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Bridget Riley, born in London in 1931, is a prominent figure in the Op Art movement. Early life experiences, including wartime evacuation to Cornwall and exposure to nature's patterns, influenced her artistic sensibilities. Her style evolved with influences from Seurat, Pollock, and Balla. Riley's breakthrough came in the 1960s with black and white geometric paintings like "Fall" and "Current," which created illusions of movement and depth. Her work gained international recognition through exhibitions like "The Responsive Eye" at MoMA. Riley's exploration of color and form continues to challenge viewers' perceptions and solidify her place in art history. A key work, "Movement in Squares" (1961), exemplifies her innovative use of simple elements to produce dynamic optical effects, marking a pivotal moment in Op Art and influencing various fields beyond fine art. This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Modernists said, “form follows function” focusing on how people will use a space, but Gehry focuses on how people will react to the space. His goal is to inspire, to make them feel. He talks about the challenge of creating feeling with inert materials. He says it is the movement that brings out a feeling. With his design in Bilbao, Spain, rather than simply designing a building to house a collection of some of the world’s most beautiful and inspiring art, Gehry made the building itself a work of art that inspires awe and wonder. The Guggenheim Bilbao is one of the required artworks for AP Art History. Check out my Spotify playlist, ⁠AP Art History Cram Session⁠ to learn about other artists and artworks from that curriculum. This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

The Deesis mosaic, located in the South Gallery of the Hagia Sophia in Istanbul, Turkey, is a monumental work of Byzantine art dating back to approximately 1261 CE. Created during the Palaeologan Renaissance, a period of cultural and artistic rebirth following the Byzantine recapture of Constantinople, the mosaic represents a departure from the rigid, stylized forms typical of earlier Byzantine art. The term "Deesis" translates to "prayer" or "supplication," reflecting the composition's theme: Jesus Christ is flanked by the Virgin Mary and John the Baptist, both of whom are depicted in poses of intercession, pleading for mercy on behalf of humanity. The mosaic is a marvel of optical engineering. Byzantine mosaicists used thousands of tiny glass and stone cubes, known as tesserae, many as small as a grain of rice for delicate features like skin tones. These tiles were often angled to catch and reflect light from nearby windows and candles, creating a shimmering effect that gave the figures a sense of life and movement. The artist's use of complementary colors for shading, such as greens and olives mixed with pinks, achieved a vibrant, lifelike flesh tone that anticipated techniques used by Renaissance artists centuries later. Although the bottom half of the mosaic was lost to time and water damage, the surviving upper portion remains a profound testament to the emotional depth and technical sophistication of 13th-century Byzantine craftsmanship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frank Lloyd Wright was one of America's most famous and influential architects. He famously said, "No house should ever be on a hill or on anything. It should be of the hill. Belonging to it. Hill and house should live together each the happier for the other." It was this emphasis on unity between the construction and the surrounding landscape that made Falling Water such a breathtaking design. Related Episodes: ⁠Frank Lloyd Wright | Falling Water (full episode)⁠ This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Gustav Klimt's "The Kiss" is an iconic Art Nouveau painting, renowned for its use of gold leaf and intricate patterns. The painting depicts a couple embracing in a passionate kiss, their bodies adorned with abstract designs that symbolize interconnectedness and the natural world. While the identities of the figures are unclear, the painting has been interpreted as representing mythological figures, Klimt and his companion Emilie Floge, or a more allegorical representation of love. The painting's symbolism, including floral motifs and the gold halo effect, contribute to its spiritual dimension. The Kiss sold immediately after Klimt painted it. In 1908, the Austrian Government bought it for their Moderne Galerie. They paid 25,000 crowns which would be the equivalent of about $240,000 today. That was 5 times higher than the price paid for any painting in Vienna up until that time. It quickly became one of Klimt's most celebrated works extremely popular beyond the fine art world. "The Kiss" has permeated popular culture, appearing in countless reproductions, adaptations, and homages. Its iconic image has been used in advertising, fashion, and even movies. This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Salvador Dali's most famous painting is The Persistence of Memory from 1931. The painting is surprisingly small just 9 ½ by 13 inches or slightly larger than the average sheet of paper. It is one of the most widely recognized and referenced images of the surrealist movement. For those who don’t know it by name, you will likely recognize the description of clocks melting in the desert. The melting of clocks much like the ambiguous figure in the middle of the composition references a metamorphosis. Things are in a state of flux. Ants crawl all over the clocks like fruit left to rot on the ground. Dali referred to this work describing time as a soft cheese and yet with all of the absurdity, there are realistic elements drawn from the landscape of his home in Spain. There is an unsettling mix of the real and absurd which served as a device surrealist artists would use to call into question the rational world and whether things truly are as hard and fast as we might at first perceive them to be. The clocks melt because even time, like all things, is relative and malleable.  This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Rene Magritte's painting, Son of Man, is among the most famous images of the Surrealist Movement. It is one of the few artworks that transcends the museum and has become a part of pop culture. Actually, technically it isn’t even in the museums. Son of Man is privately owned and rarely seen on public display, but it has been referenced in books, movies like Stranger than Fiction and The Thomas Crown Affair, tv shows like The Simpsons, music videos by the likes of Michael Jackson. Of course, listeners of this show no doubt recognize that the painting was also the inspiration for the greatest pop culture image of all time, my podcast cover art. Related episodes: ⁠Rene Magritte | The False Mirror (full episode)⁠ ⁠Salvador Dali | The Persistence of Memory This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Lee Krasner, born Lena Krassner in 1908, was a pivotal Abstract Expressionist artist often overshadowed by her marriage to Jackson Pollock. Despite this, she forged a unique artistic path, studying at the Women's Art School of Cooper Union and the National Academy of Design before embracing modernism after the opening of MoMA in 1929. Influenced by Hans Hofmann's Cubist theories, Krasner experimented with abstraction, contributing to the WPA's Federal Art Project and the American Abstract Artists group. Her significant "Little Images" series, collages, and later large-scale works like the "Earth Green" and "Umber" series showcased her evolving style and resilience. While initial critical reception was mixed, Krasner gained recognition later in her career, culminating in retrospectives at the Whitechapel Gallery and the Whitney Museum, solidifying her legacy as a vital figure in 20th-century art. Want to learn more? Head over to my website www.funfactsdailypod.com and be sure to listen to my other podcasts Who ARTed: Weekly Art History for All Ages or Art Smart. For family fun, check out my son's podcast Rainbow Puppy Science Lab Fun Facts Daily is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

In August of 1973, the Australian government bought a Jackson Pollock painting for $2 million. It was the highest price paid for work of an American artist and it was a huge scandal in Australia. Most people thought it was a waste and inconceivable that a Pollock would be worth as much as a Rembrandt. Pollock's work seems so simple and direct that it is easy to forget how revolutionary it was. Related Episodes: ⁠Janet Sobel⁠ This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I was thrilled to be joind once again by Tim Bogatz, host of Art Ed Radio from The Art of Education University. Writing for The Art of Ed was one of my career and if you want to find my articles, here is a link: https://theartofeducation.edu/author/kylewood/ and fellow art teachers, join Tim, me and thousands of other art teachers on the AOE Community Jacques-Louis David was a foundational figure of the Neoclassical movement, marking a significant departure from the ornate and frivolous Rococo style that dominated 18th-century France. His artistic journey was characterized by a push toward visual languages inspired by the austerity and perceived virtues of Ancient Rome and Greece. David’s personal history was as turbulent as the era he lived in; raised by uncles who were successful architects after his father was killed in a duel, he faced early professional rejection, failing the Prix de Rome several times before finally succeeding in 1774. His radical political involvement during the French Revolution, including his vote to execute Louis XVI and his later role as an artistic authority under Napoleon, deeply influenced his approach to art as a medium for moral and political communication. At the center of David’s portfolio is his 1784 masterpiece, The Oath of the Horatii, a work that exemplifies the Neoclassical ideal of placing patriotism and civic duty above personal or familial ties. The painting depicts a legendary conflict between Rome and the city of Alba Longa, where three brothers from the Horatius family swear an oath to their father to fight to the death for their city. David’s composition utilizes a stark, triptych-like structure created by architectural arches that divide the scene into three distinct groups: the brothers swearing the oath, the father holding the swords, and the grieving women—some of whom are tied by marriage to the opposing side. The work is noted for its dramatic use of linear perspective, a dark, simple background, and a sharp contrast between the rigid, angular forms of the men and the soft, organic curves of the distressed women. Originally commissioned under the king, the painting was eventually adopted as a powerful piece of propaganda by revolutionaries, cementing its status as a landmark of Western art history. Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

When you think of bold and revolutionary modern artists from the 20th century, you probably don't think of a grandmother laying across her living room floor painting, but maybe you should. Janet Sobel was a Ukrainian American painter who was dripping paint across the canvas long before Jackson Pollock "invented" the technique. Other artists mentioned in this episode: ⁠Jackson Pollock⁠ ⁠Alexander Calder⁠ ⁠Norman Rockwell⁠ ⁠Roy Lichtenstein⁠ ⁠Georgia O'Keeffe This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

The brilliance of Edward Hopper is that he was able to be simultaneously specific and concrete yet vague and leave a lot up to the viewer to interpret. In a painting like Nighthawks we see people gathered in a diner, but as viewers we are stuck on the outside looking in. We feel isolated and apart from the scene and as we look closer, we discover that the people inside the diner are isolated themselves. It is not a group of four inside the space but rather a collection of four individuals. My guest for this episode was Julie Averbach, the founder of ⁠smARTee⁠, a non-profit that helps people feel connected and continue their lifelong learning via free virtual museum tours. She is also the author of the upcoming book, The Art of Trader Joe's (⁠https://theartoftraderjoes.com⁠) which helps readers appreciate the subtle brilliance of the grocery chain. ⁠Buy the book on Amazon⁠ or at your local bookstore. This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

American artist Thomas Hart Benton (1889-1975) was a leading figure of the Regionalist movement, known for his dynamic depictions of American life, labor, and landscapes. Born into a politically prominent Missouri family, Benton initially pursued art against his father's wishes, studying at the Corcoran Gallery of Art and later in Paris, where he engaged with avant-garde movements like Cubism and Synchromism. However, he eventually rejected European modernism, advocating for a distinctly American art form that captured the realities of the nation. His signature "muscular realism" is characterized by swirling forms and vibrant colors, often seen in his prolific murals in public buildings such as the Missouri State Capitol. Benton's monumental mural cycle, ⁠America Today⁠, completed in 1931, stands as a prime example of American Regionalism. Executed in egg tempera on linen, these ten panels offer a panoramic view of American life during the Great Depression, featuring scenes of bustling cities, industrial activity, and rural labor. The mural, originally commissioned by The New School for Social Research, showcases figures like steelworkers, farmers, and jazz musicians, with Benton subtly including himself and his family within the work. America Today is a powerful visual narrative that celebrates the resilience of ordinary Americans and critiques the challenges of the era, solidifying Benton's legacy as a chronicler of American history and culture. The mural is now housed at the Metropolitan Museum of Art in New York City. Check out my other podcasts ⁠ Fun Facts Daily⁠⁠ | Art Smart⁠ |⁠ Rainbow Puppy Science Lab⁠ Who ARTed is an⁠ Airwave Media⁠ Podcast. If you are interested in advertising on this or any other Airwave Media show, email: ⁠[email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Emily Kame Kngwarreye was born around 1910, a time when the Aboriginal people were not considered full citizens in their own country. Earth’s Creation is an absolutely massive painting about 9 feet tall and 20 feet wide. She painted it in 1994 when she was around 84 years old. Most biographies will say that she only painted for the last 8 years of her life, but really, she was only painting for Western audiences for that period. She spent her life learning, practicing, and creating in line with the Aboriginal customs. Earth’s Creation is an absolutely massive piece she created in 1994. Kngwarreye was about 84 years old when she painted it. It shows an evolution in her style from the more earth toned traditional pieces she painted as she first began to work on canvas. In this piece we see rich blues, yellows, and greens referencing the lush “green times” that follow periods of heavy rain. She was moving beyond the clay and ochre pigments but still creating work deeply rooted in her connection to the land and nature. This painting is about 9 feet tall and 20 feet wide and when it went up for auction in 2007, it sold for an equally large price of just over $1 million. It set a record for the highest price of a work by an aboriginal artist and the highest price for an Australian female painter. A decade later it sold for over $2 million once again setting the record for the highest price by an Australian female painter. This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Wayne Thiebaud is known for his paintings of everyday objects. Born in 1920, Thiebaud's early experiences as a sign painter and an apprentice animator at Walt Disney Studios shaped his understanding of visual communication and iconic forms. Though often associated with the Pop Art movement of the 1960s, Thiebaud’s approach was distinct. While artists like ⁠Andy Warhol⁠ embraced mechanical reproduction, Thiebaud celebrated the painter's touch, using thick impasto, brilliant colors, and strong shadows to bring his subjects to life. His signature works feature commonplace items, particularly diner foods like pies, cakes, and gumballs, transforming them into objects of formal study and cultural nostalgia. Thiebaud's career gained national recognition following his inclusion in the landmark 1962 exhibition, "New Painting of Common Objects," at the Pasadena Art Museum. A deep dive into one of his early masterpieces, Pie a la Mode (1961), reveals the key elements of his style: the luscious, tactile quality of the paint, the signature halos of color outlining the object, and the ability to find artistic complexity in the simple pleasures of American life. Beyond his famous still lifes, Thiebaud also applied his unique vision to compelling landscapes of San Francisco and detailed figure paintings, solidifying his legacy as one of America's most beloved painters and a dedicated long-time professor at the University of California, Davis. Related episodes: ⁠Claes Oldenburg⁠ ⁠Roy Lichtenstein This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices