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The new collaborative record from Nine Inch Nails and Boys Noize is all anyone in the larger industrial ecosystem is talking about this week and so we're adding our two cents regarding the track selection, emotional import, and club appeal of Nine Inch Noize. We're also talking about some exciting Forma Tadre reissue news and offering a preview of new music from Spike Hellis!

The two records up for discussion in this week's podcast are both from 2006 and have at least some connection to broader post-industrial traditions, but those might be the only links between Dioxyde's aggrotech-inflected Social Phobia and the Lovecraftian ambience of Flint Glass' Nyarlathotep. It's also a news heavy week with discussion of Joy Division and New Order's inductions into the Rock and Roll Hall Of Fame, and the lineups for the Cold Waves and Absolution festivals.

HEALTH's star continues to rise both in North America and abroad, and as their weeb-friendly blend of thudding industrial rock and vulnerable fatalism came through Vancouver we were able to speak with bassist and programmer John Famiglietti. We touch upon HEALTH's appeal in the age of the terminally online, the band's free flowing philosophy of collaboration, the odd parallels between the band's evolution and that of industrial music itself, and so much more.

On this week's podcast we're firstly talking about the wide roaming genre mix up of Belgian legends The Neon Judgment's Mafu Cage, before taking a look at the spacious ethereality and vocal power of Scotland's Witch Of The Vale. We're also discussing Brendan Perry's ill-considered comments regarding AI generated album art. 

Presented with their choice of the first four albums by The Cure, a sizable majority of our Patreon backers selected 1982's "Pornography" as the subject for this month's commentary podcast, and so here we are, tackling the densest, darkest, and most monolithic statement in the band's legendary discography. We work to tease out the poetic and emotional particulars of Robert Smith's expressions of guilt, corruption, and misery, as well as the sonic and structural qualities which both make "Pornography" The Cure's non plus ultra in terms of weight, and yet also link it to the band's past and later incarnations.

We're back to the beloved Pick Five format this week, folks! This time we're each picking notable guest appearances...or is it guest vocals? Or both? Listen to find out as we discuss duets, reunions, styles clashes, and more. 

It's a two albums episode of the podcast, with records by A Projection and Rikk Agnew linked by the very thinnest of (post) punk threads, though the anthemic synthpop of the former's In A Different Light and the latter's clarification of the influence he'd have on hardcore and deathrock in All By Myself are profoundly different records. We're also talking about the rivethead-focused lineup of this year's Terminus Festival.

For our 600th episode we're happy to be joined by Raws of Plack Blague and DJ Starr Noir. Intersections between queer culture and industrial culture go back to the very beginning of the latter, and Raws and Starr share their personal experiences and historical observations about those intersections as performers, DJs, and promoters within the scene.

We always like to allude to the "related genres" which abut the core four we work with on We Have A Technical and that's very much the case with the pair of records up for discussion on this week's podcast. First up is the vaguely industrial metal of 90's shock rockers Genitorturers' 1993 debut, followed up by a record from dungeon synth act Frailord which cannily lifts from darkwave, synthpop, and dark electro. We're also discussing recent news about the cessation of Godflesh.

On this week's podcast we're looking at a pair of records which blend a number of goth-related subgenres and styles. First up is Australian veterans Ikon, with their excellent 1998 LP This Quiet Earth. Next, US synth act Fiction 8's Chaotical from 2000.

The glue of any good DJ set, bridge or transition tracks, are our focus on this week's episode of the podcast. We're each picking five song we use to bridge different moods, tempos, and genres in the club as seamlessly (?) as possible. This ended up being a really fun discussion which got us thinking consciously and attentively about something which often feels instinctual in the moment; we hope you enjoy it.

It's the classic two albums format on deck for the podcast this week, folks. First up, after the dissolution of the classic Klinik line-up, Marc Verhaeghen's attempt to find a balance between the project's past and future with 1992's Contrast is on the table. We're then jumping to a much more contemporary record, with the oddball pocket universe of Mellow Code's hybrid of EBM and synthpop on 2023's Objekt Reality. All that plus some fun news on the ID:UD merch front. 

It's time for one of our roving, topic-driven discussion podcasts, as we talk about what works and what doesn't in different genre hybridizations. From sub-genres which emerged out of the blending of styles, to artists within Our Thing reaching out to mainstream music's sounds of the day, to co-evolutionary histories in which two or more genres borrow back and forth from one another as each grows, we're talking about the good and the bad that can happen when you do cross the streams.

A two albums formatted episode of We Have A Technical ends up taking two very different detours into trance music, of all things. First, we're looking at the just remastered and digitally reissued sole LP from Portland duo Violet Arcana, 1994's In The Scene Of The Mind, which takes the road less travelled by slowing and stretching trance programming into psychedelic ethereality, and finding commonalities with contemporaneous downtempo approaches to electro-industrial and dark ambient. Next, 2012's Altered Creature by Fostercare has us flashing back to the aftermath of witch house, in which all manner of bands and producers were experimenting with the occult, sample-happy liberty that genre afforded, including Fostercare's grimy cyberpunk read on a wide range of classic rave styles.