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Send us Fan Mail Show notes: 1:00 Aaron Levi Garvey’s background  2:30 art as a tool to create conversation 5:00 art to aid conversations on difficult topics 5:30 Vietnam Memorial in D.C. 6:30 The National Memorial for Peace and Justice in Montgomery, AL 7:15 Holocaust Memorial in Berlin, Germany 8:30 ALG’s curatorial work about memory, loss of memory and internal revisions of personal history 10:00 “You Should Have Been There” exhibition’s origin 13:00 artists included in “You Should Have Been There” 15:15 ALG’s documentation project “Histories in Hand” with Holocaust survivors about survival and object memory  23:30 increased outlets to spread antisemitism and a rise in denial of antisemitism and Holocaust denial 32:00 the importance of documentation  35:00 the need for allies to speak out as a way to shift culture 38:00 defining justice as a moving target – food sustainability, safety, freedom of thought 42:00 ALG’s hope that his work will inspire reflection  43:30 ALG’s efforts to bring his Jewish heritage forward through his work   47:00 ALG’s inquiry about the documentation of the podcast  50:00 how storytelling changes based on the lived experience of the teller 52:00 How the sacred moments of our lives shift our trajectories 55:00 ALG’s family background that he carries with him 57:30 a potential exhibition about the craft of watchmaking 59:50 objects for the “Histories in Hand” project 1:03:00 ripple effect of and stories shared in the “Histories in Hand” project Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail Show notes: 0:00 Inha Cha’s comments on the takeaway she hopes listeners have to the panel discussion 0:30 introduction by Stephanie Drawdy 2:10 introduction by Haneen Alkenany 2:42 introduction by Inha Cha 3:30 introduction by Patrick McGranaghan  4:30 HA–research with visual artists on use of AI in light of creative cognition theories on divergent thinking and convergent thinking  8:00 IC–research around selective choices of AI use in the workplace in light of questions around agency and identity 10:00 HA–mixed opinions by creatives on AI use 10:35 IC’s co-authored article entitled “The Values of Value in AI Adoption: Rethinking Efficiency in UX Designers' Workplaces” – workers as artisans seeking greater agency per Economist Joan M Greenbaum (1979. In the name of efficiency: Management theory and shopfloor practice in data processing work. Temple University) 13:50 HA–AI use as part of the creative process based on artists’ personal choices of when and how to use AI  15:10 PM–paradox created by AI: need to understand AI outputs to actively avoid AI patterns and to avoid having their works seen as less valuable if suspected to be generated by AI 18:15 PM-ChatGPT's use of Studio Ghibli  19:10 Emily Gould–increase in value of human-created work 19:50 use of GI indicator model to mark / certify human-authored work 20:30 PM–Christopher Nolan’s choice not to use AI in upcoming film, The Odyssey  22:00 HA–decision when to use AI depends on the context 23:00 IC–design life cycle for introduction of AI features and value of AI for users 26:00 HA–creators’ use of AI as a controlled collaborator but not decision-maker 27:00 Gould–view of AI as just another tool 27:50 HA–democratization through AI 28:50 IC-AI-generated actor as an ex. to question who is benefiting from AI democratization and the need for balance 31:15 IC–her article’s use in AI training based on platform's general consent language – ex. of how ‘consent’ is being stretched without creators having a voice in how their content is used 34:10 PM–public outrage response to use of creators’ work without consent, e.g., IG’s withdrawal of terms and conditions that allowed use of anyone’s photos after Twitter backlash erupted to those terms and conditions 36:20 EG–Adobe’s use of data without consent 37:35 PM–violations by platforms like IG and Adobe 38:35 EG’s question to HA about creatives’ view of their work used in training data 41:25 PM–UK collective management organisation Design and Artists Copyright Society  (DACS)’s efforts to ensure dark patterns not used  42:45 HA–exaggerated fear of AI in her perspective  43:40 PM and HA on AI stages like the ideation cycle versus the story/experience and artist's intent behind their work 46:15 PM–posthumous rights in light of AI, e.g., Osamu Tezuka x AI Project  49:00 PM–AI-generated work based on Ansel Adams’ work without permission of AA Foundation  50:00 EG and PM-distinction between posthumous creation without AI versus with AI  53:00 IC–closing comments 53:30 HA–closing comments on creators’ thoughtful use of AI and HA’s personal use of AI 55:10 PM-closing thoughts  Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail Show Notes: 1:40 Markevitch’s background as an Impressionist and Modernist expert  3:30 democratization of art like the music industry 4:30 accessibility of art and how art makes us feel 5:20 unfairness of the art industry’s elitist approach  8:00 Emily Gould-inquiry on how to bring more people into the art world 10:00 art world representative’s narrow perspective on criteria to be an artist 12:45 Markevitch’s creative prompts on YouTube and Instagram 14:00 Markevitch’s perspective on AI and art 17:25 Picasso’s mantra that “bad artists copy” and “good artists steal” and his style appropriation from African art 19:05 Astrologist Neil deGrasse Tyson’s perspective on art and AI  21:45 ikonoTV and its purpose to share a feeling  23:00 the Slow Art Movement 28:25 Gould’s inquiry about the experience of art online versus with community 29:00 Philosopher Walter Benjamin’s 1935 essay, “The Work of Art in the Age of Mechanical Reproduction” 30:00 feedback about ikono.tv that includes giving individuals courage to go to museums 34:15 placing art in hospitals   37:55 launch of ikono’s meditation app: slow, feel the calm  38:55 ikono.tv’s “projects we love” page, including an art survey app to develop your “emotional garden” about an event, Sentiko.app  50:00 future of ikonoTV to include all films that feature art 51:45 legacy that Markevitch hopes to be making with her work: to bring art to the people 52:30 Markevitch’s view on the power of art: “Art is what makes us human.” 53:30 Markevitch’s inspiration 54:00 how Markevitch defines justice   Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail Show notes: 0:00 – Caterina Moruzzi on knowing the needs that standards should respond to 1:30 results of the “Authenticity Unmasked” exhibition, part of the CREATEC project sponsored by UK’s BRAID (Bridging Responsible AI Divides) and UK Research and Innovation Programme 4:00 “Authenticity Unmasked” exhibition with 3 artists responding to how AI is changing authenticity: Georgia Gardner, Kinnari Saraiya, dmstfctn 8:00 interdisciplinary aim of BRAID  9:20 “Embracing the Complexities of Authenticity” project 13:45 standards should consider the level of diversity and detail creators want included with their work-ex: creator’s intent for why they used certain tools 16:30 distributing credit and authorship 17:35 types of authenticity discussed in the Content Authenticities article 19:20 ex: Beethoven 22:40 questions raised by the use of AI to build on works by deceased artists like the Beethoven X: AI project 25:30 Matt Dryhurst and Molly Herdon’s project of training AI model on choirs recorded across the UK 27:25 change to “originality” definition 32:00 US copyright approach and A Single Piece of American Cheese 34:40 blockchain use as seen through ORAgen 39:00 pillars of provenance standard – metadata, watermarking and fingerprint 41:00 concerns of creatives from economic harm to loss of identity 44:00 jurisdictional approaches to generative AI 46:50 EU AI Act’s mandatory transparency requirements to establish content provenance under code of practice on marking and labeling AI outputs 48:45 input of creators on policy like through C2PA community 52:45 defining justice for the creative sector: equity of agency and accountability/responsibility  55:40 mark CM hopes to make in her work-to find a proactive approach  59:00 collaborative book project of CM to rethink what the material aspects of creativity mean 1:01:00 Stefania Salles Bruins’ questions to CM 1:03:25 CM: AI versus artistic workshops of artists from Rembrandt to Koons 1:07:00 CM: opt out v opt out issues as seen with AI functionality on phones  1:10:00 Emily Gould's comments  1:13:00 AI agents-possible danger of anthropomorphizing AI agents 1:16:00 authenticity 1:17:00 case study related to responsibility-reporter in war zone who doesn’t want certain metadata disclosed as seen with Georgia Gardner’s exploration of an author’s process when they don’t want all info disclosed 1:19:20 face value of ‘responsibility’ in regard to liability and the ability to receive feedback on your work from the environment such as critics even if you don’t disclose your identity 1:21:30 what creativity is, what a work of art is 1:25:20 SSB: Tolstoy’s definition of great art as requiring universality, sincerity and specificity Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail Please visit LEVA, 6th Edition's site to learn more.  Show Notes: 0:00 Prof. Stephen Urice describes Law, Ethics, and the Visual Arts  1:30 Urice's background  3:25 Hon. Simon Frankel's background 6:00 SU: evolution of Law, Ethics, and the Visual Arts (LEVA) 9:00 SF: changes in LEVA, 6th Ed. 11:40 SF: 6th Ed.’s accessibility and increased framing 12:25 SU: 6th Ed.’s shift in perspective to a more centrist presentation 14:00 SF: 6th Ed.’s usefulness for a broad audience 15:20 SU: examples of stories in 6th Ed, e.g., Naruto v. Slater, (9th Cir. 2018)  16:00 SU: Brancusi v. US, 54 Treas. Dec. 428 (U.S. Customs Court 1928)   17:25 SF: variety of materials in LEVA, e.g., articles, statutes, transcripts, novels 18:20 SF: Examples of cases about the authenticity of works and the disconnect between legal judgments and art world valuations: Greenberg Gallery v. Bauman, 817 F. Supp. 167 (D.D.C. 1993), aff’d without opinion, 36 F.3d 127 (D.C. Cir. 1994) (Calder sculpture held to be authentic by the trial judge versus expert Klaus Perls’ rejection of the work)  20:30 SF: Herstand & Co. v. Gallery Gertrude Stein Inc., 211 A.D.2d 77 (N.Y. App. Div. 1995) (remand on authenticity of Balthus drawing despite Balthus' repudiation of the work)  22:40 SU: colorful settings and range of legal issues arising in art-related cases 24:45 ethical issues arising in art-related disputes, e.g., restitution claims 26:35 SF: Museum Studies Scholar Marie Malaro, the law makes us only bearable, not honorable. 27:00 Holocaust Expropriated Art Recovery Act of 2016; HEAR Act of 2025  31:50 LEVA website and its future resources 34:10 SU: AI-generated discussions about issues in LEVA, 6th Ed. 36:00 SU: 6th Ed. updates  37:05 SF: generative AI issues in pending suits 40:00 LEVA, 7th Ed. 41:30 Feedback from readers of 6th Ed. 42:15 Tax issues covered in 6th Ed. 45:50 SF: definition of justice 47:50 SU: ethical concerns in defining justice to aim for honor  50:00 SF: mark he hopes to be making  50:55 SU: mark he hopes to be making with LEVA Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail Show Notes: 1:35 Patrick McGranaghan’s background  2:45 McGranaghan’s work with Pierre Valentin 3:05 focus on collision of culture and infrastructure 4:45 “evidential fog” around AI in the arts 6:00 abstract nature of these AI issues  7:00 his writing on these issues to navigate these issues 8:30 EU’s AI framework “recognizes the structural nature of the problem” – can’t be minor updates to old copyright debates, “AI creates problems of scale, opacity and jurisdictional arbitrage that traditional legal categories do not solve very elegantly.”  10:00 incentive for jurisdiction shopping 11:40 Getty v. Stability AI in the UK  14:05 EU AI Act’s extraterritorial obligations  15:00 EU AI Act, Article 53: general purpose models brought into EU must comply with EU copyright law, including opt out reservations; and detailed summary of training data 17:55 UK’s approach is more exposed to loopholes 19:25 opt in versus opt out systems 21:35 Kadrey v. Meta  22:55 the burden placed on creators by the opt out system  25:45 sporadic licensing deals and unclear remuneration standard 27:30 interoperability  28:40 impact of robots.txt 31:15 Alan Robertshaw re: impact of AI on the practice of law 34:50 AI defamation cases 36:20 McGranaghan - need for lawyers regardless of AI 37:25 Robertshaw - legal professions’ varied approaches to AI 38:55 AI and astronomy 40:30 moral conflict with not compensating artists 43:00 justices/injustices related to AI 46:45 market harm created by AI 49:25 definition of justice  53:05 protections that artists can use, e.g., robots.txt, metadata, units based protection, Glaze and Nightshade  58:00 mark Patrick hopes to make around AI and art   Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail Cover photo of Rick Allen - copyright Cindy Burnham, Lucky Shot Productions  Show Note:  0:00 Nautilus Productions' Co-Founder Rick Allen gives the history of Allen v. McCrory - suit against NC over Allen's footage of the Queen Anne's Revenge Shipwreck  1:20 SCOTUS’ 9-0 decision in Allen v. Cooper that the Copyright Remedy Clarification Act of 1990 (CRCA) was unconstitutional  2:00 NC’s technical arguments against Allen’s claims  2:55 court's use of pendant jurisdiction to wipe out 5 years of Allen’s case 3:45 petition for rehearing en banc denied  6:45 states’ use of sovereign immunity against creators 8:50 Jeff Sedlik’s suit over use of his photo of Miles Davis as a tattoo   9:30 Michael J. Bynum’s suit over Texas A&M University’s unauthorized use of Bynum’s 12th Man book (complaint here; dismissal of copyright infringement claims against A&M employee discussed here) 11:00 Allen’s recommendations to artists to protect their work online 13:35 Emily Gould’s discussion of LAION case  17:00 Bartz v. Anthropic - 23 June 2025 Order on Fair Use in N.D. Cal. 19:50 Allen on opt out policy 20:20 Visual Artists Copyright Reform Act (VACRA) 21:00 Gould on survey by DACS (the Design and Artist’s Copyright Society)  23:00 response to UK government’s consultations  24:00 UK House of Lord’s hearings 24:30 Allen on artists not understanding impact of generative AI 26:00 Gould on UK judgment from trial in Getty v. Stability  28:50 Gould on judgment in GEMA v. Open AI 31:55 Lauren Stein on ChatGPT and law school's encouragement to use AI  33:00 Getty v. Stability in UK – Getty’s drop of direct infringement claim and appeal of ruling on secondary infringement claim 35:50 UK’s Section 9(3) - copyright protection for original work created by a machine 39:20 Stein on copyrightability and Japan’s approach to sufficient human authorship 41:40 Gould on Beijing Internet Court's judgment in Li v. Liu 42:05 Allen’s position on AI 44:00 Gould on authenticity and human contribution 47:35 Ed Newton-Rex  Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail Photo of Zoë Buckman by Abbey Drucker show notes: 1:10 background as a multi-media visual artist 7:00 Buckman’s dialogue with agency 9:25 her use of embroidery 10:40 filmmaking 11:00 Show Me Your Bruises, Then 14:25 exhibition at the Perez Museum  18:50 power of art 22:00 Artist Tracey Ehmann   23:45 exploration of personal issues in her work  26:15 her work on Jewish personhood  34:30 erasure and gaslighting of Jewish artists 37:00 show at Mindy Solomon Gallery  41:00 Jewish people’s complicated relationship with the home 42:45 her definition of justice / injustice  45:40 how her work addresses her view of justice / injustice 49:30 use of vintage textiles 51:45 coffee table book 52:45 2027 NY show 53:30 collaboration with Actress Cush Jumbo 54:50 the legacy Buckman hopes to make with her work 56:15 multiple truths she addresses in her work Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail To learn more, please visit Ronnie Stephens' site and view his TEDx Talk 1:50 background of Ronnie’s “legacy journey” as a member of the Quapaw and Cherokee Tribes 3:30 1897 allotment of 240 acres to Stephens' great-grandfather 4:30 Quapaw Tribe’s relocation from Arkansas to Oklahoma  6:30 McGirt v. Oklahoma, 140 S. Ct. 2452 (2020) 9:00 issues identified by Tribal Leaders 10:50 Dawes Commission and Burke Act 17:00 management of allotted land 19:25 Emily Gould – question about allotted land  24:45 Keeping Traditions Alive exhibition 26:20 Killers of the Flower Moon rewritten with input from Osage Nation 27:55 Echo film involved input from Choctaw Nation 30:00 Alan Robertshaw–Prey-film with Native American heroine 31:55 Dark Winds series 33:30 policy shifts needed  38:30 NAGPRA and its amendments 43:45 education needed for cultural sensitivity  46:00 BBC Documentary: Rich Hall’s Inventing the Indian 49:20 Lauren Gowler–question about historic US federal laws 55:00 definition of justice    Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail Photographer credit: Simon Strong Here is more information about Alana Kushnir and Aurelian Lawyers & Advisers. Show Notes: 1:45 update since Alana’s 2021 interview at Ep. 43 3:45 rebranding to Aurelian Lawyers & Advisers 5:00 LinkedIn posts by Alana and Guest Work Agency 8:00 antisemitism in the arts   13:00 resignation from Australian Centre for Contemporary Art’s Board 13:35 Australian news article led to her public cancellation  15:55 Serpentine Gallery's removal of her after 5 years as the lead on its research programme, The Legal Lab 20:00 steps forward to address hypocrisy in the arts sector 20:55 service on Jewish Museum of Australia’s board 21:40 her curation of Chutzpah: Spirit. Recollection. Self. 23:20 Georgian Artist Nina Sanadze's “Call to Peace” Series 27:40 Sanadze’s use of flowers from Bondi Massacre in future sculpture 30:30 Israeli-German Artist Elinor Sahm’s "Ha'layla" 31:30 Simm’s family archive used to show a Jerusalemite-Sepheradic “Hafla” (traditional celebration and gathering) 33:35 Alana's aim to bring back the depth of Jewish culture and history 37:25 Alana’s dream project to highlight the Jewish community's contribution to Australia's culture, especially Jewish women 39:30 education to bring together Jewish and non-Jewish communities 42:50 current relevance of the Holocaust 45:00 Jewish community from former USSR at the Bondi massacre 46:50 moral courage as a form of justice 48:00 legacy to create culture not fear, to emphasize integrity and loyalty  49:15 her work with Arts Patron and Hospitality Icon Rinaldo Di Stasio  50:05  Di Stasio’s commission of Artist Sean Gladwell for a moving image work in flagship restaurant, Di Stasio Città  Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail Show notes: 1:30 background 3:30 My English Persian Kitchen 5:15 Sheherazade, narrator of One Thousand and One Nights 5:45 My English Persian Kitchen author Atoosa Sepehr’s efforts to address misconceptions about Iranians  7:30 Reading Lolita in Tehran 9:45 choice of roles that challenge the stereotype about Iranians 10:10 Apple TV series Tehran 12:00 defenders of human rights 14:25 response to Iran’s formal and psychological censorship of creative community 16:45 Artist Soheila Sokhanvari 18:30 Women Life Freedom movement 21:00 global response to human rights’ violations in Iran 23:00 the meaning of justice in terms of accountability  24:20 future projects 27:25 legacy / mark of her work  28:55 creative process and connection with other creatives Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail multidisciplinary artist/visual journalist/filmmaker/education worker Bayeté Ross Smith Show Notes: 2:00 Bayeté Ross Smith’s background, work and collaboration 7:00 relevance of colonialism in transnational issues  9:50 collective brain trust/collective culture 14:30 employing technology with storytelling 20:30 creatives’ protection of their metadata 24:40 “art” and “data” as information  27:50 “human authorship” and copyright  34:25 bias proliferation with AI 39:40 power of art and media to raise awareness  44:50 “restorative justice” to mitigate and deter harm so individuals can flourish 54:00 current and future projects, including Got the Power Boomboxes: Sugar Cane and Cotton, Hip Hop 50 Boombox, video game project and collaboration with legal community Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail Please visit Steven Gambardella's site here to learn more.  Show Notes: 1:15 background in the arts 4:00 Dutch philosopher Spinoza’s parallels with Hellenistic philosophies 5:20 Gambardella’s Become As You Are 7:30 “Stoic Kitsch” blog post  9:00 individual agency and collective action 11:00 crisis of agency 11:20 emergence of stoicism 14:00 four-fold root of virtue 20:10 four facets of autonomy, perspective, objectivity and control and their relation to the four virtues of wisdom, moderation, justice and courage/fearlessness 21:25 Steven's blog  21:45 Stoic view of justice relates to ignorance 26:00 moralism 27:00 Seneca, tutor and advisor to Roman emperor Nero 32:00 applying ancient Stoic ideas in current day 35:35 Stoicism and Philosophy Reading Group  38:30 summary of Stoicism: Virtue is the only good; and you have full control over the domain of your soul/your “inner citadel” 40:20 Stoicism at a crossroads  43:45 his hope to contribute to a revolution of the soul that encourages a view of the world that is more holistic and spiritual 45:40 Question from Susanne van der Meer about the paradox in Stoicism about the responsibility of agency versus a Stoic view of incarceration  55:00 Stoic view of fear and desire 1:00:00 Comments from Emily Gould Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail IP attorney Massimo Sterpi Massimo Sterpi photo by Eolo Perfido  Show Notes: 1:30 Sterpi’s work with emerging tech 2:30 shift in use of emerging tech/arts issues 3:55 Brazilian artist Eduardo Kac's transgenic work 4:30 blockchain / NFT as a testing area 5:10 generative AI and copyright 6:20 copyrighted works as training data  12:25 11 Nov 2025 judgment by Munich Regional Court in GEMA v. OpenAI (Case No. 42 O 14139/24) 14:20 fair use in the US 17:05 copyright of outputs 23:55 "A Single Piece of American Cheese" 26:00 Gema decision’s impact on OpenAI’s business model 29:00 UK decision in Getty v. Stability AI 32:30 harmonisation  34:20 collective licensing as a solution for AI training 36:20 view of justice/injustice with emerging tech in the arts 38:40 cultural impact of emerging tech 42:00 Christie’s auction of "Portrait of Edmond de Belamy" 43:40 2024 Venice Biennale - The Conference on Art and AI’s “The Neo-Synthetic: A Dialogue on Art, A.I., and Emergent Aesthetics” 44:30 expanding area regarding the roles involved in outputs 46:40 authenticity becoming enigmatic 47:00 attempts to create digital scarcity 47:55 different standards of creativity  48:30 neighboring rights for AI 50:00 Italy’s protection of “simple photographs” versus “photographic works” 50:40 UK’s Section 9(3) copyright of outputs fictionally attributed to human involved 52:40 Agentic AI   Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]

Send us Fan Mail Link here to learn more about Marina Heintze. Show Notes: 1:00 Heintze’s background in the arts 2:30 sculptures of Heintze's father 3:30 Heintze’s use of materials 5:30 current events addressed in Heintze’s work 6:20 Politics series – gerrymandering 7:25 Bullet proof vests – assassinations and deviseness  7:45 Holocaust addressed in her work like “Gentian Violet Violence” 8:30 "Yitler” and “Dog Whistle” pieces 9:50 Heintze’s family research that led her to work with bone planters 11:20 archival research used in her work 13:35 "The eyes are the windows to the neshama/soul"   15:20 Lure series regarding nefarious organizations  19:50 how/whether her works address justice/injustice 21:50 work related to B2 bombers 22:50 Tunnel Talk / Vision series 27:25 feedback on Tunnel Talk / Vision series 31:40 Banksy image removed from Royal Courts of Justice  34:15 Holocaust denial and free speech 36:40 Alan Robertshaw – importance of work on the Holocaust 38:45 David Irving v Penguin Books and Deborah Lipstadt – 1996 UK Judgment  42:20 facts of genocide/terrorist acts  48:10 camouflage IP 50:30 design of Arab nation flags Please share your comments and/or questions at [email protected] Music by Toulme. To hear more episodes, please visit Warfare of Art and Law podcast's website. To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].  Thanks so much for listening! This podcast and its content may not be used for training or developing AI systems without permission. © Stephanie Drawdy [2026]