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Steve, Dana, and Julia convene once more for a rousing Gabfest. First up, it’s Mother Mary. David Lowery’s strange psychodrama centers on a pop star, played by Anne Hathaway, reuniting with her estranged friend and costume designer, played by Michaela Coel, and the menacing piece of red chiffon that haunts them both.  Next, they turn to another pair of mothers in Margo’s Got Money Troubles. The new series stars Elle Fanning as a new single mom— and Michelle Pfeiffer as her mom— who turns to OnlyFans to make ends meet.  Finally they welcome back Gabfest favorite Caity Weaver to dish on her epic quest to find the best free restaurant bread in America— as chronicled in her hilarious and insightful piece in The Atlantic. In an exclusive bonus episode for Slate Plus subscribers, Julia shares a behind-the-scenes peek into the founding of her new local media startup L.A. Material.  Endorsements Dana: The completely unscripted shows of The Improvised Shakespeare Company—on tour now. Caity: The live album Sam Cooke at the Copa, especially the song "The Best Things in Life Are Free"—the best bread certainly is. Julia: The sitcom The Fall and Rise of Reggie Dinkins which really hits its stride after a few episodes. Steve: The novel The Go-Between by L.P. Hartley as well as Paul Buchanan, of the band The Blue Nile, covering David Bowie’s "Ashes to Ashes." -- Email us your thoughts at [email protected].  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

One month after its lively and informative launch, Julia talks with Dana and Steve about what it’s been like to co-found and run L.A. Material. She shares why she wanted to start a local new media company in the first place, her vision for sustainable journalism in Southern California, and why most books about founding companies suck.

Richard Pryor redefined comedy by telling the truth, even when it scorched him.Today, we’re sharing a preview of a new podcast, Big Lives, and a special episode about Pryor. Every week, hosts Kai Wright and Emmanuel Dzotsi dig into the BBC archive to explore the story behind the icons who shape our culture—trailblazers like David Bowie, Meg Ryan, Amy Winehouse, and Tina Turner—and better understand how each legend set the stage for our contemporary cultural landscape. In this preview, Kai and Emmanuel look at how Richard Pryor rose from a Peoria, Illinois brothel to become comedy’s GOAT, only to then wrestle with racism, fame, desire, and self‑destruction. If you like what you hear, find more episodes of Big Lives on Apple Podcasts, Spotify, or wherever you get podcasts. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Dana, Steve, and Dan Kois get into cultural topics of various scales. First, they examine The Christophers, the latest film from Steven Soderbergh. The small scale two-hander starring Ian McKellen and Michaela Coel about an aging artist and an upstart forger is intentionally intimate, but is it too slight? They discuss. Next, they pick up their cultural magnifying glasses to peep at The Miniature Wife, the new marital comedy series starring Matthew Macfadyen and Elizabeth Banks about a scientist who accidentally aims his shrink ray on his wife. Is this diminutive premise too small for its multiple episode execution? They discuss.    Finally, they take up the small but mighty objects apparently floating at the bottom of many an it girl’s purse: cigarettes. They respond to a recent piece in the Ankler “Cigarettes Get a Sequel: Hollywood’s ‘Cool’ Bad Habit Is Back.” In an exclusive bonus episode for Slate Plus subscribers, the panel gazes at the vast expanse of space and talks about Artemis II’s mission to the far side of the moon.  Endorsements Dan: The novel Possession by A.S. Byatt. Steve: The essay in New York Review of Books “From the Rooftops of Tehran,” an anonymous first person account of life under fire from American and Israeli bombs. Dana: The radio show Shocking Blue on New York’s WFUV from the DJ Delphine Blue— if you miss it on Saturday nights 8pm-11pm when it airs, check out at WFUV’s archives to listen to episodes after broadcast. -- Email us your thoughts at [email protected].  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

For this week’s bonus episode, Dan Kois, Dana, and Steve take a moment to salute the astronauts of the Artemis II who went farther away from Earth than any human has before and, in the process, made space travel wondrous again. After grossly capitalistic and egoist endeavors from the likes of Musk and Bezos, NASA’s Artemis II provided a rare opportunity for collective awe for the vastness of space and an appreciation for publicly-backed science. In addition to the incredible photos from their space craft, the crew of astronauts inspired a wonderfully reverent piece from Ruth Graham on the front page of The New York Times and produced a truly great internet dog video.

What’s the worst thing Steve, Dana, and Julia have ever done? And would you still love them if you knew the answer to that question? That’s not a subject for today’s episode, but these three do get into The Drama, the dark, polarizing rom-com directed by Kristoffer Borgli starring Zendaya and Robert Pattinson which is animated by such disquieting inquiries. Next, it’s time for elk meat, Montana golden hour, and feckless city slickers as our hosts take on Taylor Sheridan’s latest The Madison. Starring Michelle Pfeiffer, our hosts agree it’s an effective Western soap opera but is its Red State agitprop worth the price of admission? Finally… there’s good boy. With their curly mop tops and wet eyes, doodle dog hybrids have nuzzled their way into Americans’ hearts. What does that say about us? The hosts discuss these questions and more raised in a recent New Yorker piece by John Seabrook, How Doodles Became the Dog du Jour. In a bonus episode for Slate Plus subscribers, they have a spoiler-rich conversation divulging all of The Drama’s dirty secrets. Endorsements Dana: The latest from children's book author (and Dana's partner) Rowboat Watkins, Mousestache, Mooosestache about a riotous world overrun with mustaches.  Julia: The memoir The Wanderers by immigration journalist Daniela Gerson detailing her unlikely family history. Steve: Book three of Elena Ferrante's Neapolitan novels Those Who Leave and Those Who Stay and the work of singer-songwriter Ron Sexsmith, including his cover of Bob Dylan's "Tight Connection to My Heart" and his self-titled debut album.   -- Email us your thoughts at [email protected].  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

All of the new film The Drama hinges on a big, bad secret. In this spoiler-rich episode, Steve, Dana, and Julia dish on what it is and how it shapes the whole movie. They get into how this secret upends the lives of the soon-to-be married couple played by Zendaya and Robert Pattinson and why European filmmaker Kristoffer Borgli may not be the right person to make a movie about this particularly American skeleton in the closet.

On this week’s show, Dana is joined by Slate’s own Nadira Goffe and Richard Lawson, of the Critical Darlings podcast. Their first agenda item is Jury Duty Presents: Company Retreat, the second installment of the workplace comedy/reality show hybrid which places an unknowing everyman in a made-up scenario populated entirely by actors. Does the second season deliver a heart-warming moral test in the form of comedy or a manipulative prank? They discuss. Next for more funhouse mirror television, they take up Bait, the Riz Ahmed-starring and created show about a Riz Ahmed-like actor vying for the role of James Bond. The show is stuffed with ideas and Ahmed’s charm, but they debate whether its conceptual martini sufficiently shaken or stirred. Finally, it’s time to go out, wear something nice, and push as they take a listen to Sexistential, the new album by Swedish dance pop queen Robyn. Though the “Dancing On My Own” singer has a new partner on the dancefloor in her young son, motherhood and midlife make for some real club classics. On a bonus episode for Plus subscribers, they take up the question, as posed in a recent New Yorker article, of whether “plagiarism is that bad?” Endorsements Richard:  The compulsively watchable time travel family drama The Way Home, a Hallmark Channel Original. (And subscribing to Critical Darlings) Nadira: The ten minute disco cover of "Bridge Over Troubled Water" by Linda Clifford and the album WOR$T GIRL IN AMERICA by Slayyyter.  Dana: The new book by Mason Currey Making Art and Making a Living as well as his newsletter Subtle Maneuvers. -- Email us your thoughts at [email protected].  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

In a recent New Yorker piece How Bad Is Plagiarism, Really?, critic Anthony Lane argues that a little intellectual theft here or there isn’t so bad. Our panel of writers, Dana, Nadira Goffe, and Richard Lawson, beg to differ. Actually, in an age of increasing A.I. usage, maybe we don’t care about plagiarism enough? They discuss.

 Welcome to a very special Money On Film miniseries! Over three episodes, Slate Money’s Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, Nadira and Felix take a trip to a bathhouse for spirits in 2001’s Spirited Away. Directed by Hayao Miyazaki, the film follows a girl named Chihiro, who becomes trapped in the spirit world and must save her parents, encountering soot sprites, river spirits, a giant baby, and many more wonderful and terrifying beings along the way. The film is a masterpiece of storytelling and technical animation, but as Felix explains, it also works as a highly developed metaphor for capital and the Japanese economy at the close of the millennium: the bathhouse stands in for a stable but exploitative economic system, beset by outside capital forces, with workers stripped of their names and identities. This is the final episode of the Money On Film miniseries. Thanks for listening! Hosted on Acast. See acast.com/privacy for more information.

This week, Dana, Julia (fresh from the launch of her new media venture L.A. Material), and guest host Dan Kois set their gaze to the heavens with a discussion of the lost-in-space adventure yarn Project Hail Mary. Based on the book by Andy Weir and directed by genre movie savants Phil Lord and Christopher Miller, the sci-fi blockbuster stars Ryan Gosling and a big rock creature puppet. Next, they hop across the pond for the launch of SNL UK, the British revamp of the venerable American comedy institution. Slate UK contributor and author of Deep Down, Imogen West-Knights joins to share her two pence on the show’s local reception. Finally, the panel turns to Dan Kois’s epic, 8,500 word Slate essay on… bar soap. His opus—or “soapus," if you will— makes a persuasive case for why bar soap is a superior form of foam. In an exclusive Slate Plus bonus segment, the gang gets into a listener question about analog media. Endorsements Julia: In addition to subscribing to L.A. Material, the great American junk food that is the corndog—the vibes and graphic design of Hot Dog on a Stick at the Santa Monica Pier are swell but seeking listener recommendations for the very best place to get a corndog. Dan: For some '"higher gossip " and a bit of 1800s history, the book Parallel Lives: Five Victorian Marriages by Phyllis Rose. Dana: The work of voice actor Ray Porter in the audiobook of Project Hail Mary and the interview Porter gives on the book podcast Off the Shelf. -- Email us your thoughts at [email protected].  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Dana, Julia, and Dan Kois tackle a listener question from Amy in Chicago whose ten-year old has recently gone gaga over analog culture: what are your favorite pieces of culture from cassettes, CDs, DVDs, and vinyl? And what memories do each of these bygone formats bring up? They get into the LPs from Broadway musicals that were always on in their childhood homes, the delight of respooling cassette tapes, the madding annoyance CD joule cases, the bygone art of DVD menus, that scene in Postcards from the Edge when Meryl Streep sings “I’m Checkin’ Out,” and why Roger Ebert’s commentary to Casablanca is the greatest DVD commentary of all time.

Welcome to a very special Money On Film miniseries! Over three episodes, Slate Money’s Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, Felix and Nadira discuss dating and money in Celine Song’s 2025 romantic comedy Materialists, which centers on a love triangle between a millionaire matchmaker (Dakota Johnson), a hunky financier (Pedro Pascal), and an old flame and out-of-work actor (Chris Evans). While not particularly romantic or comedic, the film raises questions about the role money plays in modern dating, how we select partners based on financial viability, and whether romance itself might be a bit overrated. Next time on Money On Film: Spirited Away. See you then! Hosted on Acast. See acast.com/privacy for more information.

Welcome to a very special Money On Film miniseries! Over three episodes, Slate Money’s Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, we’re headed to Wall Street to watch a Felix Salmon favorite: Margin Call, the 2011 thriller-drama starring a long list of famous people, including Jeremy Irons, Paul Bettany, Stanley Tucci, Demi Moore, and yes, Kevin Spacey. Directed by J. C. Chandor, the film takes place at an investment bank on the brink of the Great Financial Crisis, as financiers struggle to maintain their balance sheets against the greatest villain of the aughts: mortgage-backed securities. Coming up on Money On Film: the 2025 rom-com Materialists, followed by the animated masterpiece Spirited Away from 2001. See you next time! Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Dana and Steve are joined by long-time FOP Isaac Butler (and author of the forthcoming book The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars.) They step into this week’s cultural trenches by way of an animatronic beaver den in Pixar’s Hoppers. Does the kooky eco-romp revive Pixar from its much-discussed slump? They discuss. Next, they step to the frontlines of middle-age malaise in the new HBO limited series DTF St. Louis, a sex comedy and meditation on male friendship mashed up with a murder mystery starring Jason Bateman, David Harbour, and Linda Cardellini. Finally, they debrief on the various battles for golden men in a recap and analysis of the 98th Academy Awards. Are the Oscars a real measure of artistic value? What do this year’s ceremony and winners say about the state of cinema? Why are they so long? Your questions answered here. In an exclusive bonus episode for Slate Plus subscribers, the panel takes up a recent excerpt from Michael Pollan’s new book A World Appears: A Journey into Consciousness. Endorsements Isaac: An earlier instance of Jason Bateman playing sinister, the 2015 thriller The Gift, directed by Joel Edgerton. (Also, don’t forget to pre-order The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars) Steve: The work of the recently deceased philosopher Jürgen Habermas. As a starting off point, read the Wikipedia page of his early work The Structural Transformation of the Public Sphere.  Dana: For more beaver-related slapstick, the exceedingly low-budget 2022 debut—produced for just $150,000— of director Mike Cheslik Hundreds of Beavers.  --- Email us your thoughts at [email protected].  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.