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In this holiday extravaganza episode of Guilty Pleasures, join hosts Stephanie, Kelly, and our newest addition, Jonathan (Jack was tied up in tinsel and couldn't join us), as they unwrap the bizarre and unhinged world of holiday cinema. They dive into the depths of Elves, a film that's as chaotic as it is entertaining. It's a sleigh full of questionable decisions, diabolical dialogue, absurd plot twists, wildly offensive antics, and unhinged holiday mischief. And that's not all! In the second half of the podcast, join your festive cinephile friends for a look at four more "nutty as a fruitcake" holiday treats: A New York Christmas Wedding, Elf Bowling, A Medea Christmas, and Jack Frost. Plus, we each offer a bonus Christmas flick guaranteed to make you say, "Ho, Ho, HO-LY Hell!"  Expect laughter, disbelief, and a spirited debate about what truly makes a movie a guilty pleasure. Don't miss this festive journey through the weirdest corners of holiday films!

Hey, hey, hey, a wild ride is on the way with this episode of Guilty Pleasures! Join Stephanie, Jack, and Kelly as they take a bite out of the bizarre and bewildering 1980 musical oddity,The Apple. Set in a dystopian 1994 where the music industry reigns supreme, this film is a kaleidoscope of disco, biblical allegories, and questionable songwriting that gives your hosts plenty to talk about... but is any of it GOOD? Kelly and Jack share their reactions to the film's outrageous fashion choices, perplexing character arcs, and uncomfortable moments. Meanwhile, Stephanie tries to defend the film against an onslaught of abuse, but can she make a compelling case thatThe Apple is so bad it's good and not just plain BAD? The conversation is peppered with laughter, debate, and disbelief as the trio navigates through the film's ridiculous musical numbers, including the infamous "BIM" anthem that will stick in your head long after the episode ends. But if you're anything like Jack and Kelly, that may inspire more rage than respect. Join the Guilty Pleasures Crew as they grapple with the absurdity ofThe Apple and try to get to the core of the matter, deciding if it's a guilty pleasure worth revisiting or a cinematic disaster best left forgotten. Is "The Apple" an actual, actual, actual trainwreck?

Welcome to another episode of No Notes, where Stephanie, Kelly, and Jack take a break from dissecting guilty pleasures to delve into some cinematic treasures. This holiday season, Kelly takes center stage with her selection of three lesser-known Christmas specials that promise to warm your heart and tickle your funny bone. First up, we have Emmett Otter's Jug-Band Christmas, a charming tale featuring Jim Henson's magical Muppets and the melodic genius of Paul Williams. This special offers a unique twist on the classic "Gift of the Magi" story and introduces us to the greatest fictional band ever—the River Bottom Nightmare Band. The hosts explore the deeper themes of poverty and resilience, all wrapped up in a heartwarming holiday package. Next, Kelly presents the delightfully bizarre Opus and Bill's A Wish for Wings That Work. This oddball gem, featuring voice cameos from Robin Williams and Dustin Hoffman, is a surreal holiday experience that had Kelly's family hooked from its single TV airing. The hosts revel in its absurd humor and unexpected sincerity, making it an unforgettable addition to any holiday watchlist. Finally, they discuss the emotional rollercoaster that is the Bob's Burgers Christmas episode, "The Plight Before Christmas." This episode captures the chaos of holiday scheduling conflicts and the profound love within the Belcher family. The hosts reflect on the genuine, heartfelt storytelling that brings tears and laughter in equal measure.

Welcome to Guilty Pleasures, where we dive deep into the cinematic abyss to uncover the most bizarre and bewildering films that somehow capture our hearts. In this episode, Kelly takes us on an unforgettable journey through the mind-boggling 1996 holiday film Santa with Muscles, starring none other than Hulk Hogan. Prepare yourself for a wild ride as we explore this fever dream of a movie that defies logic and reason.   Join Kelly, Stephanie, and Jack as they unravel the tangled web of this so-bad-it's-good masterpiece. From Hulk Hogan's perplexing performance as a muscle-bound Santa to the film's outlandish plot twists involving crystals and orphanages, nothing is off-limits. The hosts delve into the movie's bizarre charm, its unintentional comedic moments, and its place in the guilty pleasure hall of fame.   As the discussion unfolds, the trio debates the film's merits, its impact on holiday cinema, and whether it truly embodies the essence of a guilty pleasure. They also reflect on the film's underlying themes, intentional or not, and the sheer audacity of its existence.   Grab your eggnog, gather your most sarcastic friends, and join us for a hilariously chaotic conversation that celebrates a film so absurd it must be seen to be believed. Is Santa with Muscles a guilty pleasure or a festive misfire? Tune in to find out.

Welcome to No Notes, the podcast where three cinephiles set aside guilty pleasures to discuss films that have profoundly impacted their lives. This month, Jack takes us on a journey into the mind-bending world of Christopher Nolan's 2000 masterpiece, Memento. Join Stephanie, Kelly, and Jack as they unravel the layers of this cinematic enigma, exploring its innovative narrative structure and the philosophical questions it poses.   In this episode, we delve deep into the film's exploration of memory, identity, and the human condition. We discuss the brilliance of Guy Pearce's performance as Leonard, a man grappling with short-term memory loss, and how Nolan's storytelling places us directly in Leonard's disorienting perspective. The hosts reflect on the film's ability to keep audiences guessing and its commentary on the subjective nature of reality and truth.   As the discussion unfolds, your hosts debate the film's themes of self-deception and purpose. They also explore the film's lasting legacy and its place in the pantheon of great cinema.   Join us for a thought-provoking conversation that celebrates a film that challenges perceptions and pushes the boundaries of narrative cinema.

Welcome to Guilty Pleasures, where we dive into cinema's most misunderstood gems. In this episode, Jack takes us on a journey through the 2009 cult classic Jennifer's Body . Join us as we dissect the film's initial reception, its marketing missteps, and its subsequent reevaluation as a feminist horror masterpiece.   We explore the film's themes of female empowerment, the male gaze, and the complexities of female friendship. We also delve into the performances, particularly Megan Fox's portrayal of Jennifer, and discuss the film's commentary on the objectification of women in Hollywood.   Kelly shares her mixed feelings, acknowledging the film's artistic merits while grappling with its narrative choices. Meanwhile, Stephanie passionately defends the film's subversive storytelling and its relevance in today's socio-political climate.   As the episode unfolds, your hosts debate the film's impact on audiences and its place in the horror genre, ultimately questioning what defines a guilty pleasure.   Join us for a spirited discussion that challenges perceptions and celebrates a film that continues to resonate with viewers. Is Jennifer's Body a guilty pleasure, a feminist triumph, or something else entirely? Tune in to find out.

Welcome to No Notes, where three cerebral cinephiles take a break from guilty pleasures to dive into the cinematic treasures that have left an indelible mark on our lives. This episode, Stephanie takes the helm to guide us through the hauntingly beautiful world of Jim Jarmusch's 2013 film, Only Lovers Left Alive. Join Stephanie, Kelly, and Jack as they delve into the film's exploration of vampirism as a metaphor for the human condition, examining the paradoxes of existence through the eyes of the ancient lovers Adam and Eve. Jarmusch weaves a love letter to human creativity and its power to transcend time. We consider the film’s poetic nature, commentary on art, and the profound impact of its melancholic yet hopeful storytelling. Pour yourself a glass of something rich and join us as we celebrate a film that invites us to reflect on the beauty and complexity of life itself. Is Only Lovers Left Alive a no-notes masterpiece? Tune in to find out.

Welcome to Guilty Pleasures, where we unabashedly dive into the most delightfully absurd corners of cinema. This week, we're taking a wild ride into the cosmos with Jason X, the tenth installment of the Friday the 13th franchise, where Jason Voorhees trades Crystal Lake for the vastness of space. Yes, you heard it right—Jason is in space, and it's as ludicrous as it sounds.   Join us as we dissect this cinematic oddity that catapults the iconic silent slasher into the year 2455 aboard a spaceship. In this episode, we explore the film's self-aware humor, its outrageous premise, and the sheer entertainment value it offers despite—or perhaps because of—its nonsensical plot and one-dimensional characters.   We debate whether Jason X is a misunderstood masterpiece or simply a guilty pleasure that delivers a laugh-out-loud experience for horror fans.   Our hosts are divided, with some reveling in the film's campy charm and others questioning its very existence. From virtual reality simulations gone awry to the transformation of Jason into the formidable Uber Jason, we leave no stone unturned in our quest to understand this bizarre entry in the Friday the 13th saga. We also discuss how well it fares against October's other Guilty Pleasure pick: Halloween Resurrection.   So, grab your popcorn and join us for a journey into the absurd as we decide if Jason X deserves a place in the pantheon of guilty pleasures or if it should be jettisoned into the void of space.

Welcome to Guilty Pleasures, where we dive headfirst into the cinematic abyss to uncover the hidden joys of films that are often maligned. This episode is a special treat as we celebrate Stephanie's birthday month with a double feature of epic proportions. Prepare yourself for a slasher showdown as we pit two infamous entries from horror's heavyweight franchises against each other: Halloween: Resurrection and Jason X.   In part one, we discuss Halloween: Resurrection, serving up a blend of early 2000s reality TV culture and slasher tropes, featuring the unforgettable showdown between Busta Rhymes and Michael Myers. In part two, we'll tackle Jason X — a film the catapults the iconic killer into the far reaches of space for a sci-fi horror spectacle that's out of this world. Join us as we dissect the absurdity, the camp, and the unexpected charm of these films. Are they misunderstood masterpieces or just cinematic missteps? From the curious decisions that lead to Laurie's controversial fate to the space-age antics of Jason Voorhees, we leave no stone unturned in our quest to crown the ultimate guilty pleasure. Will Stephanie's picks win over her skeptical co-hosts, or will they remain unconvinced? Tune in to find out!

Welcome to No Notes, where three cerebral cinephiles take a break from guilty pleasures to revel in cinematic treasures. In this episode, Kelly takes us on a nostalgic journey with Frank Capra's timeless classic, "Arsenic and Old Lace." Join us as we explore the film's genius, from Cary Grant's unparalleled comedic performance to the cozy, timeless world Capra creates. We delve into the film's meta humor, the charmingly macabre antics of the Brewster family, and the endearing madness that envelops everyone who steps into their home. With its pitch-perfect comedic timing, clever writing, and stellar cast, "Arsenic and Old Lace" proves to be a masterpiece that continues to enchant audiences. So grab a cup of hot cocoa, snuggle under a blanket, and embrace the delightful madness of this cinematic gem. No notes!

💬 Show Notes Welcome to Guilty Pleasures, the podcast where we dive into the wild and wacky world of cinema, celebrating the films that make us cringe, laugh, and cheer.  This week, we’re dissecting the utterly bonkers and blood-soaked spectacle that is "Here for Blood". From wrestling babysitters to sex perverts and everything in between, this movie is a chaotic rollercoaster that leaves no stone unturned and no jaw undropped.  Join us as we navigate through the madness, debating whether this film is a hidden horror heavyweight or just a moronic movie mistake. Buckle up because this ride is going to be bloody and bizarre!  --- Send in a voice message: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/message Support this podcast: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/support

Welcome to Guilty Pleasures, the show where we give in to pleasure, rising from our coffins to discuss a modern horror film and debating just how guilty we need to feel about loving or hating it.  It was Steph’s pick this month, and she was once again desperate for any excuse to talk about the (according to her) greatest actor of our generation and possibly of any generation, Nicolas Cage. We asked our adoring fans to choose between 2021’S PRISONERS OF THE GHOSTLAND and 2023’S RENFIELD. In an absolute bloodbath of an online vote, RENFIELD eviscerated the competition to earn its time in the light of this podcast. So welcome us into your ears as we find out if RENFIELD glamours us with its charms or sucks the life out of us.

Join us for Steph's pick as she introduces Kelly and Jack to one of her favorite films in recent years, starring the cinematic love of her life, Nicolas Cage, who must venture out from his life as a reclusive truffle hunter to recover his stolen beloved truffle pig — forcing him to confront a life he left behind and grapple with the nature of art, passion, grief, and life after loss. As Stephanie argues for the film's place in the hallowed halls of cinematic perfection, she says: “At times gut-wrenching and at other times soul-stirring, PIG touched my heart in a truly profound way.”

Join us for Kelly's pick as she serves up an all-time holiday classic, the unspeakably great Planes, Trains & Automobiles. So grab a glass of wine or even some premature eggnog, and join us as we dive into an unmissable Thanksgiving/holiday favorite on this episode of NO NOTES. As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says: "I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent."

Welcome to NO NOTES, the show where three cerebral cinephiles take a break from chatting guilty pleasures to discuss cinematic treasures. Each month, we’ll take turns selecting a film we believe to be virtually flawless, one that had a significant impact on our lives and/or helped shape the film lover we became.  For our third episode, it was Jack’s pick. He picked a film thundering with two-person tension, one that fills in the blockbuster gaps with small-stakes storytelling, and one that proves that sticks and stones may NOT be the only harmful things, after all. Whether you’ve been keeping time with this podcast from the very beginning or are just now finding the tempo, we are happy to have you with us as we strike the gong and focus our percussive pontification on this No Notes pick, featuring a decidedly un-Christmas-like little drummer boy, 2014’s WHIPLASH.