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Russell Crowe makes another pitch for an Oscar as he plays Herman Goering, on trial for his life. But is he let down by a film that is determined to both show and tell? Does he have the silliest last line in history? Is this, fundamentally, a crime against cinema? We're joined by Henry Dyer of the Guardian, who has become so obsessed with why this film doesn't work that he's read the screenplay. And Rob and Duncan can't stop thinking of different stories the makers could have told instead. Next week, by popular demand: The Heroes of Telemark. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

Our journey through classic war movies reaches back to colonial America, as we watch Michael Mann's amazing The Last Of The Mohicans. It's an epic tale of obsession and men who won't compromise -- and that's just the making of the film. Daniel Day-Lewis insisted on living like a native American. Mann tried to turn the sun off. But the result, well. Rob and Duncan discuss why this film stands up, why it was overlooked at the Oscars, and why it really might have been the operation that changed the course of World War 2/ Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

Don't panic, Mr Mainwaring! Our journey through classic war cinema brings us to the 1971 big screen spin-off of one of the most successful BBC sitcoms ever. BBC Radio 5's Matt Chorley, a man who knows a thing or two about jokes, joins Rob to explore what a comedy about a bunch of geriatric misfits tells us about Britain in 1940, the 1960s and 70s, and even today. Why did Arthur Lowe have a clause in his contract about his trousers? What did the Home Guard really do? And which member of the cast really had been stabbed with a bayonet? Perfect for fans of cinema history, war film analysis, and classic war movies. Next week: The Last of the Mohicans (1992) Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

Kayaks! Commandos! Courage! José Ferrer and Trevor Howard pull out their paddles as they set off to blow up blockade-running boats, in this loosely-based-on-a-true-story tale of wartime derring-do. It's also a story of a culture clash between two quite different men, and of someone branded a coward seeking redemption. On top of that, it's the film that links much post-war British cinema, from James Bond to The Go Between. Find out what Daniel Craig owes to a 1950s tax break. Next week: Dad's Army. The 1971 one, obviously. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

"I'm just a lowly cook." To mark Arrow Video's release of Under Siege in 4K UHD, we're watching the indisputable high point of Steven Seagal's career for the first time since we were teenagers. Will the bit we remember still be in there? Is his acting still terrible? Has there ever been stronger competition for the Dam Buster's Dog Prize For Most Problematic Moment? Joining us is Joe Twyman of DeltaPoll, to explain why you really have to be a 14-year-old boy in 1993 to appreciate this film. Next week, a proper war movie: we're watching The Cockleshell Heroes. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

You want answers? You think you're entitled? You can't handle the truth! This week we're marking the death of Rob Reiner by watching the closest thing he made to a war movie: A Few Good Men. Was Tom Cruise ever snappier? Was Jack Nicholson ever shoutier? How many of those medals did any of the characters deserve? Joining Rob is Hadley Freeman, Sunday Times journalist, author, and interviewers of everyone who made a film in the 80s. Next week, we're enlisting the aid of a Playboy model to retake our ship, as we watch Under Siege. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

What could be more Christmassy, or more war-y, than Angela Lansbury punching Nazis? This week, we're off down Portobello Road and away under the briny sea as we watch the Disney classic war movie-witchcraft crossover Bedknobs and Broomsticks. We're joined by comedy writer James Kettle, whose hits include The Life I Lead, a play about Bedknobs actor James Tomlinson. Next week, in memory of Rob Reiner, we're watching A Few Good Men. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

Laurence Olivier! Gregory Peck! Baby Hitler! Excited by the news that scientists have finally - finally! - managed to sequence the Fuhrer's DNA, Rob and Duncan are joined by Times history correspondent Jack Blackburn, a young man with a disturbing resemblance to... no, that can't be right. They're watching The Boys From Brazil, the Nazi buffet-crashing, father-murdering Nazi-cloning thriller comedy classic. With a smorgasbord of Nasty Nazis and tremendous deaths, the awards section is wide open in the only podcast to bring you rock-solid info on both James Mason's contract negotiations and Hitler's micro-penis. Next week, in a Christmas special, we're watching Bedknobs and Broomsticks. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

This week, Rob and Duncan are stranded in the Mediterranean, holding out against constant bombing, and starving under siege conditions, watching Malta Story. They're joined by former Downing Street Director of Communications Matthew Doyle, who since we recorded has joined the House of Lords - the second peer to come on the show. Jack Hawkins is as good as ever, but how is Alec Guinness as a romantic reconnaissance pilot? Is it fair to the people of Malta for the film to spend quite so much time dealing with the island's one spy? And might this actually be the operation that changed the course of WW2? Next week: The Boys From Brazil. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

For the second week running, we're with Australian troops, this time in the 1941 defence of Tobruk. Desert Rats took its name from a different unit, and quite a few liberties with the history, but it also delivered a some terrific scenes of commandos sneaking through the enemy lines on do-or-die missions, and caught Richard Burton as he was on the brink of stardom. And then of course there's James Mason, James Masoning. Next week: Malta Story. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

Peter Weir's 1981 Gallipoli set both him and Mel Gibson on a path to Hollywood glory, and also helped establish the popular narrative for a campaign that is crucial to Australia's national identity. Which is hardly a surprise, as it's one of the greatest films about the Great War. Even though -- or because -- it actually doesn't feature that much war. Rob and Duncan are joined by Chris Kempshall, historian of the First World War and Star Wars (though not both at once), and consultant on the forthcoming Gallipoli game, to discuss why the film is a great teaching aid, why posh Aussies sounded just like Brits in 1915, and why synth music was the obvious soundtrack for a 100m race in 1981 movies. Trigger warning: This podcast contains references to both England and Australia batting performances in the first Ashes test that some listeners may find distressing. Next week: The Desert Rats. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

A beloved British hero, an evil German, a super-weapon, and... a time-travelling 1980s New York executive? How did everyone get it so wrong when it came to putting WW1 flying ace Biggles on the big screen? It was supposed to be a rival to Raiders of the Lost Ark, then it was going to be the new Back to the Future. In the end it was a war crime. And that's before we get to the music. Rob and Duncan are joined by Biggles fanboy Mark Wallace to discuss what might have been, why Biggles stories are far tougher than many people understand, and why a fictional pilot played a real role in the Battle of Britain. Next week: Gallipoli. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

Is this the war movie that explains all war movies? Rob and Duncan watch the first version of All Quiet On The Western Front, made barely a decade after the First World War ended. Somehow, it turns out to be a chance to talk about Starship Troopers again. [Apologies for a fat-finger error that led Rob to delete the first five minutes of this episode when we first uploaded it. All fixed now, we hope, and Duncan is working on a suitable punishment.] Next week, we continue Great War Month with Biggles. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

Live from the Imperial War Museum's Podcast Festival, we kick off Great War Month by watching Sam Mendes's men-with-a-mission trench-running bonanza, 1917, with John Crace of the Guardian. Is this the operation that changed the course of the Great War? Should they have searched that farmhouse? Might there, in fact, be a better way to get the message through? All this and more. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.

Adored by Stanley Kubrick and studied at the Pentagon, 1966's The Battle of Algiers is a film quite unlike any other. Is it a guide to how to run an insurgency, or how to fight one? Supported by the newly independent Algerian government, it doesn't shy away from the violent realities of the independence movement's terrorist campaign. There's never been anything quite like it. Next week, we'll be watching 1917, if we can successfully record our appearance at the Imperial War Museum's podcast festival. Help us out by doing our listener survey: http://bit.ly/warmovietheatre-survey Suggestions? Comments? Drop us a line at [email protected]. Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter. Hosted on Acast. See acast.com/privacy for more information.