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The New Yorker staff writer Zach Helfand joins Tyler Foggatt to discuss his Profile of Linda McMahon, the Secretary of Education. They talk about the sweeping layoffs and downsizing at the Department of Education during Donald Trump’s second term—a fulfillment of a long-standing conservative effort to dismantle the agency—and the consequences for students and schools that rely on its services. They also explore how McMahon’s tenure as C.E.O. of World Wrestling Entertainment set her up to be one of Trump’s most reliable and effective Cabinet members, across both his terms—and why the President has long been drawn to McMahon, her husband, Vince, and the world of professional wrestling. This week’s reading: “How Professional Wrestling Prepared Linda McMahon for Trump’s Cabinet,” by Zach Helfand “J. D. Vance’s Bumpy Ride,” by Amy Davidson Sorkin “Donald Trump’s Triumphal Arch and the Architecture of Autocracy,” by Adam Gopnik “What Nicolás Maduro’s Life Is Like in a Notorious Brooklyn Jail,” by Diego Lasarte The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

Omer Bartov is an Israeli professor of Holocaust and genocide studies at Brown University. He grew up in a Zionist home and served as an officer in the Israel Defense Forces, but he has long been concerned about Israel’s use of military power. In a new book called “Israel: What Went Wrong?,” Bartov argues that Zionism has morphed into an ideology of extremism that led to genocide in Gaza following the Hamas attacks of October 7th. “There is growing criticism of American support for these kinds of Israeli policies, both on the American left and on the American right,” Bartov tells David Remnick. Bartov believes that Israel requires “shock therapy” because “it has not still come to identify the limits of its own power, because those limits are in Washington, DC and it's there that those limits have to be set.” “For Israel, that would be good, because I think Israel needs to be liberated from that kind of dependence on American power. I think, for American society and for American Jewry, that’s a very bad thing because there is a rise of . . . antisemitism from the Tucker Carlsons of the world, who are a rising force right now.” Further reading:  “Israel: What Went Wrong?,” by Omer Bartov “A Holocaust Scholar Meets with Israeli Reservists,” by Isaac Chotiner “How to Define Genocide,” by Isaac Chotiner The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

The Washington Roundtable discusses how the anti-corruption candidate Péter Magyar brought down Hungary's autocratic Prime Minister, Viktor Orbán, and what implications that victory holds for the far-right movements around the world that Orbán helped embolden. The panel is joined by Kim Lane Scheppele, a Princeton professor who has lived in Hungary and studied its democratic backsliding. Together, they unpack how Magyar’s campaign succeeded by connecting Orbán’s corruption to the everyday struggles of Hungarians, and how that approach might inform Democratic strategy in the 2028 Presidential election. This week’s reading: “America’s Orange Jesus,” by Susan B. Glasser “The Hungarian Election Shows That Even Strongmen Can Lose,” by Andrew Marantz “TMZ Gets Political,” by Paula Mejía “Who Is the U.S. Negotiating with in Iran?,” by Sudarsan Raghavan “ ‘The Peace President’ Gets Belligerent with Iran and the Pope,” by Robin Wright “How Much Has the War in Iran Depleted the U.S. Missile Supply?,” by Garrett M. Graff “How Project Maven Put A.I. Into the Kill Chain,” by Gideon Lewis-Kraus “The Extremes of Israeli Public Opinion,” by Isaac Chotiner The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

The New Yorker staff writer Molly Fischer joins Tyler Foggatt to discuss Zohran Mamdani’s first hundred days as mayor of New York. They talk about how Mamdani has carried his highly disciplined, media-forward messaging style into office—and how his governing style combines practical city management with a focus on visible and public-facing execution. They also explore the status of his core initiatives, including universal child care and other affordability measures, whether he has scaled back or recalibrated some campaign promises, and how he has navigated relationships with figures such as Governor Kathy Hochul and President Donald Trump as he tries to harness his political momentum into durable results. This week’s reading: “Zohran Mamdani, Perpetual Student of the City,” by Molly Fischer “ ‘The Peace President’ Gets Belligerent with Iran and the Pope,” by Robin Wright “What Brought Down Eric Swalwell,” by Jon Allsop “TMZ Gets Political,” by Paul Mejía “The Hungarian Election Shows That Even Strongmen Can Lose,” by Andrew Marantz “The Extremes of Israeli Public Opinion,” by Isaac Chotiner The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

At the end of February, OpenAI’s C.E.O., Sam Altman, made headlines by swiftly cutting a deal with the Pentagon for his company to replace Anthropic, which had balked at the Trump Administration’s bid to use its A.I. technology to power autonomous weapons and aid in mass surveillance. Days earlier, Altman had publicly supported Anthropic’s position in the dispute. Altman’s rise to power and his founding of OpenAI were predicated on placing safety above other concerns in developing artificial general intelligence. Why did he change his stance on such a fundamental issue? The New Yorker writers Ronan Farrow and Andrew Marantz spoke with Altman multiple times and interviewed more than a hundred people for their investigation into the leader of one of the most powerful companies in the world, comparing Altman to J. Robert Oppenheimer. Although there is no smoking gun in Altman’s hand, the writers find that persistent allegations about his conduct underscore the danger of entrusting him to wield such vast power over the future.   Further reading: "Sam Altman May Control Our Future—Can He Be Trusted?,” by Ronan Farrow and Andrew Marantz “The Dangerous Paradox of A.I. Abundance,” by John Cassidy “The A.I. Bubble Is Coming for Your Browser,” by Kyle Chayka   The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

The Washington Roundtable discusses Vice-President J. D. Vance’s week on the world stage: stumping for the Kremlin-aligned Hungarian autocrat Viktor Orbán and being tasked with leading American negotiations in Pakistan to resolve the war with Iran, a conflict he reportedly opposed. The panel explores the events and people that shaped Vance, and how his political evolution toward MAGA may not be enough to make him the Republican Presidential nominee in 2028. “Anyone who comes after Trump is going to have a really hard time inheriting a cult of personality and turning that back into a party,” the staff writer Susan B. Glasser says. Vance is “not this kind of charismatic movement leader.” This week’s reading: “The Costs of Trump’s Iran-War Folly,” by Susan B. Glasser “Trump’s Strategic and Moral Failure in Iran,” by David Remnick “The Global Stakes of Hungary’s Pivotal Election,” by Kapil Komireddi “A U.S.-Iran Ceasefire Is Here, but Trump’s Stone Age Mentality Endures,” by Ishaan Tharoor “How the Internet Fringe Infiltrated Republican Politics,” by Antonia Hitchens “Israel’s War in Lebanon Has Not Stopped,” by Isaac Chotiner “An Economist’s Quest to Solve America’s Wage Problem,” by John Cassidy The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

The New Yorker contributing writer Ruth Marcus joins Tyler Foggatt to discuss Pam Bondi’s removal from her post as Attorney General. They examine the series of missteps and failures that led to her firing—from her continued mishandling of the Jeffrey Epstein files to her inability to effectively carry out Donald Trump’s efforts to target his political enemies. They also explore the long-term damage Bondi has done to the Department of Justice, and whether her ouster—alongside Kristi Noem’s dismissal as Secretary of Homeland Security—signals a new era of shakeups within the Trump Administration. This week’s reading: “Pam Bondi’s Legacy of Flattery and Destruction,” by Ruth Marcus “A U.S.-Iran Ceasefire Is Here, but Trump’s Stone Age Mentality Endures,” by Ishaan Tharoor “Sam Altman May Control Our Future—Can He Be Trusted?,” by Ronan Farrow and Andrew Marantz “How the Internet Fringe Infiltrated Republican Politics,” by Antonia Hitchens “The Forest Service—a Force Across Rural America—‘Reorganizes’ Under Trump,” by Bill McKibben The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

In 2021, when Olga Rudenko and other journalists launched the English-language news outlet the Kyiv Independent, they were committed to making a publication that wouldn’t face political pressure from an owner. A few months later, Russia launched a full-scale invasion of Ukraine, and the Independent began reporting breaking news from the front lines, and conducting investigations of the Ukrainian government. David Remnick talks with Rudenko, the Independent’s editor-in-chief, about the challenges of reporting in wartime; President Volodymyr Zelensky’s pushback on independent journalism; how Iran and Russia have been providing military aid to one another; and why Ukraine cannot accept the peace deal with Russia that Donald Trump is insisting that it take.  Further reading:  “The Assault on Ukraine’s Power Grid,” by Michael Holtz “What Are Putin’s Ultimate Demands for Peace in Ukraine?,” by Joshua Yaffa “Ukraine Has ‘Irrefutable Evidence’ of Russia Providing Intelligence to Iran, Zelensky Says,” by Asami Terajima, of the Kyiv Independent “China, Iran Help Russia Prop Up Economy in Occupied Ukrainian Territories, Report Says,” by Yuliia Taradiuk, of the Kyiv Independent “Ukraine Heads to US with Drone Proposal Trump Dismissed Before War with Iran,” by Tim Zadorozhnyy, of the Kyiv Independent “We Interviewed Iran’s Envoy to Ukraine and It Was Absolutely Wild,” by Polina Moroziuk, of the Kyiv Independent  The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

The Washington Roundtable discusses Donald Trump’s address on the Iran war and the playbook that has defined his career in business and politics when confronted with a crisis: escalate and blame others. The panel discusses how that same playbook is being applied to the Iran conflict with potentially disastrous results. “He’s immune to any possibility of accountability,” the staff writer Evan Osnos says. “That became not just one of the ways he tells his own story but actually how he imagines history will unfold in his hands.”This week’s reading: “Donald Trump’s Case for War Fails to Mention How to Win It,” by Susan B. Glasser “The Team Behind a Pro-Iran, Lego-Themed Viral-Video Campaign,” by Kyle Chayka “He Helped Stop Iran from Getting the Bomb,” by David D. Kirkpatrick “How Pakistan Became a Major Player in Peace Negotiations Between the U.S. and Iran,” by Isaac Chotiner “The Spectacle of War and the Struggle to Protest,” by Jay Caspian Kang The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

Thousands of federal prosecutors have been fired or have resigned from their roles since Pam Bondi took over as Attorney General. She has made no secret of weaponizing the Justice Department to pursue Donald Trump’s vendettas. One of those prosecutors is Troy Edwards, who quit a senior national-security position in the Eastern District of Virginia. As an assistant U.S. attorney in DC, Edwardshad won convictions against members of the Oath Keepers for January 6th-related offenses. Edwards is also the son-in-law of the former F.B.I. director James Comey, and, when the Justice Department indicted Comey on grounds widely seen as flimsy, Edwards knew he had reached his red line. (The charges were quickly dismissed, though without prejudice.) The New Yorker’s legal correspondent Ruth Marcus talks with Edwards about his decision to leave, how he broke it to his family, and why he thinks other prosecutors should not follow his lead.  Further reading:  “Pam Bondi’s Contempt for Congress,” by Ruth Marcus “The Flimsy, Dangerous Indictment of James Comey,” by Ruth Marcus “Pam Bondi’s Power Play,” by Ruth Marcus The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

The Washington Roundtable examines the potential for a “Blue Wave” in the 2026 midterms. The hosts are joined by Morris Katz, a twenty-six-year-old Democratic political strategist for Zohran Mamdani and Graham Platner, a Democratic candidate for Senate in Maine. Katz argues that for the Party to win a historic majority in the next election, it needs to embrace outsider candidates who refuse money from corporate PACs and aren’t “apologetic” about the government’s role in people’s lives. “We can run a campaign that says, ‘Donald Trump said he’d end forever war and lower costs and he hasn’t’—that will be successful,” Katz says. “I think even more successful would be that we are going to end forever wars, and we are going to lower costs by taking on monopolies—by taking on price gouging, by raising wages, by taxing billionaires more.”  This week’s reading: “​​Donald Trump Is Breaking Up with Europe,” by Susan B. Glasser “How the War in Iran Became a Race to Stabilize the Global Economic Order,” by Sudarsan Raghavan “A Former Prisoner of the Iranian Regime Watches Trump’s War,” by Jason Rezaian “The Distant Promise of Iran’s Would-Be King,” by Azadeh Moaveni The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

The reporter Cora Engelbrecht joins Tyler Foggatt to discuss what life is like for the people of Iran as war unfolds. They talk about Engelbrecht’s reporting, which is based on dispatches from a dissident in Tehran who maintained contact during an internet blackout, and about how his account reveals some of the challenges of daily life under bombardment from the U.S. and Israel—and under a government that continues to police dissent. They also explore how the conflict has complicated the hopes of many Iranians who once saw foreign intervention as a path to liberation, and the growing fear that, whatever the outcome of the war, everyday citizens will continue to bear the cost. This week’s reading: “What the War Has Done to Iranians,” by Cora Engelbrecht “A Former Prisoner of the Iranian Regime Watches Trump’s War,” by Jason Rezaian “How Donald Trump May Have Sabotaged His Chances for a Deal with Iran,” by Isaac Chotiner “The Distant Promise of Iran’s Would-Be King,” by Azadeh Moaveni “Is Cuba Next?,” by Jon Lee Anderson The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts.  Learn about your ad choices: dovetail.prx.org/ad-choices

The staff writer Jon Lee Anderson has reported from Cuba for many years, and recently wrote about the deteriorating economic conditions on the island. His newest piece for the magazine dives into the potential outcomes of Donald Trump’s desire to pursue regime change. Anderson explores the economic impact of the United States blocking Venezuelan oil from reaching Cuba, which could be a death knell for the Communist government. Anderson and David Remnick discuss the current negotiations between the two countries, Marco Rubio’s strategy, and what cards the Cuban government might still hold. “They’re going to go into this,” Anderson suggests, “like maybe a canny poker player.” Plus, the historian Ada Ferrer won the Pulitzer Prize for her 2022 book, “Cuba: An American History,” and she has one of the clearest views of the long and vexed relationship between the island and its giant neighbor. Ferrer left Cuba as an infant, coming to the United States with her mother in 1963 when Fidel Castro’s regime was arguably at its peak. David Remnick talks with Ferrer about the impact of U.S. sanctions, the economic collapse of Cuba, and what Donald Trump’s threat of a “takeover” means to the Cuban people and to Cuban Americans in the U.S. The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts.  Learn about your ad choices: dovetail.prx.org/ad-choices

The Washington Roundtable is off today, and will be back next week. In the meantime, enjoy an episode of The New Yorker’s Critics at Large podcast about the FX series “Love Story,” which drops audiences into the lives of one of the most talked-about couples of the nineties: J.F.K., Jr., and the style icon Carolyn Bessette. The hosts Vinson Cunningham, Naomi Fry, and Alexandra Schwartz, who are staff writers and critics at The New Yorker, discuss how the show re-creates the look and fashion of the era in granular detail while reducing the relationship itself to a generic fairy tale. “Love Story” ’s focus on style underscores how much the Kennedy legacy lives in aesthetics, which risks obscuring some of the darker chapters of its history. “It does seem like we have ever more efficiently stripped the Kennedys and their image, and their style, from any notions of political power,” Cunningham says. “The look of something and the sort of moral thrust of something are not always one to one working in parallel.” New episodes of “Critics at Large” drop every Thursday, wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

The New Yorker staff writer Gideon Lewis-Kraus joins Tyler Foggatt to discuss the escalating standoff between the A.I. company Anthropic and the Department of War. They consider recent reporting on the use of Claude—Anthropic’s family of large language models—in military operations in Venezuela and Iran, and how that news has pushed the company’s relationship with the Pentagon to a breaking point. They also explore how the tech industry is responding to the conflict between the Trump Administration and Anthropic, and the thorny question of whether A.I. should be subject to greater safeguards and more oversight than previous technological innovations. This week’s reading: “The Pentagon Went to War with Anthropic. What’s Really at Stake?,” by Gideon Lewis-Kraus “Israel’s Gulf-State Gamble in the Iran War,” by Ruth Margalit “The Iran War Is Another Reason to Quit Oil,” by Bill McKibben “Trump’s Mass-Detention Campaign,” by Jonathan Blitzer “How Should We Remember the Hippies?,” by Jay Caspian Kang The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.  Tune in to The Political Scene wherever you get your podcasts.  Learn about your ad choices: dovetail.prx.org/ad-choices