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It’s that time of year again because Episode 161 of The Film ‘89 Podcast is our 2026 Halloween Horror Special. Returning co-hosts John Arminio and Stephen Simpson are joined by a third guest-host making her Film ’89 debut. Co-founder and co-host of the brilliant Horror Movie Survival Guide Podcast, she’s also a filmmaker, actor, writer and, fittingly for the subject of this episode, an expert on both horror films and legendary author Stephen King, it’s the brilliant Julia Marchese. The film that’s been chosen this Halloween season, for its 50th anniversary, is Brian De Palma’s 1976 adaptation of Stephen King’s 1974 book, the first he ever published, Carrie. Both book and film tell the story of Carrie White, an introverted high school girl from an abusive religious household who has telekinetic powers. After a cruel prank pulled by one of her bullies on prom night, Carrie decides to take revenge. One of the all-time classics of horror cinema, De Palma’s breakout film would propel author King to superstardom, earn its star and co-star, Sissy Spacek and Piper Laurie, Best Actress/Supporting Actress Academy Award nominations, and spawn numerous remakes and sequels. As well as their in-depth analysis and discussion of the book and 1976 film, Skye, Stephen, John and Julia also discuss Mike Flanagan’s new television adaptation, which has received considerable acclaim, as well as other Stephen King adaptations and where Carrie ranks among them.  All content is the property of Film ‘89 and is protected under applicable copyright laws. Any copyrighted material used in this episode is used under the principles of fair use for review, commentary, criticism, and educational purposes. No part of this episode may be reproduced, distributed, or transmitted in any form without the prior written consent of the copyright holder, except where permitted by law.  Check out Steve Amos’ new book, Owing God A Death, available now via Amazon; https://amzn.eu/d/0bm2ANvD

On Episode 160 of The Film ‘89 Podcast, Neil, Skye and Leighton return to one of their favourite filmmakers, John Carpenter, to cover one of the films most requested by our listeners, Carpenter’s 1986 action-adventure-comedy-fantasy cult classic, Big Trouble in Little China, which celebrates its 40th anniversary this year. Based on an original idea and initially intended to be a western, but later turned into a magic-infused martial arts adventure, Big Trouble in Little China stars Carpenter regular Kurt Russell, along with Dennis Dun, Kim Cattrall and a superbly villainous turn from legendary character actor James Hong. An action-adventure the likes of which could only come out of the 1980s, Big Trouble in Little China was poorly marketed by a studio that simply didn’t get the film’s unique blend of martial arts, mysticism, and comedy, and it was a box office failure. Fortunately, it found a second life on home video, where it was a considerable success and has gone on to become a beloved cult classic and a film very much worthy of the in-depth Film ’89 treatment.  All content is the property of Film ‘89 and is protected under applicable copyright laws. Any copyrighted material used in this episode is used under the principles of fair use for review, commentary, criticism, and educational purposes. No part of this episode may be reproduced, distributed, or transmitted in any form without the prior written consent of the copyright holder, except where permitted by law.

On Episode 159 of The Film ‘89 Podcast, we’re joined by three returning co-hosts; from New York, Boston and, quite fitting for the topic of this episode, Los Angeles, it’s Bill Scurry, Kyle Reardon and Jacob Rivera. The guys are wearing their best baggy bowling shirts and key-chains as they travel back in time 30 years to discuss a film as emblematic of the ‘90s independent film movement as any. Written by its star, Jon Favreau, and directed by Doug Liman, it’s the cult classic comedy from 1996, Swingers. Categorising Swingers as just a comedy doesn’t really do it justice. It’s a film about relationships, heartbreak, and the importance of friendship and has far more substance to it than your average comedy. Made on a shoestring budget and very much a product of guerrilla filmmaking, Swingers was not a success in cinemas on its initial release, but would find a second life on home video and become an oft-quoted cult classic that’s more than worthy of the usual in-depth Film ‘89 treatment for its 30th anniversary.  All content is the property of Film ‘89 and is protected under applicable copyright laws. Any copyrighted material used in this episode is used under the principles of fair use for review, commentary, criticism, and educational purposes. No part of this episode may be reproduced, distributed, or transmitted in any form without the prior written consent of the copyright holder, except where permitted by law.

On Episode 158 of The Film ’89 Podcast, we’re joined once again by our very good friend and frequent guest-host, filmmaker and podcast producer, Kyle Reardon, to discuss, for its 40th anniversary, a cult classic film we’ve wanted to cover for some time now, starring Rutger Hauer, C. Thomas Howell and Jennifer Jason Leigh, it’s director Robert Harmon’s multi-genre-straddling cult classic, The Hitcher. Released in 1986, The Hitcher was the brainchild of screenwriter Eric Red, whose initial inspiration for the story of a young man being stalked by a murderous hitchhiker was The Doors’ song, Riders on the Storm. A commercial failure upon its initial theatrical release, The Hitcher was one of several films from the 1980s that died in theatres only to find a second life on home video. Much like John Carpenter's The Thing and Ridley Scott’s Blade Runner, The Hitcher benefited from positive word of mouth at video stores and became very much a cult classic. Skye and Kyle delve deep into the film, they discuss its refusal to hold the audience’s hand and the huge scope for interpretation as to the motivation of Rutger Hauer’s psychotic John Ryder. Beautifully shot and impeccably directed, with a haunting score by Mark Isham, The Hitcher is a film that’s aged like a fine wine and one ripe for the in-depth Film ‘89 treatment.  All content is the property of Film ‘89 and is protected under applicable copyright laws. Any copyrighted material used in this episode is used under the principles of fair use for review, commentary, criticism, and educational purposes. No part of this episode may be reproduced, distributed, or transmitted in any form without the prior written consent of the copyright holder, except where permitted by law.

This week marks the 60th anniversary of the first-ever episode of Star Trek airing in the US on NBC on September 8th, 1966. The series ran for three seasons but would eventually transition to the big screen in 1979 in the form of director Robert Wise’s Star Trek: The Motion Picture. Whilst a critical and commercial success, The Motion Picture had something of a rushed production, and due to time constraints, Wise was never fully satisfied with the version released and saw it as an unfinished work in terms of the edit and the visual effects. 22 years later, Paramount allowed Wise to meticulously rebuild the film, re-edit it and redo a considerable amount of the film’s visual effects. That revised cut is now the definitive version of Wise’s film, a film that was first covered on Film ’89 way back in May 2019 on Episode 28. But in a fitting parallel to the film, the editing of that episode was also very much rushed (our editor was about to embark on a long family holiday and rushed the edit), to the point that it’s always been an episode that he was never happy with (aside from the outstanding contribution of our guest hosts, Bill Scurry and John Arminio). So, given the looming 60th anniversary of Star Trek, that original episode has been completely re-edited, the audio quality improved where needed, extraneous content removed, and a significant amount of new material added to extend the runtime by 9 minutes. We feel that a film as beloved as Star Trek: The Motion Picture deserves the same care and attention that we gave later Trek films on Film ’89, and we present to you the episode we should have put out in the first place. As well as an in-depth analysis of Wise’s film, Skye, John and Bill also give the rundown of their all-time favourite Star Trek episodes. So, happy 60th anniversary Star Trek, and we hope you enjoy Star Trek: The Motion Picture - The Editor’s Edition!  All content is the property of Film ‘89 and is protected under applicable copyright laws. Any copyrighted material used in this episode is used under the principles of fair use for review, commentary, criticism, and educational purposes. No part of this episode may be reproduced, distributed, or transmitted in any form without the prior written consent of the copyright holder, except where permitted by law.

On Episode 156 of The Film ‘89 Podcast, Neil and Skye are doing something they’ve not done for several years, they’re reviewing a new comic book movie. What was once a regular thing on Film ‘89 tailed off with the downturn in quality of the Marvel Cinematic Universe post Avengers: Endgame, with one exception, 2021’s Sony Pictures collaboration, Spider-Man: No Way Home, arguably the last great entry in the MCU. But after 5 long years, Tom Holland is back as everyone’s favourite web-slinging crime fighter in Spider-Man: Brand New Day. In the aftermath of No Way Home, Peter Parker has spent the last few years successfully fighting crime and garnering public support and even working alongside the police, but at the expense of his personal life now that everyone’s memories of Peter Parker being Spider-Man have been wiped, including that of his best friend, Ned and girlfriend, MJ. Already a huge commercial success in the first week following its release, Brand New Day just might be the film that reignites Neil and Skye’s love of and enthusiasm for comic book movies. So tune in to hear their in-depth and spoiler-filled review of a film that’s on course to become the most successful film of 2026 and one beloved by audiences and critics alike.

Episode 155 of The Film ‘89 Podcast is a full-on history lesson as hosts Martin Kessler and John Arminio take a trip back to 480 BC as they celebrate the 20th anniversary of Zack Snyder’s big screen adaptation of legendary comic book writer Frank Miller’s 300. 300 tells the epic tale of the Battle of Thermopylae, and how an alliance of Greek city-states fought the invading Persian army in the mountain pass of Thermopylae. Vastly outnumbered, the Greeks held back the enemy in one of the most famous last stands in history. Snyder’s hyper-stylised film employed then-cutting-edge filmmaking techniques and remains one of the most faithful comic-book adaptations ever made. In addition to analysing the film, John and Martin delve deep into Greek history and discuss Christopher Nolan’s new adaptation of Homer’s The Odyssey, as well as Wolfgang Petersen’s 2004 film Troy, loosely based on Homer’s The Iliad.

On Episode 154 of the Film ’89 Podcast, Steve and Skye are joined by returning co-host, Becky D’Anna. A veteran of Hollywood movie marketing and a seasoned podcaster, Becky now has her very own podcast, the brilliant Hanging with Becky Podcast. The topic of this episode is a film that’s not only one of the Film ’89 team’s all-time favourites, it’s also become the most requested film for the team to cover, but moreover, it’s Becky’s all-time favourite film; from 1991, director James Cameron re-teams with superstar Arnold Schwarzenegger; it is of course, Terminator 2: Judgment Day. Also starring Linda Hamilton, Robert Patrick and Edward Furlong, T2 was not only the most expensive film ever made upon its release in July 1991, but it would go on to be a critical and commercial smash hit and the highest-grossing film that year. But more than that, it was a film so groundbreaking in its use of cutting-edge special effects technology that it would forever change the face of cinema. More than just an action-science-fiction blockbuster, T2 is a superbly written and impeccably directed film, and easily one of the greatest movies ever made and more than worthy of the usual in-depth Film ’89 treatment.

Episode 153 of The Film ’89 Podcast lands just in time for this year’s July 4th celebrations, and there’s no more fitting a film that the guys could be covering than one that honours that great American holiday. Joining Neil and Skye (who definitely aren’t American) is returning co-host, filmmaker, producer and master cinephile (and importantly, an American), Mr Adam Rackoff. And the film they’re discussing is an epic alien invasion film that takes its cues from ‘50s science-fiction, ‘70s disaster movies, and also one of the Film ’89 Team’s favourite pieces of event television, the early ‘80s miniseries, V. That film is Independence Day, which celebrates its 30th anniversary the day this episode drops. With a superb ensemble cast and featuring jaw-dropping special effects that still impress three decades on, Independence Day, on a relatively meagre budget considering its scope and scale, would go on to utterly dominate the global box office in 1996, becoming far and away the most financially successful film that year. It would also set a new benchmark for special effects in an era where CGI was yet to dominate, and still puts many modern-day, big-budget effects-heavy movies to shame. In many ways, Independence Day is the sort of film that cinema is made for, and along with Jurassic Park, represents one of the very best examples of big budget '90s summer blockbusters, influenced by their 1970s disaster themed forbears, and is a film that will be ingrained in the minds of anyone who was of a certain age in 1996, who’ll never forget the cinematic phenomenon that was defined by those iconic images of colossal alien ships hovering over America.

On Episode 152 of The Film 89 Podcast, Steve and Skye are joined by a trio of returning co-hosts, Jacob Rivera, Kyle Reardon and Leighton Winstone, to discuss one of the all-time great serial killer thrillers, director Jonathan Demme’s multi-Oscar-winning 1991 adaptation of Thomas Harris’ best-selling novel, The Silence of the Lambs. Starring Jodie Foster, Anthony Hopkins, Scott Glenn and Ted Levine, the film would receive huge critical acclaim and worldwide box office success and would go on to become one of only three films to win “the big 5” at the Academy Awards; Best Picture, Best Director, Best Adapted Screenplay, Best Actor and Best Actress, as well as nominations for Best Editing and Best Sound. The Silence of the Lambs is widely regarded as one of the greatest films in the history of the medium and is given the in-depth Film ’89 treatment for its 35th anniversary.

On Episode 151 of The Film ‘89 Podcast, Steve and Skye are joined by a trio of guest-hosts that may be the greatest ever assembled for a single episode of the podcast as they celebrate the 40th anniversary of James Cameron’s Aliens. The sequel to Ridley Scott’s 1979 sci-fi-horror masterpiece, Alien, Cameron’s film wouldn’t be a retread, but an evolution of the story of Ellen Ripley (Sigourney Weaver), as well as expanding what we know about the life-cycle of the deadly species she encountered in the first film. Featuring a superlative ensemble cast, an electrifying pace and endlessly quotable dialogue, as well as incredible special effects and a landmark score from composer James Horner, Aliens is rightly considered not just one of the greatest sequels ever made, but one of the greatest movies, period. So join our battle-hardened crew as they dive into the making of this incredible film and give their in-depth analysis of Aliens for its 40th anniversary.

The story of Episode 150 of The Film ’89 Podcast is one of ‘the episode that nearly wasn’t’. It was to be a gift to our listeners as Steve, Neil and Skye finally covered a film that has become the one most requested by our listeners to get the Film ’89 treatment, Raiders of the Lost Ark. The initial recording went well until, at the end, it quickly became apparent that Neil’s audio hadn’t recorded. In the days that followed, no fix could be found, and it was looking likely that the episode was lost. Then tragedy struck on Wednesday, May 6th, when news broke of the passing of our dear friend, regular guest-host and prolific film poster artist, Tony Stella. The impact of Tony’s sudden and tragic passing has been one that we have struggled to come to terms with, but when he was last on Film ’89, Tony made plans to join us when we finally got around to covering Raiders, one of his favourite films. Alas, in the weeks leading up to recording Raiders, Tony’s workload meant he had to pass on the episode. Following the tragedy that ensued, the Film ’89 team felt that every effort should be made to salvage the episode as a small but fitting tribute to the man who would have loved discussing one of his favourite films. In true hero fashion, Neil stepped up to the mic and, from memory and some notes cribbed from the remaining audio of Steve and Skye, re-recorded his audio 4 days after the initial recording. This was then painstakingly edited into the original audio of the other two hosts, and we hope the final product meets our usual standards. The film itself needs no introduction; we’ll let the episode cover that. Tony Stella was, in our opinion, the greatest living film poster artist, who, in his passing, leaves a hole that cannot be filled. More than that, he was a loving father and our very dear friend. Our heartfelt sympathy goes out to his family, friends, and our thanks go out to the thousands of people who have given tribute to both the great man and his incredible legacy of phenomenal artwork. Tony, this one’s for you, you’ll always be classy.

Just as they did on Episode 147, so they are doing so again on Episode 149 as the Film ‘89 team travel back in time to 1966, this time to celebrate the 60th anniversary of both a film and television show that, for a brief two-year period, was a worldwide phenomenon. Starring Adam West and Burt Ward, the television show is of course, Batman, and it would then transition to the big screen with 1966’s Batman: The Movie. Skye and returning co-hosts John Arminio and Martin Kessler, explore what made the show such a hit and take a deep dive into a film that pits the Dynamic Duo against not one, but four of their most heinous super-criminal nemeses, The Penguin, The Joker, Catwoman and The Riddler. For those weaned on darker takes on the character from the likes of Frank Miller, Tim Burton and Christopher Nolan, this take on Batman will seem like a garish, high camp, and therefore barely recognisable iteration, but sixty years on, the show and movie still have a huge and loyal following. So slide down the Bat-poles, set atomic batteries to power, turbines to speed and join us in a celebration of ‘60s Batman.

On Episode 148 of The Film ‘89 Podcast, we’re back talking Star Trek as we continue our coverage of the original crew’s big screen adventures. Having already covered the first three films for each of their 40th anniversaries, it’s now the turn of Star Trek IV: The Voyage Home, which brought an end to the “Genesis Trilogy” consisting of the second, third and fourth Trek films, where the story in each film follows directly into the next. Following the death and destruction of The Wrath of Khan and The Search for Spock, returning director and star, Leonard Nimoy, wanted a lighter tone as well as a strong ecological message, that of whale preservation, and both of these aspects, coupled with our crew playing fish out of water in a San Francisco 300 years in their past, helped the film become the most financially successful Star Trek film of them all and a firm favourite among fans. So join Skye and returning co-hosts John Arminio, Bill Scurry and Adam Rackoff in a celebration of the 40th anniversary of one of the very best Star Trek adventures.

On Episode 147 of The Film ‘89 Podcast, Skye and returning guest-host Stephen Simpson are celebrating the 60th anniversary of and also taking an in-depth look at the making of director John Frankenheimer’s epic, nearly 3-hour-long motor racing drama, Grand Prix. Starring James Garner, Yves Montand, Eva Marie Saint, Toshiro Mifune and a huge international supporting cast, Frankenheimer’s movie is a marvel of technical filmmaking that captures the thrills and danger of Formula 1 as few other films have. Filmed alongside the 1966/67 F1 season with unprecedented cooperation from the drivers and teams of the era, Grand Prix is arguably the finest big-screen representation of motor racing ever made, and a time capsule of a period when the sport was on the cusp of changes that would alter it forever.