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On the 2024 low-budget horror blockbuster film by Curry Barker. Mark, Lawrence, and Sarahlyn are joined by feminist philosopher Jenny Hansen to talk about this peculiar film. Is it a feminist tract exposing "nice guys" for their underlying narcissism, or just a lengthy Twilight Zone episode getting creative about the mechanics of the old magic wish trope? Like Get Out, this film is a surreal take on exploitation, but it also places itself in the tradition of Fatal Attraction as playing on our fear of and disdain for "clingy women." Did Barker even know what his message is? Is this film actually scary? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop.

We discuss high school drama TV shows and films in light of the genre-breaking, star-birthing teen drama Euphoria. Mark, Lawrence, Sarahlyn and Al touch on Riverdale, Skins, Degrassi, John Hughes films, Buffy, Saved By the Bell, 90210, and many others. How much of the plots are driven by "affluenza?" What do they have to say about friendship? Is there something very white about even shows like Euphoria that have plenty of POC characters? Do the "genre" shows (e.g. The Craft) count? What about anime? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Get started with Claude AI at claude.ai/pmp.

To begin our new season, we're up to the moment covering the first season of Elizabeth Meriwether's Hulu crime drama Furious, about an abused detective pursuing, and ultimately relating to, an abused revenge killer. The first half is spoiler free! How does this relate to other revenge fantasy films (e.g. Kill Bill) or other shows where we're supposed to be attracted to a female killer (Killing Eve)? It it good in the manner of The Wire? We talk a lot about casting, the showrunner, and especially decisions made in ending the season. Would this have been much better as a mini-series than as something that will now have a second season that may well jump the shark? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop.

It's been 2019 since our last Spider-Man episode, so what's with the new film (Brand New Day), and the Spider-Verse, and Nicholas Cage being Spider Noir? Mark, Lawrence, Sarahlyn and Al discuss in this, our SEASON FINALE! Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop.

We discuss the various films Steven Spielberg has released about alien encounters: Close Encounters of the Third Kind (1977), E.T. The Extra Terrestrial (1982), War of the Worlds (2005), and our inciting film, Disclosure Day. Featuring Mark, Lawrence, Sarahlyn, and Al. How is the new film as "mature Spielberg"? Is it as fun as the older films? Is it too heavy handed? Do the older films hold up? Would YOU go with the aliens? Are we as a society too jaded at this point for the Spielberg magic to fully work? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Get started with Claude AI at claude.ai/pmp.

We discuss the already over-discussed Christopher Nolan adaptation of Homer's classic poem. Mark, Lawrence, Sarahlyn and Al discuss their cinema-going experiences, Ludwig Göransson's soundtrack, choices re. the book-to-film transition, the various performances, the Emily Wilson connection, and more. Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Get 15% off OneSkin with the code PMP at oneskin.co/PMP.

In light of Toy Story 5, the gang (Mark, Lawrence, Sarahlyn and Al) consider the Pixar franchise that started in 1995. We consider the premise whereby your toys are loyal slaves that come to life whenever unobserved, the critique of screen-play in the new film, the use of nostalgia in the films, the repetition and/or escalation throughout the series, the horror-adjacency of living dolls, the emotional manipulation, and whether enough is enough. Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsors: Get 15% off OneSkin with the code PMP at oneskin.co/PMP. Get started with Claude AI at claude.ai/pmp.

Survivor has remained a top-rated show since its debut in 2000, and some of us (Sarahlyn and our guest Wes Alwan) have stuck with it throughout, Mark just watched when it came out and had to catch up, and some of us (Lawrence and Al) had not previously been on board at all. We talk through the evolution of the show, from torture exhibitionism to now lore-drenched soap-operatic beach games. Is this show designed to be watched in the background? What makes for a good player? What criteria to the jury members use to vote for a winner? What is the target audience for the show? Are the games well designed? How does the show deal with racism? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop.

Mark and Al share their mutual interest in fantasy novels. Is "high fantasy" fundamentally different than what enjoyed as kids? Did Peter Jackson's Lord of the Rings and HBO's Game of Thrones show us that these big books are adaptable, or were they exceptions? We're anticipating the upcoming Mistborn/Cosmere adaptations, as we're both into Brandon Sanderson. We also talk about The Wheel of Time, Rings of Power, Earthsea, Shannara, Joe Abercrombie, Robin Hobb, Stephen R. Donaldson, Patrick Rothfuss, Tad Williams, and of course Harry Potter. Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Get started with Claude AI at claude.ai/pmp.

In light of The Mandalorian and Grogu (and the Disney+ Darth Maul cartoon), we (Mark, Lawrence, Sarahlyn, and Al) check back in with Star Wars. Is it now "just another franchise"? Does the movie meet expectations? What's the right volume of Star Wars media? Are the cartoons good? What variety of creators and genres is there room for? Should anyone bother with the books and comics? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop.

In light of the new, well-acted and well-shot BBC/Netflix adaptation, we discuss William Golding's 1954 novel Lord of the Flies and its previous (1963, 1991) adaptations. Featuring Mark, Lawrence, Sarahlyn and Al. What do we think of the updates made for this retelling? Its pacing? Its repeated close-up shots of kids' silent faces? Is this per usual obviously inferior to the novel, or does it actually present deeper characters and a more visceral presentation of their degradation? Sponsor: Get started with Claude AI at claude.ai/pmp. Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop.

We discuss the career of Meryl Streep in light of The Devil Wears Prada 2, insofar as we (Mark, Lawrence, Sarahlyn, and Al) have a hold of it; she's been in over 65 films! Is she really the best actor on the planet? Did Prada need a sequel? We all brought in our own experiences with her catalog, touching on Sophie's Choice, Kramer vs. Kramer, A Cry in the Dark, Adaptation, The Iron Lady, Death Becomes Her, Postcards From the Edge, Doubt, The Laundromat, Let Them All Talk, Florence Foster Jenkins, et al. Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop.

We discuss Steven Knight's six-seasons-and-a-movie historical crime show Peaky Blinders, featuring Mark, Lawrence, Sarahlyn, and Al. Does the show live up to its initial excellence? It's got a great emotional premise (post-WWI PTSD), and there's a ridiculous amount of gravitas among the cast, but do the heists undermine this heft? It's OK if you haven't seen the show; we hold off on spoilers for quite a while and warn you when we reach that point. Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Get started with Claude AI at claude.ai/pmp.

We discuss the hard sci-fi film Project Hail Mary, which along with The Martian (2015) was based on a novel by Andy Weir and adapted by Drew Goddard. Mark, Lawrence, Sarahlyn and Al consider how hard we actually like our sci-fi, the directors of these films (by Lord/Miller and Ridley Scott respectively), how the books got adapted, Weir's other work (Artemis, some webcomics, etc.), and more. How does Weir make a series of scientific problems into an actual, enjoyable plot? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Visit squarespace.com/PRETTY (code PRETTY) for a free trial and 10% off your first website or domain.

We talk about the Scream meta-slasher film franchise, from the original Wes Craven /Kevin Williamson 1996 debut starring Neve Campbell, and Courtney Cox to the new one (#7), still with three out of four of those participants (Wes Craven being dead). Is the self-reflection about the horror genre in these films actually elevating, or just a permission structure to enjoy the base pleasure of seeing people murdered? Are these actually films that people who normally hate slasher movies still might enjoy? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Visit squarespace.com/PRETTY (code PRETTY) for a free trial and 10% off your first website or domain.