Advertise on podcast: Classic Ghost Stories

Herbert Russell Wakefield (1888 – 2 August 1964) was a distinguished English writer known for his multifaceted contributions to literature. Born in Sandgate, Kent, he was the third child of Henry Russell Wakefield, a clergyman who later became the bishop of Birmingham. Educated at Marlborough College and University College, Oxford, Wakefield exhibited a broad range of talents, achieving second-class honours in Modern History while excelling in sports such as cricket, golf, hockey, and football. His World War I service with the Royal Scots Fusiliers, where he attained the rank of captain, and advocacy for the use of Chinese workers reflected his engagement with global issues. Wakefield's life encompassed roles as a secretary, publisher, and civil servant, and he navigated the complexities of relationships, experiencing divorce and entering into a second marriage with Jessica Sidney Davey. H. R. Wakefield's literary legacy is particularly distinguished by his mastery of ghost stories. As a short-story writer, novelist, and publisher, Wakefield crafted tales that often drew inspiration from his experiences, notably his tenure as chief editor for William Collins, Sons and Co. One of his notable works, "Messrs Turkes and Talbot," exemplifies his ability to infuse the mundane with eerie elements, drawing from the peculiarities of the publishing world. Wakefield's stories, characterized by their atmospheric prose and psychological depth, remain enduring contributions to the supernatural fiction genre. "The Red Lodge," a captivating story by H. R. Wakefield, was featured in his debut short story collection, "They Return at Evening" (1928). Set in a somewhat jaunty 1920s style, the narrative follows a protagonist who rents The Red Lodge, a seemingly charming country house, with his family. Wakefield expertly weaves an unconventional tale, blending social commentary with supernatural elements. The story takes unexpected turns as the protagonist, discontented with the landlord, resolves to expose the house's sinister nature through a consumer complaint. The inclusion of psychic perception, strange occurrences, and a dark history adds depth to the narrative. "The Red Lodge" stands as a testament to Wakefield's ability to transcend conventional ghost story tropes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lewis Darley is a copywriter and illustrator living in Nottingham. He contacted me early in 2023 about an animated film he was making for his story The Premonition. This horror story is set in Bristol around 8 years ago. We agreed, I would record the audio and he would then do the long, hard work of animating the film. I said that I thought listeners would be interested in the story and then in him telling us about the project, so seven months after our first contact, we managed to record an interview. The delay was solely down to me, I should say. Anyway, I hope you enjoy the story and the interview afterwards: The Premonition by Lewis Darley Here are some links to Lewis's work Here's some links to my social pages and website: Website: https://www.lewisdarleyillustration.com/ Instagram: https://www.instagram.com/darleymakesart/ Twitter: https://twitter.com/Darleymakesart Facebook: https://www.facebook.com/darleymakesart Learn more about your ad choices. Visit megaphone.fm/adchoices

Basil Copper, born on February 5, 1924, in London, and passing away on April 3, 2013, was an English writer who initially pursued a career in journalism and newspaper editing before transitioning to full-time authorship in 1970. Beyond his literary pursuits, Copper cultivated diverse interests, including swimming, gardening, travel, sailing, and collecting historic films. Notably, he established the Tunbridge Wells Vintage Film Society and actively participated in esteemed film organizations in London. Basil Copper spent a significant portion of his life in Sevenoaks, Kent, and he was survived by his wife Annie, with whom he entered matrimony in 1960. Basil Copper's literary journey embarked with his inaugural short story, "The Curse," published at the age of 14. His professionally published debut, "The Spider," emerged in the Fifth Pan Book of Horror Stories in 1964. Venturing into novels, Copper made his mark with the Mike Faraday series, beginning with "The Dark Mirror" in 1966. Widely recognized for his series of Solar Pons stories, paying homage to Sherlock Holmes, Copper's association with editor August Derleth resulted in publications through Arkham House. Among his notable works are "Necropolis" (1980), a crossover between Victorian Gothic and detective fiction, and "The Great White Space" (1975), a novel influenced by Edgar Allan Poe and Lovecraft. Copper's macabre tales, including "The Academy of Pain" and "Beyond the Reef," underscored his mastery in horror fiction. His significant contributions earned him a Locus Award nomination in 1981, and in 2009, "Basil Copper: A Life in Books," a biographical work, received the British Fantasy Award for Best Non-Fiction. Basil Copper's literary impact endures, resonating through the realms of horror and detective fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth Jane Howard, born on March 26, 1923, in London, England, was a distinguished English novelist known for her versatile literary contributions. Howard began her career as an actress and model before venturing into writing in 1947. Throughout her prolific career, she penned 12 novels, with her most acclaimed work being the five-volume family saga, 'The Cazalet Chronicles.' Her narrative prowess was not confined to family sagas, as exemplified by her collaboration with Robert Aickman on the collection 'We Are For The Dark: Six Ghost Stories,' published in 1951. Although she gained widespread recognition for her family sagas, Howard's foray into the supernatural, as evidenced by 'Three Miles Up' and other stories, showcased her ability to masterfully blend genres and explore the complexities of human relationships. Elizabeth Jane Howard was secretary of the Inland Waterways Association. Ghost stories and the Inland Waterways Association (IWA) share a curious connection, intertwining literature and the preservation of Britain's canal  heritage. This connection is particularly evident through notable figures such as Robert Aickman, L. T. C. Rolt, and Elizabeth Jane Howard, each leaving a unique mark on both realms. Elizabeth Jane Howard's creative collaboration with Robert Aickman resulted in the publication of 'We Are For The Dark,' a collection that marked a significant departure from both authors' conventional works. Released in 1951, the anthology features six ghost stories, three contributed by each author. Notably, the book was published during their romantic relationship. Robert Aickman describes her as “one of the most brilliant [of women]” and a bit of a looker “so beautiful that continuous problems arose, especially when, at a later date, she joined the Association’s Council. Little in the way of completely normal business was possible or sensible, when she was in the room. … By merely existing, she promoted loves and hates which, through no fault of hers, left some who felt them, fevered and wasted”. My reading of Three Miles Up is that it is a modern fairy story where Sharon represents one of the fae and leads them into The Perilous Realm. Fairyland is not always a beautiful alluring place, it can be a place of horror and strangeness. We cannot trust the Good People, no matter how fair they seem. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a reading of H. P. Lovecraft's The Beast In The Cave. "The Beast in the Cave" is a short story written by H. P. Lovecraft, a famous American horror fiction writer. He first came up with the initial version in the Spring of 1904, and by April 1905, at the age of fourteen, he completed the final draft. The story was initially published in June 1918 in The Vagrant, a publication similar to today's well-edited fanzines. It's essential to note that this tale is considered part of Lovecraft's early works, often referred to as juvenilia, which means it was written during his youth. In the 1930s, Lovecraft would sometimes share a copy of the story's typescript with his promising young correspondents. He did this to showcase what he had accomplished at their age and to provide them with an initial exercise in rewriting. This served as a way for him to assess their creativity and potential. I came to read this story because I was contacted by Todd Thyberg of angelbomb.com who is a fine press producer. He's a graphic designer and artist who produces high-quality editions of his own work, but also that of classics in the sci-fi and horror genres such as you might have found in the pulp magazines of the early to mid 20th Century. Todd produces such finely crafted work that when he sent me a copy of his chapbook of The Beast In The Cave, I was minded to read it and interview him too. The second part of this episode is my interview with Todd Thyberg. His work can be accessed at his website: Angel Bomb, a Book Arts Studio https://www.angelbomb.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Ernst Benjamin Salomo Raupach, born on May 21, 1784, in Straupitz, Silesia, was a prominent German dramatist of the 19th century. His literary career was marked by a diverse range of works, and his influence extended beyond his homeland. After studying theology in Halle, Raupach ventured to St Petersburg in 1804, where he immersed himself in various pursuits, including writing tragedies and delivering sermons. Later, he settled in Berlin in 1824, dedicating the remainder of his life to writing for the stage. Raupach's impact on Prussian theatre during the early-to-mid 19th century solidified his place in German literary history. He passed away in Berlin on March 18, 1852. "Wake Not The Dead" ("Laßt die Todten ruhen"), a short story by Ernst Raupach, published in Minerva magazine in 1823, stands as one of the earliest contributions to vampire literature. This tale, exploring the macabre theme of the undead, showcases Raupach's ability to evoke suspense and mystery. The story follows the Gothic tradition, intertwining elements of horror with a narrative that predates the popularization of vampire motifs in the English-speaking world. Despite its significance, "Wake Not The Dead" faced misattribution, being erroneously credited to Ludwig Tieck in English translations. Raupach's work emerged during a period of heightened interest in Gothic literature and vampire themes in Europe. In the early 19th century, vampire hysteria and fascination with the supernatural were prevalent. This context, coupled with Raupach's travels and exposure to different cultures, likely influenced the creation of "Wake Not The Dead." The 18th-century vampire hysteria, marked by incidents in the Habsburg Monarchy and Eastern Europe, played a role in shaping the Gothic atmosphere of the story. The publication of the story in 1823 places it within a historical continuum of the exploration and popularization of vampire narratives in European literature, contributing to the broader evolution of the Gothic genre. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stuart Strauss remains an enigmatic figure in the world of weird fiction, with scant information available about his life. He is known for a limited body of work, including "The Shadow on The Moor" (1928), "The Soul Tube" (1928), and "The Clenched Hand" (1934). The use of a pseudonym and language suggesting potential unfamiliarity with British culture has led to the assumption that Strauss might be an American author. "The Shadow on The Moor" is a tale that first appeared in the February 1928 issue of "Weird Tales." Its republication in the 2023 British Library anthology "Circles of Stone: Weird Tales of Pagan Sites and Ancient Rites," edited by Katy Soar, attests to the lasting intrigue and relevance of Strauss's work. The story captures a sense of foreboding in the British countryside, with standing stones taking on a malevolent presence. Strauss's work, including "The Shadow on The Moor," reflects thematic elements akin to the cosmic horror pioneered by H.P. Lovecraft. Lovecraft's influence is discernible in the eerie atmospheres and otherworldly entities that often pervade Strauss's narratives. Additionally, Strauss, like Lovecraft, explores the theme of ancient cults in remote villages, inhabited by seemingly backward rural characters. The fusion of cosmic horror and folk-horror themes creates an unsettling and atmospheric reading experience. The thematic exploration of ancient cults in Strauss's work aligns with Margaret Murray's witch-cult hypothesis, a theory that suggests accusations against witches in Europe were rooted in a clandestine pagan religion. Published in Murray's "The Witch-Cult in Western Europe" (1921), the hypothesis posits the existence of a pre-Christian religion centered around a horned god, symbolizing the cycle of seasons and harvests. The horned god's representation on Earth through chosen individuals, ritual sacrifices, and the preservation of this religion through secret covens are central elements of Murray's theory. Strauss's incorporation of such themes in "The Shadow on The Moor" aligns with the broader cultural fascination with ancient rites and mysterious practices. The narrative, enveloped in cosmic horror and folk-horror, echoes the anxieties of a bygone era, reflecting the convergence of literary imagination and anthropological speculation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nigel Kneale was a highly acclaimed British screenwriter and novelist, best known for his pioneering work in the science fiction genre, particularly the creation of the iconic character Professor Bernard Quatermass. Born on April 28, 1922, in the Isle of Man, Kneale began his career as a journalist before transitioning to writing for radio, television, and film. He was brought up in Barrow-in-Furness. His breakthrough came in the early 1950s with the BBC television series "The Quatermass Experiment," which introduced audiences to the brilliant and enigmatic scientist Professor Bernard Quatermass. This character, portrayed as a determined and sometimes morally conflicted scientist, became an enduring figure in British popular culture. Kneale continued to develop the Quatermass character in subsequent television series, including "Quatermass II" (1955) and "Quatermass and the Pit" (1958-1959), each exploring themes of science, technology, and the supernatural. These productions were praised for their intelligent storytelling and social commentary, earning Kneale a reputation as a master of speculative fiction. In addition to his work on Quatermass, Kneale penned numerous other scripts for television, including adaptations of classic novels and original dramas. He also wrote several acclaimed novels and contributed to feature films. Throughout his career, Kneale's writing was characterized by its thought-provoking themes, sharp dialogue, and innovative storytelling techniques. He was a key figure in establishing science fiction as a serious genre in British television and film. Nigel Kneale passed away on October 29, 2006, leaving behind a rich legacy of groundbreaking work that continues to influence writers and filmmakers to this day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Leonid Andreyev, a prominent Russian writer, was born on August 9, 1871, in Oryol, Russia, and passed away on September 12, 1919. Renowned for his contributions to Russian literature during the late 19th and early 20th centuries, Andreyev's works delved into the complexities of the human psyche, exploring themes of existentialism, morality, and the darker aspects of life. Andreyev began his career as a lawyer but soon transitioned to writing, gaining recognition for his short stories, plays, and novels. His early works, such as "The Abyss" (1902) and "In the Fog" (1902), demonstrated a keen understanding of human nature and the societal issues prevalent in Russia at the time. One of Andreyev's most celebrated works is the short story "Lazarus" (1906), which reimagines the biblical tale of Lazarus being raised from the dead. In Andreyev's version, Lazarus returns to life burdened by the knowledge of the afterlife, leading to existential contemplation and despair. His play "He Who Gets Slapped" (1915) is another notable piece, exploring the theme of societal rejection and the pursuit of personal identity. This work was later adapted into a successful silent film starring Lon Chaney. As a writer, Andreyev's style is characterized by a fusion of realism and symbolism, creating a unique literary voice that resonated with readers and critics alike. His exploration of psychological depth and philosophical themes set him apart in the literary landscape of his time. Tragically, Leonid Andreyev's life was cut short when he succumbed to heart failure on September 12, 1919. Despite his relatively brief career, Andreyev's impact on Russian literature remains enduring, with his works continuing to be studied and appreciated for their profound insights into the human condition.

Brian Lumley, born on December 2, 1937, in County Durham, England, was a prominent English author renowned for his contributions to horror and science fiction. Regrettably, Lumley passed away on January 2, 2024, concluding a prolific literary career spanning several decades. In the 1960s, Lumley began his writing journey with stories in pulp magazines, showcasing early themes of Lovecraftian inspiration. This laid the foundation for a career marked by a unique fusion of horror, fantasy, and cosmic elements. In 1981, Lumley garnered acclaim with "Necroscope," a groundbreaking series that reimagined vampire mythology, blending supernatural, espionage, and psychic elements. This innovative approach solidified Lumley's status as a master storyteller in the horror genre. Beyond "Necroscope," Lumley authored numerous novels and short stories, each distinguished by his ability to evoke cosmic dread. His exploration of the boundaries between reality and the unknown drew from traditional horror themes and his imaginative twists. Notably, Lumley contributed to the Cthulhu Mythos, collaborating with other writers to expand upon Lovecraft's cosmic horror. His unique voice and narrative flair earned recognition, making his works cherished by fans of speculative fiction globally. Brian Lumley's passing on January 2, 2024, marked the conclusion of an era in English literature. His legacy endures through his captivating storytelling, cosmic horror, and lasting impact on the genre. Lumley's influence on horror literature remains an integral part of the literary landscape.

Thank you to Steven Shipman for recommending this story.The Lonesome Place was published by August Derleth in 1962 in a collection known as Lonesome Places.You can still find copies but they are expensive.I read the story and then say how great I thought it was followed by various rambles into barely related subjects. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Despite the title, this is not a supernatural story. It was requested by Leigh Grieveson, one of my patrons.  I struggled to find a copy so in the end, he photographed his and sent the pictures to me and I read the story from the jpeg files.It’s a story in the vein of Boomerang, in that it is the 1940s tale of white Europeans out in the jungle of the colonies. There is a zombie but it’s not what you think.W Stanley Moss, or Billy Moss was a colourful figure who died of alcoholism aged only 44 in Jamaica. He was born in Japan the son of a white Russian countess and a British businessman. He lived a life of adventure and exploration, joining the British army and then the covert sabotage unit SOE, under whose auspices he captured a Nazi general in Crete.He lived in a mansion in Cairo while in SOE and his and his Polish countess wife entertained the spies and special forces. He was a friend of kings and noblemen.After the war he researched what had happened the Nazi gold and undertook expeditions to Antarctica and Tahiti.He was a sort of Ian Fleming-James Bond-Patrick Leigh Fermor-Ralph Fiennes type chap and wrote very competent rip-roaring adventures for boys. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices