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Selling the Word of God: The Early Commercial History of the English Bible (Bodleian, 2026) by Dr. Harry Spillane is a history of the English Bible as a book. A book that in order to be read had first to be sold. The Bible is the most published text in history and the story of its publication in the English language is extraordinary. Published on the occasion of the 500th anniversary of Tyndale’s groundbreaking printed translation of the New Testament, this book traces the evolution of the English Bible from 1525 to the much celebrated King James version of 1611. By this date, readers could already choose from over a dozen English versions, each of them printed in vastly different ways. Behind each edition are stories of rivalries, mistakes, bankruptcies and bestsellers. Far from being fixed, stable publications, Bibles were consistently undergoing change and development in the early modern period. Creativity and enterprise were at the heart of the English Bible market, something that the usual focus on Bible translators has often overshadowed. Illustrated with early editions, this book considers how printers created new markets for Bibles, how they advertised them, and how they commissioned innovative forms of illustration and decoration to attract buyers. How, it asks, did the English Bible become a bestseller? This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tom Birkett, University College, Cork, joins Jana Byars to discuss his new book, Runes: A Concise History (Oxford UP, 2025) An accessible and illuminating introduction to the history of the runic script, a writing system in use in the medieval North from the Roman Iron Age until the Reformation and beyond. Runes were the only writing system known to Germanic tribes, including those who migrated to England, and they provide a first-hand account of huge social change in the medieval North, including the Viking expansion in Europe and the adoption of Christianity. Often endowed with magical or prophetic properties--the keys to Middle Earth--runes were in fact a workaday script. As this book demonstrates, however, when the myths are stripped away the stories they tell us are no less fascinating.Join the fun! The iViking app discussed on the podcast is available for Apple or PC.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cosmopolitan Memories, Vernacular Visions: The Roots of Modern Korean (U Toronto Press, 2026) traces the emergence of vernacular Korean as a distinct subject of study in the late nineteenth and early twentieth centuries. Centering on school textbooks as key sites of change, Daniel Pieper reveals how language education became instrumental in forging modern Korean literacy and identity. The book situates this process within broader global patterns of vernacularization and nation-building across East Asia, Europe, and South Asia. Introducing the concept of “transformative bilingualism,” it argues that Korea’s language modernization – while catalyzed by colonial influence – ultimately reshaped both Korean and Japanese literacies. Daniel Pieper is a Korea Foundation Lecturer in Korean Studies at Monash University. He specializes in modern Korean language and literary history. His current research focuses on the emergence of vernacular Korean as a discrete subject in the modern school, the textual differentiation process of cosmopolitan Hanmun and vernacular Korean, and the role of language ideology in directing language standardization in pre-colonial and colonial-era Korea. Buy Cosmopolitan Memories, Vernacular Visions here  Dr. Pieper’s University Profile: here  Dr. Pieper on Academia.edu Profile: here   More by the author: "Foreign Objects or One Wing of the Same Bird? The Place of Hancha in Modern Korean Identity" in The Politics of Script and Language here  "Language Policy and Vernacular Education in Korea up to 1945" in Handbook of Language Policies in East Asia here  About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at [email protected]  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of the Language on the Move Podcast, Tazin Abdullah chats with Dr. Priyanka Bose. Priyanka is a lecturer in English Literacy Education at the School of Education at Western Sydney University, Australia and winner of the 2026 Michael Clyne Prize for outstanding postgraduate research into immigrant bilingualism and language contact. Tazin and Priyanka talk about Priyanka’s research into heritage language maintenance amongst Bengali speakers in Australia and how emotions play a decisive role in sustaining heritage language use via digital means. Their conversation about Bengali transnational families explores how grandparents and grandchildren use all the resources in their linguistic repertoire in combination with the affordances of digital mediums to communicate in and maintain Bengali. In these exchanges, emotional factors play a crucial role, setting the scene for the continued use of Bengali between generations. Reference Bose, P., Starfield, S., & Perera, N. (2025). ‘Ōlē bābālē!!!’ – Exploring emotions and digital language practices in family language policy among Bengali transnational families: A multimodal approach. International Journal of Bilingualism, 13670069251336173. DOI here For additional resources, show notes, and transcripts, go here. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Who has the “right” to learn Mandarin Chinese? In Multiracial Mandarin: Asian Americans and Impossible Language (U Minnesota Press, 2026), Dr. David Shuang Song examines how matters of race and privilege shape US Mandarin language education and who has access to it. Through a two-year ethnographic study of two Bay Area high schools where diasporic and heritage speakers learn Mandarin alongside Black and Latinx students, Song advances a sociological and educational–linguistic inquiry into how language interacts with our understanding of identity and equity. Comparing classroom activities in two public schools, Dr. Song investigates teachers who seek to make Mandarin accessible while detaching it from its cultural roots. As he explores the difficulties of limited resources, racial inequality, and pedagogical practices inherent in multiracial Mandarin instruction, Dr. Song shows how language education complicates how educators understand Asian American students and troubles conventional conversations around race and racial equity in schools. Arguing that language practice and instruction must always be considered in relation to diaspora, ethnicity, and racialization, Multiracial Mandarin offers a frank analysis of the risks and benefits of teaching a diasporic language and asks if this practice ought to be replicated in more schools. As he applies innovative conceptual frameworks for talking about language among Asian Americans, Dr. Song’s timely and theoretically sophisticated analysis has wide-ranging implications for how students, teachers, and administrators approach essential questions around education, privilege, and language survival. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The podcast covers the book Satirical Tibet: The Politics of Humor in Contemporary Amdo (U Washington Press, 2025), which is about satirical speech traditons from Amdo region of Tibet and the role of zurza in Tibetan cultural production and modernity. Tune in to find out more about satire, languages, cultures of what's funny and why. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this latest Books for Better Understanding video from Notre Dame Press, David Carlson facilitates a conversation between Marian Schwartz and Dan Mahoney about Aleksander Solzhenitsyn's March 1917 The Red Wheel, Node III available in English now for the first time. Schwartz and Mahoney discuss the historical, literary, and cultural significance of MARCH 1917. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It has long been understood that illness is influenced not only by our bodies' physiology, but also language, culture, and meaning. Healing and the Invention of Metaphor: Towards a Poetics of Illness Experience (Cambridge UP, 2025), written by renowned cultural psychiatrist Laurence Kirmayer, explores of the influence of metaphor, narrative, and imagination in experiences of suffering and processes of healing across cultures. It emphasizes how metaphor can open a window to the hidden mechanisms of healing driven by meaning and symbolism, myth and imagination. At the same time, it offers a rigorous critical account of the metaphors embedded in the epistemology and practice of contemporary biomedicine, psychiatry, and psychotherapy. In doing so, it exposes the sociomoral and political dimensions of these dominant approaches to understanding and treating illness. Laurence J. Kirmayer is Distinguished James McGill Professor and Director of the Division of Social and Transcultural Psychiatry at McGill University. He directs the Culture & Mental Health Research Unit at the Institute of Community and Family Psychiatry of the Jewish General Hospital in Montreal. He is a fellow of the Canadian Academy of Health Sciences and the Royal Society of Canada.  Dr. Anya Daly is Senior Lecturer in Philosophy and Ethics in the School of Arts and Society, University of Tasmania. Interdisciplinary collaborations are at the core of Anya’s research interests. She investigates the intersections of phenomenology with philosophy of mind, the philosophy of perception, the philosophy of psychiatry, embodied and social cognition, enactivism, ethics, aesthetics and Buddhist Philosophy. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This comprehensive history of the YIVO Institute for Jewish Research—a groundbreaking American Jewish cultural organization, library, and research center—details its longstanding efforts to preserve eastern European Jewish culture during a century of genocide and mass emigration. Founded in 1925, YIVO was a global organization with headquarters in Vilna until World War II. It represented the symbolic pinnacle of building a modern, secular Yiddish culture. Yet post-war, YIVO struggled to establish itself on a new continent, to reclaim what had survived of its Vilna collections, to document a lost world, and to impart the value of eastern European Jewish history and culture to new generations. Through the institute's steady commitment to establishing itself in New York and beyond, Yiddish language learning and scholarship became a crucial part of post-Holocaust Jewish life in a time when Hebrew was increasingly promoted in Jewish communities. Drawing on extensive archival research and oral histories, Weiser focuses on the transitional period of the YIVO Institute from 1940 to 1970 and showcases how the institute carved its own path toward scholarship and public engagement that remained true to its founding ethos—"from the folk, for the folk, and with the folk"—while acclimating to American society and mainstream Jewish culture. Kalman Weiser is the Silber Family Professor of Modern Jewish Studies and director of the Koschitzky Centre for Jewish Studies at York University. Caleb Zakarin is CEO and Publisher of the New Books Network. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today I’m speaking with David Bentley Hart about his book, A Gathering of Leaves: Extravagances and Ephemera, from the University of Notre Dame Press. David is a multi-faceted scholar who has contributed to the fields of philosophy, religious studies, and baseball, among others. The volume we will be discussing today is a collection of essays mostly originating from his website, Leaves in the Wind. The essays span a wide array of ideas, jumping from Ty Cobb’s undeserved reputation to the merits and deficiencies of writers like Thomas Mann, Vladimir Nabokov, and Cormac McCarthy. David also considers contemporary politics and the challenges writers face with the widespread diffusion of artificial intelligence. Each subsequent essay is both unexpected and often delightful. David is known for his vibrant style, and one can’t help but feel that they need to spend more time consulting their dictionary. In fact, David even recommends one, or rather recommends Nabokov’s favorite: Webster’s International, Second edition from 1944. Unabridged, of course. I'm so grateful to get the opportunity to speak with David Bentley Hart about A Gathering of Leaves. David Bentley Hart is a writer, religious studies scholar, philosopher, cultural commentator, and writer of fiction. Read his Substack. Caleb Zakarin is CEO and Publisher of the New Books Network. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Recent years have seen a striking resurgence of anti-imperial and anticolonial rhetoric on the international stage, from Global South to Global North and from the Left to the Right. Why do states deploy these forms of rhetoric in global politics? How do practitioners from the so-called non-Western world differ in their use and performance of rhetoric, and in what ways do they shape international order? In Rhetorical Powers: How Rising States Shape International Order (Columbia UP, 2026) Sasikumar Sundaram provides a bold new theory of rhetoric as power politics, demonstrating how non-Western states challenge their silencing within the Western-led international order. He argues that, in the deeply hierarchical international system, states in the lower rungs resort to rhetorical performances in order to be heard. Through anti-imperial and anticolonial rhetorical statecraft, states such as India, Brazil, and China seek to expose and exploit the contradictions in the legitimating principles, norms, and rules of the international system—and, in so doing, pursue and exercise power. Today, as Russia, Europe, and even the United States engage in anti-imperial and anticolonial rhetoric, Sundaram shows why lessons from the non-Western world are crucial to recognizing the dynamics of power politics and global disorder. A bracing challenge to established theories of power in international relations, Rhetorical Powers underscores the need to address enduring forms of silencing within the international order.  Hosted by Sachin Nikarge Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Engages with the life and ideas of the twelfth-century Shaiva mystic and philosopher-poet Allama Prabhu.  In his last, profoundly innovative work Allama Prabhu and the Shaiva Imagination, D. R. Nagaraj (1954-1998) engages with the twelfth-century Shaiva mystic and philosopher-poet Allama Prabhu, whose enigmatic writings have perplexed many and thus resisted analysis. Nagaraj situates Allama in three intellectual contexts: the medieval philosophical world built around the worship of Shiva; the pan-Indian bhakti tradition; and, most broadly, Indian mystical thought. This framework enables a reconstruction of Allama through the poet's engagement with fellow poet-spiritualists (vachanakaras) such as Basava, as well as with the Kashmiri Shaiva philosopher Abhinavagupta and the founder of Hindu monasticism Gorakhnath. Nagaraj's close readings of Allama's vachanas offer a vision of Shaiva bhakti that seems to contradict the erotic and romantic expressive modes of Sringara rasa while tracing the limits of language for an understanding of the divine. Allama, Nagaraj suggests, is an epistemological iconoclast who expands the horizons of language and thought. Through these explorations, Nagaraj decolonizes the standard modes of inquiry and critiques certain settled notions in Indian philosophy, revealing himself as a postcolonial scholar whose "hermeneutics of suspicion" leads to a novel understanding of Indian texts and traditions. Unifying literary criticism with critical theory, philosophical inquiry, and the history of ideas, the book's focus on a specific religious tradition--Virashaivism--is never singular, making it as much a work for scholars of Indian spiritualism and religious thought as for those interested in frameworks that transgress Eurocentricism. Translated into English by Kannada philosopher N. S. Gundur, this is a major contribution to studies of Indian philosophy and literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How does an independent press survive by publishing the books the Big Five overlook? Amherst College professor and Spanglish scholar Ilan Stavans joins Sarah Russo to talk about Restless Books, the press he founded to champion immigrant writers, literature in translation, and the books that live between languages. Ilan shares the origin of Restless Books (including the investor who told him to take a finance course first), the creation of the Kellman Prize for Immigrant Literature, and why he considers Spanglish one of the great creative forces in American English. Ilan and Sarah dig into the practical side of publishing in translation: finding the right translator, editing hybrid-language manuscripts, and navigating the politics around a single project. Ilan also offers advice for immigrant and early-career writers, and makes the case that small presses are doing some of the most important work in publishing today. For more information on Ilan and Restless Books, please visit the website. Books mentioned in this episode[1] : “People Who Live Alone Talk Too Much,” by Sofi Stambo  “A Nation Wrestles with God: American Prophets, Philosophers, and Firebrands,” edited by Ilan Stavans  “The People’s Tongue,” edited by Ilan Stavans  “Cecil the Lion Had to Die,” by Olena Stiazhkina, translated by Dominique Hoffmann  “Daniel and Ismail,” by Juan Pablo Iglesias and illustrated by Alex Peris  “Fictional Translations,” by Ilan Stavans  Also mentioned: Don Quixote, Frankenstein, and The Odyssey Key Moments 2:02 - How a Midlife Crisis Turned Into a Publishing House 📚Ilan's candid story of the investor who told him to take a finance course before he'd give him a dime. 5:31 - The $10,000 Bet That Became an 11-Year Literary Prize 🏆How the Kellman Prize for Immigrant Literature grew from a scrappy idea into a career-launching institution. 8:16 - Editing a 100-Voice Anthology on Faith in America ✝️The Lilly Endowment project that brought Obama, Du Bois, Sontag, Ginsberg, Dickenson, Rushdie, and many others into one book. 11:15 - Why Spanglish Isn't a "Broken" Language 🗣️Ilan on the creative, mestizo identity behind Spanglish, and why he believes there's no single version of it. 19:52 - The Trilingual Children's Book That Took 3 Years to Publish 🌍Finding an Arabic and a Hebrew translator willing to share a byline was "sheer torture." 24:09 - His Best Advice for Immigrant and First-Time Writers ✍️Why Ilan refuses to call anyone's English "broken," and what he tells writers drowning in drafts. [1]not sure if you want to mention the classics he cites at the end: Don Quixote, Frankenstein, and The Odyssey (we sort of have a lot here already) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Featuring personal essay, manifesto, creative nonfiction, and poetry, Tsunami: Women’s Voices From Mexico (Feminist Press, 2025) gathers the multiplicity of voices being raised in Mexico today against patriarchy and its buried structures. Tackling gender violence, community building, #MeToo, Indigenous rights, and more, these writings rock the core of what we know feminism to be, dismantling its Eurocentric roots and directing its critical thrust towards current affairs in Mexico today. Asserting plurality as a political priority, Tsunami includes trans voices, Indigenous voices, Afro-Latinx voices, voices from within and outside academic institutions, and voices spanning generations. Tsunami is the combined force and critique of the three feminist waves, the marea verde (“green wave”) of protests that have swept through Latin America in recent years, and the tides turned by insurgent feminisms at the margins of public discourse. Guest: Gabriela Jauregui’s books include Feral, Many Fiestas, and La memoria de las cosas. She edited and coauthored Tsunami and Tsunami 2, published in Spanish in 2018 and 2021 respectively. She is a Soros New American Fellow, a Borchard Fellow, and was part of the Hay Festival's Bogotá 39 best young authors in Latin America. She holds a PhD in comparative literature from USC and teaches at the National Autonomous University in Mexico (UNAM). Guest: Heather Cleary is an award-winning translator whose work has been recognized by English PEN, the National Book Foundation, the Best Translated Book Award, and the Mellon Foundation. A member of the Cedilla & Co. translation collective, she was a founding editor of the digital, multilingual Buenos Aires Review. She holds a PhD in Latin American and Iberian cultures from Columbia University, and teaches at Sarah Lawrence College. Host: Dr. Christina Gessler is a developmental editor and writing coach for scholars in the humanities. She is the producer of the Academic Life podcast, and the show’s newsletter. Playlist: Thanks to LifeThe Madres de la Plaza de MayoThe Things We Didn't KnowIn The Garden Behind The MoonThe CommonThe Translators DaughterWe Take Our Cities With UsA Calm and Normal HeartThe Names of All the FlowersWelcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What does it mean for a modernist novel to fail?Modernism famously celebrates rupture, difficulty, and deviance from literary norms—but that very embrace of formal experimentation creates a paradox: how can we tell the difference between daring innovation and genuinely bad writing? Bad Writing in the Modernist Novel (JHU Press, 2026) takes up this long-overlooked question and argues that modernist aesthetics have made artistic failure uniquely difficult to recognize, both in fiction and in literary criticism itself. Through incisive close readings of D. H. Lawrence, William Faulkner, Mina Loy, and James Joyce, Nathan Wainstein shows how moments that appear to be mistakes—awkward repetitions, temporal glitches, excessive prose, or stylistic lapses—often hover ambiguously between error and experiment. These moments, he argues, have become privileged objects of interpretation for critics trained to find meaning precisely where form seems to break down. Wainstein situates these textual breakdowns within debates about intentionality, authorial control, and critical authority, showing how modernist fiction unsettles long-standing assumptions about craft and competence. In doing so, the book clarifies why modernist novels continue to generate intense critical attention—and why questions of value and judgment remain so difficult to resolve. At once a work of modernist literary criticism and a searching reflection on the practice of close reading, Bad Writing in the Modernist Novel rethinks how aesthetic judgment operates in a field shaped by modernism's legacy. By confronting the possibility of genuine failure head-on, Wainstein offers a fresh account of the novelistic form and the pleasures and limits of interpretation. Nathan Wainstein is an assistant professor of English at the University of Utah. He is the author of Grant Us Eyes: The Art of Paradox in Bloodborne.  He is also the cohost of the podcast Authors Die Twice.  Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, available here on the New Books Network and wherever podcasts are found. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.