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This podcast has
132 episodes
Language
EnglishPublisher
New Books NetworkExplicit
No
Date created
2023/10/14
Latest episode
2026/10/20
Average duration
48 min.
Release period
27 days
Description
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork
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Check latest episodes from New Books in Comics and Graphic Novels podcast
The Koren Tanakh Graphic Novel - Bereshit Volume 1: The Beginning with Jordan B Gorfinkel (Koren Publishers, 2026)
2026/10/20
What if you could experience the opening chapters of the Torah as a graphic novel—without losing the depth, complexity, or ambiguity of the original text? In this episode, Rabbi Marc Katz sits down with writer and creator Jordan B. Gorfinkel to discuss The Koren Magerman Tanakh Graphic Novel: Bereshit, Volume 1: The Beginning (Koren Publishers, 2026), a visually stunning reimagining of Genesis.
From the first light of Creation through Eden, the Flood, and the Tower of Babel, the book brings the opening chapters of Bereshit to life in an entirely new way. But this is more than an illustrated Bible. Gorfinkel and his creative team ask a fundamental question: What kind of human being can become God's partner in creating a just and compassionate world?
Working alongside Israeli artist Yael Nathan, Gorfinkel combines cinematic storytelling with traditional Jewish interpretation, drawing on Tanakh, Midrash, archaeology, history, and centuries of Jewish commentary. The result preserves the full Hebrew biblical text while using the visual language of graphic novels to illuminate details, tensions, and layers of meaning that readers may have overlooked.
Together, Gorfinkel and Katz explore what happens when one of the world's oldest stories is told through one of its newest visual forms—and whether seeing Genesis differently can help us understand it differently, too.
About the Guest:Jordan B. Gorfinkel (“Gorf”) is a cartoonist, musician, producer, and storyteller best known for his nearly decade-long career managing the Batman franchise at DC Comics, where he oversaw more than 2,000 stories across multiple media. His work has inspired comics, films, television, and games, including Birds of Prey and The Dark Knight Rises. He is also the creator of the bestselling Passover Haggadah Graphic Novel, which combines traditional Jewish text with the visual language of comics. Through his studio, Avalanche Comics Entertainment, Gorf creates and teaches storytelling across entertainment, education, and Jewish life. He is the writer and producer of The Koren Magerman Tanakh Graphic Novel, bringing his decades of experience in visual storytelling to the ancient stories of the Bible.
About the Host:Rabbi Marc Katz is the Senior Rabbi at Temple Ner Tamid in Bloomfield, NJ. He is author of the books Yochanan’s Gamble: Judaism’s Pragmatic Approach to Life (JPS) chosen as a finalist for the PROSE award and The Heart of Loneliness: How Jewish Wisdom Can Help You Cope and Find Comfort (Turner Publishing) which was chosen as a finalist for the National Jewish Book Award.
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Huda F Would Love You?: A Graphic Novel with Huda Fahmy (Dial Books, 2026)
2026/10/19
Huda Fahmy's latest, Huda F Would Love You? (Dial Books, 2026) is a funny and tender finale to the Huda F series, Huda has a plan to find love—but she might need to find herself first! It’s the summer after Huda’s high school graduation, and love is in the air! Or it’s about to be, anyway. Because Huda has the ingredients for a perfect love story: a butt-kicking girl power squad of new friends, and a plan to woo all the aunties into setting her up with their eligible sons. But when she finds herself caught between her friends and her heart, gender roles and ambitions, and her fears and dreams, Huda begins to realize that finding her own “happily ever after” might require changing herself—or her expectations.
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Night Hawk: A Nineteenth-Century Superhero and the Dawn of American Mass Culture with Matthew Warner Osborn (U Chicago Press, 2026)
2026/10/17
On July 5, 1828, more than a century before Superman arrived on Earth, a superhero took flight in Philadelphia’s night sky. Buried on page three of a small local newspaper, the announcement of his arrival appeared under the title “The Night-Hawk, No. 1” with a cryptic epigraph from Romeo and Juliet: “I’ll be a candleholder and look on.” Who and what was the Night Hawk? As Dr. Matthew Warner Osborn reveals in Night Hawk: A Nineteenth-Century Superhero and the Dawn of American Mass Culture (University of Chicago Press, 2026), this was the sobriquet of a mysterious columnist for the weekly Mechanics’ Free Press, the first radical socialist newspaper in America. Dressed in a mysterious cloak, the Night Hawk soared over Philadelphia, revealing the evil crimes of prominent gentlemen, fighting murderous criminals, and calling out fraudulent moral authorities.
The Night Hawk was the ingenious invention of an impoverished actor, Cornelius A. Logan, who created the character as a public champion of Philadelphia’s Working Men’s movement, the first successful American labor party. The Night Hawk’s nocturnal adventures transformed their socialist ideology into an entertaining fantasy that dramatized the struggle against industrial exploitation and the degradation of working people. The success of the character made Logan into a celebrity, and he went on to become a popular and innovative comedian on the antebellum stage.
A harbinger of the superheroes we know today, the Night Hawk promises to illuminate dark secrets from the past, but he can also shed light on our present. He ignites our need to see corrupt elites unmasked and held accountable for their actions, all while protecting the innocent and oppressed. Americans have always loved to fantasize about powerful superheroes who hide behind masks while chasing bad guys, and Dr. Osborn shows in this entertaining history how the Night Hawk was perhaps the first standard bearer for that enduring mystique.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Women in Comics: Iconic Characters and Influential Creators 1923-Today with Susan E. Kirtley and Nhora Lucía Serrano (Black Dog & Leventhal, 2026)
2026/10/06
Susan E. Kirtley and Nhora Lucía Serrano's Women in Comics (Black Dog & Leventhal, 2026) is a richly illustrated, essential guide to the importance of women in the comics space from across time and around the globe.
Comics in the form of editorial cartoons, comic strips, digital comics, comic books, and graphic novels have combined words and images to tell stories of hundreds of years. Though often overlooked, women have played a vital role in shaping this genre, both as creators and characters within the stories themselves.
Through six archetypes frequently found in comics—the patriot, the working woman, the socialite, the fashionista, the reporter, and the spy—Kirtley and Serrano trace some of comics’ most influential women. This insightful exploration of international characters celebrates the feminist role model Wonder Woman, the warrior-maiden Oscar François de Jarjayes in the gender-defying manga tale Berusiyu no Bara (The Rose of Versailles), the real-life groundbreaking journalist Nellie Bly, and many others. Profiles throughout the book highlight the important work of female creators, heralding the bravery of political cartoonists such as Corinne “Coco” Rey and Rayma Suprani, the power of biography as reportage with Marjane Satrapi and Sophia Glock, and the value of visibility with Alison Bechdel and Mariko Tamaki.
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Emmy Waldman, "Filial Lines: Art Spiegelman, Alison Bechdel, and Comics Form" (Cambridge UP, 2026)
2026/09/24
Filial Lines: Art Spiegelman, Alison Bechdel, and Comics Form (Cambridge UP, 2026) by Dr. Emmy Waldman is the first book to place the autobiographical projects of canonical comics authors Art Spiegelman and Alison Bechdel alongside each other, focusing on new and neglected works (and with an epilogue on the Pulitzer Prize-winning tour-de-force debut of Tessa Hulls). The book offers a lively cast of five formal tropes-boxes, spirals, tic-tac-toe, mirrors, and webs-through which to model fundamental elements of the comics grammar and its material processes. Built around rich close readings, it shows what makes the comics form particularly suited to negotiate complex familial and creative inheritances and manage layered, relational identities.
Interweaving accounts of Jewish identity, female embodiment, legacies of modernism, and feminist practice, the book traces how contemporary graphic memoirists visually work and rework their filiations and affiliations through form, situating the medium as a privileged site and staging ground for arguments about the enabling possibilities of form now.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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WE HEREBY REFUSE: Japanese American Resistance to Wartime Incarceration with Bruce Rutledge
2026/08/19
John talks to Bruce Rutledge, founder of Chin Music Press, about running an independent Asia-focused press, the origins of the company in Tokyo, and the move to Seattle, where Chin Music now has a bookstore in Pike Place Market. They talk about Chin Music’s highly successful graphic novel trilogy on the Japanese American incarceration experience during World War II. The wide-ranging conversation is an honest celebration of the challenges and pleasures of independent publishing.
Chin Music Press books mentioned in the episode include:
Their very first book, an anthology called Kuhaku, published in 2005.
Goodbye Madame Butterfly: Sex, Marriage and the Modern Japanese Woman by Sumie Kawakami (2007/2010)
Japan’s Urushi Craftsmen: Can Old World Artistry Survive in the 21st Century by Bruce Rutledge (2020)
When the Waves Came by Michael Larson (2020)
WE HEREBY REFUSE : Japanese American Resistance to Wartime Incarceration by authors Frank Abe and Tamiko Nimura and illustrators Ross Ishikawa and Matt Sasaki (2021).
Fighting for America: Nisei Soldiers by Lawrence Matsuda (Author) and Matt Sasaki (Artist)
Those Who Helped Us: Assisting Japanese Americans During the War by Ken Mochizuki (Author) and Kiku Hughes (Illustrator)
Seattle Samurai: A Cartoonist’s Perspective of the Japanese American Experience by Kelly Goto (Author) and Sam Goto (Drawings)
The Books on Asia Podcast is co-produced with Plum Rain Press.
Subscribe to the BOA podcast from your favorite podcast service.
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Vincent Haddad, "Next Time on Dragon Ball: Playing with a Manga and Anime Franchise" (U Minnesota Press, 2026)
2026/08/18
Since its debut in 1984, Dragon Ball has become one of the most popular, influential, and lucrative media franchises in the world. In Next Time on Dragon Ball: Playing with a Manga and Anime Franchise (U Minnesota Press, 2026), Dr. Vincent Haddad investigates how the franchise has maintained huge global demand despite its formulaic plotlines. Examining its exhaustive repetition of storytelling forms across comics, TV series, games, and merchandise, Haddad argues that the convergence of play, fandom, and narrative made Dragon Ball an unlikely success—and a harbinger of broader shifts in the media landscape of franchises from the 1980s to the present.
Dr. Haddad conceives of Dragon Ball as a “franchise toy,” a corporate media property that is constantly remixed by its fans in ways that its owners resist but also ultimately embrace: appropriation is essential to the franchise’s popularity. Over the past forty years, Dr. Haddad argues, Dragon Ball’s deployment of familiar tropes, cultural references, and narrative forms—from classical Chinese stories and the films of Bruce Lee and Jackie Chan to American franchises like Superman and Star Wars—has invited unique transcultural play. Through diverse examples of how fans use its characters as “playthings,” Dr. Haddad shows how Dragon Ball travels across international networked fandoms, highlighting the queer, gendered, and racialized dimensions of this play.
Parsing the dynamics of “sites of conflict” between authorized media and fan content, Next Time on Dragon Ball illuminates how fan engagement across the Americas changes the parameters of what a manga and anime franchise is and can be.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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A Conversation with LeUyen Pham illustrator of "As I Dream of You" (First Second, 2026)
2026/07/26
As I Dream of You (First Second, 2026) illustrated by LeUyen Pham and written by Jennifer Lee. Falling in love is supposed to hurt. That’s what Franny and Sam, two cynical teenagers raised on tales of heartbreak and loss, have come to understand. Yet when they fall for each other, they find the reality of love is something else entirely: it’s electrifying, all-encompassing, and easy. Theirs is a love that can conquer anything...perhaps even death. But Franny and Sam’s quest to stay together—no matter the cost—soon blurs the line between reality and fantasy, and their shared dream threatens to turn into a nightmare.
In this episode, Pham talks about illustrating graphic novels and picture books as well as working as an artist.
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Michael D. Nichols, "Batman and the Classics: Echoes of Mythology, Literature and Philosophy in the Comics and Films" (McFarland, 2026)
2026/06/18
Fans of Batman are used to seeing the Caped Crusader associate with the likes of Superman and Wonder Woman, but what if one were to put the Dark Knight into the company of figures such as Beowulf, Robin Hood, Oedipus, and Sun Tzu, among others? Batman and the Classics: Echoes of Mythology, Literature and Philosophy in the Comics and Films (McFarland, 2026) is the first book to compare famous Batman graphic novels, story arcs, and films to classic texts of literature and philosophy from around the world. Through this comparison we can see, for instance, how the epic warrior archetype of Beowulf or Roland persists in The Dark Knight Returns, or how the metaphor of the journey, found in such works as The Odyssey, occurs in the story arc Knightfall. By placing Batman stories into conversation with such classic texts, this book sheds light on the deeper meanings of key stories of the Dark Knight, as well as how long-lasting themes of literature and philosophy have persisted in the fiction of this popular character.
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Richard Ivan Jobs and Steven Van Wolputte, "In the Land of the Lacandón: A Graphic History of Adventure and Imperialism" (McGill-Queen’s UP, 2025)
2026/05/02
In the mid-1930s the amateur French ethnographer and filmmaker Bernard de Colmont ventured into the mountainous state of Chiapas to study the Lacandón people and broadcast their way of life to a curious European public. Considered a “lost tribe,” the Lacandón were thought to be the closest living relatives of the ancient Maya.
De Colmont became a celebrity explorer whose adventures generated considerable attention. The Lacandón themselves, however, were silenced in his tale. Nearly a century later, in In the Land of the Lacandón: A Graphic History of Adventure and Imperialism (McGill-Queen’s UP, 2025), Dr. Richard Ivan Jobs and Dr. Steven Van Wolputte have taken up this story in all its complexity, creating a graphic history from de Colmont’s narratives and images in the form of a heroic adventure comic. An essay contextualizing and historicizing the tale follows, as does an evocative, reflective poem by Tsotsil writer Manuel Bolom Pale, which offers an Indigenous perspective on the encounter. A captivating experiment in form, the book puts an immersive new spin on studying the past.
In the Land of the Lacandón illuminates de Colmont’s expedition against the backdrop of late imperialism on the eve of the Second World War in Europe. It investigates the history of exploration, science, and media, revealing how these narratives represented and constructed Indigenous Peoples for the public – and how such representations continue to resonate.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Everything Is Fine, I'll Just Work Harder: Confessions of a Former Badass
2026/01/16
In Everything Is Fine, I’ll Just Work Harder: Confessions of A Former Badass (Street Noise Books, 2025), Professor Cara Gormally draws us into the familiar academic world of chronic busyness. In panel after panel, Cara brings us into a life numbed by overwork. Then, as this graphic memoir shows us, during an ordinary early-morning run, Cara’s watch dings with a Facebook friend request. Their rapist wants to “friend” them.
Cara always had a long to-do list; always had many projects; always was busy. But as their rapist continued to send friend requests and tried to reconnect with them, they began to lose their grip on their work, projects, and relationships. But then Cara connects with a therapist who guides them through a long but powerful process of healing. And Cara works to desensitize, reprocess, excavate and relive the old wounds in order to move past them and heal.
This episode explores: Cara’s path to academia; how she discovered her love of science; how art and writing can help us heal; the work of going to therapy; what radical self-acceptance is; why overwork can be a sign of a trauma response; the risks and rewards of changing; and the importance of writing communities.
This episode does not discuss sexual assault.
Our guest is: Dr. Cara Gormally (they/them), who is a professor at Gallaudet University, in Washington, D.C. Their interdisciplinary research focuses on questions related to making science relevant and accessible to increase students' belonging in STEM. Their new book is Everything Is Fine, I’ll Just Work Harder: Confessions of a Former Badass.
Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and host of the Academic Life podcast.
Playlist for listeners:
Being Well in Academia
How We Talk About Gender and Why It Matters
Tw-Eats: A Little Book with Big Feelings
Belonging: The Science of Creating Connection
Parenting and Personal Life in Academia
What is burnout and how do you recover from it?
What Do You Want Out of Life?
Make Your Art No Matter What
Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
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Colin Williamson, "Drawn to Nature: American Animation in the Age of Science" (U Minnesota Press, 2025)
2025/12/25
What do technical renderings of plant cells in trees have to do with Disney’s animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney’s groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole.
Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science.
Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Julian Schmid, "Marvel, DC and US Security: The Superhero Genre and Foreign Policy in the Twenty-first Century" (Edinburgh UP, 2025)
2025/12/12
Marvel, DC and US Security: The Superhero Genre and Foreign Policy in the Twenty-first Century (Edinburgh UP, 2025) by Dr. Julian Schmid considers how the long-standing superhero genre has been reinvigorated in the twenty-first century as an interlocutor of security and surveillance discourses following the events of ‘9/11’. While superheroes have a long cultural history, Dr. Schmid argues that their contemporary representations in Hollywood films and TV shows create and deepen specific discourses on security, terrorism and violence. He shows how the Marvel Cinematic Universe and the DC Extended Universe, in particular, are important artefacts that can help us to understand how these discourses are popularised and ultimately normalised.
The book offers a rich account of the emergence of superheroes against the backdrop of America’s history since its founding in 1776 and their rise to popularity through comic books since the 1930s. Analysing the connections between superheroes, foreign policy and security from ‘9/11’ to the present, it demonstrates the significance of superheroes for the construction of heroism and security in contemporary times.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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James Scorer, "Latin American Comics in the Twenty-First Century: Transgressing the Frame" (U Texas Press, 2024)
2025/11/04
How do comics cross boarders? In Latin American Comics in the Twenty-First Century: Transgressing the Frame James Scorer, a Professor of Latin American Studies at the University of Manchester, considers the rise of a distinctively Latin American comics culture, capturing the interconnections and differences as comics production have evolved in the region. The book covers a range of genres and comic forms, including physical and digital media, across Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, showing the importance of comics as a way of intervening in social and political struggles, as well as the joy and pleasure that they offer a diverse, and increasingly global readership. Listeners can also learn more about a broader project of studying Comics and race in Latin America as well as the previously published open access collection Comics Beyond the Page in Latin America
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Amber A'Lee Frost et. al, "Year Zero #1: A Chapo Trap House Anthology" (Bad Egg, 2025)
2025/10/14
I had so much fun chatting with Chris Wade and Will Menaker of the podcast Chapo Trap House about Year Zero #1, published by Bad Egg in 2025 which is billed as “5 scintillating tales of madness” which promise to cross “time, genres, and good taste”. This comic anthology blends historical research, social commentary, and flights of fancy from several genres, all in keeping with their Dirtbag Left sensibility. The book features stories from Amber A'Lee Frost, Chris Wade, Will Menaker, Felix Beiderman, and Matt Christman, with art from comics superstars Simon Roy, Justin Greenwood, David Cousens, Ken Knudtsen, and Dean Kotz. Year Zero #1 is the first of three oversized books.
Chris Wade is a podcast producer for Chapo Trap House, Hell on Earth and Hell of Presidents, And Introducing, and Infinite Cast. He's also produced and directed short films, music festivals, and many years ago written for Slate.com. He co-hosted both Hell on Earth (a series on the 30 Years War) and Hell of Presidents (a series on POTUSes) with Matt Christman. Check the New Books back catalog for our conversation about Hell on Earth, one of the three times I had the honor of interviewing the great Matt Christman. Will Menaker is Host Number One of Chapo Trap House, a political commentary and comedy podcast which debuted in March 2016. Along with his fellow Chapos he wrote The Chapo Guide to Revolution, which I talked to Matt Christman amount in a past episode here.
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