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Why, and how, did Taylor Swift, like many others before her, re-record four of her albums? In the final episode of this season, I also answer: Can an artist ever truly own their music and what can Taylor Swift’s story teach us? Can, and should, you sell your catalogue? What can an artist do when the system fails them, practically and politically?IN THIS EPISODE00:50 Taylor Swift’s story of re-recording and buying back the ownership and control of her music 06:16 Can an artist ever truly own their music and what can Taylor Swift’s story teach us? 11:55 Can, and should, you sell your catalogue?17:17 What can an artist do when the system fails them, practically and politically?20:50 The overall theme of the season and what I hope you have gained from it.MENTIONED IN THIS EPISODE• Buy your copy of Copyright in the Music Industry (second edition, 2026):⁠ https://www.e-elgar.com/shop/gbp/copyright-in-the-music-industry-9781035330386.html⁠FIND DR HAYLEIGH BOSHER• Instagram: ⁠@hayleigh.bosher⁠• Website: ⁠ https://www.hayleighbosher.com/ LOVE THIS EPISODE?• Subscribe on YouTube, Spotify, Apple or wherever you get your podcasts• Leave a 5⭐ review, it helps more people find the showCREDITSWhose Song Is It Anyway? is produced by Good FormFunded by The British Academy DISCLAIMERNothing in this podcast constitutes legal advice. It is legal education to help you learn more about your rights.

Without personality rights you do not own the digital version of your face, image, voice or likeness. This episode dives into the harms caused by unauthorised deepfakes and what we can do about it. I discuss: What rights to artists have over AI generated versions of themselves? What’s the current legal position on voice cloning and deepfakes in the UK today? What are other countries doing to address the issue of deepfakes rights? Should the UK introduce personality rights, and what would that mean? As well as the low down on registering trade marks, what you can register them for and if they might be relevant in the context of AI and my recommendations for addressing the harms of unauthorised deepfakes. IN THIS EPISODE 00:48 You don’t own your face in digital form – how deepfakes are a threat to our ability to control our own likeness 01:36 The 3 key harms caused by unauthorised deepfakes from Hayleigh’s research: 1) Deepfakes used for disinformation and fraud 04:20 2) Deepfakes used in violence against women and girls, and the two reasons why the harm is ‘real’ even though the video or picture may not be 08:03 3) Deepfakes displacing creative workers 10:45 What rights to artists have over AI generated versions of themselves? What about registering a trade mark? 16:06 What’s the current legal position on voice cloning and deepfakes in the UK today? Considering copyright, defamation, criminal laws, the UK Online Safety Act, passing off 21:36 How the regulation of deepfakes is being approached in other countries. 25:53 Should the UK introduce personality rights, and what would that mean? 28:49 Recommendations for addressing the harms of unauthorised deepfakes, personality rights, and other measures. MENTIONED IN THIS EPISODE • Hayleigh’s academic paper on Deepfakes: https://onlinelibrary.wiley.com/doi/10.1111/jwip.70020 • Find your local MP: https://www.mysociety.org/wehelpyou/who-is-your-mp/ • Buy your copy of Copyright in the Music Industry (second edition, 2026):⁠ https://www.e-elgar.com/shop/gbp/copyright-in-the-music-industry-9781035330386.html FIND DR HAYLEIGH BOSHER • Instagram: ⁠@hayleigh.bosher⁠ • Website: ⁠ https://www.hayleighbosher.com/ LOVE THIS EPISODE? • Subscribe on YouTube, Spotify, Apple or wherever you get your podcasts • Leave a 5⭐ review, it helps more people find the show CREDITS Whose Song Is It Anyway? is produced by Good Form Funded by The British Academy DISCLAIMER Nothing in this podcast constitutes legal advice. It is legal education to help you learn more about your rights.

This episode covers the UK Streaming Inquiry; how it started, what went down and the outcomes including the Agreed Principles and what those means for artists, songwriters and musicians – from wiping unrecouped advances, contract negotiation to payment of per diems for songwriting sessions - and how we measure if these Principles are effective or not, with the songwriter and artist surveys. I also answer: Is streaming actually fair for artists and what does the data show? What are the agreed principles following the UK Streaming Inquiry and do they go far enough? What would a fairer streaming module look like? Plus, how law is made up and we can think of creative ways to better support creators such as Ireland’s base income for artists.IN THIS EPISODE00:57 The UK Streaming Inquiry, how it started, what went down and the outcomes 05:26 Is streaming actually fair for artists and what does the data show?09:33 What are the Agreed Principles following the UK Streaming Inquiry and do they go far enough?11:09 Principle 1: Commercial support for legacy artists, including forgiving unrecouped advances 12:19 Principle 2: Technical and marketing support for legacy artists 12:47 Principle 3: Contract re-negotiation 14:46 Principle 4: Supporting new and emerging songwriters with Per Diems for songwriting sessions16:30 Principle 5: Increased session fee for pop and classical musicians 17:15 Measuring the effectiveness of the Agreed Principles: The songwriter and artist surveys 18:53 What would a fairer streaming module look like? What other measures were advocated for in the Streaming Inquiry - equitable remuneration, rights revocation, contract adjustment22:33 EU research on the effectiveness of the Copyright Directive which regulated equitable remuneration, rights revocation and contract adjustment through the EU Member States24:04 Law is made up and we can be creative about thinking of new ways to better support creators, such as Ireland’s base income for artists.MENTIONED IN THIS EPISODE• Songwriter survey https://app.onlinesurveys.jisc.ac.uk/s/brunel/songwriter-survey-principle-4 • The Agreed Principles https://www.gov.uk/guidance/new-label-led-measures-to-boost-income-for-uk-music-creators • Watch Hayleigh at the Streaming Inquiry Update session in Parliament: https://parliamentlive.tv/event/index/cfa65305-fb6a-4178-8b43-a7d8da403dcc • Buy your copy of Copyright in the Music Industry (second edition, 2026):⁠ https://www.e-elgar.com/shop/gbp/copyright-in-the-music-industry-9781035330386.html⁠FIND DR HAYLEIGH BOSHER• Instagram: ⁠@hayleigh.bosher⁠• Website: ⁠ https://www.hayleighbosher.com/ LOVE THIS EPISODE?• Subscribe on YouTube, Spotify, Apple or wherever you get your podcasts• Leave a 5⭐ review, it helps more people find the showCREDITSWhose Song Is It Anyway? is produced by Good FormFunded by The British Academy DISCLAIMERNothing in this podcast constitutes legal advice. It is legal education to help you learn more about your rights.

This episode is all about the law and policy around AI and copyright. By the end of this episode, you will better understand the process of how law is made and feel that you know, and are entitled to, engage in that process. I also answer: How is law made? What are governments and regulators doing to protect artists from AI? Is current, or proposed UK law adequate for this challenge? How can artists engage with policy consultations? IN THIS EPISODE 01:11 Law as an evolving thing we can engage with 04:32 How is law actually made? And what’s a Select Committee? 10:10 What are governments and regulators doing to protect artists from AI? 12:53 The UK IPO consultation on AI and copyright and the proposed copyright exception for AI 20:31 Is current, or proposed UK law adequate for this challenge? 21:55 House of Lords Communications Committee Report on AI and Copyright 24:12 How can artists engage with policy consultations? MENTIONED IN THIS EPISODE • Find your local MP: https://www.mysociety.org/ • Example of a consultation response by Hayleigh: https://committees.parliament.uk/writtenevidence/162639/pdf/ • House of Lords Communications Committee Report: https://committees.parliament.uk/work/7827/large-language-models/publications/ • Government AI announcement: https://questions-statements.parliament.uk/written-statements/detail/2026-03-18/hcws1416 • Buy your copy of Copyright in the Music Industry (second edition, 2026):⁠ https://www.e-elgar.com/shop/gbp/copyright-in-the-music-industry-9781035330386.html⁠ FIND DR HAYLEIGH BOSHER • Instagram: ⁠@hayleigh.bosher⁠ • Website: ⁠ https://www.hayleighbosher.com/ LOVE THIS EPISODE? • Subscribe on YouTube, Spotify, Apple or wherever you get your podcasts • Leave a 5⭐ review, it helps more people find the show CREDITS Whose Song Is It Anyway? is produced by Good Form Funded by The British Academy DISCLAIMER Nothing in this podcast constitutes legal advice. It is legal education to help you learn more about your rights.

Diplo says music makers need to embrace AI, Jack Antanoff says those who do are bad actors. I explore these perspectives in this week’s episode and answer: Does AI generated music infringe copyright and how does the law currently stand? What happens if I upload my music to an AI platform? How do I protect my music from being trained by AI models without my consent? As well as, outside of the hype, what does AI actually do and how does it generate a song? With breakdowns of the Getty Images v Stability AI and GEMA v Chat GPT cases and the recent development in France. IN THIS EPISODE00:49 Diplo, Jack Antanoff and my view on using AI for music making vs the benefits of engaging in the human creative process and the arts, and why I don’t personally use it. 11:27 What is AI and what does it actually do? Can I use it to write a contract for me?14:44 How does AI generate a song?15:19 The use of metaphor in the AI discourse – calling it Data instead of Art 16:20 Comparing the human creative process with AI generation 17:48 Does AI generated music infringe copyright and how does the law currently stand?19:39 What happened in the Getty Images v Stability AI (UK) and GEMA v Chat GPT (Germany) cases?25:00 What happened in France to change the law around AI and copyright?25:59 What happens if I upload my music to an AI platform?27:42 How do I protect my music from being trained by AI models without my consent?MENTIONED IN THIS EPISODE• Hayleigh’s academic article mentioned that discusses the use of metaphors in AI discourse: https://onlinelibrary.wiley.com/doi/10.1111/jwip.70020 • Buy your copy of Copyright in the Music Industry (second edition, 2026):⁠ https://www.e-elgar.com/shop/gbp/copyright-in-the-music-industry-9781035330386.html⁠FIND DR HAYLEIGH BOSHER• Instagram: ⁠@hayleigh.bosher⁠• Website: ⁠ https://www.hayleighbosher.com/ LOVE THIS EPISODE?• Subscribe on YouTube, Spotify, Apple or wherever you get your podcasts• Leave a 5⭐ review, it helps more people find the showCREDITSWhose Song Is It Anyway? is produced by Good FormFunded by The British Academy DISCLAIMERNothing in this podcast constitutes legal advice. It is legal education to help you learn more about your rights.

According to the UK Music Report, Black Music Means Business, over 80% of the UK music market originates from Black Music genres, and yet, we also know that Black artists face systemic racism, with data showing that Black women are the most disadvantaged in the UK Music industry. This episode discusses racism, sexism and discrimination in the music industry, including: How do industry power dynamics affect artists rights and creative freedom? What does the data actually show about diversity and ownership in music? What are the on-going inquiries and campaigns relevant to working artists? How can you take action?Trigger warning: This episode discusses sexism, racism and discrimination. *Correction: Black women in the UK music industry are paid 52% less than white men. FIFTY TWO. (Not 46) according the Black Lives in Music survey 2021. IN THIS EPISODE 00:57 Trigger warning, disclaimer and positioning from me 03:48 The UK Music Report: Black Music Means Business 10:07 How do industry power dynamics affect artists rights and creative freedom? 14:15 The Women and Equalities Committee Inquiry into Misogyny in Music 16:50 What does the data actually show about diversity and ownership in music? 25:52 What are the on-going inquiries and campaigns relevant to working artists? 27: 40 The Eight Actions recommended by the UK Music Report: Black Music Means Business 29:54 Women and Equalities Misogyny in Music recommendations 32:33 Women in Control Seat at the Table Report 34:11 How can you take action? MENTIONED IN THIS EPISODE • UK Music Report: Black Music Means Business https://www.ukmusic.org/research-reports/black-music-means-business/ • Black Lives in Music Report 2021 https://blim.org.uk/report/ • The Musicians Union and Help Musicians: Musicians Census https://www.musicianscensus.co.uk/ • Ivors Academy 2021 https://ivorsacademy.com/news/olivia-rodrigo-is-the-biggest-songwriter-on-the-planet-new-report-from-blokur-and-the-ivors-academy-analysing-digital-platforms-shows/ • UK IPO Creators Earning Report https://www.gov.uk/government/publications/music-creators-earnings-in-the-digital-era • Women in Control Seat at the Table 2026 https://womeninctrl.com/seat-at-the-table-2026-report/ • Buy your copy of Copyright in the Music Industry (second edition, 2026):⁠ https://www.e-elgar.com/shop/gbp/copyright-in-the-music-industry-9781035330386.html⁠ FIND DR HAYLEIGH BOSHER • Instagram: ⁠@hayleigh.bosher⁠ • Website: ⁠ https://www.hayleighbosher.com/ LOVE THIS EPISODE? • Subscribe on YouTube, Spotify, Apple or wherever you get your podcasts • Leave a 5⭐ review, it helps more people find the show CREDITS Whose Song Is It Anyway? is produced by Good Form Funded by The British Academy DISCLAIMER Nothing in this podcast constitutes legal advice. It is legal education to help you learn more about your rights.

Why did TLC file for bankruptcy after selling 10 million albums?! In this episode I’ll tell you the story of how one of the best-selling American girl-groups of all time filed for bankruptcy, held their label to account and restructured their finances. I’ll also answer: What’s contract got to do with copyright? What do I need to understand before I sign anything? Can I re-negotiate my contract? Can you get AI to write a contract for you? Plus, what we can learn from The Sex Pistol’s band contract dispute and why JoJo’s record deal meant it took 10 years to realise an album. IN THIS EPISODE 00:50 The story of TLC filing for bankruptcy, re-negotiate their deal and take more control of their finances 02:55 What’s contract got to do with it? 05:27 The story of The Sex Pistol’s band contract 07:57 What do I actually need to understand before I sign anything? 09:53 Be aware of 360 deals 11:04 The story of JoJo and her record deal 14:31 Can I re-negotiate my contract? 17:20 Can you get AI to write a contract for you? MENTIONED IN THIS EPISODE • Buy your copy of Copyright in the Music Industry (second edition, 2026):⁠ https://www.e-elgar.com/shop/gbp/copyright-in-the-music-industry-9781035330386.html⁠ FIND DR HAYLEIGH BOSHER • Instagram: ⁠@hayleigh.bosher⁠ • Website: ⁠ https://www.hayleighbosher.com/ LOVE THIS EPISODE? • Subscribe on YouTube, Spotify, Apple or wherever you get your podcasts • Leave a 5⭐ review, it helps more people find the show CREDITS Whose Song Is It Anyway? is produced by Good Form Funded by The British Academy DISCLAIMER Nothing in this podcast constitutes legal advice. It is legal education to help you learn more about your rights.

Why did Beyoncé remove a sample of the song Milkshake from her track ENERGY, even though she had cleared the rights? In this episode I talk about the history of sampling and answer: what is sampling and where did it come from? Can I sample that clip and how much can I take before it becomes a sample? Plus, what are the copyright exceptions do any apply and what happened in a 25-year case over a 2 second sample. IN THIS EPISODE 00:33 Why Beyoncé removed a sample of the song Milkshake, from her track ENERGY 03:50 What is sampling and where did it come from? 08:34 Can I sample that clip and how much can I take before it becomes a sample? 10:08 What are the copyright exceptions and do any of those apply? 12:12 The 25-year copyright case over a 2 second sample: Kraft Werk v Nur Mir 17:28 The difference between Fair Use and Fair Dealing copyright exceptions 18:35 How do you negotiate a sample rate? FIND DR HAYLEIGH BOSHER: • Instagram: ⁠@hayleigh.bosher⁠ • Website: ⁠https://www.hayleighbosher.com/ LOVE THIS EPISODE? • Subscribe on YouTube, Spotify, Apple or wherever you get your podcasts • Leave a 5⭐ review, it helps more people find the show CREDITS Whose Song Is It Anyway? is produced by Good Form Funded by The British Academy DISCLAIMER Nothing in this podcast constitutes legal advice. It is legal education to help you learn more about your rights.

What is the difference between taking inspiration and copying? In this episode I deep dive into the test for copyright infringement by talking you through the story of the Ed Sheeran v Sami Switch case, over the songs Shape of You and Oh Why. Plus stories of copying disputes in photography and fashion. I also answer: Can I get sued for making music that sounds like someone else’s? What is the legal test for copyright infringement?   IN THIS EPISODE 00:35 Why Ed Sheeran records his songwriting sessions: starting from the Blurred Lines case with Pharrell Williams which was all about money not about music 02:44 Sami Switch claimed Ed Sheeran claiming his song Oh Why was copied by Ed in Shape of You, but Ed’s team filed the lawsuit 05:49 The arguments set out by Sami Switch’s and Ed Sheeran’s teams in the case for copyright infringement 08:00 A plot twist: similar fact evidence, does previous settled disputes show a pattern of behaviour? Both sides of the story. 12:36 Can I get sued for making music that sounds like someone else’s? 14:22 Two stories of copying claims, one of a photographer and another of a fashion designer, and what we can learnfrom them. 17:03 What is the legal test for copyright infringement? 24:14 What’s the difference between inspiration and copying? 27:12 The outcome of the Ed Sheeran trial. 30:02 The similar fact evidence plot twist revealed.     MENTIONED IN THIS EPISODE ·      Sami Switch Oh Why: https://www.youtube.com/watch?v=GeH-ObndT7M ·      Ed Sheeran Shape of You: https://www.youtube.com/watch?v=JGwWNGJdvx8 ·      Ed Sheeran interview: https://www.bbc.co.uk/news/entertainment-arts-61026308 ·      A Copyright playlist I made for you, links to Appleand Spotify here: https://www.hayleighbosher.com/book-copyright-in-the-music-industry FIND DR HAYLEIGH BOSHER• Instagram: ⁠@hayleigh.bosher⁠• Website: ⁠ https://www.hayleighbosher.com/ LOVE THIS EPISODE?• Subscribe on YouTube, Spotify, Apple or wherever you get your podcasts• Leave a 5⭐ review, it helps more people find the showCREDITSWhose Song Is It Anyway? is produced by Good FormFunded by The British Academy DISCLAIMERNothing in this podcast constitutes legal advice. It is legal education to help you learn more about your rights.

Even in the height of 90s contracts, the Spice Girls still made some smart choices there are benefiting from today. In this episode, hear about how they did this, and why is Spice World not on your streaming service… yet?! I also answer: What's a split sheet, why do I need one? And one of the most common questions I get asked in the industry: How do we decide the split? Plus, what does 'joint ownership' of a copyright mean and how it’s all really just about healthy boundaries, including what we can learn from the stories behind the joint ownership disputes around the film script for Florence Foster Jenkins and Lizzo’s Truth Hurts. And, what happens if my collaborator and I can't agree on the split? IN THIS EPISODE: 00:45 How did the Spice Girls crack the code to avoid a band break up over money? 02:28 Why is Spice World not on your streaming service… yet?! 03:10 What's a split sheet andwhy do I need one? 07:07 how do you decide who getswhat? 09:48 What does 'joint ownership' of a copyright mean? 12:00 The legal criteria for joint ownership under UK Law 13:13 The story behind the joint ownership of the film script for Florence Foster Jenkins 16:28 What happens if mycollaborator and I can't agree on the split? 17:55 What if I alreadycollaborated by we didn’t do a split sheet or agreement? 18:40 The story behind the joint ownership dispute with Lizzo and her song Truth Hurts, and how it could have been avoided.   MENTIONED IN THIS EPISODE • Buy your copy of Copyright in the Music Industry (second edition, 2026) -⁠ https://www.e-elgar.com/shop/gbp/copyright-in-the-music-industry-9781035330386.html⁠ • Musicians' Union Split Sheet https://musiciansunion.org.uk/legal-money/contracts-and-agreements/standard-contracts/song-share-agreement FIND DR HAYLEIGH BOSHER • Instagram: ⁠@hayleigh.bosher⁠ • Website: ⁠https://www.hayleighbosher.com/ LOVE THIS EPISODE? • Subscribe on YouTube, Spotify, Apple or wherever you get your podcasts • Leave a 5⭐ review, it helps more people find the show CREDITS Whose Song Is It Anyway? is produced by Good Form Funded by The British Academy DISCLAIMER Nothing in this podcast constitutes legal advice. It is legal education to help you learn more about your rights.

Why did Dolly Parton turn down a deal for Elvis to record a version of 'I Will Always Love You'? In this episode we learn from Dolly about how manage your rights, plus I cover what collecting societies to sign up to and ultimately, how to get paid, as well as how income from streaming subscriptions is divided up and how all this sits within a music industry that has a data problem. IN THIS EPISODE: 00:35 Dolly Parton making copyright moves 04:30 The musical copyright and the sound recording 07:40 What kinds of royalties are there? 09:18 How do I actually get paid when my music is used? 09:45 What are collecting societies? 11:00 Where does the money go when we pay a streaming subscription? 17:45 What are the collecting societies in the UK and which ones do I join? PRS, PPL and MCPS 19:16 How much does it costs to join a collecting society? 22:12 Tips for making sure you get paid from your collecting society 22:52 What are the identifier codes and why do I need them? 25:47 ISWC, ISRC, IPI, IPN, ISNI 28:30 What do I do if I get stuck or there is a problem with my collecting society royalties? 29:25 It’s not just you, the music industry has a data problem. MENTIONED IN THIS EPISODE: • PRS: https://www.prsformusic.com/ • MCPS: https://www.prsformusic.com/what-we-do/mcps • PPL: https://www.ppluk.com/ • UK industry agreement on music streaming metadata: https://www.gov.uk/government/publications/uk-industry-agreement-on-music-streaming-metadata • Buy your copy of Copyright In The Music Industry (second edition, 2026) -⁠ https://www.e-elgar.com/shop/gbp/copyright-in-the-music-industry-9781035330386.html⁠ FIND DR HAYLEIGH BOSHER: • Instagram: ⁠@hayleigh.bosher⁠ • Website: ⁠hayleighbosher.com⁠ LOVE THIS EPISODE? • Subscribe on YouTube, Spotify, Apple or wherever you get your podcasts • Leave a 5⭐ review, it helps more people find the show CREDITS Whose Song Is It Anyway? is produced by Good Form Funded by The British Academy DISCLAIMER Nothing in this podcast constitutes legal advice. It is legal education to help you learn more about your rights.

Would RAYE have won a Grammy and a record-breaking six BRIT Awards in a single night if she had stayed trapped in her record deal? In this first episode, we get to grips with some copyright basics, answering: what is copyright and what does it actually do? Who owns copyright and how can we use it as a tool? And importantly – why should we care about copyright? Hayleigh dives into why every musician needs to understand it before they write, record, or release anything. No legalese. Just the stuff that actually matters to your career.  IN THIS EPISODE: 00:55 Intro  11:11 Case study: RAYE and the Polydor deal  07:15 What is copyright, and what does it actually do?  11:55 Who owns copyright, and how can you use it as a tool?  15:24 Why every creator should care Note: Raye received the Harry Belafonte Humanitarian Award at the Grammys in recognition of her impact and contribution. This episode discusses the wider question of how artist- label relationships can shape career trajectories and opportunities. MENTIONED IN THIS EPISODE: Buy your copy of Copyright In The Music Industry (second edition, 2026) - https://www.e-elgar.com/shop/gbp/copyright-in-the-music-industry-9781035330386.html FIND DR HAYLEIGH BOSHER: Instagram: @hayleigh.bosher Website: hayleighbosher.com LOVE THIS EPISODE? Subscribe on YouTube, Spotify, Apple or wherever you get your podcasts Leave a 5⭐ review, it helps more people find the show CREDITS Whose Song Is It Anyway? is produced by Good Form To bring your podcast idea to life head to ongoodform.com/podcast-production  Funded by The British Academy

Season 4 of the Whose Song is it Anyway? podcast, hosted by Dr Hayleigh Bosher, is coming 23rd July 2026! Watch on YouTube or listen wherever you get your podcasts.The podcast that acts as your guide to understanding the big legal questions shaping the music and creative industries right now. Each bitesized episode dives into real, current case studies – from viral sampling disputes and interpolation to AI-generated tracks – and your host Dr. Hayleigh Bosher will unpack everything into clear, jargon-free insights. Hosted by a razor sharp legal expert with impeccable style and winning charm, the show blends authority with wit, turning complex copyright law into something you never knew could be so riveting. She knows her stuff, tells it straight, and makes you feel like you’re getting the insider knowledge you never knew you needed on the latest in music IP that has you locked in. Hosted by: Dr Hayleigh Bosher https://www.hayleighbosher.com/ Produced by: Good Form https://www.ongoodform.com/ Funded by: The British Academy https://www.brunel.ac.uk/about/brunel-public-policy/news-and-events/news/British-Academy-Research-led-Innovation-Fellowships-2023-24-%E2%80%93-Dr-Hayleigh-Bosher Disclaimer: Nothing in this podcast constitutes legal advice. It is legal education to help you learn more about your rights.

This special epsisode for the finale of this season was recorded live at the Houses of Parliament with a panel of incredible women Brix Smith, Katie Waissel and Charlene Brown at a Whose Song is it Anyway? event. Pictures of the event are here: https://shorturl.at/mqHL6 To hear about future events follow Hayleigh on social media, or email [email protected] Thanks for listening to this season and sharing the epsiodes, hope you have enjoyed it and we will be back next year with something new! Here's a playlist of guest's answer to the last question: https://shorturl.at/ezLX4 This season is produced and hosted by Hayleigh Bosher www.instagram.com/hayleigh.bosher/ Edited by Eliza Kania twitter.com/elizakania

Eve Horne - singer, songwriter, producer, executive director of the Music Producers Guild, founder of the Unheard Academy where she teaches female and non-binary people music production, and the host of the We Are The Unheard Podcast, amongst other things!  In this episode we talk about Eve’s journey from BRIT School, being signed, touring with a girl group, to leaving the music industry and then returning with a massive come back and now doing all. the. things! Eve also talks about her recent ADHD and autism diagnosis.  https://wearetheunheard.com/ https://www.instagram.com/eve_horne/?hl=en-gb https://podcasts.apple.com/gb/podcast/we-are-the-unheard/id1599492855 Here's a playlist of guest's answer to the last question: https://shorturl.at/ezLX4 This season is produced and hosted by Hayleigh Bosher www.instagram.com/hayleigh.bosher/ Edited by Eliza Kania twitter.com/elizakania