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This week we talk about the 2024 Robert Eggers film Nosferatu. I'd say more but, honestly, lets face it, nobody reads this bit.

After what has been FAR too long away, we’re back this week with a scorching new(ish) film to discuss. Late Night With The Devil has been taking Shudder, Tik Tok and the horror world by storm with its blend of late night talk show, 70s charm and satanic possession.

This week we dive into 2022’s Speaker No evil, a film that demonstrates passivity through politeness so intensely that even WE think it we would have spoken openly of our displeasure with the situation, and were British! Speak No Evil comes highly recommended by our wonderful followers over @100Horrors and if you would like to recommend a film, please do! We’re always on the look out for hidden gems like this one, and so we welcome your input!

Somehow we have not discussed cult classic The Wicker Man in any of the 144 episodes this podcast has run for. Today we change this with huge thanks to Miss Jess Austin who brought this injustice to our attention. You’re the realest, Miss Jess!

Cemetery Man is brought you by request of the wonderful Mr Ahimsa Kerp.

Ah, lockdown. That thing SUCKED. While most of the world was getting heavily into sleeping till noon and Fortnite, some of us worked tirelessly. If you are a health professional, or an educator, or law enforcement, then Covid was just another way to make your job ten times harder. If you were a film maker, you also faced a significant difficulty in getting anything off the ground. This is why then, Host is not only a lungful of fresh air when it comes to genre exploration, but it is also a wonder that it exists at all. It so perfectly captures the zeitgeist of Covid lockdowns, whilst at the same time managing to be shit scary. But does that mean that it’s good? I guess you’ll have to listen to find out!

The Belko Experiment is covered this week at the request of Mr Callum Langford. If you would like us to cover a film, send us a voice recording at [email protected] and we’ll add it to the list!

Inhabitants of a quaint countryside town uncover chilling news: a demon is on the verge of being born in their midst. In a race against time, they attempt to flee before the malevolent force comes to life, but escaping may already be out of reach. When brothers Pedro (Ezequiel Rodríguez) and Jimmy (Demián Salomón) discover that a demonic infection has been festering in a nearby farmhouse -- its very proximity poisoning the local livestock -- they attempt to evict the victim from their land. Failing to adhere to the proper rites of exorcism, their reckless actions inadvertently trigger an epidemic of possessions across their rural community. Now they must outrun an encroaching evil as it corrupts and mutilates everyone it is exposed to, and enlist the aid of a wizened "cleaner," who holds the only tools that can stop this supernatural plague.

As Above So Below

Beau Is Afraid - Ari Aster

Mother! (stylized as mother!) is a 2017 American fantasy drama[1] film written and directed by Darren Aronofsky, and starring Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer, Domhnall Gleeson, Brian Gleeson, and Kristen Wiig. It follows a young woman whose tranquil life with her husband at their country home is disrupted by the arrival of a mysterious couple. In the burned-out remains of a large house, Him, an acclaimed poet struggling with writer's block, places a crystal object on a pedestal in his study, and the building morphs into a beautiful home in an edenic landscape. Mother, the poet's wife and muse, awakens in her bed and wonders aloud where He is. While renovating the house, she occasionally visualizes a beating heart within its walls. One day, a stranger called Man turns up at the house, claiming to be an orthopedic surgeon at the local hospital and asking for a room. Him readily agrees, and Mother reluctantly follows suit. Late that night, Man suffers from dry heaves and Mother observes a wound on his side. Man's wife, Woman, arrives the next day. Mother is increasingly frustrated by her guests, but Him begs her to let them stay, revealing that Man is actually a fan whose dying wish was to meet Him. However, when Man and Woman accidentally shatter the crystal object, which Him had forbidden them to touch, Him becomes angry and boards up his study. Mother tells Man and Woman to leave, but, before they can go, their two sons arrive unexpectedly and fight over Man's will. The oldest son, who is concerned about his impending inheritance, argues and fights with his younger brother, severely wounding him, and the older brother flees after having his head smashed against glass by Him, leaving a bloody gash in his head. Him, Man, and Woman take the injured son to the hospital. Alone in the house, Mother cleans up and notices strange damage to the house, including a fly, a frog, and blood that will not stop dripping. She follows the blood to a tank of heating oil hidden behind the basement walls. Upon returning, Him informs Mother the son has died. Mother and Him are roused that night when dozens of people arrive unannounced at the house to mourn the dead son. The visitors behave in rude and presumptuous ways that irritate Mother, and she snaps and orders everyone to leave when they break a sink, partially flooding the house. She berates Him for allowing so many people inside and ignoring her needs, but their argument leads to passionate lovemaking. The next morning, Mother announces she is pregnant, which elates Him and inspires him to start writing again. Time passes. Mother prepares for the arrival of the child and reads Him's beautiful new poem. Upon publication, it is acclaimed and sells well. In celebration, Mother prepares a big dinner, but a group of fans interrupt. Though she asks Him to send them away, he insists he has to be polite and show his appreciation. Mother tries to lock the doors, but droves of fans pour into the house and begin to wreak havoc, stealing things as souvenirs and damaging the house. Due to the adulation he is receiving, Him is oblivious to what is happening, but a disoriented Mother watches helplessly as military forces turn up to battle members of the cult that has sprung up around Him and as his publicist organizes mass executions. Mother goes into labor and finds Him, who reopens his study, which he had previously boarded up, so she can give birth inside.

Black Friday

Krampus

The Sixth Sense is a 1999 American psychological thriller film written and directed by M. Night Shyamalan. It stars Bruce Willis as a child psychologist whose patient (Haley Joel Osment) claims he can see and talk to the dead. Released by Buena Vista Pictures (through its Hollywood Pictures label) on August 6, 1999, The Sixth Sense received critical acclaim, with praise for the cast performances (particularly those of Willis, Osment, and Toni Collette), atmosphere, direction and surprise ending. It was nominated for six Academy Awards, including Best Picture, Best Director and Best Original Screenplay for Shyamalan, Best Supporting Actor for Osment, and Best Supporting Actress for Collette.[3] The film established Shyamalan as a predominant thriller screenwriter/director and introduced the cinema public to his traits, most notably his affinity for twist endings. It was the second-highest-grossing film of 1999, behind Star Wars: Episode I – The Phantom Menace, making roughly $293 million in the US and $379 million in other markets.

Talk to Me is a 2022 Australian supernatural horror film directed by Danny and Michael Philippou, written by Danny Philippou and Bill Hinzman, and based on a concept by Daley Pearson. It stars Sophie Wilde, Alexandra Jensen, Joe Bird, Otis Dhanji, Miranda Otto, and Zoe Terakes. The film follows a group of teenagers who discover they are able to contact spirits using a mysterious severed and embalmed hand, only for things to go too far. Talk to Me premiered at the Adelaide Film Festival on 30 October 2022, and was released by Maslow Entertainment in Australia on 27 July 2023. The film received positive reviews from critics, who praised its story, direction, horror sequences, practical effects, sound design and performances, with Wilde and Bird receiving particular praise. It was a box office success, grossing approximately $91 million worldwide against a $4.5 million budget, becoming American distributor A24's highest-grossing horror film and second highest-grossing film overall. A sequel is currently in development.