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How AI is rewiring our social fabric—and how we can better shape our future. The age of AI is not what you think. Rather than ushering in a fourth Industrial Revolution, AI has become a crucial social infrastructure of everyday life. It's embedded in the tools, platforms, and systems that organize our most intimate lives and our interactions with the most fundamental institutions of society, from government agencies to banks and schools. In these linkages are embedded assumptions about who we are, what we can do, and where we belong. In Predicted: How AI Is Restructuring Social Life (U California Press, 2026), Mona Sloane offers a pragmatic framework for understanding these transformations around prediction, classification, and linearity, proposing that we think about AI as a social arrangement that we coproduce. Drawing on over a decade of empirical research and real-world examples, this book invites us to see AI for what it is: deeply social, deeply political, and open to change. Clear-eyed and provocative, Predicted is a call to reclaim deliberations about progress and innovation as a public good and to ensure that the futures we chart are the ones we choose—together. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Social media giants like Meta and transnational regulators such as the European Union are transforming private governance by creatively emulating public law frameworks. Drawing on exclusive interviews and in-depth analysis of Meta's Oversight Board and the EU's Digital Services Act, Governance by Emulation: The Oversight Board, the Digital Services Act, and the Struggle for Platform Accountability (Cambridge UP, 2026) explores how these approaches blend European and American perspectives, bridging distinct legal traditions to address the challenges of platform governance. Analysis of content moderation practices and their implications uncovers a critical pattern in the evolution of governance for industries that will define the future, from digital platforms to emerging technologies. Combining public and private law in innovative ways, the book sheds light on bold governance experiments that will shape the digital world-for better or worse. This study offers crucial insights for understanding the next chapter of global governance in an increasingly interconnected and privatized world. This title is also available as Open Access on Cambridge Core. Find Moritz here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today I’m speaking with Garrison Lovely, technology journalist and author of the new book, Obsolete: The AI Industry's Trillion Dollar Race to Replace Us — and How to Stop It (OR Books, 2026). Artificial intelligence is perhaps the most discussed and most misunderstood topic today. Even to the experts and captains of industry, the frontier large language models are essentially black boxes. AI poses many reasons to be both skeptical and optimistic, yet it also poses a fundamental threat to our current economic order and social contract. If AI succeeds, what will it mean for workers, consumers, and the huddled masses who do not own the multi-trillion dollar companies directing the global economy? Garrison Lovely has coined the term, Obsoleting Project to describe the goal of AI companies to build machines that outperform humans on nearly every task. It reimagines technology, not as a tool of efficiency, but rather as a tool that replaces labor full-stop. What happens to our society if they succeed? Garrison’s Obsolete is a fantastic round-up of the most important social and economic challenges posed by AI. I’m thrilled today to have Garrison on The Truth About B******t to understand a bit more about the Obsoleting Project. Caleb Zakarin is CEO and Publisher of the New Books Network. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It is fair to say Aarthi Vadde's wonderful new book, We The Platform, demostrates "how literature changes our perspective on the internet." But you also need to add that it "respond[s] to decline narratives about literature and literary study and to offer an alternative to prevailing sense of defeat and nostalgia that guides them.” Her conversation with John, like the book itself, aims to narrate the history of Web 2.0 from about 2004 to the present and to explore how writers themselves have responded since 2008. (That means compression" so please Google Aarthi to learn more about her Duke professorship, earlier Levin-prize winning Chimeras of Form: Modernist Internationalism beyond Europe, 1914-2016 , role as President of the Society for Novel Studies; and forthcoming co-edited Columbia University Press collection of conversations from podcast she co-founded, Novel Dialogue.) Aarthi is brimming with unexpected insights about writers responding in varied and unpredictable ways to textual production under digital conditions: Patricia Lockwood, Lauren Oyler, Tao Lin and even Sheila Heti, who early on experimented with LLM conversations in the New Yorker. She sees a new range of writers (Vauhini Vara, Meghan O'Gieblyn) maintaining a commitment to experimental writing, while engaging the power dynamics befalling them with this new tool, what she calls a new case of the "writer's hand at a distance." Finally, when it comes to defining the "multi-front battle" university English departments will have to fight for their survival, Aarthi also wants to respond generously to students whose desire to write is as strong as their desire to read: why should we condemn that as a narcissistic impulse? Read the episode here. Mentioned in the episode Karen Hao, Empire of AISarah Wynne-Williams, Careless PeopleLaurence Lessig Free CultureXu Bing's Book from the GroundFred Bennison's Emoji Dick.“glitch art”Recallable Books  Elizabeth Eisenstein's 1970 The Printing Press as an Agent of Change, as well as this AHR debate between Eisenstein and Adrian Johns.Ben Mangrum, The Comedy of Computation: also this excellent Recall this Book conversation about the feared obsolsence of the human knolwedge worker). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How Do AI & Innovation Cohabitate?  Bryan Cassady is an author, professor, and all-around innovator, whether in book form or in classrooms, real and virtual, stretching from Europe to India.  He is a professor, consultant, and a serial entrepreneur now with a mission: to teach 1 million innovators by 2027. He has built companies in 6 countries and trained 40,000+ leaders. He’s also a former professional racquetball player turned mathematician, a United Nations professional who speaks four languages. A researcher who has published on innovation, alignment, and social-media addiction. He’s co-created books with 50+ experts worldwide, including the international bestsellers CYCLES and The Generative Organization: AI Playbook for Exponential Leaders. There’s the question before the formal questions begin, and then there’s adding humans into the loop—and all across the innovation process, AI has an instrumental role to play. That’s the verdict of this week’s guest, Bryan Cassady, who, true to his word, has put together an outside-the-box book that has brought into the fold multiple co-authors. One of Bryan's main points in both his book and this interview is that AI is a brilliant co-pilot, but a terrible pilot alone. Good prompts are vital for establishing context, role-playing scenarios, and using synthetic-user personas to create a Customer Avatar that helps you tell whether your innovation is likely to find buyers in the marketplace. If there’s a more charming, thoughtful guest than today’s, we’d be surprised.  Bryan’s Offer You can learn more about him at BryanCassady.com and take advantage of his offer to download a free book and toolkit here, helping him achieve his mission above! Real Transformations: Business Change That Works from the Inside Out is co-hosted by Julie Anixter and Dan Hill, PhD, entrepreneurs with deep experience as corporate change agents, devoted to helping companies make continuous change work for everyone through clarity and connection. To learn about their keynote talks, workshops and labs, check out the website here.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Many Americans have a constant dread of impending doom. Glued to the screens of our computers and smartphones, we sense that some total catastrophe is just around the corner. But what if our anxiety stems from an event that’s already completely destroyed an old world? What if the real cataclysm was the introduction of those computers and smartphones, and our current political, cultural, and social crisis is just our way of merely dealing with the fallout? So argues the political theorist James Poulos, who is my guest in Episode 7 of Season 6 on Madison’s Notes. Having earned his PhD in government at Georgetown University, he was a founding editor of The American Mind, Return, and Frontier, where he is currently editorial director. The author of The Art of Being Free (2017), Human, Forever (2021), I Know This Sounds Crazy (2024), and an upcoming book called, Golden Age Problems, he recently wrote a Palladium Magazine essay called, “The Dostoevskian Moment,” which we use along with Human, Forever to discuss the digital technology crisis. Along the way we discuss media theorists like Marshall McLuhan and Jean Beaudrillard, the American political tradition, post-Cold-War civilizational states, cryptocurrency and AI, digital sovereignty, the modern camps fighting over technology among effective altruists, vitalists, gnostics and post-humanists, conversions to Eastern Orthodoxy, the Pink Police State, why Mars colonies are safer for humanity than Lunar ones, and the genius of David Lynch. Hosted by Ryan Shinkel, Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. The transcript for this interview is available on the JMP substack page, “Madison’s Footnotes. Please share and enjoy. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Could humanity’s most powerful invention become a threat to its survival? In this episode of The Survival Curve, we examine the disturbing prospect behind the “ten percent” debate: a risk of catastrophe that cannot be precisely calculated, but whose consequences demand serious attention. We explore three routes to disaster: machines escaping human control, people using AI to unleash devastating cyber or biological attacks, and military systems accelerating a crisis towards nuclear war. What happens when a human still approves the decision, but no longer has the time or information to question the machine? Can governments preserve meaningful control as technological competition intensifies—and who bears responsibility if they fail?  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Projecting Knowledge: The Optical Lantern and Science Communication, 1880s-1940s (Brepols, 2026) takes one of those fundamental questions - how does knowledge circulate? - and says, like others: we must look at the media technologies through which that knowledge not only circulates, but is transformed. This edited collection does that by looking at the history of the projection lantern across the late 19th and early 20th centuries. The projection lantern, also known as the 'magic lantern', 'optical lantern', and 'sciopticon', amongst other names, is part of a long history of media technologies and techniques that have allowed users to project images onto surfaces for audiences to view. The optical lantern helped the projected image become a ubiquitous form of media, known by wide and diverse publics during a wave of 19th century media popularisation.  From the 1880s until well into the twentieth century, the optical lantern was an immensely important tool to disseminate knowledge both within and outside academia, particularly in Western Europe and the United States. This volume maps the lantern-illustrated lecture from various perspectives, with contributions on how to research historical audiences, on the spaces where projection was used, on the role of images as evidence, on the shifts in pedagogy that were supported by the projected image, and on the archives and sources that provide access to material that allows an understanding of the multiple ways in which the medium was used. Projecting Knowledge was edited by Dulce da Rocha Gonçalves, Nico de Klerk, Frank Kessler, and Jamilla Notebaard. Dulce da Rocha Gonçalves is a historian interested in the cultural dimensions of media, science, and technology. She earned her PhD at Utrecht University within the research project Projecting Knowledge, producing the first large-scale survey of public lantern lectures in Dutch society from the late nineteenth century to the Second World War. She currently holds a postdoctoral position in the Technology, Innovation & Society group at Eindhoven University of Technology.Nico de Klerk is an independent researcher and archivist in the field of film and media history. Between 2018 and 2023, he was a postdoctoral researcher in the project Projecting Knowledge at Utrecht University, which partly overlapped with his research for the project Educational Film Practices in Austria, 1918-1970, at the Ludwig Boltzmann Institut for Digital History, Vienna. His current research focuses on the film-illustrated lecture in the Netherlands between c. 1910 and 1940. Frank Kessler is professor emeritus of Media History at Utrecht University. He is one of the founders of KINtop. Jahrbuch zur Erforschung des frühen Films and the KINtop – Studies in Early Cinema book series. His research interests focus on the emergence of cinema as a multi-facetted medium and a cultural form, as well as on nineteenth-century visual media. His most recent research is dedicated the optical lantern as a tool for knowledge communication. Jamilla Notebaard is a historian whose doctoral research explored the use of the magic lantern in Dutch academic education at the end of the nineteenth century. Her work reflects a deep interest in the history of science, particularly in the epistemic role of images in shaping knowledge within scholarly communities and beyond. She investigates how visual representations function as carriers of meaning, influencing both collective understanding and individual perception. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Increasingly, it seems like the corporate names that dominate headlines are much more diverse than they used to be. Samsung, TSMC, and SK Hynix. Alibaba and Tencent; BYD and DeepSeek. Sea and Grab.  For twenty-five years, it seems like every major technology was American . That assumption is now under strain as innovation spreads from one place to many.  Mehran Gul tries to map out this new network in his book The New Geography of Innovation: The Global Contest for Breakthrough Technologies (Simon and Schuster, 2026). From China's startlingly messy AI ecosystem to Singapore's government-led innovation, from South Korea's decades-old conglomerates still at the frontier to India's world-class talent that too often works abroad; from Europe's struggle to hold on to its best companies, to the deeper role of the state everywhere—including in Silicon Valley—and why the United States, far from declining, is extending its lead into a genuinely bipolar technological order. Mehran is a winner of the Financial Times/McKinsey Bracken Bower Prize. He attended Yale where he was a Fulbright Scholar, Fox International Fellow, and Teaching Fellow. He has been a Lead for the Digital Transformation of Industries at the World Economic Forum and an expert on Higher Education, Entrepreneurship, and Industrial Policy at the United Nations Industrial Development Organization. Before Yale, he studied at the Lahore University of Management Sciences. He has been a visiting scholar at the Jawaharlal Nehru University in New Delhi and a Fellow with the Acumen Fund.  You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The New Geography of Innovation. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We are in a state of crisis. Democracy is under threat, authoritarian politics are on the rise, and digital media—once heralded as emancipatory technologies—are increasingly implicated in democratic erosion. The Discursive-Digital Link offers a critical framework for understanding the entangled relationships between discourse, digital media, and the hidden dynamics behind antagonism and polarisation. The Discursive-Digital Link: Antagonism and Polarisation in Digital Spaces (Routledge, 2025) presents a fluid social ontology that theorises how discourses and digital communication technologies are inseparably entangled, and how this entanglement contributes to the formation of complex hierarchical relations. Drawing on discourse theory and new materialist perspectives, Dehghan maps how the various components of the discursive-digital link—users, collectives, identities, the medium’s design, underlying neoliberal capitalist logics, and structural power dynamics—together shape antagonistic frontiers in digital spaces. Through detailed case studies across multiple digital media, Dehghan demonstrates how these entanglements manifest through different articulatory logics that could transform societies towards either agonistic progress or disastrous polarisation. By revealing the logics of discursive-digital alliances and active passivity, Dehghan provides critical insights for academics, activists, and anyone seeking to foster progressive togetherness. The Discursive-Digital Link offers a powerful theoretical framework and methodology for analysing digitally mediated communication. It challenges monolithic understandings of polarisation, technological solutionism, and symptom-focused approaches, instead advocating for radical structural interventions across all entangled components of the discursive-digital link—a necessary shift in both academic research and progressive political strategy to address the democratic crises of our time.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When I heard that Leo XIV’s first encyclical, “Magnifica Humanitas,” was about “Safeguarding the Human Person in the Time of Artificial Intelligence,” my first reaction was dread. Turns out I was wrong; always something new out of Chicago..... This is an experiment (akin to Books in Dark Times and Recall This Story and Recall This B-Side and to JP's earlier Hannah Arendt articles) in soliloquy. You can consult footnotes and read a transcript by heading back to the article in its original form here. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Debates about AI typically deal with its immediate material consequences, from cybersecurity and infrastructure to plagiarism and copyright. Yet most people deal with AI as a generative consumer product that raises longer-term questions about its cultural effects on American society, human art, and ultimately, our souls. What is the role of the artist, for example, when a bot can crank out the same thing more quickly and efficiently? To help answer that question, as we continue Season 6, I have as our guest the playwright, novelist, and essayist Matthew Gasda. The author of the novels The Sleepers (2025) and Stranger Beauty (2026), he has written, produced, and directed over thirty plays, including Dimes Square, Zoomers, and Doomers, with his former production company, The Center for Theatre Research. Today, drawing on his upcoming book, Futurepast (Encounter Books 2026), alongside Stranger Beauty, his many essays on culture and technology, as well as his Ted Talk about training an LLM on his own works, we discuss the future of the creative arts in the AI age. We also touch upon the paradoxes of Jorge-Luis Borges, Harold Bloom’s literary criticism, what is different about large language models, why Kafka felt older than his predecessors, the mysteries of poetic inspiration and of the soul, what hosting live theater was like during the pandemic, the possibility of secular monasteries, how to use AI as a competitor to root out artistic complacency, and the unpredictable prospects for cultural renewal. Hosted by Ryan Shinkel, Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. The transcript for this interview is available on the JMP substack page, “Madison’s Footnotes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of International Horizons, host John Torpey sits with Pepper Culpepper, Blavatnik Professor of Government and Public Policy at the University of Oxford, to explore the core thesis of his recent book, Billionaire Backlash: The Age of Corporate Scandal and How It Could Save Democracy (co-authored with Taeku Lee). Drawing historical parallels to the American Progressive Era and the trust-busting of the early 20th century, Culpepper explains how corporate missteps act as catalysts for public action. The discussion delves into the concept of "latent opinion"—the submerged, widespread unease regarding corporate power, tech monopolies, and unchecked wealth that may be missed by conventional polling endeavors — and how high-profile scandals mobilize this sentiment into concrete regulatory reform. From the fiasco of Cambridge Analytica and controversies over AI data centers to the rising political tension surrounding billionaires, this conversation offers a nuanced, "possibilist" framework for how public outrage can revitalize democratic institutions and establish essential guardrails for modern capitalism. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Hollywood today, thousands of data specialists work for streaming video platforms, playing a role not just in distribution and marketing but also in decisions about content and production. In Data-Driven Hollywood: The New Data Professionals in the Age of Streaming (Princeton UP, 2026), Violaine Roussel examines the emergence of this new category of professionals at the heart of the Hollywood dream factory. Roussel shows how the rise of data and algorithm specialists has transformed organizations and rearranged power relationships within them. Drawing on extensive interviews and in situ observations, she describes the ways that technical “data work” carried out by professionals at streaming platforms including Netflix, Amazon Prime Video, and Disney+ has had a significant effect on creative decisions. Rather than fetishizing data and algorithmic models, Roussel explores the practices of the professionals who shape them, manipulate them, and give them power. She examines the relationships of these workers with traditional producers, describing legitimacy struggles and the eventual stabilization of new professional arrangements. Roussel’s account of the ways that data specialists deploy algorithmic models to reinvent their industry’s approach to content, artists, and the market—the first in-depth sociological study of the rise of this new profession—reveals the new forms of power and knowledge at play in today’s Hollywood. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

I spoke with Professor Marnie Hughes-Warrington about her 2026 book Artificial Historians, co-authored with Anne Martin and Lewis Yarlupurka O’Brien. A distinguished historian, philosopher, academic leader, and Officer of the Order of Australia (AO) based at the University of Adelaide, my guest explores how the logic of history, defined around trivalent logic (the “maybes,” the “ifs,” the ontological uncertainties), intersects with and challenges the logic of dominant AI algorithms. The book raises urgent questions about the changing status of human agency, the ethics of AI-powered data collection about us, and the de facto histories that AI is writing about us every second—histories that may decide whether we can travel, access education, or receive medical care. We talk about the opportunities that this perspective on AI presents to humans (and historians in particular!), how some non-Western conceptions of history—for instance, those of the Indigenous nations of Australia—complicate the dominant Western understanding of what history is, and the challenges we must address as we hand over more and more data and delegate the writing of actual human histories to AI. Aristotle makes a cameo, and my guest talks about how the economy might be shifting from knowledge bias to ethics bias. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.