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Why Do People Hate the Word 'Retarded' More Than They Hate Murder?
2026/11/01
After describing a trans Aslan character as "gay and retarded" on a previous episode, the host delivers a full statement defending the use of the word "retarded" to describe ideas and actions, arguing that the term literally means "slow" and was a gentle medical word until recently, and that the nature of politically correct language is to constantly shift to show who the insiders are. The host rejects the worldview that someone's value depends on their intellect, connects the taboo around the word to abortion and Canada's Medical Assistance in Dying program, arguing that leftists are comfortable killing disabled babies in the womb but consider the word "retarded" offensive, calling it pharisaical legalism. The statement attacks euphemisms as tools used to obscure uncomfortable truths and push people toward sin, comparing "end-of-life care" and "choice" to candied words that make murder palatable. The co-host steel-mans the opposing argument by citing Jesus's teaching against calling people "fool" and Paul's instruction about not causing weaker brothers to stumble, distinguishing between using "retarded" as a factual descriptor versus a slur directed at a person, and noting that in the Marine Corps slurs were used constantly without devaluing fellow Marines to the point of wishing them dead. The host counters that the way to remove a word's power is to use it until the slap is gone, citing "Yankee" and "queer" as former slurs that lost their sting through reclamation, and argues that courage, resonance, and hustle are the three qualities great authors need, with courage requiring writers to speak clearly rather than hiding behind vague, inoffensive abstraction.
Times:
0:00 — Thomas's Statement on Language
9:43 — Jonathan's Response
15:19 — The Value of a Soul
22:37 — The Heart Behind the Words
28:59 — Resonance, Courage, Hustle
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#Bravery #StrongLanguage #Taboo
Why is the UK Oppressing Its Own People?
2026/10/24
British police have arrested 62,199 people for communications offenses over five years, averaging roughly 34 arrests per day, according to data obtained through Freedom of Information requests by the civil liberties group Big Brother Watch. Of 45 territorial UK police forces, 38 returned complete data covering January 2021 through December 2025, showing 18,520 charges and 12,292 convictions. If the seven missing forces are estimated at the national average, the total rises to approximately 73,000 arrests. The prosecutions are driven by three statutes: Section 1 of the Malicious Communications Act 1988, Section 127 of the Communications Act 2003, and Section 179 of the Online Safety Act 2023, covering messages deemed grossly offensive, indecent, obscene, menacing, or knowingly false. The arrest data does not distinguish between genuine threats, domestic abuse texts, jokes, opinions, and casual social media posts. A recent case involved a 16-year-old who was raided by police after posting a photo of a British politician's face superimposed on a rabbit. The UK pursued a case against 4chan over speech violations, but American courts refused to enforce the judgment against a US-based organization. For authors writing for American audiences, the UK's speech restrictions are reshaping how American readers perceive British cultural output, with some Americans viewing the UK as more oppressive than Russia on free speech grounds.
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#EuropeNews #FreeSpeech #UKNews
Why Has France Lost Its Romance?
2026/10/24
The romantic image of Paris that dominated American culture for over a century is collapsing as widespread riots, arson, and looting have replaced the fantasy of the city of love. In October, student protests over school conditions and cost of living escalated into nationwide marches of approximately 550,000 people by Interior Ministry count, with 1,800 arrests. The New York Times reported that the French fantasy of Paris as an escape from the world's problems is coming to an end. For authors, particularly romance writers, this cultural shift carries real consequences: American readers no longer associate Paris with romance, and setting a love story there risks pulling readers out of the narrative. The decline began in the early 2000s when France opposed the Iraq War and Congress renamed French fries to freedom fries, but accelerated dramatically after the 2024 Olympic opening ceremony, which was widely perceived as mocking Christianity and Western civilization. Churches are reportedly burning across Europe with regularity, and the question of which European country will be the first to undergo a demographic and political transformation is reshaping how American audiences view the entire continent. Romance authors are now searching for the next Casablanca, a setting audiences know nothing about, to fill the void left by Paris.
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#Europe #FrenchPeople #FranceNews
Does Being "Too Niche" Actually INCREASE Sales?
2026/10/21
A new indie game called Dressmaker, created by Sabrina Becker under the studio Cozy Lives and published by Free Lives, launched on Steam on September 21, 2026, and became a surprise mega bestseller — but the story behind it reveals a fundamental truth about creativity, gaming, and the entire entertainment industry.
Becker, who has Ehlers-Danlos syndrome (a connective tissue disorder that ended her costume design career), built the game not to fill a market gap but to reconnect with the sewing she grew up doing with her mom. A viral prototype video racked up half a million views before the game even had a name, the free build was downloaded 100,000 times in two months, and the full release lets players pick fabric, line up patterns, run sewing machines, and finish garments with buttons, lace, and appliqué. Its success exposes why the video game industry and Hollywood keep failing with the "girl boss" approach — trying to make masculine franchises like Gears of War more appealing to women by inserting female characters into stories built for men, rather than creating original experiences that authentically serve a specific audience. The same principle applies to writing novels: authors must write for one primary reader, one "Timothy," and any additional character appeal must never alienate that core audience. The conversation expands into a sweeping analysis of why humans crave making tangible things in an age where bureaucratic, screen-based jobs leave people starved for real creation — from Warhammer 40K miniature painting to Stardew Valley farming to a daughter sewing doll clothes — and how this same longing drives the popularity of crafting mechanics in modern gaming and litRPG novels. The discussion then pivots to the AI revolution and Jevons Paradox: just as cheaper coal and the invention of VisiCalc spreadsheet software didn't eliminate demand but instead exploded it (accountants went from 50,000 to a million), AI tools are making creative work cheaper, faster, and more accessible — lowering the cost of audiobook production, website building, and translation while increasing overall demand for creative output. AI agents are already turning the tables on corporations, with bots calling customer service lines on behalf of humans. The anti-AI resistance is compared to the samurai charging machine guns in The Last Samurai, the Britons facing Roman legions with obsolete chariots, and buggy whip makers watching carriage companies become automobile manufacturers — those who adapt to new technology gain power, and those who refuse are conquered not by the technology itself but by the people who wield it. The lesson echoes all the way back to the Roman Empire: civilizations that expand and share their greatness thrive, while those that burn their fleets and retreat — like imperial China — stagnate. Whether you're a game developer, an author, a publisher, or a creator, the future belongs to those who build for a specific audience, embrace new tools without apology, and understand that the meta is always changing — and the only way to stay in the game is to change with it.
Times:
0:00 — The Dressmaker Game: A Hit Born from One Person's Need
4:34 — Stardew Valley: A Game That Works for Everyone
6:12 — The Core Writing Advice
11:26 — The Urge to Create: Bureaucracy vs. Building Real Things
17:38 — AI Turns the Tables on Corporations
19:14 — The Last Samurai vs. The Machine Gun: Adapt or Die
24:10 — Jevons Paradox: Why Cheaper AI Means MORE Work, Not Less
44:01 — The Roman Empire vs. AI: Chariots Never Came Back
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#GearsOfWar #Steam #Dressmaker
Will Flying Cars Change The Zeitgeist Forever?
2026/10/19
Tesla has unveiled its second-generation Roadster at a SpaceX test site near Waco, Texas, and it actually flies. Elon Musk demonstrated the car driving up a half-pipe ramp, hovering suspended using cold gas attitude thrusters, flipping over mid-air, landing, and then jumping an entire line of cars — all on a live stream that ran under 30 minutes. The Roadster also features a ground-suction system that pulls the car down to the road surface, giving it unprecedented cornering ability and allowing it to accelerate from 0 to 60 mph in roughly 0.89 seconds. The same thrusters that enable flight can also fire rearward for additional forward acceleration. Musk has been publicly describing this cold gas pressure technology since as far back as 2016, yet the mainstream media largely ignored the event — The New York Times and Fox News both failed to feature the story on their homepages, and posts about the flying car were even being flagged as political on Reddit. Meanwhile, reactions split sharply: some celebrated the achievement with childlike wonder, calling it a generational milestone comparable to the Chicago World's Fair, while others immediately dismissed it as impractical or attacked Musk personally. The cultural divide over whether people are allowed to feel optimistic about the future — flying cars, reusable rockets caught by giant mechanical arms, Starlink, self-driving vehicles, AI — has become a flashpoint, with some arguing the media intentionally suppresses stories that could generate hope or excitement about technology and the future.
Times:
0:00 Flying cars are here
5:31 The engineering breakthrough: ground suction and unprecedented cornering
9:43 Cynical culture vs. wonder-filled science fiction
13:48 The media blackout on flying cars
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#AuthorTube #PublishingNews #AINews
Returning to Public Executions Will Bring Back Balance
2026/10/11
For the first time since 1937, Americans will be able to watch their government carry out a death sentence by firing squad when Major Nidal Hasan's execution is live-streamed on December 3rd, Pentagon officials announced. Hasan committed a mass shooting at Fort Hood, Texas, gunning down fellow soldiers while shouting "Allahu Akbar" — an act the Obama administration initially classified as workplace violence rather than terrorism, a decision the hosts call one of the most poorly handled events in recent military history. The hosts argue public executions are the civilizational default in Western history, stretching from the Old Testament through Rome, medieval Europe, and early America, and that their elimination coincided historically with women's suffrage and the advent of television. They contend the cultural pendulum is swinging back from decades of mercy toward criminals toward a renewed demand for visible justice, driven by communities that have lost faith in government's willingness to punish evil — pointing to cycles of retaliatory violence in Chicago, cartel-run territories in Mexico, and the rise of mafia-style alternative governments as consequences of government justice failure. One host, a Marine veteran, argues that public execution demonstrates government competence and lethality, deterring vigilantism by proving citizens do not need to take justice into their own hands. The hosts draw a sharp distinction between public execution — a sterile, ritualized, government-sanctioned act following trial and conviction — and lynching or mob justice, which they call the toxic result of a citizenry that has abandoned confidence in government. They warn the pendulum can swing too far, citing the Roman Colosseum and the French Revolution's mass drownings of Christians as examples of spectacle replacing justice.
Times:
0:00 — The Return of Public Executions
2:35 — Historical Default of Public Executions
5:50 — Vigilante Fiction & the Hunger for Justice
10:58 — The Mafia as Alternative Government
15:05 — Lynch Mobs vs. Legitimate Justice
18:25 — The Dangers of Going Too Far
24:00 — Military Culture & Ritualized Executions
28:33 — Fort Hood & the Cultural Pendulum
36:28 — Christianity: Forgiveness and Justice
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#FortHood #PublicExecution #ControversyVideo
Spitting on the Grave of C.S. Lewis: How Copyright Became Literary Colonialism
2026/10/05
Meryl Streep has been cast as the voice of Aslan in Greta Gerwig's Netflix adaptation of The Magician's Nephew, reimagining Narnia as a rock opera with an Aslan design inspired by David Bowie — featuring mismatched eyes, a red facial scar, fur mixed with feathers, and a more griffin-like appearance than a traditional lion. The casting and redesign sparked intense reactions, but the deeper argument is that copyright law itself is the villain. Under the original 14-year copyright term, The Chronicles of Narnia would have entered the public domain in 1978, allowing anyone to tell an Aslan story — faithful or revisionist — with fans choosing which version to support, the way Sherlock Holmes is adapted every year by different creators. Instead, perpetual corporate copyright extensions lobbied by Disney mean the biggest, most corrupt corporations control beloved IP and can defile it with no recourse for fans. Netflix could make more money with a faithful Narnia adaptation but is choosing to desecrate beloved stories for ideological reasons, violating their own fiduciary duty. Copyright doesn't protect human artists — even the major AI settlement money goes to corporations, not creators. The argument is that copyright as it exists is a force of corporate control over human storytelling, preventing the literary commons that produced Shakespeare, Homer, and every fairy tale, and that authors who defend intellectual property are unknowingly tempting their own grandchildren to sell out their legacy to the highest bidder.
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#Woke #FilmNews #Narnia
Your Gun Can't Save You From the Pentagon's SI Drones
2026/10/03
Secretary of War Pete Hegseth announced plans for a new four-star autonomous warfare command — dubbed Auto War Com — intended to institutionalize autonomous systems, robotics, drones, and AI-enabled warfare throughout the joint force, with an implementation target of October 1st, 2027, subject to congressional action. The strategy is a "high-low mix" of sophisticated traditional weapons operating alongside masses of inexpensive autonomous systems that can maintain pressure on an adversary without trading million-dollar weapons for thousand-dollar threats. The cost asymmetry is already urgent: a $1 million Patriot missile intercepting a $20,000 Iranian drone is a losing financial exchange. The discussion explores deep narrative and cultural implications for science fiction writers — the moral weight when one drone operator in Kansas can kill thousands through perfectly obedient autonomous swarms, the collapse of masculine identity when a concealed Glock offers no defense against a drone, the Order 66 scenario where perfectly loyal systems switch allegiance when control changes hands, the Battle of New Orleans parallel where war ends but jammed drones keep fighting, and the Genghis Khan precedent where mass killing through proxies is not new. Authors are urged to probe these moral ramifications in fiction before the next real war forces society to confront them unprepared.
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#Zeitgeist #DOW #AINews
How to Sell to Adults Who Will Never Grow Up
2026/09/27
Toys R Us announced 120 new standalone stores for the 2026 holiday season, bringing its total to 160 locations across the United States in partnership with Go Retail Group. The brand filed Chapter 11 in 2017 under $5 billion of debt after private equity plundered its assets, closed all US stores in 2018, and was revived when WHP Global took a controlling stake in March 2021. Macy's partnership shops launched in 2022 and drove first-quarter toy sales 15 times higher than the prior period. But the growth engine is not children's toys—it is adult collectibles. Adults now represent 55% of toy sales measured in dollars, buying Lego sets, Funko Pops, and boxed items they never open, displaying them on shelves that could hold collectible books instead. The opportunity for authors is to create premium, collectible editions: leather-bound hardbacks, signed and numbered limited runs, and visually striking special editions that readers display as trophies. Brandon Sanderson's most successful Kickstarter sold leather-bound editions of a book fans had already read and purchased, generating millions at $150 per copy. Authors starting out can create signed and numbered editions of 25 copies that become instantly collectible at $100 each. Consistency in book design—uniform trim sizes, matching paper color, cohesive spine design across a series—is essential for building a shelf-worthy collection that readers want to own and display. The diamond-water paradox from Aristotle explains the opportunity: just as water is ubiquitous and cheap while diamonds are rare and expensive, authors can sell the e-book version for mass consumption while creating a scarce, premium physical edition that superfans will pay premium prices to own.
Times:
0:00 — Intro & Toys R Us Comeback
1:52 — Creator Studios & Social Media Strategy
2:25 — Toys R Us Bankruptcy & Private Equity
3:51 — Adults & The Collectibles Market
5:22 — Collectible Books: Opportunity for Authors
7:20 — Culture, Stories & Corporate Brand Identity
9:35 — The Diamond-Water Paradox & Book Pricing
12:16 — Book Design Consistency & Sizing Rules
15:27 — George MacDonald Case Study & Wrap-Up
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#AuthorTube #PublishingNews #AINews
The Best Economy in American History Is Killing Us
2026/09/20
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The US economy posted 5.1% GDP growth, the highest in years, with real median household income reaching a record $87,460 in calendar year 2025, up 2.6% from $85,000, marking the highest level since the Census Bureau series began in 1967. The official poverty rate fell to 10.2% for 34.5 million people, the lowest ever recorded, and child poverty dropped to 13.4%. According to The Economist, AI has created one million new jobs in the US, payrolls are up 162,000, and unemployment sits at 4.1%. The episode argues that AI is following the same pattern as every labor-saving invention in history — the tractor destroyed farm jobs but created two city jobs for every one lost — and that Democrats who need an economic crisis to win elections are now pivoting from the failed "AI will take your jobs" narrative to "AI will kill you." Diesel prices are rising not because of domestic policy but because Ukraine is flying drones with 100-pound bombs into Russian diesel refineries, and Trump has asked Ukraine to lay off.
The episode then examines John B. Calhoun's Universe 25 mouse utopia experiment, where a colony of mice with unlimited food and no predators collapsed socially despite never running out of resources, producing "the beautiful ones" who groomed themselves, "clusterers" who fed only where the crowd fed, and aggressive packs. The hosts draw direct parallels to American society: birth rates at series lows despite record prosperity, rising isolation, and shifting genre preferences that map onto the mouse colony's survivor classes — romance and romantasy for the beautiful ones, horror and thrillers for the aggressive packs, faith and homesteading books for the tunnelers, and children's books for those who still have children.
Times:
0:00 — The American Economy Is Booming
1:44 — Record Incomes & Lowest Poverty Ever
3:05 — AI Creates Jobs, Not Destroys Them
4:57 — Gas Prices, Refineries & the Ukraine War
8:06 — AI Productivity Boom for Authors
10:11 — Stock Market & American Productivity
16:04 — Media Narratives & Political Messaging
17:35 — Mouse Utopia: The Universe 25 Experiment
28:41 — What Genres Readers Want in Mouse Utopia
39:43 — Courtship Rituals & Cultural Collapse
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#Economy #ForAuthors #BirthRate
One Year Without Charlie Kirk
2026/09/13
A one-year retrospective on the assassination of activist Charlie Kirk, examining how his death and the public reactions to it — described as ranging from grief and religious revival to open celebration and justification of the killing — reshaped political and cultural discourse. The discussion covers reports of a religious revival among young men following his death, incidents of protesters allegedly celebrating his killing outside a Turning Point USA women's conference and confronting attendees, differing views on political violence between the political left and right, and warnings that continued provocation risks triggering a sudden, severe escalation rather than a gradual one. The segment also addresses roughly 60,000 arrests in the United Kingdom over online speech violations, debates over the historical and theological relationship between Islam and the West on the twenty-fifth anniversary of the September 11th terrorist attacks, and calls for de-escalation, religious renewal, and restraint from political violence on all sides.
Times:
0:00 — Introduction: one year since Charlie Kirk's assassination
0:46 — How his death impacted young men and sparked copycats
1:52 — The "revival" of faith and its hijacking by influencers
3:09 — Charlie Kirk as a rallying symbol; TPUSA protest story
7:17 — How the left and right view violence differently ("the switch")
13:06 — Texans arming themselves for societal collapse
16:39 — Storytelling, faith, and channeling societal "lightning"
21:41 — Personal health journey and views on suffering/trauma
23:52 — UK's 60,000 speech-related arrests
29:37 — 9/11 anniversary reflections
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#CivilWar #Politics #CharlieKirk
How SSRIs Change What Readers Read
2026/09/06
Citing CDC National Center for Health Statistics data, a discussion reports that 24.9% of U.S. women took medication for mental health reasons in the prior 12 months compared to 13.4% of men, with antidepressant use among women rising from 13.8% in 2009-2010 to 18.6% in 2017-2018, and reaching nearly 25% among women 60 and older. The segment cites multiple peer-reviewed studies, including a 2009 British Journal of Psychiatry paper and 2017 Journal of Affective Disorders survey, reporting that 44% to 52% of surveyed patients on SSRIs experienced emotional blunting, alongside a 2025 study finding 81.8% of women on sertraline met criteria for sexual dysfunction correlated with reduced emotional intensity. The hosts argue this widespread medication-driven blunting of emotional and sensory range is reshaping fiction demand toward simpler, more extreme, and more explicit content, tying it to the growth of AI-generated romance, the blurring of romance and erotica genres following Amazon's ban on erotica as a marketing category, and shifting book-buying demographics that show women purchasing a majority share of fiction. The episode also addresses a breaking child homicide case, with the hosts explicitly arguing that mental illness or drug use should not mitigate culpability for murder, that capital punishment should apply regardless of an insanity plea, and drawing historical and religious arguments in support of capital punishment as a deterrent.
Times:
0:00 – Intro: SSRIs and reader preferences
0:16 – CDC data on antidepressant use trends
5:15 – Studies on SSRI-induced emotional blunting
6:24 – How blunted emotions reshape what people read
9:33 – Romance vs. erotica genre shift
12:22 – Who actually buys books
21:04 – Building an audience: the Clone Wars example
27:59 – Zeitgeist: the death penalty debate
43:07 – Wrap-up and outro
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Clean Comedian Nate Bargatze Sets Guinness World Record for Most Tickets Sold on a Comedy Tour
2026/09/03
Comedian Nate Bargatze sold 2,045,000 tickets on his Big Dumb Eyes World Tour, setting a Guinness World Record for the most tickets ever sold on a stand-up comedy tour, according to Guinness World Records, which dated the record to August 16th in Toronto across 129 venues spanning a run from April 6th to August 16th, 2026. Guinness presented the certificate on stage at Scotiabank Arena, as reported by USA Today. The tour surpassed comedian Jeff Dunham's previous record of nearly two million tickets sold across 386 venues over a roughly 35-month run from 2007 to 2010, with Bargatze crossing two million tickets in just 16 months and 10 days, less than half the time. Bargatze is known for a self-effacing, family-oriented, and explicitly clean comedic style free of profanity or explicit content, distinguishing his act from more explicit mainstream stand-up comedy. The record signals a broader resurgence in mainstream demand for clean, family-friendly comedy content following comedians like Bill Cosby and Brian Regan, and reflects shifting audience preferences toward less explicit entertainment across large-scale touring comedy.
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Non-Cozy Female Detective Fiction Sales Hit Nearly 13,000 Copies a Day on Kindle
2026/09/02
The August 2026 KLITICS Female Detectives and Sleuths Market Report found that the non-cozy segment of female-protagonist mystery, thriller, suspense, and crime fiction on Kindle now moves an estimated nearly 13,000 copies daily, based on a 90-day average sales rank analysis of more than 2,100 filtered titles that deliberately excluded cozy mysteries and psychological or domestic thriller positioning. The fully analyzed category generates an estimated $1.1 million in monthly author royalties, with the top 20 titles averaging 148 copies sold or borrowed per day and roughly $12,000 in monthly royalties, titles ranked 21 through 100 averaging 47 copies daily, and titles ranked 101 to 500 averaging 24 copies daily. The report shows the dedicated women-sleuths bestseller category, which had been sliding since the pandemic, now trending upward through 2025 and into 2026, with an average sales rank of 357 among top titles, translating to roughly 223 sales or borrows per day per book. The data points to renewed reader demand for hard-edged, non-cozy female detective and crime fiction, a genre with roots dating back to Agatha Christie, amid heightened public interest in true crime and unsolved case coverage.
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Kindle Romance Falls as LitRPG Titles Surge
2026/08/28
New data cited from analyst Alexander Newhouse of Klytics, reported via an interview with Jane Friedman, shows the romance genre's share of the top 100 best-selling US Kindle books dropped from 60% last year to 48% this year, even when counting romantasy titles. Mystery, thriller, and suspense now account for 31% of the top 100, while science fiction and fantasy hold 10%. The report also notes that Amazon changed its Kindle sales rank update frequency from hourly to daily in May 2025, a shift analysts say reduces the visibility spike authors get from email blast campaigns. Separately, the LitRPG genre, exemplified by the "Dungeon Crawler Carl" series, has grown to represent eight of the top 100 bestselling titles, reflecting a demographic shift toward male-dominated, video-game-inspired fiction as a competing force to traditional fantasy and romance categories.
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