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It brings me great pleasure to bring you my Castlevania-inspired Lady Dracula adaptation, completed at long last, and now, here with a transportive and intensely evocative trailer. You can officially pick this story up in various forms. You don't have to have read or listened to any other New Century stories (though if you have, judging by the reception, you'll love it even more, for reasons I shall not spoil here.) Where Can I Get This? The Audiodrama on Bandcamp = $10 Paperback = $9 Kindle Version = $6 HUGE thanks to everyone involved with this project who worked so hard on delivering one of our best productions to date. And of course, once you've experienced it, please do take a minute to rate and review it on Amazon. It boosts the chances of detection on an otherwise invisible work of literature.

[School of Movies 2026] The original Rocky series comes to a close... twice. For the longest time, sixteen years in fact, fans of the first entries in the saga of this good-natured fighter were disappointed by the fifth film. It took things out of the ring, stole all of his family's money and gave him brain damage. The result is a return to the chilly streets of Philadelphia and a tug of war between the son who needs him and the surrogate who can continue the boxing career he is now denied. But there's still merit to be found in this messy search for self-esteem. However, in 2006, Stallone returned with a little more stuff left in the basement. I've seen some lists that classify Rocky Balboa (2006) as a mediocre entry only a smidge better than the previous. This baffles me like a right-hook from inside a baby carriage! It is the first one I saw, so I had nothing invested at the time, I didn't know who Adrian was, nor what her absence would feel to those who grew up with her around. But as a meditation on grieving, unresolved rage and a final climb up a Sisyphean mountain to prove this old man can still go the distance, it is a rousing triumph, and my abiding favourite. This week's After School Club: The Abominable Dr. Phibes Next week: An American Werewolf in London

[School of Movies 2026] This trio of double-bills are arranged across three distinct stages of Rocky's life. As a thirty-year-old Boy he was fighting to prove he could go the distance. Now, as the Man of the hour he has ascended way beyond all of us mere mortals to World Champion Superhero for two helpings of 1980s American excess that are quite differently flavoured from their humble 70s roots. In III he meets Hulk Hogan and Mr T, loses his beloved mentor and has to find that role anew in his former opponent Apollo Creed. But then in IV the Cold War comes calling and while Creed battles in vain to prove America is better than The Soviet Union, it ultimately falls to Rocky to finish the fight and end historical global conflict by boxing really well. For IV however, after Creed II was released and during Lockdown Stallone went back to new transfers sourced from the original negatives to reconstruct it as a more serious and focused effort that would fit better with the new movies as well as the older ones, giving Sharon and I a lot to talk about regarding how her original favourite changed, both for better and worse. Still to come, the consequences of getting hit in the head over and over again, and a surprise favourite for the original six. This week's After School Club: Shakespeare in Love (With an Upstart Crow) Next week: Rocky V + Rocky Balboa

[School of Movies 2026] Welcome to a saga of films spanning fifty years and being more about male vulnerability and the struggle for self-esteem than they actually are about boxing. They skirt the line between super-marketable, modestly-budgeted mass-appeal and heartfelt and very personal artistic expression. We have long-promised the Rocky series, and finally we are able to cover them in a trio of double-bills spanning three stages of life for the lovable, tragicomic pugilist. We have also recorded on the two remaining Creed sequels, and those will be released as a final show (for now) next year. Here we begin in Philadelphia, 1976 with a young, broke, unknown Silvester Stallone writing a piece about his struggle to gain work and recognition, utilising the analogy of a sports movie. Then after three years of uncertainty, can he, and Rocky prove that they weren't just one-hit wonders? This week's After School Club: Shakespeare in Love (With Anonymous) Next week: Rocky III + Rocky IV

[School of Movies 2026] This was a commissioned show for Sarah Montgomery, though it is a film we have promised to cover for years and needed the right time. Turns out sandwiching it between Shakespeare and the Rocky Saga is appropriately ideal. It was released the same year as The Empire Strikes Back and watching any one minute of it will convey to newcomers why this campy space opera could not possibly compete for the attention of an audience craving Star Wars. However, it still did well enough, especially in the UK where the many fans of Queen celebrated this, the first ever sci-fi blockbuster film underscored with rock music. It has subsequently gained a cult following and a revival of interest when forgotten star Sam J. Jones turned up as a parody of himself in Seth McFarlane's two Ted films. His life story is in fact just as compelling as the tale of a simple quarterback opposing the cruel emperor of the universe; Ming (the Merciless)! This week's After School Club: Hamnet Next week: Rocky & Rocky II

[School of Movies 2026] The final week of Shakestember brings us to a modern teen high school adaptation that far surpasses the dodgy original by an as-yet-unseasoned William, blushingly groping for a satirical take on misogyny in the sixteenth century and landing by accident upon dystopian horror with Taming of the Shrew. 10 Things was the debut of Heath Ledger, and is intensely fondly remembered, being the sweetly dry retreat for those who mourned his passing just nine short years later. It is also the most prominent early onscreen role for Julia Stiles, Joseph Gordon-Levitt and David Krumholtz. This one was a favourite for us from the first word, but we found out things we never knew whilst exploring these hallowed hallways. Our Shakespeare season may be ended here, but the Patreon bonus feed for the next few weeks will play host to a series of discussions on movies that explored the real life man, some heartbreaking, some hilarious and one utterly despicable! Coming soon, we unexpectedly find ourselves training up to tackle the Rocky movies after years of putting them off. This next month will be our long-awaited, long-promised Rocktober! This week's After School Club: Cutting Class on 10 Things Next week: Flash Gordon (1980)

[School of Movies 2026] For the third week of Shakestember, we move away from tragedy to comedy... except we don't really. By and large, scholars agree that the tragedies are actually funnier than the comedies, in principle, because the man writing them needed some real winning moments to help you invest emotionally, rather than heaping on doom and gloom (King Lear does that and we aren't fans). In other words, if he gives you a taste of the sweet, taking it away as bitterness descends feels more of a contrast, and sweeps you up in a more powerful feeling of loss. Much Ado takes the beguiling form of a sexy, Tuscany holiday of a comedy, but Kenneth Branagh -in directing and starring- very overtly brings it down as we reach the halfway point, and some really serious and upsetting decisions are made. Some of the most memorable and cherished of his characters are in the memorable mix here, and Billy Shakes appears to be pronouncedly building upon and evolving his earlier works. This 1993 production is one of our favourites, so thank you to Matthew A. Seibert for commissioning it and effectively bringing this whole month-long project into being. This week's After School Club: A Special Project Next week: 10 Things I Hate About You

[School of Movies 2026] For the second week of Shakestember, now having talked about a dozen cinematic adaptations we look at his most widely-recognised gateway movie for teenagers. Thirty years old this year, Baz Luhrman's hyperkinetic modern reimagining for the MTV generation garnered sniffy responses from the critics, but this 1996 film has stood the test of time and remains memorable and most of all useful, long after the more critically lauded and financially successful Shakespeare in Love (1998) bagged its awards. This is the one that contemporary teachers can wheel out in order to get schoolkids even remotely interested in this four-centuries-old body of work, and because of its hypnotic production design, costuming and music, it has not dated anywhere near as much as some of the stuffier, respected theatrical productions. I loved this film immediately, having studied the play at school just a year or so before, and memorised every scene. Going back to it is like a blast of clear, fresh water washing over you, leaving you trembling. This week's After School Club: The Dark Tower (Part II) Next week: Much Ado About Nothing

[School of Movies 2026] Possibly the greatest playwright the world will ever see, creator of countless clever words and idioms, '"Heart of gold", "Wild goose chase", "Good riddance!" all gifts to the English language. He was also a man whose private life was shrouded in mystery, and for the average person our familiarity with him begins and ends in the one or two plays we are forced to study at school, along with The Lion King and an awareness of crackpot theories surrounding all of these plays being written by someone else (suspects include another playwright with a completely different and humourless style, a tyrannical lord who kicked a pregnant lady in the stomach and a man who died ten years before Billy Shakes stopped producing plays, so it was good of him to leave such a ready supply). Here for you folks now, kicking off Shakestember, we discuss with Willow, a dozen film adaptations, many of which you will definitely want to seek out. Romeo + Juliet (1996) Much Ado About Nothing (1993) Hamlet (1996) The Tempest (2010) The Tragedy of Macbeth (2021) Othello (1995) The Merchant of Venice (2004) A Midsummer Night’s Dream (1999) Richard III (1995) Twelfth Night (1996) King Lear (2008) Titus (1999) This week's After School Club: The Dark Tower (Part I) Next week: Romeo + Juliet

[School of Movies 2026] Back in 2021, after a surprising 24-year absence of Mortal Kombat live action movie adaptations while several really great cinematic story modes played out on the past four entries of the video game series, a movie finally emerged. It wasn't very good. But since we were all on lockdown and starved for entertainment many of us chomped it down like Baraka at a buffet. Then, five whole years later a sequel emerged that actually delivered on the basic, underachieving proof-of-concept that was pitched to us in that excuse for a first movie. Entertaining, grisly, a bit too self-conscious and at times historically inaccurate, this made for a fun time at the cinema and now we actually look forward to more. This week's After School Club: Spy Kids 4 Next week: William Shakespeare on Film

[School of Everything Else 2026] This is one of the most significant shows we have ever recorded and took an immense amount of research, preparation and editing. It has been a very long time coming, as the landscape of how we watch, play, read and listen to things changed. In the wake of Sony's announcement that they are ending production on physical discs for the PlayStation, coupled with the culling of hundreds of movies, TV shows and documentaries that customers purchased legally and now no longer have access to, a huge amount of people are waking up to the alarming, impermanent realities of the streaming-only future we have all been pushed into. In the immortal words of The Doors, 'The time to hesitate is through.' This discussion is about gaining perspective on how we got here and then restarting or indeed jumpstarting your collections of physical media. If I leave one single episode of this podcast behind it is this one. Movies & TV (0h 5m) Video Games (1h 4m) Music (2h 0m) Books & Comics (2h 28m) Guests: James Batchelor of Bond and Beyond  @James_Batchelor Nama Chibitty @namathenerd Paul Shotton @PlexShaw This week's After School Club: Cutting Class after-show chat Next week: Mortal Kombat I & II

[School of Movies 2026] After an extruciatingly long five years away from this version of Peter Parker we rejoin his sad, thrilling saga. This is in fact his seventh appearance in the MCU, and it is one of the best of that entire series, rocketing to a billion dollars in less than a week, and signifying just how many people love this particular Spider-Man. What we have here are the devastating long-term consequences of trying to undo the cruel outing of his secret identity by the spiteful dickweed Mysterio. This young superhero has let his Peter Parker identity die and is now full-time Spider-Man, making Brand New Day a powerful meditation on loneliness, something a hell of a lot of us are feeling right now. Alex's Audiodrama podcast: The New Century Multiverse James' Book: Wandless on Amazon Guests: James Batchelor of Bond and Beyond  @James_Batchelor A.J. Wilden @wcwit.bsky.social of Wits-Writing  Jerome McIntosh of GameBurst This week's After School Club: Blue Beetle Next week: Own Your Stuff: The vital importance of collecting physical media

[School of Movies 2026] Dan Trachtenberg, director of 10 Cloverfield Lane has quietly, modestly, and with surety of purpose revolutionised the Predator franchise. Back when Disney bought Fox there were many folks cheering about the X-Men being in the MCU from now on (and Marvel have taken their sweet time with that) whilst still others rightly pointed out that the monopoly and dominion over such an immense market share of IPs that were never theirs and don't fit with the Mickey Mouse mentality was going to be ruinous. At least in the case of Predator, the reverse is true. For three decades, Fox presided over poorly-received Predator sequels, spinoffs, and aborted revivals. Meanwhile the Disney buyout has (through the appointment of Trachtenberg as project leader) resulted in the three freshest takes, cunningly bringing forward some of the most potent elements and letting go of aping of the 80s classic. Prey, and Killer of Killers sought a new demographic of younger people aware of the name and keen to see something relevant to them. But this one actually has something to say about being raised in harsh, cruel, dehumanising cultures, and it does so with passion and humour that won over Willow. This thing is special, and reaches out with exhilarating empathy to guys who have been told they can't ever be sensitive or feel anything other than anger and the desire to dominate the competition. It is, in effect, Redditor: Badlands. This week's After School Club: Predator: Killer of Killers Next week: Spider-Man: Brand New Day

[School of Movies 2026] I did not expect to be proudest of this third show on the Pirates Trilogy. While the first was spent delving into the rich details of the many factors that made it a classic as well as an instant success (the two are not always the same thing) and the second was spent finding where the good movie was, hidden between the hindrances of pacing and focus issues. But this third one was revalatory. At World's End always frustrated me deeply, by amplifying all of the problems of the previous two, delivering convolution and dropped threads at the point when things need to be at their most emotionally clear, and drowning the climax in a maelstrom of crowd-pleasing VFX. But through this episode and talking with Sharon, Maya and Brendan I was able to actually find the meaning in this ending that the filmmakers either through lack of preparation or lack of courage to deliver a tragedy with the most expensive film ever (hey, it worked out for Titanic) told a story about the passing of an age without an ending. There is no end to a world where there's always more booty to be had. Alex's Audiodrama: Panther Soul on Bandcamp Maya's Book: Realm of Kings on Amazon Guests: Hollywoo Actress  Maya Souris @Mayasantandrea Brenden Agnew @BLCAgnew of Make Me Watch It This week's After School Club: The Lone Ranger Next week: Predator Badlands

[School of Movies 2026] The original trio of Gore Verbinski Pirates films have become sacred cows to millennial movie commentators on YouTube, spoken of in hushed tones alongside the likes of The Prequel Trilogy and Shrek. Back when I was in my twenties, I absolutely loved that first one and had a great time at the second, it was only the third (one of the first films we reviewed in the early days of Digital Cowboys) that threw me for a loop. What we've done here, following our effusive 2025 show on Curse of the Black Pearl is reconvene with Maya and Brendan, and in some cases go back for only a second viewing of that second movie, to watch with contemporary eyes that have seen a thousand VFX extravaganzas in the two decades since. This was a mammoth undertaking for the filmmakers, and in this week's show and next week's we zero in on where the film's strengths are still seaworthy, and where they sink like a stone. Alex's Audiodrama: Panther Soul on Bandcamp Maya's Book: Realm of Kings on Amazon Guests: Hollywoo Actress  Maya Souris @Mayasantandrea Brenden Agnew @BLCAgnew of Make Me Watch It This week's After School Club: Cutthroat Island Next week: Pirates of the Caribbean: At World's End