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Rating
5from
This podcast has
15 episodes
Language
EnglishPublisher
JordanExplicit
No
Date created
2020/12/08
Latest episode
2021/10/21
Average duration
39 min.
Release period
26 days
Description
There are two ways to listen to music. My way or the right way. Yes, you read that right. Join me, Jordan Jefferson, in my never-ending exploration of the modern soundscape, and test yourself as an active listener. I (and sometimes guests!) will dissect songs, compositions, and all pieces of sound to understand them, and in turn, appreciate every single one of them. Join me every Thursday, and become a fellow melomaniac that truly believes that there is no such thing as a BAD song.
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Check latest episodes from Bad Songs Don't Exist podcast
Episode 15 | Artists of the Future Part 3 "Do You!" ft. SlidV
2021/10/21
In episode 15 of Bad Songs Don't Exist we invite music artist (and part-time pilot!) Slid V to the table. Together, he and Jordan take a deep dive into the world of the rising artist, and explore both the difficulties and blessings of being in such a position. How can one hope to stand out in a crowd of millions? How do you know when you've "made it"? Listen in!
Episode 14 | Artists of the Future Part 2 "Originality" ft. Snowzzy
2021/08/09
In the second edition of a brand new sub-series "Artists of the Future", Jordan welcomes producer, artist, and engineer Snowzzy to Bad Songs Don't Exist. Together they discuss originality, and how it can be achieved over time.
Episode 13 | Artists of the Future Part 1 ft. Zayle, Channl, and ELAMAR
2021/07/19
In the first edition of a brand new sub-series "Artists of the Future", Jordan welcomes producers Zayle, Channl, and Elamar to Bad Songs Don't Exist. Together they discuss the barriers small artists face in their journey, how the pandemic affects the industry, and much much more!
Episode 12 | "If the lord wills it" is GOOD (feat.PAYFORLUV)
2021/06/15
In episode 12 of Bad Songs Don't Exist, PAYFORLUV returns to discuss his newest project, "if the lord wills it".
Episode 11 | Cyndi Lauper's "Time After Time" is GOOD
2021/06/01
Episode 11 of Bad Songs Don't Exist is a blast to the past to the 80's, where songs were quite often much simpler than they are today. Not everything needs to masterfully produced or expertly written to hold its own, and Cyndi Lauper's Time after Time is evidence of that fact. It's okay to be simple!
Episode 10 | Sampha's "Take Me Inside" is GOOD
2021/05/27
We've made it to our tenth episode! Listen in as Jordan discusses how emotional maturity is represented throughout Sampha's "Take Me Inside". It is a thorough twist on "sad songs", and begs the question of how dense the genre is as a whole.
Episode 9 | "The Incredibles Score is GOOD"
2021/05/25
Episode 9 of Bad Songs Don't Exist is a heartfelt blast to the past with the Incredibles. Join host Jordan as he explains the significance of Pixar music scores, and why they're so much more than they appear to be.
Episode 8 | Why Bad Songs Don't Exist
2021/05/21
Welcome back! Before we kick off Season 2, join host Jordan in this short introduction episode to address the state of the show, some new changes, as well as some opportunities for all of you to join the team :) Missed you guys!
Episode 7 | "Two Inna Bush" is GOOD (feat.PAYFORLUV)
2021/03/16
Episode 7 of Bad Songs Don't Exist takes a deep dive into the psyche of rapper, writer, and music lover PAYFORLUV. Together, he and Jordan dissect his newly released EP "Two Inna Bush", a masterclass in introspection and emotional maturity. In addition, they assess the state of the industry as a whole and determine what exactly needs to change in order to let small artists thrive.
Episode 6 | "End of the Earth" is GOOD (feat. MAVI)
2021/03/04
In perhaps the densest, most special episode to date, Jordan welcomes rap artist MAVI to Bad Songs Don't Exist. The acclaimed artist behind 2019's "Let the Sun Talk" has gone on to collaborate with other talented artists such as Earl Sweatshirt and producers like The Alchemist. Recently, he's released his newest EP "End of the Earth", a 15-minute solo project full of the clever lyricism and wisdom we've come to expect from him. So full in fact, that it turns what appears to be a simple interview into an insightful conversation that transcends the music itself.
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