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First released in 1974, Dungeons & Dragons revolutionized game design and interactive media by allowing players to create and perform their own fictional characters in a fantasy world as expansive as their imaginations would allow. That freedom, and the rules that governed it, weren’t a creative coincidence. In How Dungeons & Dragons Changed the Way We Play (Duke University Press, 2026), Dr. Aaron Trammell excavates the game as an artifact of a burgeoning counterculture obsessed with individualism as well as quantification. Mapping the world onto a grid, building characters whose every trait is assigned a point value, and advancing the game’s narrative through dice throws—countless core mechanics are tied to numbers. Putting the game design of D&D into dialogue with the social and political tensions of the 1970s and 80s, Dr. Trammell illuminates how the integrated quantification in the game design led to reductionism, reinforced oppressive gender and racial norms, and accustomed generations of players to the bigoted, xenophobic mores of the Cold War era. He delivers a history of both how games can shape players and how players, united by their own shared values, can shape games in turn. Aaron Trammell is Professor of Informatics at the University of California, Irvine, author of The Privilege of Play and Repairing Play, and senior editor of Analog Game Studies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The realist novel, so the story goes, isn’t really an American genre but a European and British one. And what the realist novel does—again, according to conventional wisdom—is entrench a liberal model of the individual: the self as autonomous and perfectible. Pushing back against these and other received ideas, Rafael Walker offers a self-professed “heretical” view of the history of the American novel in Realism after the Individual: Women, Desire, and the Modern American Novel (U Chicago Press, 2025).  A specialist in American and African American literature as well as gender and sexuality studies, Walker is Associate Professor of English and Black and Latino Studies at Baruch College and the editor of new editions of two essential American novels: Kate Chopin’s The Awakening (1899) and Nella Larsen’s Passing (1929).  In Realism after the Individual, his first book-length study, Walker shows how realist novels written by US authors from the 1890s to the 1920s transform our understanding of what the novel is and does in the American context. These novels are populated, Walker argues, with “post-individualist” individuals, particularly women, who want new things endlessly and who especially want what other people want—because they've adapted to America's brave new world of capitalist consumption and mass culture. In this conversation with Alix Beeston, Walker ranges widely and expertly across literary and intellectual history as he shares about women with insatiable desires, men who are killed off for not desiring enough, and the resonances between early twentieth-century literature and the present political moment. He also offers some recommendations for the important but now all-but-forgotten realist novels we should all be reading. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Immoral Traffic: An Ethnography of Law, NGOs, and the Governance of Prostitution in India (Cambridge UP, 2025) delves into the complex intersection of India's anti-prostitution law and global anti-trafficking campaigns, and how they impact sex workers in both voluntary and involuntary situations. Immoral Traffic examines the role of legal actors and NGOs in implementing these interventions, revealing the mix of paternalism, humanitarianism, punitive care, bureaucracy, and morality in their efforts. Through a sequence of interventions prescribed by India's anti-prostitution law, the book follows the experiences of sex workers, from rescues to courts to carceral shelters. It sheds light on the ways in which donor-driven NGOs draw upon this law to implement anti-trafficking agendas, and how these interventions are navigated by women removed from the sex trade. Detailed and eye-opening, this book is a valuable resource for scholars and students of anthropology, law and society, gender and sexuality studies, South Asian studies, global studies, and critical studies of NGOs and humanitarianism.Vibhuti Ramachandran is an anthropologist of law, gender and sexuality, and South Asia. She serves as an Associate Professor at University of California-Irvine's Department of Global and International Studies, School of Social Sciences. Saumya Dadoo is a PhD Candidate at Columbia University's Department of Middle East, South Asian, and African Studies (MESAAS). Her dissertation focuses on the history of policing and punishment in colonial North India.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“If whores were free, it would mean that everyone else would have to be free” (ix). Notes from the Sex Worker Left: Lumpen Theory (Duke UP, 2026) opens with a quote from Clara expanding on the Combahee River Collective 1977 statement. Interweaving interviews and writing by sex workers like Clara, Notes from the Sex Worker Left by Heather Berg offers a political theory that critiques family/couple-form, work, and state, envisioning militant community care. Rejecting the pressure to fit into a category of hardworking, respectable workers dominant even in the Left, Heather Berg extends Marxist theorization of lumpenproletariat: the working-class “who were criminalized, itinerant, and otherwise making a living of ‘dubious means’ ” (13). Although lumpenproletariat is not a cohesive category, with sex workers offering different perspectives and experiences, Berg reads lumpenness as a “critical standpoint” (14) to reimagine the world where we are able to not only survive, but also thrive, collectively. Through theorizing, the book invites the readers to think with sex workers on the question of how we can thrive in this increasingly precarious world. This book is a thought-provoking and beautiful read for anyone who is interested in exploring these questions together at the intersections of gender studies, labor studies, and political theory. Beyond academia, anyone who wants to delve deeper into the couple-form, work, and state structure, dreaming of escape and alternatives, would find this to be a rewarding read.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Susan E. Kirtley and Nhora Lucía Serrano's Women in Comics (Black Dog & Leventhal, 2026) is a richly illustrated, essential guide to the importance of women in the comics space from across time and around the globe. Comics in the form of editorial cartoons, comic strips, digital comics, comic books, and graphic novels have combined words and images to tell stories of hundreds of years. Though often overlooked, women have played a vital role in shaping this genre, both as creators and characters within the stories themselves. Through six archetypes frequently found in comics—the patriot, the working woman, the socialite, the fashionista, the reporter, and the spy—Kirtley and Serrano trace some of comics’ most influential women. This insightful exploration of international characters celebrates the feminist role model Wonder Woman, the warrior-maiden Oscar François de Jarjayes in the gender-defying manga tale Berusiyu no Bara (The Rose of Versailles), the real-life groundbreaking journalist Nellie Bly, and many others. Profiles throughout the book highlight the important work of female creators, heralding the bravery of political cartoonists such as Corinne “Coco” Rey and Rayma Suprani, the power of biography as reportage with Marjane Satrapi and Sophia Glock, and the value of visibility with Alison Bechdel and Mariko Tamaki.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Samar Abdel-Rahman's Egyptian Male Film Stars in the Nasser Era: Envisioning a National Identity (American University of Cairo Press, 2026) explores male stardom in Egyptian cinema produced during the early years following the Free Officers' revolution of 1952, through the lives and careers of three key stars: Omar al-Sharif, Ismail Yassin, and Farid Shawqi. In attempting to find a balance between the traditional and the modern, the Nasser era placed an emphasis on education, work, and gender equality. Yet, faithfulness to Egyptian traditions and values remained a key part of the state’s vision of collective identity. Samar illuminates how these stars promoted a civic identity that aligned with the regime’s ambitions, and how each of them—through melodrama, comedy, and action—negotiated a different facet of masculine identity that spoke to the ambivalent constructions of hegemonic masculinity during this critical post-colonial period. Samar Abdel-Rahman holds a PhD in film studies from King's College London and  is currently a lecturer of World Cinema at the University of Liverpool. Her research, which focuses on stardom and performance in Middle Eastern and North African Cinemas, has been published in edited volumes including The Routledge Companion to European Cinema. Saman Nasser holds an MA in world history from James Madison University, where he currently works as an educational staff. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How Girls Achieve points out a simple and overlooked truth: most schools never had girls in mind to begin with. That is why the world needs what Dr. Sally Nuamah calls “feminist schools,” deliberately designed to provide girls with achievement-oriented identities. And she shows how these schools would help all students, regardless of their gender. Educated women raise healthier families, build stronger communities, and generate economic opportunities for themselves and their children. Yet millions of disadvantaged girls never make it to school—and too many others drop out or fail. Upending decades of advice and billions of dollars in aid, Dr, Nuamah argues that this happens because so many challenges girls confront—from sexual abuse to unequal access to materials and opportunities—go unaddressed. But it isn’t enough just to go to school. What you learn there has to prepare you for the world where you’ll put that knowledge to work. Dr. Nuamah reveals that developing resilience is not a gender-neutral undertaking. Preaching grit doesn’t help girls; it actively harms them. Drawing on her deep immersion in classrooms in the United States, Ghana, and South Africa, Nuamah calls for a new approach: creating feminist schools that will actively teach girls how and when to challenge society’s norms, and allow them to carve out their own paths to success. Guest: Dr. Sally A. Nuamah is an associate professor of Urban Politics in Human Development, Social Policy and Political Science (by courtesy) at Northwestern University. She has received numerous awards; began the TWII Foundation to provide funding for girls striving to be first in their families to go to college; and was a postdoctoral fellow at Princeton University and a Women and Public Policy fellow at the Harvard Kennedy School. Host is: Dr. Christina Gessler is the producer of the both Academic Life podcast and the show’s weekly newsletter. She is a writing coach and developmental editor for academics. Listeners may be interested in: Teacher By TeacherDoing the Work of Equity Leadership for Justice and Systems ChangeBlack Girls and How We Fail ThemLeading from the MarginsHow We Show UpHow Schools Make RaceBlack Woman On BoardRemembering LucilleCan I Say That?Teaching About Race And RacismWelcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! This episode was originally published Nov 6, 2020 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fitness for Freedom: Disability, Degeneration, and Modern Irish Writing (Syracuse UP, 2025) explores the legacy of intersectional stereotypes of disability, race, gender, sexuality, class, and religion that justified imperial rule in Ireland and the forms of oppression that continued after independence. Marion Quirici identifies models of citizenship and creative autonomy in Irish modernist literature that valorize vulnerability over ability and interdependence over independence. She uncovers a history in which an entire nation, Ireland, was characterized as disabled and therefore “not fit for freedom.” Beyond symbolism, the Famine and decades of emigration led to a perception that Ireland’s racial stocks were depleted, and that those who remained were feeble and few. The fraught relationship between disability and Irishness provides context for Quirici’s analysis of modernist Irish literature. Revivalists such as William Butler Yeats, Lady Gregory, Pádraic Pearse, and the Gaelic Athletic Association created new mythologies of Irish ability to counter imperial stereotypes, tacitly reinforcing the idea of disability as a disqualification for sovereignty. Certain Irish modernists, however—James Joyce, Edna O’Brien, Samuel Beckett, Brian O’Nolan, and Christy Brown—called the “fitness for freedom” ideology into question. These authors allow us to disentangle disability from unfitness and scrutinize its relationship to liberation. In their work, disability becomes an avenue for exploring the human experience and discovering the inherent creativity and collaborative potential of an interdependent life. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode’s centers on Sophie Lewis’s new book Femmephilia. A collection of essays published in various outlets over the last several years, this book will take readers through a number of disparate topics, from the recent Disney remake of The Little Mermaid to experiments with psychedelics to the bizarre meanings one might find at its end. Uniting it all though is an unapologetically anticapitalist and utopian feminism, one that sees in various examples and experiences of femme glimpses both of the contradictions of our present moment and brief glimmers of what an emancipated world might look like. Sophie Lewis is a freelance writer, with work appearing in a number of outlets including London Review of Books, The Drift and e-flux. Her previous books are Enemy Feminisms, Abolish the Family and Full Surrogacy Now.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Across Pakistan's rooftops, pigeon flyers devote enormous care and labor to birds that soar the skies, take part in competitions, and knit together communities otherwise divided by caste, class, language, and ethnicity. Spies and Other Pigeons: Hospitality and Hostility in Multispecies Pakistan (U Washington, 2026) follows these flyers across four provinces, revealing a world of shauq (passionate pursuits) where training, feeding, and flying become affective acts to welcome a more-than-human other into the home.When cherished birds cross the militarized India-Pakistan border, they are recast as intruders and “spies," exposing the thin line between welcome and suspicion, hospitality and hostility. Through long-term ethnography, Dr. Muhammed Kavesh traces the layered meanings of arrival, both at the home and the homeland, showing how pigeons illuminate political tensions while sustaining bonds of play, care, and enthusiasm. Interweaving anthropology, South Asian studies, and multispecies studies with the Punjabi folktale of Heer Ranjha, Dr. Kavesh offers a conceptually rich account of human-pigeon relatedness. Moving from village lofts and urban rooftops to racing clubs and borderlands, the book demonstrates how animals mediate danger, belonging, and reciprocity across contested lines.Original and exciting, Spies and Other Pigeons reframes multispecies anthropology through a South Asian lens, revealing how the care and labor of pigeon keeping anchor local worlds and unsettle national borders.   This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When the Taiwanese political drama Wave Makers appeared in April 2023, few anticipated its impact beyond the screen. Within weeks, survivors in politics, the media, academia and the arts began sharing experiences of sexual harassment and assault, giving momentum to Taiwan’s long-delayed #MeToo movement.  XinLing Li’s new book, Wave Makers and the Rise of #MeToo in Taiwan: Media, Empathy, and Digital Testimony (Anthem Press, 2026), asks how a fictional series became a cultural catalyst. Li argues that the drama gave form to experiences that had remained unspoken, while social media allowed personal testimony to circulate without institutional permission.  The book is part of the new short-book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.  In this podcast, Dr Ming-yeh T. Rawnsley talks with Dr Li about television, empathy, digital testimony, and the opportunities and inequalities within Taiwan's #MeToo movement. Themes include:  Why Taiwan’s #MeToo movement came late - the gap between progressive laws and the cultural conditions that still discourage survivors from speaking.The ‘perfect victim’ - how Wave Makers challenges the assumption that only women who conform to conventional ideas of femininity deserve belief and justice.The feminist snap - why the line ‘Let’s not just let it go this time’ gave viewers a language for recognising accumulated injustice.Empathy and narrative identity - how fictional characters help audiences interpret their own experiences and respond to others.Digital testimony and affective publics - how social media weakens traditional gatekeeping while introducing new risks and struggles for attention.Women’s solidarity - how the drama examines agency, family relationships and the historical expectation that women define themselves through men.The limits of visibility - why migrant domestic workers remain especially vulnerable and often unable to speak without risking their livelihoods or immigration status. One of the book’s most compelling arguments is that art can give structure to what Raymond Williams called ‘emergent feelings’: experiences without an accepted public language. Through recognisable characters and an accessible story, Wave Makers transformed a familiar instruction to remain silent – ‘just let it go’ – into a shared refusal.  The podcast also considers how the hashtag changes testimony. Survivors can now address audiences directly, rather than relying entirely on journalists and other institutional gatekeepers. Yet visibility remains uneven. Stories involving celebrities and senior politicians attract attention more readily than those of migrant domestic workers, who may face dismissal, loss of visa status or deportation if they speak publicly.  Li is cautious about treating Wave Makers as a formula for political change. No television programme can produce a movement on demand. Popular culture can nevertheless offer language and recognition when audiences are ready to respond.  The story of Wave Makers is ultimately about the unpredictable movement between fiction and public life: a drama helped people recognise experiences they had been encouraged to dismiss, while digital platforms allowed the words ‘me too’ to become testimony, solidarity and action. Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short-book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.  Dr Xinling Li is an independent scholar based in New York. He studied at Cambridge University.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Featuring personal essay, manifesto, creative nonfiction, and poetry, Tsunami: Women’s Voices From Mexico (Feminist Press, 2025) gathers the multiplicity of voices being raised in Mexico today against patriarchy and its buried structures. Tackling gender violence, community building, #MeToo, Indigenous rights, and more, these writings rock the core of what we know feminism to be, dismantling its Eurocentric roots and directing its critical thrust towards current affairs in Mexico today. Asserting plurality as a political priority, Tsunami includes trans voices, Indigenous voices, Afro-Latinx voices, voices from within and outside academic institutions, and voices spanning generations. Tsunami is the combined force and critique of the three feminist waves, the marea verde (“green wave”) of protests that have swept through Latin America in recent years, and the tides turned by insurgent feminisms at the margins of public discourse. Guest: Gabriela Jauregui’s books include Feral, Many Fiestas, and La memoria de las cosas. She edited and coauthored Tsunami and Tsunami 2, published in Spanish in 2018 and 2021 respectively. She is a Soros New American Fellow, a Borchard Fellow, and was part of the Hay Festival's Bogotá 39 best young authors in Latin America. She holds a PhD in comparative literature from USC and teaches at the National Autonomous University in Mexico (UNAM). Guest: Heather Cleary is an award-winning translator whose work has been recognized by English PEN, the National Book Foundation, the Best Translated Book Award, and the Mellon Foundation. A member of the Cedilla & Co. translation collective, she was a founding editor of the digital, multilingual Buenos Aires Review. She holds a PhD in Latin American and Iberian cultures from Columbia University, and teaches at Sarah Lawrence College. Host: Dr. Christina Gessler is a developmental editor and writing coach for scholars in the humanities. She is the producer of the Academic Life podcast, and the show’s newsletter. Playlist: Thanks to LifeThe Madres de la Plaza de MayoThe Things We Didn't KnowIn The Garden Behind The MoonThe CommonThe Translators DaughterWe Take Our Cities With UsA Calm and Normal HeartThe Names of All the FlowersWelcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Strange and Familiar History of Byzantine Ar: Interpretation, Risk, and Empathy (ARC Humanities Press, 2026) represents a risky experiment in art-history writing. It takes objects of Byzantine art—manuscript illustration, frescos, mosaic, sculpture—and reads them through the lenses of disability studies, media studies, and gender studies in order to reveal something about their significance not only in that historical culture, but also in our own. Moreover, it uses lenses of personal history and self-reflection as a way to model an open-ended and faceted art history. Modern works of film, fiction, and art likewise appear frequently so that the Byzantine objects can emerge as both more strange and more familiar, and as both of the past and of our world. Their capacity for holding multiple times, generating multiple meanings, and for multiple subjectivities is fully embraced, and perhaps a different kind of art history emerges, one that eschews argument and mastery for humility, openness, empathy—thinking with, rather than about. New Books in Late Antiquity is Presented by Ancient Jew Review Glenn Peers is Emeritus Professor, Art History at University of Texas Austin and Syracuse University Michael Motia teaches in Classics and Religious Studies at UMass Boston Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sociology of Gender in India brings together feminist and queer scholarship to chart the changing landscape of gender debates in Indian sociology. Spanning over five decades of disciplinary evolution, this volume interrogates how gender, caste, sexuality, class, and digitalisation intersect in shaping contemporary social life. With chapters by a new generation of scholars, it critically engages with foundational debates in kinship, marriage, labour, media, nationalism, and pedagogy, while foregrounding neglected areas such as femtech, queer infrastructures, and digital precarity. The volume not only reanimates classic concerns of Indian feminist sociology but also aims to intervene in global conversations on intersectionality, decolonial knowledge, and the sociology of everyday life. Pushpesh Kumar teaches sociology at the University of Hyderabad. He has written extensively on gender and sexuality issues.  Rituparna Patgiri teaches Sociology in the Department of Humanities and Social Sciences (HSS) at the Indian Institute of Technology (IIT), Guwahati. Her research explores questions of culture, food, media, gender, and pedagogy.  Deepali Aparajita Dungdung teaches in the Department of Sociology, Ranchi University. Her research examines the intersections of gender, ethnicity, and care work within contemporary capitalism, with her more recent work focusing on language, education, and development. Priyam Sinha is an Early-Career Fellow at the Wee Kim Wee School of Communication and Information, Nanyang Technological University, where her work sits at the intersection of critical media industry studies, production cultures, disability studies, gender studies, and digital media development in Asia. She previously held a Humboldt Postdoctoral Research Fellowship at the Institute for Asian and African Studies, Humboldt University Berlin, and her doctoral research was awarded by the Singapore Indian Chamber of Commerce and Industry. Her articles appear in the European Journal of Cultural Studies; Media, Culture and Society; Communication, Culture and Critique; and South Asian Diaspora, among others. Committed to public scholarship, she is a regular host on the New Books Network and has written for the Economic and Political Weekly, the Asian Film Archive, and FemAsia. Her work can be found at here and you can follow her on X here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The clothes we inherit, covet, purchase, borrow, wear, store, destroy, or give away are intricately woven into our ideas about who we are and how we relate to others and the world around us. Clothes are things that can console us or trouble us. They can be objects buoyant with cherished memories and self-affirming associations—or weighed down with loss, disappointment, or other difficult feelings. Sometimes, they can be both at once. Dressays (Bloomsbury Visual Arts, 2026) is a new collection of essays about dress just out with Bloomsbury. Edited by the feminist media scholar Dr Rosie Findlay, Senior Lecturer in Media at City, University of London, it’s a rich and idiosyncratic book that carefully attends to everyday practices of dress as they connect to emotion, memory, imagination, and experience. Diverse in its approach to dress—including clothing as well as jewellery, wigs, prosthetics, and other garments that we wear close to the skin—Dressays also brings together an array of writing styles and voices. These beautifully written essays bridge the personal and the theoretical as they seek to find language to express the complicated meanings we invest (or discover) in our clothes. For the New Books Network, Rosie chats with Alix Beeston—one clothes-lover to another—about her approach to dress, the practicalities of crafting an anthology of new and existing works, the realities of obsessive, tenacious research practices (which may or may not be slightly “unhinged”!), and the value of scholarship as a form of collective dialogue that invites readers along to the party. Passionate and insightful at each turn, Rosie also offers some courageous and moving reflections about the influence on her life and work of her mum Sarah, who died shortly before Dressays was published and to whom it's dedicated with love. Dressays emerges as a powerful testament to Sarah’s—and Rosie’s—ability to bring together people as well as they do outfits. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.