Advertise on podcast: Electric Friends: A Gary Numan Podcast

I talk to Let Loose drummer Lee Murray about his pop career, his lifelong love of Gary Numan, and how Numan shaped his life and music. In this episode of Electric Friends: A Gary Numan Podcast, I do something a little different. Instead of speaking to band members or collaborators from Gary’s world, I sit down with one of his most passionate famous fans — Lee Murray from Let Loose. Lee and I talk about his journey through music, from growing up glued to Top of the Pops to finding his own success in the 1990s as part of Let Loose, the band behind the huge hit ‘Crazy for You’. He opens up about the long road to success, being mislabelled as a boyband, record deals that fell apart, and the pressure that came with sudden fame — before finding a healthier, more joyful relationship with music in later years. At the heart of the conversation is Gary Numan. Lee shares how seeing Gary on Top of the Pops changed everything for him — how Gary “looked how I felt”, and why that sense of otherness made such a powerful connection. We talk about first gigs, the Warriors tour, idol-to-friend moments, and the surreal experience of eventually supporting Gary on tour. Lee also reflects honestly on mental health, regret, stepping away at the wrong time, and how Gary’s openness and kindness left a lasting impression on him. It’s a warm, thoughtful and often emotional conversation about fandom, creativity, resilience and why Gary inspires such deep loyalty across generations. If you love Gary Numan, 90s pop history, or hearing artists speak candidly about fame and its realities, this episode is for you.

If you'd like to buy Electric Friends merch including stickers, T-shirts, mugs and more, please head to https://electric-friends.printify.me/ In this episode I dive into one of the most unexpected Gary Numan surprises of recent years — the release of Like a B-Film, a previously unheard Telekon-era demo that suddenly appeared via the 45th anniversary re-issue. I explain how the track appeared almost out of nowhere. Very quickly, it became clear this was genuine: raw 1980 synth textures, unfinished edges, and Gary’s unmistakable vocal — a time capsule suddenly dropped into the present. The episode looks closely at the lyric sheet shared by fans online, lines that shrink humanity into “little pictures,” reference “B-films” and deadened media culture, and land on stark declarations like we are broken, we are shattered, we are glass. I discuss how the imagery hints at emotional numbness, voyeurism and disconnection — themes that would later define tracks like I Dream of Wires and Remind Me to Smile. We also hear Gary himself address the track at Hammersmith — admitting he doesn’t remember writing it, joking that it probably didn’t make the album “because it’s happy,” and marvelling at Beggars Banquet uncovering a demo he’d forgotten. The episode includes reactions from fans comparing the sound to John Foxx, celebrating the synth tones, and debating whether it ever would have sat comfortably on Telekon — or whether saving it has made the surprise even sweeter. I also preview other demos on the anniversary release, and reflect on why unheard material still excites Numan fans after four decades.

In this special episode of Electric Friends: A Gary Numan Podcast, I pay tribute to John Webb, Gary Numan's brother, bandmate and lifelong friend, who passed away in 2025 during the Telekon 45th anniversary tour. The episode reflects on John’s incredible life — from joining Tubeway Army as a teenager to performing on stage across the world, before embarking on a second remarkable career as a professional pilot and aerobatics display leader. Through archive clips and personal memories, I celebrate John’s warmth, humour and creativity. We hear about Gary’s emotional statement following his Birmingham show, where he broke down during 'Please Push No More' after receiving the tragic news. Gary later described his brother as “someone I loved more than the world,” a sentiment shared by so many who knew him. I revisit highlights from my interview with John, including stories of playing with Tubeway Army at the Roxy Club at just 12 years old, touring with Gary through the 80s, and the time Queen’s Roger Taylor borrowed his drum kit during the recording of Dance. The episode also celebrates John’s later musical work as Donovan Silver, his album Alpha, and his return to live performance after nearly three decades.

Announcement! If you'd like to buy Electric Friends merch including stickers, T-shirts, mugs and more, please head to https://electric-friends.printify.me/ The story behind Gary Numan’s first ever single ‘That’s Too Bad’ — from punk beginnings to sci-fi storytelling and the birth of Tubeway Army. In this episode of Electric Friends: A Gary Numan Podcast, I take us right back to where it all began — 1978’s That’s Too Bad, the very first Tubeway Army single that launched the career of one of Britain’s most original and influential artists. Before the synths, the fame and Are ‘Friends’ Electric?, Gary was a teenager playing in bands like Mean Street and The Lasers. It was during those early sessions that Tubeway Army was born — with Paul Gardiner on bass and Gary’s uncle Jess Lidyard on drums — and punk attitude collided with futuristic imagination. I explore how That’s Too Bad captured that moment perfectly: a raw, nervy, paranoid slice of late-70s punk with flashes of the science-fiction world Numan would soon make his own. With lyrics about surveillance, alienation and fractured identity, the track already hinted at the themes that would define his later classics like Down in the Park and Metal. Featuring Gary’s own reflections on signing with Beggars Banquet, working at WHSmith up to release day, and even his brief spell under the name Valerian, this episode digs into the single’s evolution — from its rough demo on The Plan to the sharper 1978 version. There’s also listener memories from lifelong fans, from discovering the blue vinyl Tubeway Army album to hearing That’s Too Bad live decades later. Plus, I share the latest Numan news — including the surprise discovery of a previously unheard Telekon track, Like a B Film.

Catch up on the latest from the world of Gary Numan, including new TV shows, podcasts, radio specials, tour updates and more.

This episode looks back at Gary Numan's cover of 'On Broadway', made famous by The Drifters in 1963. Gary's live version in 1979 was an inspired synthpop reworking, featuring Ultravox star Billy Currie on keyboards.

In the first of a new series of bonus minisodes - here's your latest Gary Numan news update. Please get in touch at [email protected]

Taking a look back at Gary Numan's triumphant Glastonbury Festival debut on Saturday.

For the 50th episode of Electric Friends, I have another special interview - with Gary Numan's eldest daughter, Raven Numan! Raven has released six excellent tracks in recent months, including 'My Reflection' and 'Just a Number', having worked with Gary's producer Ade Fenton. In this interview, Raven opens up about having a pop icon as her dad, following his footsteps into music, how music has helped with her mental health, her love of Nine Inch Nails, plans for her debut album and much more.

For this special episode of Electric Friends, I speak with Gary Numan's longtime friend, collaborator and producer - Ade Fenton. Ade has worked with Gary on all his albums since 2006's Jagged, and is currently working on Gary's latest album - with the reworks of Sacrifice, Exile and Pure coming soon. In the podcast, Ade discusses: How Numan's music first inspired him to get into the industryHow he first met Gary and the first tracks he worked onHow he deals with criticisms from some Numan fansWhat fans can expect for upcoming new releases from GaryWorking with Gary's daughter Raven on her first albumHis work on film soundtracks and whether Gary would ever do the sameMuch more!

Taking a look at Gary Numan's third single from I, Assassin - the moody 'White Boys and Heroes' featuring Pino Palladino's fretless bass and Wham-style music video.

Looking back at the fantastic bonus track from Tubeway Army's Replicas album: eight minutes of pure synthpop brilliance, later covered by Matt Sharp and Damon Albarn.

For this special episode, I asked you to rank your favourite Gary Numan albums from worst to best. Hundreds of you voted, and here I bring you the full countdown of 24 albums, including Gary's words about each LP. What will be number one? I won't give it away here, but do you agree?

For this episode, I look back at Gary Numan's Dance album opener - the haunting 9+ minute track, Slowcar to China. From its real-life inspirations and other theories to the album's sound as a whole, it's time to head back to 1981 and for one Gary's best ever LPs.

"Take that smile off your face, wipe that tear from your eye, don't say you're sorry for me". For this episode, we look back at Paul Gardiner's solo single 'Stormtrooper in Drag', co-written with Gary Numan and with Gary on lead vocals. The underrated track about drug use and loneliness showcased the lost potential of the late Paul Gardiner, and gave Numan fans a look at what was to come on the Dance album, as well as some fresh music after his farewell concerts in 1981. I look back at Paul's other tracks, Gary's reaction to his death aged just 25, the song's cover versions and lyrics meaning. Please get in touch on YouTube, X, Facebook, TikTok and Instagram, or email at [email protected].