Advertise on podcast: The WhatsOnStage Podcast

Hello WhatsOnStage Podcast listeners! With Alex freshly back from a fortnight away, he lets intrepid video expert Tom Millward sample some of his finest, starry interviews from the last couple of weeks – featuring multi-award-winning stage star Gillian Anderson and the legendary Derren Brown, explaining their experiences in their respective shows – Anderson leading the five-star Who's Afraid of Virginia Woolf? and Brown with his new West End residency with Only Human. Hosted on Acast. See acast.com/privacy for more information.

Sarah and Alex continue their journey through the finest new plays of the 21st century. This episode, Harry Potter hits the stage,climate change becomes a major theme and James Graham has an exceptionally busy year. Plus new plays by Lucy Kirkwood, Caryl Churchill, Mike Bartlett and a romance from David Eldridge. Hosted on Acast. See acast.com/privacy for more information.

Welcome to this bonus episode of the WhatsOnStage Podcast, brought to you by the West End production of Wicked. Last night, Wicked celebrated its 20th anniversary at the Apollo Victoria in the West End with a special celebration. While a certifiably joyous, hair-raising spectacle, the work being done on hair backstage is much, much more complicated – and pulled off with equal aplomb. We sit down with Wicked's head of wigs Heather-Jay Ross to reflect on the technical expertise happening behind the scenes, some of the incredible moments working on the show and some misconceptions about the world of wigs in theatre. Hosted on Acast. See acast.com/privacy for more information.

Ahead of the RSC’s all male As You Like It, Jonathan Groff and Fisayo Akinade discuss the similarities between Shakespeare and musicals, their best theatre experiences, the importance of Ian Charleson and the fun of dressing up in very glamorous frocks. Hosted on Acast. See acast.com/privacy for more information.

What do Into the Woods, Cabaret and Jesus Christ Superstar all have in common? That's right, this year they're all being mounted in the West End, and they're all being designed by the same man: the Tony Award-winning Tom Scutt. We sit down with Scutt to discuss his design process, getting into the reeds of Into the Woods and where his artistic drive comes from. Hosted on Acast. See acast.com/privacy for more information.

Recapping after a very busy series of trips and outings, Sarah and Alex run through the biggest openings and stories of the week: new warnings about the threat of AI to the creative industries, a gloriously knockout performance from Josh O'Connor at the Almeida, reactions to the National's new season and the fate of Sunday in the Park with George at the Barbican... Hosted on Acast. See acast.com/privacy for more information.

Martin Guerre has a devoted following amongst musical theatre fans, originally penned by Alain Boublil and Claude-Michel Schönberg, the two creators of that little-known musical Les Misérables (whatever happened to that one?). Now, they're returning to passion project Martin Guerre to give the musical a new lease of life at the Old Vic, staged in the round alongside rising star co-lyricist Annabel Mutale Reed. They join Alex Wood to discuss the project from their rehearsal room in south London. Hosted on Acast. See acast.com/privacy for more information.

In our bonus episode, the intrepid Tom Millward is at the National Theatre’s launch to run through their bumper 18-show 2027 season, chatting with the wonderful artistic director Indhu Rubasingham. Then, Alex Wood and David Gordon (plus squeaky chair) chew through the shows in question, with the season featuring West Side Story, a new Punchdrunk immersive production, Tracy Letts and Paul Mescal in Death of a Salesman and so much more…  Hosted on Acast. See acast.com/privacy for more information.

It’s our 200th episode! Where has the time gone! Sarah and Alex reflect on the rollercoaster ride of podcasting their way through more than two years of theatre. But there’s important business at hand: as part of this second part of the autumn preview, they check in on musical classics in Manchester, multiple glitzy revivals about warring couples in the West End and even a stay in northern Scotland with Alan Cumming as Henry Higgins. Hosted on Acast. See acast.com/privacy for more information.

September has rolled around, bringing with it overcast skies, school terms and, as you might expect, a whole lot of exciting theatre! Sarah and Alex team up for part one of our bumper autumn preview, spotlighting some of the brand new work ready to wow on stages across the UK. From Bristol to Pitlochry, there's everything from Ceilidh musicals to plays about John Maynard Keynes to look forwards to... featuring some of the most exciting writers of the time including Ava Pickett, Ryan Calais Cameron and James Graham. Hosted on Acast. See acast.com/privacy for more information.

We're joined on this week's bonus episode by Tim Minchin, composer and lyricist of the treasured, international sensation, the RSC's Matilda the Musical. Minchin is celebrating 15 years of the multi-award-winning musical's success across the globe, with the West End productions and tour still going strong. He also teases four new shows he's working on over the next few years. Hosted on Acast. See acast.com/privacy for more information.

Sarah and Alex hit the mid 2010s as they continue their foray into the finest theatre works of the 21st century. This time around, a wave of well-received American plays make a big splash on both sides of the Atlantic – with the likes of Annie Baker, Lynn Nottage and Branden Jacobs-Jenkins all wowing with new work. There's also a strong current of work coming from Scotland, with the Edinburgh Festivals proving a hotbed for exciting voices. Plus Mike Bartlett writes a future history play with King Charles III, proving theatre's unwavering prescience. Hosted on Acast. See acast.com/privacy for more information.

Pride is moving down the Thames after its National Theatre run! We talk to director Matthew Warchus and writer Stephen Beresford about the musical's sell-out success and what the future holds as the production continues its life. Based on the true story depicted in the 2014 film Pride, the musical is set during the 1984 miners' strike. The story follows a group of lesbian and gay activists who form Lesbians and Gays Support the Miners (LGSM), an alliance which sees them support a small mining community in South Wales. Hosted on Acast. See acast.com/privacy for more information.

Alex and Sarah get back together to discuss Alex’s trip to D23, Disney’s huge fan event in California where the creator of Hamilton was celebrated and the West End production of The Greatest Showman was unveiled. Plus more highlights from the Edinburgh Festival and a cracking season of radio drama from the BBC to celebrate the 70th anniversary of the Royal Court. Hosted on Acast. See acast.com/privacy for more information.

Surprise! Alex has made the trip to Disneyland to mark the West End launch of The Greatest Showman, coming to Theatre Royal Drury Lane next spring. He sits down with Oliver Tompsett and Samantha Barks to discuss the gargantuan new musical's London run. What's more, he also caught up with the makers of Secret Cinema's Pirates of the Caribbean, running from February in Greenwich. Hosted on Acast. See acast.com/privacy for more information.