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In this new episode we invite the splendid Tonya Pendleton to join us online from her adopted Philadelphia – in her own words "the City of Brotherly Love and Sisterly Affection". The former Vibe scribe turned Philly radio host tells us about growing up in New York City and listening to WBLS legend Frankie Crocker and, later, DJ Red Alert. She also remembers the internship that led to her becoming music director at WILD in Boston, where she befriended New Edition and New Kids On The Block! After recalling her stints at Def Jam and Arista Records in New York, Tonya talks about her move from New York to Philly, where she fell in with the scene around the Roots and Jill Scott. We ask our guest about the early pieces she wrote for YSB (Young Sisters and Brothers) magazine, including her 1994 interview with the infamous and now-incarcerated R. Kelly. We then move on to her fascinating XXL cover story about the late great D'Angelo, who died a year ago this week, plus Tonya revisits her 1998 trip to Paisley Park for an audience with the Prince then known as The Artist. After discussing X-rated female hip hop pioneer Lil' Kim, we mark the 20th anniversary of the classic Back to Black album by listening to clips from Amy Linden's exclusive 2007 audio interview with the amazing Amy Winehouse. Finally, William quotes from pieces about former Labour Party leader Neil Kinnock (1983) and Geese (2026), after which Jasper talks us out with his thoughts on pieces about Boyz II Men et al. (1992) and early rap icon Coke La Rock (2012). Many thanks to special guest Tonya Pendleton. Follow her on Instagram @iamtonyapendleton. Pieces discussed: Voodoo Chile: D’Angelo brings something wicked this way A Portrait of The Artist: His Purple Reign Continues When And Where I Enter: The Lil’ Kim Story Amy Winehouse (2007) Neil Kinnock: It’s My Party Geese: Barrowlands, Glasgow Voicing alarm Coke La Rock: The Bronx’s unsung hero has the distinction of being hip-hop’s first rapper

For this episode we invite the legendary Nik Cohn to join us from upstate New York to discuss his extraordinary career and his brilliant new book Corner Boy. Also joining us — from New York City — is the book's editor Ben Ratliff, himself the author of an acclaimed 2007 biography of John Coltrane. We start by asking Nik about the epiphanic teenage moment he discovered rock'n'roll in Derry, Northern Ireland, before jumping forward to his early pop writing for Queen in the mid-'60s. Along the way, Ben explains Corner Boy's conception and the book's collaborative process. Inevitably we revisit the writing and publication of 1969's explosive Awopbopaloobop Alopbamboom, plus its enduring reputation as rock's first great book. We also ask Nik about his close relationship with the Who and their manager Kit Lambert, and about Guy Peellaert and Rock Dreams; the 1976 article that gave birth to Saturday Night Fever; and our guest's abiding love of New Orleans. Mention of Nik's 2005 book Triksta: Life and Death and New Orleans Rap leads us into clips from David Toop's 1984 audio interview with hip hop forefather Grandmaster Flash, and to a general discussion of rap's impact on our guests. After Nik reflects on the 1983 drug bust that inspired the Corner Boy piece 'Apprehension', Jasper and William talk us out with their highlights from recent additions to the Rock's Backpages library. Pieces discussed: ⁠James Brown: Walthamstow Granada, London⁠,  The Shangri-Las, Tyrannosaurus Rex, Close-Up: Nik Cohn, Nik Cohn: My Book is Rubbish but it's the Best, Awopbopaloobop Alopbamboom: The book that declared pop music dead, Grandmaster Flash audio (1984), Lawrence Welk & Johnny Hodges, Love You, New Orleans, Is Elvis Belittling His Early Hits?, and Kim Gordon: from Sonic Youth to self-proclaimed "sociologist".

For this episode we're joined in Hammersmith by the much-travelled Tony Fletcher as he returns to his homeland to promote his new book POW! When UK Punk Went Pop, 1980–84. We begin by asking our guest about Jamming!, the fondly-remembered fanzine he launched in South London at the tender age of 13. He recalls the huge impact of the Jam on his adolescent life and the friendship with Paul Weller that grew out of his passion for the band. After discussing how Jamming! evolved into a proper monthly magazine — scooping early '80s interviews with Paul McCartney, Morrissey and U2 along the way — we ask Tony about the hyper-tribalism of the period POW! covers. He ponders the way punks like Adam Ant "went pop" while other bands forged a rearguard return to rock. A conversation about '80s "rockism" and its foes leads to clips from the late Richard Cook's February 1982 audio interview with U2, conducted in America just as the Irish quartet was commencing its full-scale ascent into the stadium-rock stratosphere. After we hear about our guest's post-Jamming! life as an author and biographer based in Brooklyn — and then upstate New York — Jasper talks us out with quotes from (and thoughts on) Chris Bohn's 1981 NME piece about Budapest's "semi-legal" musical underground... and a great Dua Lipa interview from 2022.

For this episode we're joined by veteran music scribe and A&R man Mitchell Cohen to discuss his long career and his brand-new book. We start in the Bronx of Mitchell's youth and hear about the impact on him of local hero Dion DiMucci. From there we take the D train down to mid-'60s Greenwich Village and relive our guest's discovery of the scene he chronicles in Wake Me, Shake: New York City, the '60s & the Pop-Rock Youthquake. After celebrating the beloved Lovin' Spoonful we turn our attention to their fellow Village denizens the Blues Project, listening to clips from Sam Williams' 2022 phone interview with Project/Blood, Sweat & Tears alumnus Steve Katz. En passant we also touch on Laura Nyro, Shadow Morton and other New Yorkers who opted not to join the '60s exodus to California. Mitchell then talks about the years he spent at Arista Records – the subject of his first book and the label to which, in 1989, he signed Dion. The heartbreaking death of Dolly Parton demanded we pay tribute to the life and art of that extraordinary woman. Having written a beautiful piece about "America's sweetheart" back in 2019, our guest is perfectly placed to explain her unique appeal. Finally, Jasper and William talk us out with their thoughts on newly-added library pieces about Betty Davis, Kelis, Trent Reznor and Sleep Token. Many thanks to special guest Mitchell Cohen. Wake Me, Shake Me: New York City, the '60S and the Pop-Rock Youthquake is published by Trouser Press and available now. Pieces discussed: Shall We Dance? Shadow and the Shangs: a teenage melodrama, David Johansen: Position Of A Vagabond Missionary, Steve Katz audio (2022), How Dolly Parton Became America's Sweetheart, Dolly Parton and Porter Wagoner, Dolly Parton: Confessions of a Power Crazed Wig-Model, Dolly Parton: American Idol, New York Report: Betty Davis, Kelis: AfroPunk, Trent Reznor: The Great Dictator and Sleep Token.

In this episode, we invite the marvellous Brian Cullman to join us onscreen from a French farmhouse in the Dordogne. The author of How to Prepare for the Past talks us through his fascinating "travels in music and time" from New York City to North Africa via his writing for Crawdaddy, Musician and The Paris Review. Beginning with his boyhood in midtown Manhattan, Brian recalls his ecstatic discovery of pop radio and WBAI's Bob Fass; his befriending of the late Lillian Roxon; and his teenage immersion in the Max's Kansas City scene. The core of our conversation concerns the period our guest spent in early '70s London, where he fell in with rising folk-rock luminaries Sandy Denny and John & Beverley Martyn and hung out with an all-but-unknown Nick Drake. We hear clips from a 1982 audio interview with Martyn by Brian's Musician colleague John Hutchinson. We jump to the end of the decade as our guest recalls his friendship with R&B legend Big Joe Turner and discusses his dual experience of being a music writer and a performing singer-songwriter. After William quotes from newly-added library pieces by Derek Taylor (1968) and about Amy Winehouse (2004), Barney harks back to a Village Voice report on "Papa John" Phillips on Broadway (1975) and a Madonna profile by recent RBP recruit Barry Walters (2017).How to Prepare For The Past: Travels In Music and Time is published by ZE Books and available now. Pieces discussed: Derek & the Dominos: Marquee Club, London, The Amazing James Booker, Emerald Sapphire and Gold, John Martyn audio, Top Tunes: Martha and the Vandellas, Martha Reeves Goes Solo, Martha Reeves: Martha's Happier Than Ever Before, L.A.: Where It's At, Amy Winehouse: Hip Hop's Jane Austen?, John Phillips on the Great White Way and Madonna's Erotica, Sex: Why Musical Masterpiece, Defiant Book Still Matter.

In this episode we're joined by special guest Tim Page to trace the arc of his career from reviewing James Chance & the Contortions to winning the Pulitzer Prize. In a conversation that's as entertaining as it is erudite, Tim recalls his teenage discovery of Rolling Stone and the subsequent influence of rock criticism on his singular brand of classical music reviewing. After touching on the 1967 documentary A Day with Timmy Page, we hear about his journey as a critic from New York Rocker to the Washington Post via the New York Times. With reference to the 2002 collection Tim Page on Music, our guest reflects on his affection for Sean O'Hagan's High Llamas and Stephin Merritt's Magnetic Fields. Merritt and his electro-pop offshoot Future Bible Heroes are then heard in clips from an audio interview by the late Andy Gill. From there we turn to another of Tim's great passions – the tragic and long-neglected Judee Sill – and pay collective tribute to what he calls her "extraordinary gifts". After William quotes from newly-added library interviews with Janis Joplin (1970) and Ozzy Osbourne (2001), Jasper talks us out with his thoughts on pieces about country singer Tom T. Hall (1973) and Dallas Austin's Highland Place Mobsters (2014). Many thanks to special guest Tim Page. Pieces discussed: The Contortions + James White & the Blacks, Minimalism: Hey, DJ, The Everlasting Forever Of Arthur Lee, Future Bible Heroes audio (2002), Judee Sill: Lunch And Judee, Judee Sill: Heart Food, Judee Sill: A Brief Life, an Enduring Musical Impression, Miss Janis — Texas White Queen Of Rock, Ozzy Osbourne, Tom T. Hall and Make It Funky: The Rise & Fall of the Highland Place Mobsters.

In this episode we invite the pioneering Geoffrey Cannon to reminisce about his stint as The Guardian's rock critic between 1968 and 1972. Commencing with the pop baptism of his first hearing Frankie Lymon & the Teenagers in a Horsham record booth in 1956, our guest talks us through his early work for New Society and The Listener — including his prescient reviews of albums by the Velvet Underground and the Mothers of Invention. He also explains how the 1969 Granada film Johnny Cash at San Quentin came about. Geoffrey then recounts how he pitched a weekly rock column to Guardian editor Peter Preston, and how he sustained it from late 1968 until 1972 while simultaneously editing the Radio Times. Clips from the late Pete Makowski's 2008 audio interview with Jack Bruce give us a chance to discuss the origins of Cream, and how the relative innocence of the '60s collapsed into the druggy decadence of the '70s. The conversation with Geoffrey concludes with our guest's post-rock adventures in writing about health and nutrition, plus his 2000 uprooting to Brazil and subsequent love of singers such as Belchior and Caetano Veloso. Finally, William and Jasper talk us out with their thoughts on articles about Ornette Coleman (1969), Plastic Bertrand (1978), Jools Holland (2004) and James Blake (2025). Many thanks to special guest Geoffrey Cannon. Pieces discussed: Pop Music Democratised, Mother's Rites: Freak Out/Absolutely Free, Aesthetics of Outrage, Johnny Cash at San Quentin was my idea, Jack Bruce audio, Plastic Bertrand, Jools Holland, Second opinion: Ornette Coleman and James Blake is taking on TikTok, Live Nation and 'Free Music'.

Acclaimed author Simon Reynolds joins us in Hammersmith to discuss his latest book. A journey through the many bands and scenes he wrote about between 1984 and 1994, Still in a Dream gives us a chance to ask our guest about shoegaze, C86 and the book's autobiographical threads. Clips from an early 2000 Jay-Z audio interview by Dorian Lynskey prompt a general discussion of the hip hop superstar whose debut album Reasonable Doubt turns 30 this week. Jasper and William then wrap up the episode with their highlights among new additions to the RBP library, including pieces about LL Cool J (1986), Rick Rubin (2009) and Randy Newman's priceless song about Vladimir Putin (2017). Many thanks to special guest Simon Reynolds. Still In a Dream: Shoegaze, Slackers and the Reinvention of Rock, 1984–1994 is published by Hachette and available now. Pieces discussed: Younger Than Yesterday, The Butthole Surfers: Deeper & Down, "Dream-Pop" Bands Define the Times in Britain, Jay-Z audio, Jay-Z: The Blueprint (Roc-A-Fella), Oscar Peterson Trio: Assembly Hall, Worthing, LL Cool J: He Has Seen Rap 'n' Roll Future, Rick Rubin and Randy Newman: And You Thought 'Short People' Was Controversial?.

In this episode we welcome Lloyd Bradley back to Hammersmith to discuss his monumental new tome Funk Is Its Own Reward. We ask our guest about what he describes as "Black America's second great cultural revolution" before learning of his own first awareness of funk as a new musical form. After we consider the parts played in the movement's evolution by James Brown, Earth Wind & Fire and Kool & the Gang, we get to George Clinton's Parliament-Funkadelic, whose mind-blowing  "P-Funk Earth Tour" of America celebrates its 50th anniversary this year. Clips from a rare audio interview with Betty Davis prompt our combined thoughts on the cult funk-rock queen who married Miles Davis and helped him fly his freak flag by turning him on to Sly Stone and Jimi Hendrix. After William discusses newly-added library pieces about the Beatles (1962) and a Marc Almond convention at London's Heaven (1986), Jasper revisits a live review of Bruno ('Uptown Funk') Mars from 2017. Many thanks to special guest Lloyd Bradley. Funk Is Its Own Reward is published by Constable and available now from all good bookshops. Visit his website at lloydbradley.net for more details. Pieces discussed: James Brown: Twilight Of The Godfather, Countdown on Parliament, from launchpad to mothership connection... We have lift-off!, A Journey to the Center of Parliament/Funkadelic, The Bizarre World of George Clinton (Parliament/Funkadelic Drop The Funk-Bomb On America), Betty Davis audio, Marc Almond Convention: Heaven Sent, Local Group: The Beatles and Bruno Mars live.

In this episode we're joined by a legend of '60s pop journalism to discuss her days at Rave magazine and her friendships with the stars of that swinging decade. Maureen O'Grady talks about the lucky break that brought her to Boyfriend magazine and her long friendship with the great Penny Valentine. She recalls her early interviews with the Beatles and the Rolling Stones before we digress into the role the UK played in hailing the Beach Boys' Pet Sounds as a game-changing masterpiece. Plus we ask our guest about Rave and its groundbreaking 1967 issue featuring Jimi Hendrix on its over. The conversation concludes with Maureen's reminiscences of the '70s, a decade in which she worked as a publicist for — among many other artists — Gladys Knight, Glen Campbell and, erm, Gary Glitter. We then celebrate Miles Davis' 100th birthday by listening to clips from the late Richard Cook's 1985 audio interview with that dark magus of avant-garde jazz. Jasper and William talk us out with their thoughts on pieces about the importance (or otherwise) of pop lyrics (2001) and the abuse meted out to female partners — from Yoko Ono to Courtney Love — of male rock stars (2025). Many thanks to special guest Maureen O'Grady. Pieces discussed: The Who did you say?, The Flower Game, The Beach Boys Visit the Animals, The Beach Boys: Complex and Intricate, Brian Wilson Remembers Pet Sounds on the Album's 50th Anniversary, Miles Davis audio, No Language, Just Sound — Looking Well Beyond the Lyric Sheet and Yoko Ono is now getting acclaim, but why do rock stars' female partners get so much abuse?.

For this episode we're joined all the way from San Francisco by Barry Walters to discuss his new history of LGBTQ music. And in our first recording since the retirement of Mark Pringle, William Pike becomes an official co-host of the RBP podcast... Barry reflects on his upbringing in Rochester, N.Y., his move to New York City, and his early writing for the Village Voice. We then hear about his years as pop critic for the San Francisco Examiner and the inspiration of gay disco icon Sylvester. Along the way our guest touches on some of the other artists he writes about in Mighty Real, including the Village People, k.d. lang and Grace Jones. We hear clips from Richard Cook's 1985 audio interview with the amazing Grace and discuss her unique contribution to LGBTQ culture. After William mentions a recently-added library piece about Ray Davies (1977), prompting a discussion of the Kinks' watershed hit 'Lola', Jasper talks us out with his thoughts on Kylie Minogue (2011) and his deep reverence for Spanish superstar Rosalía (from whose O2 show the previous evening he is still reeling...). Many thanks to special guest Barry Walters. Mighty Real: A History of LGBTQ Music, 1969–2000 is published by Viking and available now from all good bookshops. Visit Barry's website at barrywalterswriter.com. Pieces discussed: Grace Jones audio interview (1985), Ray Davies live at Queen Elizabeth Hall, Kylie Minogue: The Albums 2000–2010 and Rosalía: Lux.

For this episode we're joined by not one but two very special guests to talk about one of the great music cities. Penny Kiley is the former pop columnist for the Liverpool Echo, contributed regularly to Melody Maker and has just published the superb memoir Atypical Girl. Paul Du Noyer, meanwhile, wrote beautifully for the NME in its glory years and edited both Q and MOJO; he is also the author of 2002's exceptional Liverpool: Wondrous Place. We ask our guests about everything from the Beatles to Frankie Goes to Hollywood via Eric's, the Real Thing and the "crucial three" of Pete Wylie, Julian Cope and Ian McCulloch. We also hear riveting clips from Simon Garfield's 1999 audio interview with (Sir) Paul McCartney. After paying tribute to NME legend Keith Altham, Mark quotes from interviews with Miami soul star Betty Wright (1977) and Southern country-rocker Charlie Daniels (1979). Finally, Jasper rounds things off with his thoughts on Terris – apparently "the best new band in Britain" (2000). Many thanks to special guests Penny Kiley and Paul Du Noyer. You can find Penny's music writing on her Substack at pennykiley.substack.com; Atypical Girl is published by Polygon and available from all good bookshops. Find Paul's writing and details of his books online at pauldunoyer.com. Pieces discussed: Beatles Find Show Biz Isn't All Fun, The Real Thing haven't souled out, Liverpool's Cream: Bag Company, Articles, interviews and reviews from Penny Kiley, The Teardrop Explodes: Teardrops Rising, Eric's: An Undignified Death, Frankie Goes To Hollywood: Royal Court, Liverpool, Paul McCartney audio, Betty Wright, Charlie Daniels' million-dollar miles and Make way for Terris — the best new band in Britain.

In this episode we welcome back the marvellous Adele Bertei — five years after she first guested on our show — to talk about her amazing new book No New York. Beginning with a definition of the postpunk sub-genre "No Wave", the former Contortion recalls her experience of living in Manhattan's perilous East Village in the late '70s and playing organ behind the unhinged James Chance. She also pays tribute to the many fearless women who "shaped the scene", first and foremost the formidable Lydia Lunch. Our guest recalls working as a go-fer for Brian Eno and then being a crucial part of the No New York album the former Roxy Musician oversaw in 1978. We hear not just about Chance's Contortions and Lunch's Teenage Jesus & the Jerks but about Mars, DNA, the Bush Tetras and finally Adele's own funky feminist troupe the Bloods. After collective reflections on No Wave's slow dissolution — and Adele's subsequent '80s adventures with the likes of Thomas Dolby — Barney and Jasper rave about the week's featured artist Robyn and the week's featured audio, in which the late Chip Taylor reminisces about such classic hit songs as 'Wild Thing' and 'Try (Just a Little Bit Harder)'. Finally, Mark quotes appropriately from a 1978 Talking Heads interview and Jasper enjoys a Caroline Sullivan diss of Eminem's Marshall Mathers LP from 2000. Many thanks to special Adele Bertei. No New York: A Memoir of No Wave and the Women Who Shaped the Scene is published by Faber and available now. Pieces discussed: Nobody Waved Goodbye: Bands At Artists Space, Brian Eno's No New York compilation, Sons and Daughters of No New York: DNA, Robyn: Blonde Ambition, Robyn, Röyksopp: "There's This Idea That You're An Oddball, Far Up At The Top Of The World", Robyn: Brixton Academy, London, Chip Taylor audio, The Talking Heads sing more songs about buildings and food⁠, Eminem: The Marshall Mathers LP and It's no wonder Dylan didn't take the fight to Beijing — he was never very political.

For this episode we invite the very entertaining Jimmy McDonough to join us — all the way from Portland, Oregon — and discuss his career as "the king of the crazy biographers". Our guest explains how he moved (back) to New York from Indiana in the '80s and how he got his foot in the door at the Village Voice with a 1988 profile of country singer Gary Stewart, the subject of his new book. We then hear about the long and painful saga of his extraordinary Neil Young biography Shakey (2002) — and his singular approach to the biographical trade. Clips from Amy Linden's 1995 audio interview with Al Green give us the opportunity to ask Jimmy about his 2017 biography of the Reverend Green, after which we finally get to the 40-year gestation of I Am from the Honky Tonks and the story of his obsession with his doomed honky-tonk hero. He explains why the book felt like a mission and why Gary Stewart could and should have been a country superstar. After Mark quotes from featured writer John Morthland's review of the Monterey Pop Festival (with a namecheck for the late Country Joe McDonald) and from a 1975 interview with Tammy Wynette – another of our guest's biographical subjects — Jasper wraps things up with remarks on the Australian Folk Bitch Trio and the man who manages Yungblud (and "eats challenges for breakfast"). Many thanks to special guest Jimmy McDonough. Gary Stewart: I Am from the Honky-Tonks is published by Wolf+Salmon and available for pre-order now. Pieces discussed: Why did Neil Young try to squelch Shakey?, Gary Stewart: Honky-Tonk Puree, Gary Stewart: Out of Hand, John Morthland articles, Monterey International Pop Music Festival, Three Dog Night: Why Do The Underground Put Us Down?, Tammy Wynette, "I Eat Challenges For Breakfast": Yungblud's Manager Tommas Arnby and Folk Bitch Trio.

For this episode we welcome former Q/Kerrang! editor-in-chief Paul Rees to RBP Towers to discuss his riveting new book Raised on Radio: Power Ballads, Cocaine & Payola. An oral history of AOR (or Album-Oriented Rock), Raised on Radio gives us an eagerly-awaited chance to enthuse about an oft-maligned genre we all happen to adore. The conversation takes in most of AOR's major practitioners, from Kansas and Toto to Journey and Survivor, and incorporates clips from John Tobler's 1979 audio interview with Tom Scholz and Brad Delp of Boston. After we've exhausted these guilty-till-proved-innocent pleasures, Mark quotes from newly-added library pieces about Siouxsie & the Banshees (1982) and Chic's Bernard Edwards (1987), then Jasper talks us out with his reflections on archive interviews with George Clinton (1997) and Brutalist composer Daniel Blumberg (2025). Many thanks to special guest Paul Rees. Raised on Radio is published by Constable and available now from all good bookshops. Pieces discussed: More Than a Feeling: The 20 Greatest AOR Tracks of All Time!, American revolution: Aerosmith, Boston, Kansas and co., Hard Pop, Suburban Rock, Hall & Oates: Blue-Eyed Philadelphia Soul, The Buzz On Boz Scaggs, Nirvana: Smells like Success, Boston (1979), Heart, Siouxsie & the Banshees, Bernard Edwards, George Clinton: Funkamental and The Brutalist's score.