff, Daniel Kohl * Run Time: 5 Minutes * Watch it: What Happens A group of campers banter about cats vs. dogs. One girl mentions she has edibles in the truck. She goes to grab them, and when she returns, she finds herself still sitting at the campfire. Her doppelgänger opens her eyes and freaks everyone out. One by one, it quickly picks off the campers… Commentary This is all filmed at night, but it’s still brightly lit, and you can see everything that’s going on. We don’t get much explanation for any of it, but then, neither do the campers. It’s very short, but also really well done. And I have no idea what “CIMIM” means. 2025 Short Film The Last Thing She Saw * Directed by: Anthony Cousins, Rebecca Daugherty * Written by: Brady Richards * Stars: Bailey Bolton, Agatha Rae Pokrzywinski, Nathan Tymoshuk * Run Time: 9 Minutes * Watch it: What Happens Emmy has ordered a phone charger, and when the doorbell rings, she answers it. Turns out, it’s a home invasion, and now her phone is dead. She’s just the house sitter, so she doesn’t know the combination to the safe. Emmy has seen the face of one of the intruders, so he plucks out her eyeballs. The rest is all shown through the eyeball’s point of view… Commentary Well, that was different. These don’t seem like smart crooks, and this was not a well-planned robbery. Still, the eyeball on a string is something I’ve always wondered about. This is gross, nasty, and actually pretty funny. 2025 Short Film The Convenience Store * Directed by: Julian Davis * Written by: Julian Davis * Stars: Dominic Collantes, Amia Marisa, Max Ptasznik * Run Time: 10 Minutes * Watch it: What Happens Kira’s mother doesn’t like her working alone at the convenience store all night, but she needs the money. Kira hears something strange outside, but there’s nothing there when she looks. The door opens, and her friend Tommy comes in. He doesn’t like her working alone either. She talks a bit and then gets to work restocking and stuff. The front door opens, and the security camera is no help at all. She hears something outside again, and this time, it goes differently. Commentary It’s well acted, and the set is perfect. It’s the sort of store that’s not at all creepy until it is. It’s another of those shorts where we don’t really know why anything is happening, but we know exactly what’s happening. Nicely done! 2025 Short Film In a Nutshell * Directed by: Ryan Valdez * Written by: Ryan Valdez * Stars: Sarah Palmer, Ivan Djurovic, Chelsea Breeze * Run Time: 8 Minutes * Watch it: What Happens We zoom through what looks like a dollhouse, and then zoom out to see a woman assembling and painting it. She’s making a duplicate model of an actual crime scene. Her husband, Owen, thinks it’s not good for her to be looking at crime scenes and autopsy reports all day. She says it’s a one-time job, and it’ll be done soon. We then see just how accurate Emma’s work really is, as it becomes reality… Commentary This is sharp and looks good. At no point are we unclear on what’s happening, but it’s still suspenseful to watch it play out. 2021 Short Film Sleep Talker * Directed by: Carl Firth * Written by: Sarah Emery, Carl Firth * Stars: Jessica Saras, John van Putten, Rhys James * Run Time: 7 Minutes * Watch it: What Happens Kelly comes home late after work and finds her husband, Curtis, already asleep. Or is he? There are sounds coming from the bedroom, so she checks it out. He’s in there, asleep, but he’s talking. No wait, is that really Curtis doing the talking? Commentary No one’s ever going to believe that actually happened, right? It’s pretty dark, but we see all that we need to see. The “intruder” is really well done, and what he does is interesting as well. Creepy! Best of 2025 Link to Last Year’s Ratings (2024) This time around, we’ll be discussing our favorite films released in 2025. We made a list of everything we watched that was released in 2025, and we each made a top-ten list. There’s some overlap, so we’ll look at our individual picks first, then look at the ones we both chose. Note that these lists are the top ten for each of us, but we didn’t sort them into any special order: the top of the list isn’t necessarily the best of the ten. At the end, we’ll also discuss some of the best things we watched this year that WEREN’T new releases. Overall, we’ll discuss 27 of our favorite films. Brian’s Favorites of 2025 Films * The Ugly Stepsister * * Dracula: A Love Tale * * Companion * Frankenstein * Keeper * Weapons * Ash * Woken * 825 Forest Road * * The Elixir Kevin’s Favorites of 2025 Films * Dracula: A Love Tale * * 825 Forest Road * * Borderline * In Vitro * Monster Island * Self Driver * Sinners * The Monkey * The Ugly Stepsister * * Strange Harvest Unanimous Favorites * The Ugly Stepsister * Dracula: A Love Tale * 825 Forest Road Brian’s Favorite Not-New films * Boys from County Hell * * A Girl Walks Home Alone at Night * * It’s What’s Inside * The Legend of Boggy Creek * Tucker and Dale vs Evil * Inhuman Kiss Kevin’s Favorite Not-New films * A Girl Walks Home Alone At Night * * Boys From County Hell * * Cube (The original 1997) * Flesh For Frankenstein * Horns * Santa Sangre Both Agree * Boys from County Hell * A Girl Walks Home Alone At Night Contact Info: Email: mailto:[email protected] Websites: * https://www.horrorguys.com * https://www.horrormonthly.com This is a public episode. 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