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Jazz and blues developed alongside each other, drawing on shared traditions and ideas, and were often played by the same musicians. It’s almost impossible to hear jazz without hearing some traces of the blues. MUSIC: - TEASER: Sidney Bechet’s Blue Note Jazz Men — “BLUE HORIZON” (1944) - THEME: Duke Ellington and His Orchestra — “DELTA SERENADE” (1934) SET 1: THE WHOLE FINGERPRINT - King Oliver’s Creole Jazz Band — “DIPPER MOUTH BLUES” (1923) - Louis Armstrong and His Hot Five — “SAVOY BLUES” (1927) - Count Basie and His Orchestra, Jimmy Rushing — “Sent for You Yesterday and Here You Come Today” (1938) SET 2 — TAKE AWAY THE TWELVE BARS - Mattie Hite, vocal; Cliff Jackson, piano — “ST. JOE’S INFIRMARY (THOSE - GAMBLER’S BLUES)” (1930) - McKinney’s Cotton Pickers — “PLAIN DIRT” (1929) - Fats Waller and His Buddies — “THE MINOR DRAG” (1929) - Lonnie Johnson’s Harlem Footwarmers — “MOVE OVER” (1928) SET 3 — KANSAS CITY: THE BLUES AS OPERATING SYSTEM - Count Basie and His Orchestra — “SWINGIN’ THE BLUES” (1938) - Joe Turner, vocal and Pete Johnson, piano — “ROLL ’EM PETE” (1938) - Jay McShann, piano — “CONFESSIN’ THE BLUES,” Walter Brown, vocal (1941) - Count Basie and His Orchestra — “EVERY TUB” (1938) SET 4 — THE BLUES DON’T HAVE TO BE BLUE - Bix Beiderbecke and His Gang — “Goose Pimples” (1927) - Clarence “Pinetop” Smith — “PINETOP’S BOOGIE WOOGIE” (1928) - Billie Holiday and Her Orchestra — “Billie’s Blues.” (1936)

Jazz broadcasts, airchecks, and transcriptions from 1920s-40s

Jazz Remotes, Transcriptions, and Airchecks, 1920s-40s.

They met in Harlem in the 1930s and briefly overlapped in the Count Basie Orchestra. She called him “The President” — “Prez” — because she considered him the finest saxophonist of them all. He called her “Lady Day.”

Pittsburgh jazz in the early and mid part of the 20th century. Earl Hines, Mary Lou Williams, Billy Strayhorn, Lena Horne, Billy Eckstine, Roy Eldridge, Maxine Sullivan, Erroll Garner, and others.

At the Jazz Band Ball - Kevin McLaughlin Jazz spring songs 1920s-40s, and commentary.

Cleveland club hopping in the 1920s, 30s and 40s. Visit the Majestic Hotel, East 55th and Central, The Palace Hotel on Public Square, Short Vincent, the Trianon Ballroom, Val’s in the Alley, and the Cleveland Public Auditorium, where Django Reinhardt made his American debut. Patreon: https://www.patreon.com/posts/cleveland-club-152406853?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_fan&utm_content=web_share

Audio walking tour of Prohibition era Harlem, courtesy of illustrator E. Simms Campbell: A Night-Club Map of Harlem, 1932. Music: Cab Calloway. "Minnie the Moocher" Presenting Cab Calloway & His Orchestra. Minnie the Moocher (Theme Song) (78rpm Version), 1932; Duke Ellington and His Washingtonians. "Choo-Choo (Gotta Hurry Home)" Choo Choo. Blue Disc, 5001, 1924; Cab Calloway. "Reefer Man" The Best of Cab Calloway (various) . RCA, 1931; Chick Webb and His Orchestra. "Harlem Congo" The Chick Webb Collection . GRP/Decca Jazz Heritage, 1937; Duke Ellington, Billie Holiday; dir. Fred Waller - "Symphony in Black: A Rhapsody of Negro Life " Film short, music. Cult Cinema Classics, 1935; Gladys Bentley - "Worried Blues" (1928) - Roots 'N' Blues/The Retrospective 1925-1950; Fats Waller and His Buddies, "Harlem Fuss " Harlem Fuss. Victor V-38050-B, 1929; Nina Mae McKinney "Half of Me Wants to Be Good" Short film excerpt "The Black Network". Vitaphone, 1936; Garland Wilson, piano; Michel Warlop, violin "Limehouse Blues" Midnight Ivory - The Early Garland Wilson Recordings. ℗ 2025 Jazz Classics, 1938; Adelaide Hall. "As Time Goes By" Barry Humphries Presents So Rare 3. ℗ 2006 Bilarm Music Pty Ltd, 1943; Fats Waller and His Rhythm "Two Sleepy People " If You Got To Ask, You Ain't Got It!. Bluebird/Legacy, 1938; Bert Williams "Nobody " Nobody. Columbia, 1913; Bill "Bojangles" Robinson, "Doin' The Lowdown" Doin' the Lowdown - 78 rpm. Brunswick 12810, 1932.

AT THE JAZZ BAND BALL - Ep. 44/ PRX #8 Episode Theme: Jazz in 1926 Total Running Time: Approx. 59 minutes Theme Music: “Delta Serenade” (Duke Ellington) Music: Ethel Waters: A Hundred Years From Today (1933); Clarence Williams Blue Five (Eva Taylor, Louis Armstrong): "Squeeze Me" (1926), Fats Waller: Squeeze Me (1939); Jelly Roll Morton: "Black Bottom Stomp" (1926); Annette Hanshaw: "Black Bottom" (1926); Buffalodians (Jack McLaughlin, ldr, Harold Arlen, piano): "Here Comes Emaline" (1926); Buffalodians (Harold Arlen, voc): "How Many Times?" (1926 (Irving Berlin); Red Nichols and His Five Pennies: "Boneyard Shuffle" (Hoagy Carmichael) (1926); Duke Ellington & His Kentucky Club Orchestra: “East St. Louis Toodle-Oo” (1926); Duke Ellington & His Kentucky Club Orchestra: "Birmingham Breakdown" (1926); Duke Ellington & His Kentucky Club Orchestra: "Immigration Blues" (1926); Joe Venuti, violin, and Eddie Lang, guitar: "Stringing the Blues (1926); Louis Armstrong and His Hot Five: "Heebie Jeebies" (1926); Ethel Waters: "Sugar" (1926); Ethel Waters: "Dinah" (1926).

MUSIC - Putney Dandridge - Santa Claus Came in the Spring (1935); Clarence Williams - Santa Claus Blues (1924); Bernie Cummins - I Told Santa Claus to Bring Me You (1937); Ella Fitzgerald, Chick Webb - Holiday in Harlem (1937); James P. Johnson - Snowy Morning Blues (1943); Fats Waller - Winter Weather (1941); Ozie Ware, Duke Ellington Hot Five - Santa Claus, Bring My Man Back (1928); Elzadie Robinson - Santa Claus Crave (1927).

Sleigh rides in July, swinging Santas, holidays in Harlem, ca. 1920s-1940s. Music: Swingin' Them Jingle Bells (1936) - Fats Waller & His Rhythm; Santa Claus Came in the Spring (1935) - Benny Goodman & His Orchestra; Santa Claus Blues (1924) - Eva Taylor, Clarence Williams' Blue Five; I Told Santa Claus to Bring Me You (1937) - Bernie Cummins, Holiday in Harlem (1937) - Ella Fitzgerald, Chick Webb; Snowy Morning Blues (V-disc 1943) - James P. Johnson; Winter Weather (1941) - Fats Waller & His Rhythm; Snowfall (1941) - Claude Thornhill & His Orchestra; I’ve Got My Love to Keep Me Warm (1937) - Billie Holiday; Christmas Morning Blues (1926) - Victoria Spivey, Lonnie Johnson; Santa Claus Crave (1927) - Elzadie Robinson; Santa Claus, Bring My Man Back (1928) - Ozie Ware, Duke Ellington Hot Five; At the Christmas Ball (1925) - Bessie Smith; Christmas Night in Harlem (1934) - Paul Whiteman; Winter Weather (1941) - Peggy Lee, Benny Goodman.

"In a Mist": Jazz expanded its world with classical music beginning in the 1920s — borrowing attributes, techniques and sometimes making arrangements. Music: Louis Armstrong and His Hot Five: West End Blues (rec. 1928), Cornet Chop Suey (rec. 1926); Debussy: "Voile" Prelude Book 1, No. 2 (1910) (Arturo Benedetti Michelangeli); Bix Beiderbecke: In a Mist (1927); J.S. Bach 2-Part Invention No. 1 in C Major, BWV 772 (Angela Hewitt, piano); Louis Armstrong and Earl Hines Weather Bird, (rec. 1928); Summer Ridge Drive - Artie Shaw and His Gramercy Five (rec. 1940); Jelly-Roll Morton and His Red Hot Peppers Pontchartrain (1930); Jack Teagarden, Stars Fell On Alabama (rec. 1933); Duke Ellington & The Jungle Band Mood Indigo; John Kirby Sextet: Bounce of the Sugar Plum Fairy (rec. 1941), Lucia Sextet (rec. 1940), Mr. Haydn Gets Hip (1940); Raymond Scott: Dinner Music for a Pack of Hungry Cannibals (1937);

Halloween’s ghosts and goblins found a natural home in New Orleans — cradle of jazz, city of spirits and second-line magic, and where the music can rouse the dead… or at least get the ghosts dancing. Music: The Skeleton in the Closet - Louis Armstrong, Jimmy Dorsey Orch. (1936 ); Theme: Delta Serenade - Duke Ellington (1940); I'm a Jazz Vampire (1920) - Marion Harris; Dry Bones -Fats Waller and His Rhythm 1940; Skull Duggery - Hot Lips Page and His Band (1938); Boogaboo - Jelly Roll Morton (1928); A Ghost of a Chance - Mildred Bailey (1939); Mr. Ghost Is Goin’ to Town - Louis Prima (1936); The Ghost of Smokey Joe - Cab Calloway (1939); Abercrombie Had A Zombie - Fats Waller and His Rhythm (1940); Haunted House Blues - Bessie Smith (1924); Blue Spirit Blues - Bessie Smith (1929); Ghost of Yesterday - Billie Holiday (1940);

Music: "Wrappin' It Up" (1934); "Wha-Cha-Call ’em Blues" (1925); "D Natural Blues" (1928); "An American in Paris" (1928) (excerpt); “Radio Rhythm” (1931); “Tidal Wave” (1934); "Happy As The Day Is Long" (1934); "Hotter Than ’Ell" (1934); “Wrappin’ It Up” (1935); "Down South Camp Meeting” (1934, 1936); "King Porter Stomp" (1932, 1935); "Stealin' Apples" (1936, 1937); "Can You Take It" (1933); "The Stampede" (1937). Composers/Arrangers: Don Redman, Fletcher Henderson, Bill Challis, Horace Henderson, Benny Carter, Nat Leslie, Russ Morgan, Harold Arlen, Fats Waller, George Gershwin, Jelly Roll Morton.

Put And Take (Adrian Rollini, bass sax, hot fountain pen, Joe Venuti's Blue Four, 1930); Delta Serenade - Theme (Duke Ellington, 1940); I'm Coming Virginia (Sidney Bechet, sop sax, & His New Orleans Feetwarmers, 1941); Wang Wang Blues (Rollini, "goofus", The Goofus Five, 1927); Knockin' on wood (Red Norvo, xylophone, 1933); Jazz Me Blues (Adrian Rollini Trio, vibes, chimes, 1950); Girls Like You Were Meant For Boys Like Me (Red McKenzie's Mound City Blue Blowers, comb, 1930); For No Reason at All in C (Frankie Trumbauer, C melody sax 1927); Wild Cat, (Joe Venuti, Eddie Lang, 1927); Junk Man (Jack Teagarden, Caspar Reardon, harp, 1934); Sweet Sue (Dave Apollon, mandolin, 1933); Sugar (Alberta Hunter, Fats Waller pipe organ (1927); Summit Ridge Drive (Artie Shaw and His Gramercy Five, Johnny Guarnieri, harpsichord, 1940); Mr. J.B. Blues (Jimmie Blanton, bass, Duke Ellington, 1940).