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BAFTA Award-winning, Emmy and Ivor Novello–nominated composer Paul Leonard-Morgan discusses scoring his most recent projects, Louis Theroux: Inside the Manosphere, and Pretty Lethal, starring Uma Therman.

Composer Jesse Zuretti dives into his metal-influenced score for Riot Games’ 2XKO – a fighting game set in the League of Legends Runeterra universe. Zuretti talks all things metal, working with Polyphia on the game’s main theme, continuing the League of Legends legacy, fans’ reactions to his soundtrack, misconceptions about heavy metal, creating the score in Cubase in his studio, and what to expect from him for the next iteration of the game. 

After the huge success of Promising Young Woman and Saltburn, director Emerald Fennel called upon British-born, L.A.-based composer Anthony Willis to work with her a third time for her adaptation of Wuthering Heights, starring Margot Robbie and Jacob Elordi. Willis speaks to Headliner about how he worked on the score alongside the Charli XCX album of new songs for the film, how he and Fennel approached this new adaptation, and *that* viral Sophie Ellis-Bextor moment in Saltburn.

Icelandic composer Hildur Guðnadóttir went from releasing indie-classical solo cello albums, to becoming an awards-magnet film composer, with BAFTAs, GRAMMYs, and an Academy Award for her score to the Joaquin Phoenix-starring Joker to her name. She calls 2026 her ‘monster’ year, which has seen her score 28 Years Later: The Bone Temple and the Maggie Gyllenhaal-directed The Bride. She chats to Headliner about working on these idiosyncratic films back to back, her long-awaited upcoming return to the stage this year, and why Cubase is key to her work.

After a musical upbringing that was staunchly classical, Benjamin Wallfisch has married his Bach-influenced skillset with a love of music technology to become one of Hollywood’s go-to composers. After a huge breakthrough working on Blade Runner: 2049 alongside a certain Hans Zimmer, huge jobs kept rolling in, including Shazam!, It and It Chapter Two, Twisters, and Alien: Romulus. The composer discusses scoring Welcome to Derry and Predator Badlands, and pivoting from pursuing orchestral conducting to making music for movies.

Born in South Africa, Lucy Kruger relocated to Berlin to pursue her ambitions for her band, The Lost Boys, an indie art-pop outfit that is lavished with guitar feedback, violas, sparse arrangements, and haunting melodies. Releasing music since 2014, she chats to Headliner about new album Pale Bloom.

Moody Joody’s new single, OOPS!, is the perfect soundtrack to your next wild night out – and next morning hangxiety. The Nashville trio discuss writing OOPS!, what to expect from their forthcoming debut album, alternative band names, and why the new record will shock people from their hometown.

South-East London based, award-winning, British-Nigerian singer-songwriter and musician Ego Ella May opens up on being an introvert in the music industry, forging a path as an independent artist, and delves into the making of her second album, Good Intentions.

German producer Nicolas Rebscher discusses producing and co-writing Louis Tomlinson’s no.1 album, How Did I Get Here?, including a behind the scene look at how hit singles, Lemonade and Imposter came together. He discusses making the record in Costa Rica, how the singer has carved out his own indie sonic identity after One Direction, why this is a lighter record than Tomlinson’s previous efforts, and how he used Steinberg’s Cubase to make the record.

JP Cooper talks about keeping his head down growing up as an 'artsy type' in Manchester, duetting with Gabrielle on new single, Sad Song, and making music for connection rather than charts on his new album, Just A Few Folk.

Renee de la Motte and Thomas Eagleton are the duo behind Salarymen, a band making nostalgia-inducing indie songs combining an array of rock, psych, and dream pop influences. Having supported the likes of Royal Otis and touring the States, Japan, and their native Australia, the duo reveal the process behind their debut album, Take It Or Leave It.

S!RENE is a Dutch-Nigerian music artist, saxophonist, DJ and producer who has built a following with his music that fuses Afro Beats, Amapiano, jazz, African funk, and more. Following performances alongside Ezra Collective and at London’s Jazz Café, he speaks to Headliner about his stunning debut album, Silence Gives Life - his latest work that fuses a plethora of genres and sounds, and speaks to the relationship between silence, music, and life.

Producer, songwriter, artist and musician Mike Sabath, who has collaborated with RAYE, Shawn Mendes, Lizzo, Sabrina Carpenter and JADE, delves into the making of his emotionally-charged and natured-infused full-length record Album II: The Land Of The Twisted Tree, including how he produced it on the road in an RV. He also breaks down how he co-wrote and produced RAYE’s no.1 single WHERE IS MY HUSBAND! 

Shao Hao is a singer-songwriter who has gone from being an unconfident music student who left China for studies in the UK, to having no.1 hit songs across South East Asia and on Netflix and anime shows. He chats to Headliner about how being a resident artist at London’s Roundhouse helped him sign his life changing publishing deals, and the latest single from his Brit pop meets K-pop solo project, Where Is My Home.

Fifteen years after the release of his dance banger, Turn The Lights Off, Danish DJ and producer Kato’s life has taken an unexpected turn. And it’s all thanks to a Jon Hamm meme. He reacts to the song going viral and breaks down the key studio production gear he used to make the track.