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In this episode, David talks with award-winning contemporary composer, pianist, musical director and educator David Önaç. This conversation is ahead of the world premier of his Atlantic Requiem with the London Symphony Orchestra, BBC Singers, and Hollywood conductor Anthony Parnther, which memoralizes the lost lives of the transatlantic slave trade. David both composed the music and wrote the libretto for the piece, which is based on the archive of Lloyd’s of London Insurance company who supported the work, bringing to life human stories from the 18th century. In this conversation, we dive into the creation of Atlantic Requiem and how music can memorialize the human toll of the transatlantic slave trade. We look at how historical archive documents and court testimonies were transformed into a dramatic libretto, as well as the unique 10-note pitch system used to mirror cultural conflict and resolution. We also explore the rich intersection of contemporary classical music, jazz, and Caribbean heritage, and why artistic expression is essential for fostering empathy, hope, and social reconciliation. Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David talks with pianist, composer, and technologist Zubin Kanga. Zubin is at the forefront of music technology. Since 2021, he has been the Director and Research Lead of Cyborg Soloists, a 7-year music-technology research project supported by a UK Research and Innovation Future Leaders Fellowship and based at Royal Holloway, University of London, where he is Associate Professor in Musical Performance and Digital Arts. Coming up on October 17th, he is performing a double bill at the Southbank Centre in London, featuring a host of premiers and works from composers that embrace technology, including Nwando Ebizie, Alex Paxton, George Lewis, Ben Nobuto, and Alex Groves. Later in October, he’ll also be performing Robert Laidlaw’s Techno-Utopia with the Berlin Symphony Orchestra, bringing in AI as part of the performance. In this conversation, we dive into how AI and machine-assisted composition can serve as creative tools rather than threats to classical music. We look at what it means to perform alongside AI co-performers, the difference between machine intelligence and genuine human musical empathy, and how technology can expand what is possible on stage. We also explore the rich, multi-decade history of computer-assisted music, practical ways artists can navigate emerging tech, and how new performance formats are connecting canonical repertoire with contemporary club culture. Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David talks with Martin Cullingford, Editor and Publisher of Gramophone Magazine. Martin holds a unique place in the industry. In his role, he listens to countless recordings each year, giving him a special perspective on the recording landscape of the classical music industry and its trends. But as someone who runs what was a print only publication, he has been one of the first to be impacted by the digital world and had to adapt to it long before many artists and arts organisations. This means that Gramophone magazine has already had to tackle many of the issues we face today. In this conversation, we dive into the role of the long-form album in an era dominated by streaming and single tracks. We look at how Gramophone has adapted to the digital age, from digitizing a century-old archive to launching weekly podcasts, while continuing to uphold authority and expertise in criticism. We also explore what makes a compelling album story, the resurgence of physical media, and why porous genre borders give us hope for the future of classical music. Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David talks with Leah Broad, a multi-award-winning writer, historian, and public speaker whose work focuses on twentieth-century cultural history, especially women in the arts. Leah is at the forefront of highlighting forgotten composers and discussing the barriers around programming their works. But it is her solution-focused approach to doing so that really stands out. In this conversation, we dive into the systemic barriers facing women composers and how a solution-focused approach can help revive forgotten repertoire. We look at the collaborative efforts needed across publishing, recording, and research to normalise music by women, and why reliance on a narrow canon limits audience growth. We also explore the non-linear history of women in 20th-century music, the role of storytelling in programming, and what we can learn from the trailblazing women musicians of the Second World War. You can also pre-order her new book Unsung, and there are more details on her website www.leahbroad.com Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David talks with American Saxophonist Lucas Incle and South Korean composer Shin Kim. Both Lucas and Shin attended Classical Next 2026 in Budapest, Lucas as part of the Classical Next fellowship program, and Shin as a showcase artist. After meeting there, they both began working on a collaboration to create new music, and we thought this would be the perfect thing to explore to see the power of making connections. In this conversation, we dive into how international conferences create spark points for cross-border artistic collaborations. We look at the consortium model and how it offers a sustainable, entrepreneurial pathway for commissioning new works, expanding repertoire, and reaching broader audiences. We also explore the practical mechanics of collaborating remotely across time zones, advice for pitching and showcasing new projects, and why young musicians must embrace vulnerability and connection. Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David talks with Caroline Whiddon, the Executive Director and Co-Founder of Me2, a classical music organization created for individuals with mental illnesses and the people who support them. The organization started in Vermont, USA in 2011 and has grown to include orchestras, choruses, and a flute choir located in three New England states. The unique nature of Me2’s work has garnered attention from the NBC Today Show, Al Jazeera, and the BBC, as well as numerous newspapers including the Boston Globe and the New York Times. A feature-length documentary about Me2’s work titled “Orchestrating Change” was broadcast on PBS stations across the U.S. in the fall of 2020, and you can find a link to this in the show notes. In this conversation, we dive into how classical music can serve as a vehicle for social change and a sanctuary for mental health. We look at how removing auditions and fees creates an inclusive, stigma-free environment, and why leading with love can transform orchestra management. We also explore the practical accommodations that help musicians thrive, the power of community music-making as part of mental health treatment, and how civic partnerships offer a new future for arts organizations. Show notes: Me2 - https://me2music.org/ “Orchestrating Change” - https://orchestratingchangethefilm.com/ Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David talks with composer, show creator and refugee supporter Chloé Charody Widely regarded as an artistic entrepreneur as much as a composer, she has forged a new path in classical music by seamlessly integrating the physical language of contemporary circus, depth of classical music and the drama of opera within her compositional craft. In this conversation, we dive into the power of combining multiple art forms into one performance. We look at the importance of using art to highlight the plight of vulnerable people. We also explore how develop skills outside of traditional classical music education, how to begin creating multi-form works, and role of entrepreneurship for musicians. Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David talks with Søren Mikael Rasmussen from culture consultants RasmussenNordic. RasmussenNordic help cultural institutions across Europe with new knowledge, innovation and strategy, and are the creators of “Get More Audiences – Tools for Orchestras and Ensembles” with the Danish orchestras and DEOO (Danish Ensembles, Orchestras, and Opera. These tools were also created in conjunction with audience research groups, bringing some fascinating insights into the user journey and thought processes of audiences all along their customer journey. In this conversation, we dive into the challenge that arts organisations face with audiences. We look at the toolkit and how it can be used to create a practical plan for developing audiences. We also explore the challenges of bringing innovation to the industry, what the user journey is for first-time audiences, and the benefits of creating offerings for your community. Resources - “Get More Audiences – Tools for Orchestras and Ensembles” https://www.rasmussennordic.dk/tools/ Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David speaks with conductor Chad Goodman Described by Forbes as “an entrepreneur bringing innovation to classical music”, Chad was conducting fellow and assistant conductor to Michael Tilson Thomas at New World Symphony in Miami. Since then he has gone on to become the Music Director of the Elgin Symphony Orchestra and guest conduct the Minnesota Orchestra, Detroit Symphony, Utah Symphony, North Carolina Symphony, and San Francisco Chamber Orchestra amongst others. Chad is one of the most proactive and entrepreneurial conductors I know of, and he passes on his knowledge to young musicians, teaching them the business skills needed to successfully navigate the music world through workshops, and through his book “You Earned a Music Degree. Now What?” In this conversation, we dive into what it means to be a conductor in the modern age and how to develop the skills to succeed. We look at the power of speaking to audiences and how to work out what to say and how to say it. We also explore the role of entrepreneurship, how concert broadcasts help you develop your music, and the challenges that music graduates face. Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David speaks with cellist and actress Sophie Kauer. Known for putting herself at the forefront of evolving classical music and the way we see it, Sophie’s breakthrough came with a leading role in Todd Field’s feature film TÁR, starring Cate Blanchett. As well as performing all over the world, you’ll also see Sophie redefining what it is to be a musician today. Whether it's finding ways to meet audiences where they are, diving into the technical world of sound engineering, or bringing radical authenticity to her online community, Sophie’s multifaceted approach makes her one of the most dynamic and powerful communicators in the industry today. In this conversation, we dive into how moving beyond specialization and embracing interdisciplinary creativity is important for modern musicians. We look at the power of authenticity online, the need to meet audiences where they are, and the importance of being a good communicator. We also explore how musicians can make the most of opportunities when they are thrust into the spotlight, the role of social media, self-promotion, and entrepreneurship, and the power of saying no. Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David speaks with pianist and entrepreneur Michelle Lynne. Not only does Michelle embody what a modern musician is today, but she empowers other musicians to have their own thriving careers. As well as performing across the world with immersive performances, she is the co-Founder of The Fearless Artist Mastermind, coaching musicians on their careers, and has taught entrepreneurship at conservatoires in the Netherlands. In this conversation, we dive into the power of entrepreneurship and self promotion for musicians. We look at some of the challenges that musicians are facing in their careers and how to overcome them. We also explore the impact of AI, the power of telling stories in performances, and the power of continual learning. Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David speaks with Hannah Seymour and Sinéad Walsh from EMPOWER. An oboist and a flautist, Hannah and Sinéad founded EMPOWER: Women Changing Music while studying at music colleges. EMPOWER: Women Changing Music is a platform championing women’s voices in music, both historically and today, through performance, commissioning, advocacy and community. Since its launch, they have worked with hundreds of performers and composers through concerts, commissions, panel discussions and collaborative projects across the UK and Ireland. In this conversation, we dive into why creating an ecosystem has benefits over just tackling one area when it comes to promoting fairness and gender equity in the music industry. We look at how EMPOWER: Women Changing Music was born out of Hannah and Sinéad’s experiences of studying at music college, the challenges of creating an arts organisation and how to work with your friends, and why we still need to have more organisations tackling the issues facing society. Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David speaks with Simon Woods, President and CEO of the League of American Orchestras. As well as having a unique insight into the orchestral world from championing the League’s members, which range from internationally famous orchestras to smaller community organisations, Simon has an extensive knowledge of the classical music sector after working in the industry for 4 decades. He previously led the Los Angeles Philharmonic, Seattle Symphony, Royal Scottish National Orchestra, and New Jersey Symphony Orchestra, as well as being a record producer with EMI Classics. All this makes Simon the perfect person to dive into the issues facing orchestras, both in North America, and the rest of the world. In this conversation, we look ahead to the League of American Orchestras Conference in Baltimore next week, and the discussions they will be having about how the funding and philanthropy landscape is changing in the face of the biggest transfer of generational wealth. We look at how orchestras can embrace uncertainty in an ever-changing world, how to address systemic resistance to change, and what inspiration international orchestras can take from American orchestras. Ultimately, Simon shares why the key to navigating these financial and cultural headwinds lies in empowering the next generation of audiences and leaders to help ideate the future of the art form. Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

In this episode, David introduces Iván Fischer’s Opening Keynote from Classical:NEXT 2026, a standout moment of the event that left delegates in deep discussion for days after. A Budapest native and musical polymath, Maestro Fischer shares an honest reflection on the future of classical music, drawing on his unique perspective as one of the most innovative musical minds of our time. He believes we are the "dinosaurs" of this art form, fighting to keep it alive in a world that’s losing interest. The traditional concert experience is at risk, with audiences struggling to focus and a shrinking repertoire that doesn't resonate with new generations. Fischer highlights the need for innovation in how we present and engage with classical music. It's not just about the performance, but understanding what today’s audiences truly need – an ideal conversation starter for the return of The Classical:NEXT Podcast. Join us in Katowice, Poland for Classical:NEXT 2027 from the 11th to the 14th of May: www.classicalnext.com Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com

This episode is a little bit different. Last week was the Classical Next conference in Budapest, which gave us the chance to do something a little bit special with a live show. Instead of the regular deep dive, we wanted to hear from people about the hot topics, ideas and statements from this year's conference. So, we made this episode into more of a show, with four amazing guests and live voting from the Classical Next audience. The panel featured: Chris Lloyd, Classical Music Journalist & PianistJamie Njoku-Goodwin OBE, Founder of JNG AdvisoryNathaly Ossa Alzate, Social Impact and Cultural ManagerSusanne Szambelan, Cellist and C:N 2026 Showcase Artist Follow us on: Facebook | Instagram | LinkedIn The Classical:NEXT Podcast: Hosted by David Taylor Produced by Aliena Haig Learn more: classicalnext.com/update/introducing-the-classicalnext-podcast www.classicalnext.com